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  1. Entangled BRK - Unknown license
  2. Not Quite Right BRK - Unknown license
  3. Schmalfette Fraktur - Personal use only
  4. Baumarkt - Unknown license
  5. Roycroft Initials - Unknown license
  6. Burlesque - Unknown license
  7. HVD Rowdy - 100% free
  8. ParkLane - 100% free
  9. Kalenderblatt Grotesk - Personal use only
  10. Abaddon™ - Unknown license
  11. Blocked Off - Personal use only
  12. Concielian Break - Unknown license
  13. Dr. Eve L - Unknown license
  14. Lombardic - Unknown license
  15. CircuitBoredNF - 100% free
  16. Quark Outline - 100% free
  17. SF RetroSplice Shaded - Unknown license
  18. Deng Thick - Unknown license
  19. Jumbo - 100% free
  20. Shadow of Xizor - Unknown license
  21. Spacebeach - Personal use only
  22. Quadaptor - Unknown license
  23. Moby - Unknown license
  24. Metro-Retro - 100% free
  25. Shoguns Clan - Unknown license
  26. Lady Ice - 3D - Unknown license
  27. Masterforce Solid - Unknown license
  28. Rasstapp 1.0 - Unknown license
  29. XPED Bold - Unknown license
  30. GUNBATS - Unknown license
  31. D3 Littlebitmapism Suquare - Unknown license
  32. Big Blocko - Unknown license
  33. Gotenburg A - Personal use only
  34. SF Speakeasy Shaded - Unknown license
  35. Venus Rising - Unknown license
  36. Holitter Forge - 100% free
  37. Garota Serif - Personal use only
  38. Axial Caps Med - Personal use only
  39. Octavus Caps Black - Personal use only
  40. Fazeta by Adtypo, $38.00
    Fazeta is a type family that uses the optical sections. It is a modern static antiqua (it has not obliqued axis, serifs without slopes) but distant from ceremonious and rigid look of this type category. Inspiration was typeproduction from Czechoslovakia 60’s - J. Týfa, V. Preissig, J. Linzboth or A. Krátky. Common factor of this typefaces is vivid and sharp design with stable serifs, tend to rational construction rather than calligraphy and some sophisticated small details vitalized general impression. In this case are facetted asymmetrical arches (some abbreviation). Specific of this typeface is a short arch of glyph “f” that allows comfortable typesetting without ligatures obligation. In character set are besides classical ligatures discretionary ligatures for special occasions. Another surprising element is that all vertical strokes are slightly expanded upwards. These details become invisible in small text but in larger sizes impressed the eye and fix attention to headline. For traditional text feeling are here alternative glyphs “a, c, f, j, k, r, y, K, R” terminated with typical serif. Typeface is graded by optical size into 3 variants - caption (robust structure with low contrast, suitable for size 6 - 9 pt), text (medium contrast, suitable for ordinary text about 10 pt) and display (high contrast and subtle details for 20 pt and higher). Every variant has 5 weights (light, regular, medium, bold and black) with italics. Typeface is with their naked cold expression suitable for neutral text without emotional feelings. In contrast with most antique typefaces this is intended for modern glossy white paper where crisp details can excelled. Every font contains 1140 glyphs, between them original small capitals, various digits, fractions, indexes, matematical symbols, arrows, borders and many alternative glyphs. To see more please check the PDF specimen.
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