Rosewood font, like its relatives Zebrawood, Pepperwood and Ponderosa, was created by the designer trio K.B. Chansler, C. Crossgrove and C. Twombly, and has its roots in the slab serif style. The first weight displays the simplicity typical of display typefaces at the end of the 18th century. The other weights are playful variations on this theme. The tendency toward display and ornametal typefaces began with the English Industrial Revolution. The introduction of new machines made mass production possible in the print industry, a technique meant to constantly produce new and unusual products to sell to more and more consumers. Many of the typefaces created in this time were meant simply to catch attention and to advertise products. The two ornamental weights of Rosewood reflect this tendency and never fail to catch the reader's eye. Rosewood, like Zebrawood and Schwennel, is a bicolor font, meaning that the weight Rosewood fill can be used as a decoration for the inner spaces of Rosewood regular.

Gothic Gothic is a fusion of old and new that is both Gothic and Gothic. In typography Gothic can refer to German Blackletter or Old English styles. Gothic can also mean block or sans serif style lettering. By combining and balancing the elements from both of these ideas we have created a contemporary extended block letter typeface. The Gothic Gothic family contains 2 companion fonts. Gothic Gothic Text is a more minimal variation that has a more roman looking style while still retaining some Blackletter feel. Gothic Gothic Black is a bolder version designed to tend more toward the Blackletter style of Gothic with more contrast of stroke and a few of the more unusual Blackletter forms thrown in for flavor. Gothic Gothic has been honored with an award of Excellence in Type Design from Association Typographique International (ATypI) in 2001. Typeco has updated this font and has released it as an expanded family. Gothic Gothic is a crepuscular family of 3 fonts

The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. American Type Founders presented a Caslon in 1905 which is true to the forms of the original. This font is relatively wide and comes complete with small caps and old style figures.

Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

Janna is designed by Lebanese designer Nadine Chahine. It is based on the Kufi style but incorporates aspects of Ruqaa and Naskh in the letter form designs. This results in what could be labeled as a humanist Kufi, a Kufi style that refers to handwriting structures and slight modulation to achieve a more informal and friendly version of the otherwise highly structured and geometric Kufi styles. Janna, which means heaven" in Arabic was first designed in 2004 as a signage face for the American University of Beirut. So, the design is targeted towards signage applications but is also quite suited for various applications from low resolution display devices to advertising headlines to corporate identity and branding applications. The Latin companion to Janna is Adrian Frutiger's Avenir which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages."

Airates, this is my first font, as the name suggests and because this is my first font that I introduced to the world. Inspired by a film where someone who loses all and returns to struggle to find meaning in life that actually clings to the edge of the world and that's where the beginning of a story seems to be reborn. Airates Script Fonts is a typeface thick and easy to read so comfortable to wear .You can use it as a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, business card, and wedding invitation and more. The flowing characters are ideal to make an attractive messages to your taste. mix and match with a bunch of alternative characters to fit your project.It will be more interesting if you add swash / alternative swash. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

∙Kalender is designed as a high-contrast modern serif for display use. Kalender is provides you an elegant and luxurious typographic colour. ∙When Kalender's lines invisible at small sizes you can use Kalender No 2 which have thicker lines and serifs to assist readability. ∙Kalender Blok is arranged for situations which are diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majiscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 68 letters have been redesigned in this way. And also Kalender have different meanings in Turkish: large, humble etc. I considered this name appropriate because it described the structure of this font well.

Merc is a four-letter word that stops just one y short of Mercy. Merc is also the standard street abbreviation for mercenary, or a soldier for hire. Now that the global security business has become a two hundred billion dollar industry, we thought you would like to have your very own affordable merc. Knew you'd be pleased. Merc is based on an all-cap metal face called Agitator, designed by Wolfgang Eickhoff and published by Typoart in 1960. The rough brush letters look like they were made by someone who is capable of elegance but has no time for it. These are letters that live to catch the eyes and warn them loudly: Doom is here, and if you want it screamed out, this Merc is at your service. This font contains more than 460 glyphs, which means quite a few stylistic alternates and support for the majority of Latin languages.

