Introducing, Tropica Gardens - Essential Font Trio with Bonus Editable Logo Tropica Gardens is perfect and essential combination between three fonts including bold serif, rounded sans, and authentic signature. This font trio also support multilingual, number and symbol. You can use this font for any purpose. The best part is, you don't need to search for the pairing. Thank you! - Don't hesitate to ask me at saridezra@gmail.com

Many alphabet style examples from the Speedball Textbook on pen lettering have offered amateurs and professionals a source of inspiration since its first publication in 1915. A 1940s edition presented a simple sans serif design rendered with the style ‘B’ round nib pen point, and has been recreated as the digital type face Pen Sans Rounded JNL, which is available in both regular and oblique versions.

Decima Mono Cyr is an upgraded edition of Decima Mono X fonts (released in 2014). The new version consists of the same (six) styles updated with larger character sets by extending number of Latin and Cyrillics Asian region languages. The typeface is intended for use in display sizes, but is also quite legible in text and is well suited for editorial and brand design.

Archivio is a neutral font family based on the sans-serif typefaces of the early 20th century. Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It was designed for display and text usage.

Do you want a unique and attractive display font?. Murisa Paula is the answer. This very attractive font will make you happy and excited. It has a unique shape with the edges of the letters torn to shreds, like torn paper. This type of lettering will make it easier for you to design a display product with a cracked effect or something else. Get it now.

Griaste Groovy is a cool, quirky, and fun font that can be used in many ways in your special projects. It has high contrast between thin and thick lines and shapes, which makes it beautiful and visually unique from many existing fonts. This font has alternate and ligature features to add a quirky feel to your project. Maximize your design by using this font right now.

"Demons Light" is a halloween themed font that will add horror and excitement to your Halloween party. This font is very easy to use because it has been specially designed. "Demons Light" is also equipped with multilingual support, numeral and punctuations, ligatures, uppersace, and lowercase. So that this font is very complete and is expected to be able to help your work or Halloween moment.

Really excited to introduce British Classical and British Classical Neue is a Classic serif family. It's clean and smooth with 9 variable weight combining the regular and italic and much alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. If you need anything else just shoot me on email at: Suandana_Ipandemade@hotmail.com Hope you enjoy it.

"I digitized and to revitalize NurnbergSchwabacher by the extinct Haas'sche Schriftgiesserei, a German/Swiss foundry established in 1790 and based in Basel/Münchenstein. Many of its shares were acquired by D. Stempel in 1927. On the Luc Devroye site this foundry is listed on the Extinct Foundries of the 18th century page. This design is very similar to another Intellecta best seller: Hostetler Fette Ultfraktur Ornamental, both drawn from the classical type specimen book from Hostetler. The ornamental frame that completes the font is a fantastic baroque ornament that I found in another old book, unfortunately lost now. Luc Devroye, whose book is the source for all of my fonts, writes this about Rudolf Hostettler: He was a Swiss type designer, author of “The Printer’s Terms” designed by Jan Tschichold, of "Technical Terms of the Printing Industry" (5th edition was printed in 1995), and of "Type: eine Auswahl guter Drucktypen; 80 Alphabete klassischer und moderner Schriften" (Teufen, Ausser-Rhoden: Niggli, 1958). He also wrote "Type: A Selection of Types" (1949, fgm books, R. Hostettler, E. Kopley, H. Strehler Publ., St. Gallen and London) in which he highlights type made by European houses such as Haas, Enschedé, Deberny and Nebiolo. Jost Hochuli wrote his biography.

The Hybi5 font family can be described as a “crossover” between Antiqua, Grotesque and Brushscript with characteristics from all of this genres. My aim was to design friendly and versatile fonts, which can be used for headlines or slogans as well as for some longer texts. To make the fonts useful for as many languages as possible, I added a lot of exotic accents. All styles contain the whole “Adobe Latin 3 (CE)” character set plus a few letters from “Adobe Latin 4”. A lot of ligatures prettify the look of the fonts. Alternate uppercase letters in the script style might do the same. If you are a professional designer, you will surely appreciate the thousands of kerning pairs within each style, which will make your work easier. I recommend to set Kerning to “metric” and spacing to “zero” in your layout app. Back in 2015 I worked on the first sketches of “Hybi5” using Adobe Illustrator. “Fontself Maker”, an extension for Illustrator, was used to convert the drawings into font-files. This tool can only create “OTF” font files. For this reason there are no “TTF” versions. It’s not the first font I have ever made, but the first to be distributed commercially.

