Wargear is a black display type. Simple in a good way and tough look. This font designed with tight kerning making this font a perfect choice if you want a bold way in your design. The font is great to create a logo tagline, flyer header, or even magazine title. Features: All Standard Glyphs Multilingual Support Numbering & Punctuation Thankyou for Choosing this font Regard, Grontype

Megar is a display font with a bold retro feel and available in 2 styles, regular & oblique. It is suitable to complement your work with a retro or pop art theme. Megar is sold at affordable prices and you will get lots of bonus background gradient & gradient shapes. Get this font right now! Don't miss this product from us! Also check out our other products. Viaction Type

Poster compressed is a display font made specifically for editorial and posters. This font has a super compressed character set and super tight kerning to match! This gives you the ability to create large headlines and copy for bold typographic posters and editorial pieces. This font packs punch when it comes to large copy lines and you're going to want it in your font arsenal.

Viking Drink is a display font derivative from serif family of eight weights ranging from Regular to Bold and matching Italics, which gives it a full range of expression and suitability for advertising, interfaces and corporate design. Viking Drink provides 3 FREE weights ( Regular, Italic and Bold ). It has 17 ligatures that add powerful effect when used for creating logos or headlines. It also supports many languages.

Corpulent is a display font whose forms are extremely thick, up to the extent of being nearly illegible. In the 1980s, these construction principles were explored to their very limit. So if the lyrics of Eyes Without a Face resonate in your mind, the feet turn numb in super-tight trousers, and you fancy a big hair style, this font is the one for you.

Ad Lib designed by Freeman Craw for the American Type Founders (ATF) in 1961. A bold Grotesque with irregular rectangular counters in round characters. This type was designed by cutting the letter images out and thus has some wood-cut character. Some lower case characters have slight inclination. Initially numerous alternative characters were provided. Unusual shapes make this typeface useful for advertising and display work.

Meet Dark Shade, the font that dares you to venture into the shadows where creepy and fascination intertwine. This font an aura of spine-tingling dread, perfect for instilling suspense but playful too in your designs. Whether you're channeling classic horror or crafting a display masterpiece, Nights Side versatility is your creative companion. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Candy coloured clown is a unique and quirky display font created to invoke feelings of fun and carelessness that one might experience while visiting a carnival or circus. The font has a comic strip or cartoon aesthetic with it's thick outline and bubbly appearance. Candy Coloured Clown features a broad range of highly legible characters in both uppercase and lowercase, making it a guaranteed eye catcher.

Beagley Display is a contemporary serif typeface, special designed for printing and advertising. With deliberately tight kerning. Beagley provides a warm and friendly atmosphere. Suitable for logotypes, brands, magazines and editorial. The font contains 6 styles from condensed, normal and expanded, plus matching italics. 250 glyphs include ligatures, discretionary ligatures and a wide range of flexibility for Latin language support for every typographical needs.

A paper-clip-inspired typeface with character. Agrafa is a technical but versatile display face that works well in both large and small sizes. Most of the glyphs are made from one continuous line and shows the constraints of bending a paperclip/wire. The family consist of four weights, Hairline, Thin, Light and Book, last three also comes with an oblique companion. While Hairline works best for setting large headlines/words, the Book weight can be used even for small size texts.

The futuristic forms of Neo® Sans are captured beautifully in this fine Arabic accompaniment from Patrick Giasson. The subtly futuristic forms of Neo Sans are carried through to the Arabic with aplomb, making these fonts an ideal companion to the Latin in both text and display settings.Neo Sans Arabic is available in six weights, from the airy Light, through to the heavy-hitting Ultra – all with companion italics. Ideal for multilingual projects, but just as accomplished on its own.

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

LeadSheet Pen font is my handwriting emulation of an Engraving font style. It is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, CAD, Headlines, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! The set comes with 12 weights in Light, Normal, Heavy Small-Caps and Expanded each with Italic version.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights ,10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.

Incognia is a sharp and high-contrast long-serif type family of 10 fonts inspired by classic roman typography. Ranging from light to bold with matching italics, Incognia offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for display purpose such as titling or headlines, branding, editorial, book covers, and packaging. Incognia has extended latin character set that supports 200+ latin-based languages.