Bleach is a luxurious and beautiful serif font. It looks lovely on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Calfine is PUA encoded which means you can access all glyphs and swashes with ease! It is suitable for branding, invitations and business cards, christmas cards, branding, logos, product packaging, invitations, t-shirts, poster labels etc. 2 Style Font : - Regular - Italic Bleach Features : - Uppercase - Lowercase - Numbers & Punctuation - Ligature - Alternative - Multilingual Support - Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Introducing Quickest, a bold and powerful sans serif brush font that will make your designs stand out. With its strong and distinctive characters, Quickest adds a unique touch to your projects, ensuring they grab attention and make an impact. This font is perfect for various design applications, including logos, headlines, posters, and social media graphics. Quickest features both uppercase and lowercase letters, providing flexibility and creative freedom in your typographic compositions. The inclusion of numbers and punctuations allows for seamless integration into your designs, making it suitable for a wide range of projects. With multilingual support, Quickest ensures that your message can reach a global audience. It allows you to express yourself in different languages, opening up new possibilities for your design projects. The font is PUA encoded, enabling easy access to all the glyphs and swashes it offers. This means you can effortlessly incorporate decorative elements and flourishes into your designs, adding a touch of uniqueness and personality.

Creo is a low contrast, classic proportioned sans serif family, consisting of 18 fonts, 9 weights from thin to black; with uprights and italics. The word "Creo" was taken from the Latin language and means "I create, make, produce" (verb), which also stands for 'Classic Ratio'. The uppercase letters are highly influenced by Roman Inscriptional Capital letterform, and the lowercase letterform and their proportions were influenced by oldstyle serif typefaces. Creo font family is equipped with some OpenType features, such as fractions, alternates, ordinals, numerator, denominator, superscript, scientific inferior, proportional lining, etc. The alternate style letters are separated for individual usage of alternate style. Each font file has 500+ glyphs which covers major Western and Eastern Europe languages. Creo typeface with its classic letter proportions will give a different touch to your typographic work and will be a great choice for branding project, display poster, website, packaging, and a broad range of graphic design projects.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Magista is an elegant and chic serif font. This font is impressive and features elegant and professionally shaped fonts, and as a result, it will easily match a variety of creations that require a different touch. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! 2 Style Font : - Regular - Italic Magista Features : - Uppercase - Lowercase - Numbers & Punctuation - Ligature - Alternative - Multilingual Support - Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Sedid, “solidity; It is an Arabic term meaning “righteousness”. In particular, the correctness and soundness of a word is indicated by this word. The fact that I gave this name to the writing family is to point out its accuracy and robustness. This typeface, which is sans serif, consists of three families: ▪ Sedid: Font family containing Latin letters ▪ Sedid Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Sedid World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Do you want a difference in your work? Then meet the Sedid World font family. This font will meet all your expectations in terms of the languages ​​it supports and the variety of glyphs it contains. You can easily use the Sedid World font family in every project. Because this font has beautiful and soft lines. The font family includes open type features, as well as a large number of ligatures, small caps, modifiers, and currency symbols of many countries.

The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. Caslon Classico appeared in 1993 and was designed by Franco Luin, the designer of various interpretations of classic typefaces. Luin kept his design true to the original and Caslon Classico consists of two cuts with corresponding italic and small caps characters.

Esm is a font that tries to convey the reinterpreted aesthetics of German and Swiss typography along with a new trend of unusual shapes. The font has a different approach to the internal elements of letters-ovals that have a straight line on one side, drawing the glyph "a" example. I wanted to diversify the font with different styles to avoid the effect of triviality of machine text. The font has a large language support and contains 626 characters. And a large number of special characters. The font family is universal. It is suitable for large text, magazines, posters, logos, and headlines. Thanks to 6 different font styles and customized kerning, the font will look just fine. The thin print is incredibly elegant. The regular is great for a large amount of text. And bold for posters and headlines. Named by the French feminine name Esm. The name itself has a meaning: dear and beloved. I hope my font will convey these feelings.

