Easy Fleurons are highly decorative yet generic enough to add very interesting detail to just about any design.

A Warholesque Rogue's Gallery of extras from one of my mental movies. Creepy. Kooky. Mysterious. Spooky. 72 characters.

Some vintage Beacon metal door letters used for identifying addresses on home and business buildings was spotted in an online auction from England. Those few letters were the inspiration for Home Address JNL, which is available in both regular and oblique versions.

A vintage French metal marking stencil for Comandon and Company was the inspiration for the 1400th type design from Jeff Levine Fonts. Dijon Stencil JNL is a condensed serif design with thin stroke weights and is available in both regular and oblique versions.

A modern display typeface with ultra sharp detailing. The unique line style takes influence from earlier fonts produced in the 1970’s by Letraset. These lines are then blended with a stronger letterform creating a more visually dynamic font suitable for today’s market. Details include: three unique styles, all caps character set with alternatives, manually edited kerning and Euro symbol.

Kuro is a precisely rendered sans-serif type family. Modern geometric forms combined with subtle detailing create a charming, straightforward and versatile design. The lighter weights bring a contemporary touch to body copy while the bold weights add the strength of character to branding, identity and packaging. Details include eight weights, over 450 characters, manually edited kerning and Opentype features.

At text size, Brown is a classic grotesque, distinguished by its semi-condensed proportions—especially in the capitals, which harmonize well with the lining figures—and an exceptional clarity in certain high-resolution media, such as offset printing, achieved by micro-detailing. At display size, the detailing provides the otherwise austere forms of the neo-grotesque with a subtle wealth of visual interest.

Curves accent is based on the idea of accents. We add small details to increase interest. Some say small details make all the difference; the font seeks to prove this. This font is fun, open, and ready to accent any work it is placed on. It may very well be used to add the special touch most people would love to see.

A compact sans serif with a technical origin. Each character was drafted out from a grid template and then refined through the application of subtle curved detailing. The result is a precise, contemporary typeface best suited to identity, mobile and video game development. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

A set of typeface that combine detail features from different style of serif typeface originally designed for screen use.

Easy Fleurons Two are highly decorative yet generic enough to add very interesting detail to just about any design.

TOMO Astoria is a handmade typeface with clear Art Deco roots. Ideal for illustrative posters and subtle details. Have fun!

The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b or by using the historical alternate OTF feature.

Amongst a number of items for sale in an online auction was a font of metal type featuring a thin, condensed serif font with decidedly Art Deco styling. This was the inspiration for Department Store JNL, which is available in both regular and oblique versions.

This font began life as a metal type called Duerer, from the Boston Type Foundry about 1890. A wood type maker copied it, and that's where we got it (in Guadalajara, Mexico, already! Some people travel to see the sights; we travel to collect type.)

The titles in various sections of an 1890 catalog for stencil manufacturing supplies were set in metal type that closely resembled the lettering found on a typewriter. These examples became the basis for Victorian Typewriter JNL, which is available in both regular and oblique versions.

Introducing the "Violent Brave Brutalism Typeface" - a cutting-edge font that seamlessly merges modern aesthetics with a fearless and commanding metal concept. This typographic masterpiece is designed for those who seek to make a bold statement with their visual communication. Design Concept: The Violent Brave Brutalism Typeface exudes an uncompromising and audacious personality. Inspired by the world of heavy metal, the font features fierce and firm spines, capturing the essence of raw power and strength. The design strikes a perfect balance between modernity and bold brutality, making it a standout choice for those who crave a unique and impactful typographic experience. Style Characteristics: The font boasts a distinctive metal-inspired aesthetic with sharp edges and robust letterforms. Each character is meticulously crafted to convey a sense of aggression and intensity, creating a visual impact that leaves a lasting impression. Glyph Diversity: With an expansive set of 1240 glyphs, this typeface goes beyond the ordinary. It includes ligatures, alternates, and a comprehensive multilingual character set. The ligatures and alternatives add fluidity and variation to the text, allowing for a dynamic and expressive display of content. The multilingual PUA Unicode support ensures compatibility across various languages, making it a versatile choice for global communication. Usage Scenarios: Ideal for graphic designers, musicians, and artists who want to inject a dose of unapologetic boldness into their projects. Whether used in album covers, posters, merchandise, or any other creative endeavor, the Violent Brave Brutalism Typeface is designed to command attention and convey a sense of fearless individuality. Key Features: Modern and bold metal-inspired design. Fierce and firm spines for a powerful visual impact. 1240 glyphs with ligatures and alternates for versatility. Multilingual PUA Unicode support for global accessibility. Incorporate the Violent Brave Brutalism Typeface into your projects and let your words roar with the intensity of a metal anthem, making a lasting impression on anyone who encounters your design.