Elgraine is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern touch. Ranging from thin to black with its matching italics, Elgraine offers many possibilities to be applied in many graphic or editorial projects. The light and regular weights are suitable for long paragraph, and the heavier weights are perfect for striking headlines, perfectly suitable for display purpose such as branding, editorial, and packaging. Elgraine has extended latin character set that supports 200+ latin-based languages.

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from light to heavy, to condensed and expanded with matching italics. The font contains a character set of 401 characters supporting 206 different languages.

NorB Note is a handwritten text font with an angled fat marker lettering style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Note comes with 3 weights, each with their matching Italics, Oblique and in a Light, Normal and Condensed version. (a Chalk version is also featured!)

Surfers South is an expressive signature font combine with extra sans display. With light mono-line stroke, fun character with a bit of ligatures. To give you an extra creative work. Surfers South font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Surfers South font. Cheers, Maulana Creative

Alternox fonts is a new futuristic multipurpose sans serif font family with sophisticated geometric shapes. You can use it in a modern, clean and professional design. This font is perfect for your various projects such as logos and brand identity, technology, business cards, web, stationery, displays, sports and more. Alternox fonts feature opentype, kerning, ligatures and alternates packed in 6 fonts: ExtraLight, Light, Regular, SemiBold, Bold, and ExtraBold. Alternox fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Heirloom grew from an interest of soft and friendly forms from the 1970s, with respect to the time's chill vibes and natural earthy roots. Its refined approachable characteristics allow it to be very readable carry a modern relaxed attitude. Available in 3 weights: Light, Regular and Bold. Any weight can be used as a display type, logotype and/or headlines, and lighter weights would work in bodies of text. The font pairs well with natural, historical or vintage graphic elements.

Krower is a Caps and Small Caps Display Serif font. With light contrast stroke, Strong character with a bit of ligatures and alternates. To give you an extra creative work. Krower font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or script. Make a stunning work with Krower font. Cheers, Maulana Creative

Elpy is a friendly rounded sans serif workhorse family inspired by all things music! Spanning 22 Condensed and Regular weights with true italics, Elpy will fit right in with your record collection and your font collection! The Elpy family includes language support for Western and Eastern European languages, Greek and Cyrillic. Ian Lynam dreamt up Elpy one day when he visited a record pressing plant outside Tokyo, watching vinyl pellets being melted down and a fresh batch of 7-inch records get pressed. Despite the smell, a seed was planted that would be extruded into Elpy's rounded forms half a year later... Elpy Light and Regular function as highly readable text typefaces, while the bolder and lighter weights are perfect for display work. Elpy's rounded terminals make the family perfect for screen-based work, as well as for print conditions of any resolution—from offset to Risograph.

This family is very special to me. I started working on it right after my first son was born. I decided to name the typeface "Servus" which means "Hello" in my country. The whole idea of the family symbolizes a child’s growth. It starts with Thin and Narrow weights - just like a newborn baby - then it slowly grows to Black and Wide. As You can guess, my son is quite chubby now! And I can assure You that I put all my love into details. Servus consists of 9 weights which gives us 18 fonts with matching italics. Lights and Bolds, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides good legibility in long texts. Servus covers all latin languages. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies.

Drawn with a loose hand and keeping the eye off what's considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit) It's an unpredictable font that just wants to have some fun!

Salty Cracker is a display font with Black Letter elements. The symbols have a nice shape and long ascenders and descenders. Display font Latin

Helado is an elegant, modern sans-serif font, based on the idea to work as close as possible on the geometric forms of the circle and the square. Following swiss design classics Helado comes in these weights: LIGHT, REGULAR, BOLD and EXTRABOLD. Helado might be used as a headline font, for any kind of layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

Axia is a robust sans serif of concise letter forms. It comes in ten weights from Light to Black with extended language support, a host of OpenType features including Small Caps, multiple figure styles, and more. Each, the roman and italic weights harmonize perfectly in line width. Text set in Light or Black results in the same fit. Stencil display weights with a unique aesthetic and perfect for captivating type sizes add further distinctive options to the typographic palette. The stencil display weights consist of abstract floating parts that seduce the eye and form nicely proportioned type when united. Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities™ typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. Orchestrated from scratch, the inner arched strokes off the stem on the lowercases 'n' or 'd', for example, progressively open the letter forms and express conceptual clarity throughout the system. A feature doing double duty that contributes to great legibility in the heavier weights and attributes to the versatility of individual weights.