The name Captiva is derived from the word captivate, meaning 'enchanting' or 'capturing the heart'. Captiva is a geometric sans serif font with a harmonious blend of clean shapes and straight lines, diagonal lines, and curves. The simple yet sophisticated design shows a soft yet hard, hard yet beautiful appearance. It has a total of 9 thickness levels, and the edges and strokes are rounded to give the user a peaceful impression. The non-decorated form gives the user a comfortable reading of the text, and the high height value and wide inner space make it stand out from other fonts. In addition, it provides comfortable readability in various digital media as well as in general printing environments. Captiva has the following features: 9 thickness levels (from thin to heavy) extended latin 450+ glyphs fixed width numbers The Latin extension offers more than 130 languages with extensive multilingual Latin support for Western, Central, and Southeastern Europe.

Blanton Script is modern script font with dancing up and down the baseline. that comes with lovely alternates. It has a casual and elegant touch. This font is PUA encoded which means you can access all glyphs and swashes with ease! Works perfectly for logos, fashion, stationery, letterpress, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, apparel, marketing etc. Blanton Script features 730+ glyphs and 517 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. and there are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Need help? If you need help or advice, please contact me. Thank you!

Fonts Café is offering a brand new pack of fonts and elements; The Bold Pressing Pack, full of bold, strong, powerful, vintage fonts which really stand out to make a strong impact. These fonts bring us back to a time when ink was placed onto wooden blocks, which were then pressed down onto the paper, creating big, bold letters, with the beautiful flaws of a time when things of import were given the due attention they deserved. This pack is designed to quickly capture the attention of anyone who sees it, while making a statement that says you mean business. It includes five different font styles, as well as two different element styles. There's everything from a standard letterpress font, to a font which truly emulates the imperfections of those days, as well as one that stands out above the rest to make a truly bold statement, and more. Check below these powerful fonts in more detail.

Cumhuriyet is an Arabic concept that means "the form of government in which the nation holds the sovereignty and uses it through the deputies elected for certain periods". The reason why I gave this name to the font is that 2023 is the centennial anniversary of the Republic of Turkey, which was founded by Atatürk. This typeface, which is sans serif, consists of three families: ▪ Cumhuriyet: Font family with Latin letters ▪ Cumhuriyet Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Cumhuriyet World: Font family including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Cumhuriyet Pro is a family of multi-purpose typefaces designed in a geometric style. This font is an extremely useful font for media and digital media as well as for printed products. In this respect, the Cumhuriyet font can be used as a text and title font in publishing and printing areas, magazines, newspapers, books, banner and poster designs, and websites.

About the font family Cumhuriyet is an Arabic concept that means "the form of government in which the nation holds the sovereignty and uses it through the deputies elected for certain periods". The reason why I gave this name to the font is that 2023 is the centennial anniversary of the Republic of Turkey, which was founded by Atatürk. This typeface, which is sans serif, consists of three families: ▪ Cumhuriyet: Font family with Latin letters ▪ Cumhuriyet Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Cumhuriyet World: Font family including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Cumhuriyet is a family of multi-purpose typefaces designed in a geometric style. This font is an extremely useful font for media and digital media as well as for printed products. In this respect, the Cumhuriyet font can be used as a text and title font in publishing and printing areas, magazines, newspapers, books, banner and poster designs, and websites.