The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.

Hi! Introducing handcrafted high detailed font BITE HARD. It has four variations to help you easy recolor and combine lettering compositions

Posterizer KG Rough is basically a hand-printed texture version of the Egyptian Slab Serif font Posterizer KG that already exists. Posterizer Kg Rough looks good on substrates with a rustic texture like wood, metal, textile, rough paper. It contains all the Latin and Cyrillic glyphs.

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

Favorite Stencil JNL is inspired by and modeled after the classic hot metal typeface "Ludlow Stencil"; a design that enjoyed popularity around the 1950s and is not to be confused with Ludlow's similarly-named "Stencil" which was released in 1937. Available in both regular and oblique versions.

Forme Furniture Type Em and Furniture Type En Designed by using the pieces of letterpress furniture usually hidden, to create letter shapes. The square nature of the type means it could be used as a low resolution type. Forme Furniture Type Em – Low resolution type. Designed using *Furniture and **Em quads from letterpress printing. *Furniture: Pieces of wood or metal placed around or between metal type to make blank spaces and fasten the printed matter in the chase. ** Quads: (originally quadrat) is a metal spacer used in letterpress typesetting. An em quad is a space that is one em wide and one em high. Also available as Em Shadow to be used as a headline or display font. Forme Furniture Type En – Low resolution type. Designed by using *Leads and ** En quads from letterpress printing. *Lead or Reglet is a piece of Lead or wooden spacing material used in letterpress typesetting, to provide spacing between paragraphs. **An En quad is a space that is one En wide half the width of an Em quad, and the same height as the typeface. Also available as En Shadow to be used as a headline or display font.

Blanchard is a revival and elaborate extension of Muriel, a 1950 metal face made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud. Blanchard is a script that embodies the post-war narrow decorative aesthetic that would become the instantly recognizable feature of that era’s design. Its high ascenders corners make it the tuxedo of fonts, with slight and casual angles gradually revealing a trustworthy confidante, and sharp corners signaling a most expressive ally. Font. James Font. This digital version updates the original metal shapes to work within today’s design tools and designer needs. Some of the questionable metal shapes were optimized, plenty of alternates were added, and as many as five ending forms were built for most lowercase letters. Overall, this is one of the most useful packages for book cover, magazine and packaging design. Blanchard is available in all popular formats. Blanchard Pro combines all five fonts into a single one that makes use of OpenType’s cross-platform compatibility and programs that support OT’s fine typography features, like recent versions of Adobe InDesign and QuarkXpress.

Super fresh paintbrush style lettering with a definite graffiti slant. Reverse italic and highly detailed these hand-made letters, splats, swipes, numbers and symbols give an energetic human feel to your custom text. This font is an all-caps style with no real lowercase letters however the single font actually contains 3 full alphabets (78 individual letters) so you can mix and match to create endless unique letter combinations. Fresh Paint also includes several highly detailed paint splatters, brush strokes and swipes to use along with your custom lettering. All glyphs are created from hand made, painted letters, all splatters and strokes are made from real specimens & have sufficient detail to work even at very large sizes.