Greeting the new day! Start with a new handwriting, it will make your work more creative! Introducing Rosanthie - Signature Script Font by Anomali Creative! Rosanthie is Signature script is handmade signature style font with stunning characters. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. This font can be used with all software that can read standard fonts. ------------------------------------------------------ Check out my instagram: www.instagram.com/anomali_studio Thanks so much for checking out my shop! All the best, Krisna Teja

My new font is beautiful and smooth modern calligraphic script with a straight baseline. And I also added a separate font with cute swashes at the beginning and at the end. You do not need special software, everything works simply and clearly :) Mignon will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Plantain Stencil is based on Plantain which in turn is my interpretation of Plantin Adweight, which was one of my first commissioned projects (by Smarter Image, long before they went bankrupt). Plantin Adweight is one of the most beautiful designs of the Plantin family, which is a modern revival typeface, cut under the direction of F. H. Pierpont in 1913, who based the design on that of a famous 16th century printer, Christophe Plantin, for whom Pierpont’s font was named. The stencil cut of Plantain adds a bit of sparkle to the design. Supports most European languages that use the Latin alphabet.

You begged with us..! You pleaded with us..! But we decided to release the official Richard Starkings font anyway! Yes, I am Richard Starkings and you may remember my hand lettering from such comic books as THE KILLING JOKE, TRANSFORMERS and, um, THE KILLING JOKE! Yes, finally Comicraft is making available the font that started it all -- from the pages of MARVELS, SUPERBOY, GENERATION X and, um... MARVELS! The font that Kurt Busiek, writer/creator of ASTRO CITY, really, really likes but we've always refused to make available to him. Always leave your friends wanting more, that's my motto.

'Natural Curves OG' is a friendly typeface that works seamlessly without any trimmings. It's perfect for giving any work a hand-drawn look and feel. The typeface is balanced so the eye doesn't move straight to any singular letter, which means that creating a hierarchy with other elements in your design is simple. Colour blocking to support brand identity is easy with this typeface, and it adds character simply and authentically. This typeface was created for my own brand's identity, and it's been great to add splashes of art in the form of type all over my website and collateral.

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Some time ago, my son asked me to name all Seven Seas. I had to think for a bit, because I can think of more than 7 seas (the North Sea, the Caspian Sea, the South China Sea, the Sea Of Okhotsk, etc.), but apparently these are not part of the BIG Seven. It turns out that even oceans count as ‘seas’. Long story short, I created a font, had to think of my son’s question and named the font Seven Seas. Seven Seas is a hand made serif that comes with swashed alternatives for a lot of glyphs.

There are a lot of things to say about fashion. I never really cared about what people meant was fashion, at any time of my life...well, not counting my teenage years!!! I was a teenager in the 1980ies and I was really into what was hot or not...but when I look at photos of myself from that time, I always wonder what kind of fashion trends I was following! :) Brutal Fashion is really not brutal in any way, but more attractive, nice, charming, handsome, delicate and graceful - with a stunning amount of handmade roughness!

Are you ready for the 1MB processing powerful performance? Step into the future with my wanna-be retro 8-bit powerful performance digital grafitti inspired computer font from the future...or rather...the past! I was inspired by old posters and commercials for old 8-bit computers from the late 70-ies and 80-ies. Despite the lack of powers (compared to computers and phones today) they seemed to be able to both rule the world and ease your everyday jobs. Well, the thought of all that, combined with my love for grafitti and comic text, inspired me to do this font!

In the 1949 Paramount comedy "My Friend Irma" (a film based on the popular radio series that introduced America to Dean Martin and Jerry Lewis), an opening gag set-up involving excavation work utilizes street barricades which inspired Work Crew Stencil JNL. Placed along the site, different advisories are stenciled upon barricades warning of the work in progress. The scatterbrained Irma (Marie Wilson) walks straight through the construction, oblivious as to what's going on around her and steps right into the open hole dug into the sidewalk (a scene she reprises in 1950's "My Friend Irma Goes West").

ITC Jiggery Pokery is the work of British freelance designer Carol Kemp. ITC Jiggery Pokery evolved from lettering for a project which needed to be quirky, wacky and fun," says Kemp. "The name came to me as the letters appear to jig along - it just seemed to fit. 'Jiggery Pokery' is London Cockney slang which has a variety of meanings. It's used to describe behavior such as 'ducking and diving', trickery, juggling (especially of financial matters!), or 'hanky panky'. My grandparents were Cockneys, and my uncle would use colourful rhyming slang which I loved to hear as a child.""

When Ray Larabie donated some font work files to the Stella Roberts font project, he suggested that whenever possible the design get reworked to reflect some update and change. Jeff Levine overhauled the original design and made numerous changes to end up with Seminar SRF and its oblique version. A friendly, clean sanserif with a nod to the classic Optima, this text face can easily fit into word copy or hold its own in headlines. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

I remember that my auntie once made a dish called ‘Macaroni and Smac’. It consisted of little ‘elbow’ macaroni, Spam (which in Holland was called Smac), cheese and ketchup. I am sure it didn’t contain on of your five a day, but it was delicious. As far as I know, I have eaten it only once, but it did make a lasting impression! Biscuits & Spam is a handmade ‘Western’ style font, which I found in my ‘unfinished fonts’ folder. It comes with multilingual support, a full set of alternates for the lower case letters and a really happy vibe.