I just visited my good friend Jakob Fischer from Pizzadude.dk in Denmark. As always we talked fonts, drank coffee and walked endlessly through Copenhagen, the city where he lives. We thought it would be a fun idea to each create a font from a handmade sign we saw in the city. We only had like 7 glyphs to work with, so the rest was up to our imagination. We also thought it would be nice to give the fonts a similar name. Mundbind means mask in Danish. When you Google translate it, it will give you the wrong translation (it will say 'mouth piece'), so trust me on this one! My font is called Mundbind NL - where the NL stands for Netherlands. Jakob will hopefully call his finished font Mundbind DK - where the DK stands for Denmark. Mundbind NL comes with a monster load of diacritics (including Vietnamese) and two alternate glyphs for the lower case letters that will cycle as you type.

In designing the Calvino typeface family Andrea Tartarelli set himself the challenge to follow the principles expressed by the Italian writer Italo Calvino in his masterpiece Six memos for the next millenium. Exactitude and visibility are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour, lightness and quickness were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of multiplicity was kept central, developing Calvino in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family, Calvino Grande, to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure, Calvino Grande sports condensed proportions, sharper details and tighter metrics. Both Calvino and Calvino Grande are complemented with a set of italic letterforms, with differences in design and slant to better work at different point size. All the 34 weights of the Calvino family come with a extended Latin and Cyrillic charset, covering over two hundred languages, and all equipped with a wide range of open type features including positional numerals, alternate forms, and stylistic sets. Four variable typefaces are also included in the full package, for any need of fine-tuning the typeface grade of weight. Special thanks go to Laurène Girbal for the help in developing the regular weight. • Suggested uses: Calvino aims to provide users with a full typography palette to cover all editorial needs. Perfect for contemporary branding and logo design, dynamic packaging and countless other projects. • 38 styles: 9 weights + 9 italics, 2 different styles + 4 variable fonts. • 779 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero • 203 Languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Lombard, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Norse, Slovio (Latin), Volapük.

Neoland is a round Comic display font, a very unique trendy font with a combination of modern character bindings, and I think this product suits the teaser display theme in every headline design, business cards, leaflets, magazines, children's events, and brand screen printing. Available Fonts: Neolan Font File. Come on, take a look and be happy to hear the review. If you have suggestions about this product, please let your work environment know whether this product is good for them. Thank you so much for everything!!

Introducing BLIMP – a fun, playful, and charming handwritten font. Ideal for adding a personal touch to your social media posts, quotes, packaging, digital crafts, greeting cards, marketing materials, and more. This font was created using an iPad Pro and Apple Pencil for a truly authentic, digital handwriting style. Don’t let boring fonts weigh you down – add some bounce to your designs with BLIMP. – Mix Blimp includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤✿•· ÷×+−±≈=≠[]<>‹›:;'",.|/?{}<>“”‘’-–—_…©®™<>«»°¹²³¡¿₱¢€£¥§† ÁÀÂÄÃÅĂĀĄÆĆČÇÐÉÈÊËĖĒĘIÍÌÎÏĪĮŁŃÑÓÒÔÖÕØŌŐŒŚŠȘȚÚÙÛÜŰŪŲÝŸŹŽŻÞ áàâäãåăāąæćčçðéèêëėēęıíìîïīįłńñóòôöõøōőœśšșțúùûüűūųýÿźžżþß Alternates: ff ll tt zz

Brigston Calligraphy is a calligraphic font with a modern style and an elegant touch, inspired by Italian women's handwriting and ancient manuscripts. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires modern, formal or extravagant. Try Calligraphy Desired, enjoy the wealth of OpenType features and let its elegant fun and excitement make you happy and boost your creativity! You can use this font very easily.

Brenday Script is retro signage font, bold and clean. There are so many variations on each character. Include Opentype stylistic alternates, standard ligatures and multilingual support. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, branding, packaging etc. Thanks so much for looking and please let me know if you have any questions.