Sporting pot-hook serifs and a tiny aperture, the Scotch Modern was an evolution of the Didone and Scotch Roman classifications, becoming the default type genre of the 19th century. Recontextualizing the 10-point type of a scientific report published in 1873, Nick Shinn has produced sleekly refined, micro-detailed vector drawings by eye, without the assistance of scans, of this magnificent classic. A beautiful genre of type, so popular in books, magazines and advertisements during the Victorian era and much of the 20th century, the Scotch Modern was derided by advocates of both the Arts & Crafts movement and 20th century modernists, and was never been properly adapted to hot metal, phototype, or digital media -- until now. Now the full range of typographic expression is possible in this style. The OpenType fonts support Western and CE encodings, Cyrillic (with Bulgarian alternates) and Polytonic Greek. There are many special features, including small caps, unicase, italic swash capitals, ten sets of figures per font, and both slashed and nut (vertical) fractions. Together with Figgins Sans, comprises The ModernSuite of matched fonts.

Diad was born on 2000 in order to design posters about second World War. The original idea was obtained by breaking, burning and getting wet a bunch of written copies with an old writing machine. Today, Diad is a small typographic system useful for bringing relevance to any content with a grunge look. Each and every detail passed through a strict experimentation process. Its outrageous and unconventional spirit travels from high leveled corrosion, up to a delicate visual neglect. Diad 2 and 3 work for designing words. Diad 1 is ideal for long phrases and titles. Diad dingbats includes 26 illustrations about motocross. In total, adding Diad 1,2 and 3, it has around 260 glyphs. Diad will make your design shine providing different graphic atmospheres, optimizing time and work to its users. Diad is perfect for graphic design on contexts such as death metal, drum and bass, films, war and horror video games. It could work also for logos, words, titles and short texts in covers, tags, clothes, wraps, cards, stickers, toys, bicycles, surf boards, etc.

Mineraline is inspired by the crystalline, faceted forms of minerals. This unique display typeface is made of a complex linear structure, giving the letterforms a dynamic, intricate and dimensional feel – especially suited to display use in very large sizes. The unique linear structure allows the line-weight of the character framework to be varied, to give the family a varying ‘visual’ weight, rather than altering the traditional stroke width. Used at smaller sizes, the type is incredibly detailed, almost woven looking. At larger display sizes the framework and bevelled joints become more obvious and striking. From the delicate Light through to the solid and angular Ultra, Mineraline is perfect to give your work a distinctive, modern and creative edge. Its multiple weights are ideally suited to work across Branding, Logo & Identity, Retail, Point of Sale, Packaging, Advertising, Fashion, Digital and Film, or any other experimental graphic and typography tasks.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

Carbon Neutral has a distinctly human style - lettering done cleanly with care -- not mass-produced nor mechanical. Get smooth typography which upon closer inspection is gritty & grassroots. The small details make this font friendly & inviting. Carbon Neutral has an exceptionally high level of detail which may cause your graphics program to operate slowly. Carbon Neutral is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Swifted is a modern and stylish typeface with unique details. This font works best in bigger sizes, useful for headlines, titles, or shorter texts. You can see the beautiful details in any characters that will make the font more fashionable. This font contains a bunch of essential ligatures that will make your presentation or logo even more stunning and stand out! Swifted also support Multi Language and already PUA Encoded!

Heft is a heavy slab serif that packs a powerful punch. Available in square-cornered and rounded versions, each with italics, plus two distressed variants — an inky version that evokes the urgency of cheap hot-metal printing, and a worn, distressed version that suggests vintage woodtype or photocopied text.

Landry Gothic is inspired by a wood type alphabet by an unknown designer. It was digitized in order to make prop signage for movies and television. Its imperfect lines and rounded corners are meant to capture the feeling of real wood or metal type that's worn from use.

Rotham Industrial. Stylised lettering for industrial flavoured projects. Imagine, if you will letters shaped from metal tube, or perhaps from a solid rod, or perhaps made from brass handrails? You get the idea. A stylised and fun typeface for those occasions where you want to suggest an engineering influence.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.

Here is a wood type from Tubbs & Co., about 1900. Its lack of decoration reflects the changes that were rapidly occurring in the design of printed pieces at the beginning of the 1900s. There were several similar types in metal in the first decade of the 20th century.

Based on the fin-de-siècle Helios Reklameschrift of the Klinkhardt foundry, Leipzig, Affiche preserves the beautiful art nouveau character of its hot-metal forerunner and was carefully extended to make it multilingual. For more historical authenticity, you can use the long s by typing [alt] and [b].