Introducing my new Renaissance script typeface Pagesso. Vintage font with unique decoration elements. Perfect to use in any fashion labels, glamour posters, luxury identity, etc. What's included? * Regular style * Uppercase and lowercase * Numbers * Symbols * Punctuation * Multilingual support If Pagesso is not ok, please check Sogia https://www.myfonts.com/fonts/kaer/sogia/ or Bronzen font: https://www.myfonts.com/fonts/kaer/bronzen-abundance/ I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Lavenda font is a result of my two year classic calligraphy studies, and is based on my own handwriting. The overall look is classic, which makes it a match for invitations, place cards or other paper goods where old time elegance is required. With the glyph count just under 1500 the font has many alternates and options which makes it flexible to use. Apart from swashes, alternates and ligatures - number of fancy dingbats is also included. Again, with vast number of glyphs contained should you write in other language than English - Lavenda comes as a natural choice.

You might call this a Bodoni Ornate font that Bodoni never made, close examination of this old 1800s font and it's plain to see that the top half of the letters is very Bodoni in appearance. Apple Pie is a revival of and old font from the William Hagar Type Foundry, which I've been able to date back to 1850. The William Hagar type specimen book from the 1850s only shows this font as a caps only typeface plus numbers, later in 1869 MacKellar Smiths and Jordan offered this font with a lowercase. Over a two year period I was able to collect enough letters to begin production of this old decorative font, the type specimen books only showed a small line of text for this font so I would search through old documents on eBay and also shows relating to Ephemera. I could have easily developed a new font based on a very small sample of letters but I wanted to wait and find as many letters as possible, I was unable to find the Q, X, Z and ten lowercase letters so those missing letters are of my own design. New to this font is the addition of an all Caps Greek character set, accented letters for Eastern Central and Western European countries is also within this font. Fill fonts are available for the Apple Pie font, you will need an application that works in layers such as Adobe Photoshop, Adobe Illustrator or Corel Graphics in order to use the Fill fonts. Some Fill fonts may be used as stand alone fonts but the versions for Apple Pie look best when layered behind the parent or main Apple Pie fonts. Be sure to check out the left and right hands located on the Less Than and Greater Than keys.

This family was inspired from the French edition of Hypnerotomachie de Poliphile ("The Strife of Love in a Dream") attributed to Francesco Colonna, 1467 printed in 1546 in Paris by Jacques Kerver. He was using a Garamond set (look at our 1592 GLC Garamond), including two styles: Normal and Italic (Normal carved by Claude Garamond, Italic we don't know; it was an Italic pattern very often in use in Paris at that time). We have modified the slant angle of the Capitals used with Italics because the Normal capitals were used in both styles in the original. The present font includes all of the specific latin abbreviations and ligatures used in this edition (with a few differences between the two styles). Added are the accented characters and a few others not in use in this early period of printing. Decorated letters such as 1512 Initials, 1550 Arabesques, 1565 Venetian, or 1584 Rinceau can be used with this family without anachronism.

Lydia (Lydian: ‎𐤮𐤱𐤠𐤭𐤣𐤠, Śfarda; Aramaic: Lydia; Greek: Λυδία, Lȳdíā; Turkish: Lidya) was an Iron Age kingdom of western Asia Minor located generally east of ancient Ionia in the modern western Turkish provinces of Uşak, Manisa and inland Izmir. The ethnic group inhabiting this kingdom are known as the Lydians, and their language, known as Lydian, was a member of the Anatolian branch of the Indo-European language family. The capital of Lydia was Sardis. The Kingdom of Lydia existed from about 1200 BC to 546 BC. At its greatest extent, during the 7th century BC, it covered all of western Anatolia. In 546 BC, it became a province of the Achaemenid Persian Empire, known as the satrapy of Lydia or Sparda in Old Persian. In 133 BC, it became part of the Roman province of Asia. Lydian coins, made of silver, are among the oldest coins in existence, dated to around the 7th century BC.

Scorpio is a font based on lettering Michael Harvey drew for the card “The Sign of The Nudge” which was designed in collaboration with the concrete poet, Ian Hamilton Finlay. The purpose of the card was to prompt those owing monies to IHF, into paying promptly. Michael also used it on some of the many book jackets he designed. As such, it is a condensed design necessary to enable a lot of text to be fitted with a restricted space. Scorpio has both style and verve. It was designed to attract the attention of potential purchasers browsing the shelfs in bookshops. In fulfilling this rôle, it succeeded admirably. In all these respects, it is unquestionably a unique Michael Harvey design. When Michael died in 2013, this font existed as a drawing of the basic upper and lower case letterforms plus numerals. Andy Benedek’s contribution to Scorpio was to digitise the existing letterforms and then create the remaining characters necessary for a modern font.