Miarlem is a modern calligraphy font that perfect for branding, wedding, apparel and many other. This font comes with gorgeous uppercase and lowercase, punctuation, multilingual language. This font also equipped with beautiful beginning and ending tail and ligature which will be perfect for your design project. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

Introduced by Timurtype Studio! Gloomie Saturday is a Bubbly Handwritten Font this font captures the charm of handcrafted elegance with our cheerful handwritten font collection – where every word dances with personality. Enhance your designs and captivate your audience with custom lettering art. Let your words sparkle with the magic of authenticity. Explore our cheerful fonts and make your message stand out! Gloomie Saturday Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Bulgattie is actually a unique font, I build it with the spontaneity of my relaxed hands. designing a formal font but having a classic element, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury look. Try Bulgattie, enjoy its wealth of OpenType features and let its vigorous yet elegant exuberance delight you and enhance your creativity! You can use this font very easily.

Karmila Script is a decorative signature font, where you can achieve the feeling of handwritten letters. So that this font is perfect for your modern graphic design needs, such as social media content, wedding invitations, book covers, greeting cards, logos, branding, business cards and certificates, actually for any design work that requires a formal or luxurious impression. Try Karmila Script, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Health Justice is a new modern handwritten font with a bold style and contemporary design approach, naturally handcrafted, perfect for use in title designs such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T- shirts, packaging designs, posters, and more. Complete with upper and lower case letters, as well as multilingual support, numbers, punctuation, several perfect ligatures and has swashes that will make your designs more attractive. Thank you so much for looking and let me know if you have any questions.

Hi! I am Black Square! Probably the most famous square in the world. Thanks to my godfather Kazimir Malevich, who created me in 1915, this year I am celebrating 100th anniversary. Let me tell you what a great gift I just got! It`s a family of almost 300 letters and symbols suprematic as suprematic can be - shapes, form attacks, booms and even hashtags! All under the name of Malevich Font. Isn`t it a great present for my anniversary? Thank You BBDO Ukraine

Introducing the new Garland. It's modern brush font with beautiful and natural brush stroke that perfect for logo, poster, product, apparel, packaging and many more. Garland come with full all caps, number, punctuation. this font very easy to use, so what you waiting for. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

The type­face Hand Stamp Swiss Rough Sans is desi­gned for the Typo Gra­phic Design font foundry in 2015 by Manuel Vier­gutz. A dis­play sans serif type for head­lines with an authen­tic used stam­ped style by hand. It star­ted ana­lo­gous with 42 stamps. Vin­tage look plus state-of-the-art OpenType-features like con­text­ual alter­na­tes (calt) for more hand-stamped fee­ling with the auto­ma­tic gene­ra­ted sty­li­sitc set loop. Deco­ra­tive liga­tures like CT, LL, LI, LU, MM, OO, TH, TT, TU, UH and Ver­sal Eszett (Ger­man Capi­tal Sharp S) type the word LOVE for ❤ and the word SMILE for ☺. Cha­rac­ter Set: Latin Exten­ded (Adobe Latin 3). 1086 gly­phs with 4× A–Z, 4× a–z, 4× 0–9 and 100+ extra icons like arrows, ding­bats, sym­bols, geo­ma­tric shapes, catch­words and many alter­na­tive letters. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE! Example of use from the Font The font works best for head­line size. Logo, Pos­ter, Edi­to­rial Design (Maga­zine or Fan­zine), Flyer, Music Covers or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, Animations … ■ Font Name: Hand Stamp Swiss Rough Sans ■ Font Weights: Regu­lar + Mix + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play & Deco­ra­tive ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1086 gly­phs ■ Lan­guage Sup­port: 28+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Mal­tese, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 100+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. Open Type Fea­tures: Kerning (kern), Access All Alter­na­tes (aalt), Sty­listic Alter­na­tes (salt), Sty­listic Set 1 (ss01) … Sty­listic Set 6 (ss06), Loca­li­zed Forms (locl), Sub­script (subs) Super­script (sups), Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Old­style Figu­res (onum), Lining Figu­res (lnum), Tabu­lar Figu­res (tnum), Slas­hed Zero (zero), Frac­tions (frac), Deno­mi­na­tors (dnom), Nume­ra­tors (numr), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz