1,335 search results (0.015 seconds)
  1. The font Chicago House_trial by The Original 19 evokes a sense of nostalgia while simultaneously embracing modern design sensibilities, making it uniquely versatile and appealing. This font, with its...
  2. Clubland is a dynamic and vibrant font that captures the essence of night life, music, and exhilaration. Its design feels like a dance of letters on the page, embodying the energy and pulse of electr...
  3. East Anglia is a distinctive font creation by Bill Roach, a designer who clearly has a nuanced understanding of typeface design and a keen eye for merging traditional influences with a contemporary f...
  4. Teatral is an intriguing typeface designed by Tobias Sommer, who is also known by his online alias "Shasta." This particular font is a testament to the convergence of artistic flair and typographic f...
  5. The MonaKo font by Manfred Klein is a distinctive and creative typeface that beautifully encapsulates the essence of artistic expression and modern design sensibilities. Manfred Klein, known for his ...
  6. The Flying Saucer font by Vladimir Nikolic is an intriguing and captivating typeface, which seems to draw its inspiration from the retro-futuristic aesthetics associated with the mid-20th-century fas...
  7. Ingleby Regular is part of the Ingleby typeface family, designed by David Engelby, a typeface designer who brings a detail-oriented and thoughtful approach to his creations. This particular font, Ing...
  8. The Rudelsberg font, crafted by the talented type designer David Rakowski, embodies a fascinating blend of traditional charm and modern flair. This distinctive typeface carries within its letterforms...
  9. Uechi is an intriguing font, born out of collaboration and creativity. Created by American composer and typographer David Rakowski, Uechi is not just a typeface but a reflection of an artistic journe...
  10. The font "3x3 dots Outline" by dustBUSt Fonts is an intriguing and distinctive typeface that captures the essence of both minimalism and creativity. True to its name, this font utilizes a unique comp...
  11. WinterthurCondensed is a captivating typeface designed by the accomplished German type designer, Manfred Klein. This particular font is named after the Swiss city of Winterthur, suggesting a connecti...
  12. Juvelo is a distinguished typeface crafted by the adept type designer Barry Schwartz. It stands out as a testament to Schwartz's commitment to producing fonts that not only serve practical purposes b...
  13. Edmunds, a captivating font crafted by the renowned Canadian type designer, Ray Larabie, stands as a vivid testament to the harmonious blend of tradition and innovation in typography. Larabie, known ...
  14. FontFabric, one of the prominent foundries in the type design industry, has a knack for crafting fonts that not only serve the basic need for legibility but also infuse character and style into writt...
  15. The Running Shoe font by Levi Halmos is an imaginative and dynamic typeface that captures the essence of speed, movement, and athleticism. Its design is visibly inspired by the contours and sleekness...
  16. The New Cicle font, created by La Tipomatika, is a distinctive and versatile typeface that stands out for its clean lines and contemporary aesthetic. Its design is rooted in geometric shapes, which g...
  17. Charon's Obol by David Kerkhoff is a distinctive typeface that embodies a blend of historical allure and modern versatility, making it a unique addition to any design project that seeks to evoke emot...
  18. As of my last update in April 2023, "Gamera" is a distinct font created by Harold Lohner, an artist known for his eclectic and wide-ranging typeface designs. Drawing inspiration from the world of fan...
  19. "Dot Your Eyes" by StimulEye Fonts is a creative and quirky font that plays heavily on the theme of dots, embodying a playful and somewhat whimsical character. This font sets itself apart through its...
  20. The "id-Cinema-LightOT" font, designed by Inoue Masaru, is a charming and versatile typeface that offers a unique blend of elegance and whimsy, making it perfect for a wide range of creative endeavor...
  21. The CosmosCaps font is a distinctive typeface that was developed by Altsys Metamorphosis, a name that evokes the transformative and innovative spirit in font design. Altsys Metamorphosis, known for i...
  22. Jasper BRK, designed by AEnigma, stands as a distinct and versatile typeface that captures the attention of both designers and viewers alike. This font belongs to the unique family of fonts created b...
  23. The Spylord Bold Expanded Italic font, crafted by Iconian Fonts, is a distinctive typeface that effortlessly captures the essence of modernity fused with a dramatic flair, making it an intriguing cho...
  24. As of my last knowledge update in April 2023, "URAL 3d" by Fenotype appears to be a specific font design that, while not universally known in existing major font directories, may be part of a special...
  25. Equilibrium is a font that masterfully balances beauty and functionality, embodying the essence of stability and harmony in its design. Imagine each letter crafted with a meticulous eye for detail, w...
  26. As of my last update, Hitch is not a widely recognized or standardized font within major typographical databases or among commonly listed typefaces. However, let's imagine what a font named Hitch cou...
  27. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  28. Schmalfette Fraktur by Dieter Steffmann is an intriguing font that captures the essence of historical German printing and manuscript traditions. Dieter Steffmann, known for his passion for reviving v...
  29. RomanticFont2, as its name suggests, is a font that breathes life into the essence of romance, elegance, and an exquisite touch of delicateness. Crafted with a keen eye for harmonizing the traditiona...
  30. The Kimberley font, designed by the esteemed typographer Ray Larabie, stands as a testament to his ability to meld precision with creativity in his typographic creations. This particular typeface is ...
  31. Manta is a highly versatile and visually captivating font that draws its inspiration from the grace and fluidity found in the natural world, particularly the manta ray's elegant movements through the...
  32. The Ben-Zion font by Iconian Fonts is a captivating typeface that draws inspiration from a mix of futuristic elements and classical typography principles. Iconian Fonts, known for their extensive ran...
  33. The Two Tones font is a distinctive and innovative typeface that captures attention with its unique design approach. As the name suggests, this font plays with the concept of dual tones or contrasts ...
  34. As of my last update in April 2023, there may not be a widely recognized or standardized font specifically named "Evil Cow" as it does not appear to be among the commonly referenced fonts in graphic ...
  35. The GirlieLeslie font by Fontalicious is a playful and whimsical typeface that seems to exude a sense of fun and creativity. Designed with a certain light-heartedness in mind, it's the kind of font t...
  36. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  37. Deco Pimp by David Kerkhoff is a font that effortlessly marries the extravagance of Art Deco with modern design sensibilities, resulting in a typographic experience that is as lush and daring as it i...
  38. Holitter Lines is a captivating display font crafted by the innovative Holitter Studios, designed to make a striking impression at first glance. With its unique blend of elegance and modernity, this ...
  39. As of the last update to my knowledge in April 2023, "ALPHA" could either refer to a specific font design in use or be a hypothetical example due to the vast number of fonts available worldwide. Assu...
  40. Unfortunately, I can't give a detailed, current description of the "Motorcade" font by Ray Larabie, as my latest update was in April 2023 and I might not have the latest details on this specific font...
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