Corner C is a part of Corner type family. This subfamily is designed with rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature (Corner C), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Hand-drawn by an architectural renderer's daughter, Plinth is an craftsman-inspired font that leaves a strong and lasting impression. Both capital and lowercase letters have been designed for impacting display, but are also easily read in large blocks of text. Plinth includes multi-language support as well as a variety of OpenType features including decorative alternate caps, double-letter ligatures, complete fractions, currency figures, and 4 stylistic sets. Set One replaces commonly used titles (Mr., Mrs., Miss, Ms., and Dr.) with complementary hand-drawn versions. Set Two replaces 8 commonly used prepositions (and, the, to, to the, or, of, for and at) with complementary wordforms. Set Three seats counting contractions (1st, 2nd, 3rd, etc.) in their proper superscript place. And Set Four provides a fancy alternate of both ampersand and asterisk. Plinth is perfect for the designer, architect or orderly list-maker in all of us.

Neuron Angled is based in the idea of Neuron, the original font designed in 2012 by Corradine Fonts' team, keeping from its predecessor the proportions and slight narrowness. In this version the rounded edges are replaced by sharp contours and flat endings. A broader typographic system is proposed in Neuron Angled to obtain a versatile and modern typeface without missing its original distinctive style. The neutral aspect of the family allows its application in a wide range of projects specially in those related with branding, signage and editorial design. The Neuron Angled family consists of four styles with eight weights each one, for a total of thirty two fonts. The different fonts of the family are not just complementary to each other, but can be used to complement the original version of Neuron. Its wide character map provides coverage for Western European, Eastern European and Cyrillic scripts.

Robofan is a vintage Open Type font based on the logo of reconfigurable robots (toys and characters) from the mid 1980s. The typeface was conceived when looking at the author’s own collection of Transformers, he noticed many basic drawing and spacing problems, missing characters, incorrect accent shapes and a lack of proper rhythm in the typeface used in the newest toy’s packaging, mistakes that didn't happen in the toys back in the 80s. These mistakes were so evident that the author decided to look back at the original lettering from the 80s to capture the original spirit of the Transformers. Robofan contains true small caps and has full support for Cyrillic scripts and Central European languages. The full character set consists of more than 700 glyphs. Robofan is ideal for computer & video games, merchandising and all kinds of products related to science fiction, robots, cyborgs, aliens and everything else.

Galix is a technical sans designed to look futuristic without any of the retro appearance often found in this genre. It has a squarish, slightly condensed anatomy, and is characterized by thin joints and deep ink traps that add a sparkle to the otherwise monoline typeface. In the italic styles, these cuts are accentuated even more which creates a feeling of speed in the letterforms. Galix is optimized for display typography (the ascender height is the same as the cap height, and the spacing is somewhat tight) but the middle weights are very readable at smaller sizes, where I'd recommend adding a little tracking. OpenType features include ft and tt ligatures, stylistic sets/alternates, automatic fractions, tabular, superscript and subscript figures, case sensitive forms. Perfect for websites, apps, infographics, magazines and logotypes, Galix is technical but with a warmth and personality that is often missing from this genre.

Corner D is a part of Corner type family. This subfamily is designed with inverse rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature ( Corner C ), or inversion curvature (Corner D), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

The Typeface «Mixcoatl» by Elia Salvisberg was developed as a part of a course at the Lucerne School of Design and Art in 2016. Based on the book «The Empire of the Inca», a display-font has been created, which is inspired by the graphic language of the South American Empire of the Incas. At the beginning, only capital letters were designed but there was the desire for a complete typeface – which is why the missing signs were added. The font is based on a grid, so the characters are constructed equivalently and a uniform geometric font arose. The name was adopted from the god of hunting who plays an important role in the mythology of the Aztecs and appears in various forms. The uppercase letters can also be represented and combined in two alternative character-sets, so there are a lot of opportunities to combine uppercase words in different forms.

Is your branding missing something that makes people going WOW? Have you thought about how you can add that touch of magic to your branding and projects? What if we told you that we have solution to maximize your designs? Cloudy Arolse - A Sans Serif Font Family This font is more than just another sans serif font. Cloudy Arolse is a package that will delight you. With elegance, passion, and dreamy look you’ll be sure to boost your sales and make best impressions. This font become more special with many weights option. You will get so many alternatives to maximize your design. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual Options to make your branding globally acceptable. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Rhd Studio