Layal is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Layal employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Layal family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Layal is available in normal, bold, black, light, and extra light, each both in regular and italic styles.

Rosyidun is an authentic and geometric Arabic display font. Its capital letters and forms are rotated, creating a visually stunning display for captions, posters, or headlines. You’ll fall in love with the beautiful and ornate patterns of the Arabic Display font. The perfect addition to any design project.

Introducing Phoenix Display Serif Typeface: Elevate Elegance to New Heights Evoke a sense of regal charm with Phoenix Display Serif – a font that embodies luxury and grace in every serif. Crafted for the most sophisticated projects, from upscale branding to premium stationery, Phoenix Display Serif adds an aura of elegance to your designs. Illuminate your creativity with a touch of grandeur – experience Phoenix Display Serif and reignite the art of luxury typography.

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

Seconda XtraSoft is the extra soft companion of Seconda and Seconda Soft. Friendlier, easier on the eye, more informal, more fashionable — but still the refined and reliable Seconda. Seconda XtraSoft’s extra softness comes from the moderate rounding of both the edges and the inner corners of its characters. Seconda XtraSoft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda XtraSoft in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its interesting details. For more information about Seconda XtraSoft, download the PDF Specimen Manual.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

M Finance is a design inspired by the popular M Elle. M Finance incorporates features of M Yuen or other rounded Gothic-style typefaces. Crossbars (橫) and stems (豎) have squarish entry and finial points with slight round corners, parallel without flare. Thick-thin contrast of strokes is low and the text is visible. Its extra bold stems (豎) make it suitable for eye-catching display. Even distribution of space, careful positioning, size and proportion of radicals create a slightly expanded, opened and balanced construction. Its features and construction create a feel of subtle sharpness and stiffness with wholesome elegance. It is best suited for casual display text, illustrations, set upright (non-slanted), non-condensed.

Dexter is an original new typeface creation by Alex Kaczun. It is a warmer, more sophisticated grotesque that is both fun and interesting. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. This intriguing sans with distinctive letter shapes is typical for display fonts of the late 19th and early 20th centuries. Dexter is ideal for titles and headlines looking for impact and style. Dexter is also an excellent choice for magazines, books, posters, brochures, flyers, etc. The large Pro font character set, which supports most Central European and many Eastern European languages, also includes a corresponding small caps font along with old style figures.

M Finance is a design inspired by the popular M Elle. M Finance incorporates features of M Yuen or other rounded Gothic-style typefaces. Crossbars (橫) and stems (豎) have squarish entry and finial points with slight round corners, parallel without flare. Thick-thin contrast of strokes is low and the text is visible. Its extra bold stems (豎) make it suitable for eye-catching display. Even distribution of space, careful positioning, size and proportion of radicals create a slightly expanded, opened and balanced construction. Its features and construction create a feel of subtle sharpness and stiffness with wholesome elegance. It is best suited for casual display text, illustrations, set upright (non-slanted), non-condensed.

Eisley started as an experiment with creating brushes in illustrator. I began by drawing each letter and tweaking until each one balanced next to one another. I painted over 50 paint brush strokes to give a variety of different looks to the final characters. Strategically crafted to look as real and as spontaneous as a sign painter might paint up (although possibly running a bit dry on paint giving the end result a vintage and grungy effect). Eisley is perfect for use in any design branding that requires vintage or distressed display lettering. Eisley is perfect for use in any design branding that requires vintage or distressed display text. Great fun to use AND personalize with your own flair.

Linotype Sansara, from Swiss designer Grégoire Poget, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This fun font is a type experiment behind whose oriental facade hide Arabic letters, recognizable only at second glance. This font displays generous, pointed ascenders and descenders as well as a bar-like emphasis on the upper third of the figures which connects lines and words and gives them a decorative look. Linotype Sansara reveals an astounding variety of details which bring to mind 1001 Arabian Nights, flowing gowns and snake charmers. This font is best for display in point sizes of 14 or larger.