Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both. Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding. Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters. Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

Chellin is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Chellin is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chellin has 380+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

Andmesh Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Andmesh Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Andmesh Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Give your documents a sense of history. The study of the ancient Egyptian Hieroglyphics has been an ongoing fascination by scholars and Egyptology buffs for literally centuries. The discovery of the Rosetta stone in 1799 provided an incredible breakthrough in deciphering the hieroglyphs, however there continues to be conflicting opinions on the literal translation of both the phonetic and ideographic symbols. As such, the interpretation provided in this manual represents an assembly of the most popular transcriptions. This series contains 62 assorted gods and deities as well as a few well known kings or pharaoh's from the New Dynasty. It is important to note that most of the gods and deities were represented in many different forms throughout the centuries and regions of Ancient Egypt, and these are but some of these representations. NOTE: this font comes with an interpretation guide in pdf format.

Ghosting Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Ghosting Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Ghosting Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art. Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions. The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic to play with these. Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!

Yana Klink is an illustrator at Art. Lebedev Studio, whose works are often accompanied by lines of fancy text written in her own recognizable manner with long strokes and “beauty spots.” Once we needed to apply that style to a number of pieces of text, we decided to design a decorative script called Klinkopis. It comes in one weight (regular). Text set in Klinkopis looks best when arranged in waves, like the original. It is recommended to use large sizes—from 24 pt and up—and have no more than just a couple of lines that become an essential part of the artwork. Klinkopis is designed to use OpenType Contextual Alternates. To beautify your project even further, some characters can be manually replaced with their more intricate or plainer variations depending on the neighboring letters. Klinkopis features long descenders and ascenders, which requires large leading to avoid congestion.

No, it's not the complete set but a great way to send out invitations for Mah Jongg Parties, Notices, Posters, Banners and Flyers. Here's a menu of what's contained and take a look at the Character Chart for some close-ups. It may seem complicated but not really. Shift, Alphabet keys will give you caps Mah Jongg characters, tiles beside a letter of the alphabet. The "lower case" alphabet is the same letter font used in the caps but without a tile. The regular keys "1 through 9" are the actual Crack tiles with the correct oriental glyph. Numerals to match the "lower case" are found using Shift and the Number keys. The $ sign is the Forward Slash and the "¢" sign is the Back Slash Dragons: Left & Right brackets Nice One Bam symbols: Shift, Left & Right brackets Hitting Option & the keys, "A,S,F & C" will reveal attractive flower designs. Punctuation, period, comma, quotes, etc. are in their usual locations. You may want to print this menu as a handy guide. The license agreement stipulates that you may disassemble and use elements from this font to create colorful art as in the illustration shown with the font listing.

Fakir | A Hindu ascetic or religious mendicant, especially one who performs feats of magic or endurance. The well known feats performed by them include sitting steadily on a bed of nails and walking on burning coals. Blackletter | A script used throughout Western Europe from approximately 1150 to 1500. It continued to be used for the German language until the 20th century. Fakir, a blackletter with a holy kiss is a contemporary interpretation of gone letterforms with origin in blackletters. More precisely, we based the construction on broadnip textura, with lots of broken, edgy, interrupted strokes – try to sit on a nail bed and you’ll know why fakirs like to read just these kind of fonts! After being abandoned for some time (not accepted, nearly forbidden), we would like to give our generation a blackletter from here and now. So Fakir is not a revival, but an all new 21st-century blackletter. Fakir is a set of edgy text and display fonts, ranging from tight and heavy to light and wide. It has 11 fonts, all supporting Underware Latin Plus character set, that covers 219 languages.

Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966 is now resurrected and heavily extended to be used by computer users everywhere. The original design was revived, and two whole new fonts were added to it - one with very unique swash caps and alternates, and one with many many ligatures and letter-combination ornaments. Quiller is a cross between brush calligraphy and very casual fast handwriting. It even has a slight Arabic simulation to it. Given such traits, the addition of a swash font and a multitude of ligatures comes in very handy to keep the natural flow of the font and maintain the elegance of its spirit. Those who like the auto-magic of OpenType’s intelligent substitution should like the fact that the OTF version is a single font with all the bells and whistles ready to go in the swash and discretionary ligatures features. If you use the latest versions of Adobe programs, the OTF version of Quiller is highly recommended.

Welcome to swash heaven! Since it’s been a few years that I made the very first heart swash font (featherly), I thought its time to create a new one and boy, this is massive! Made with love, I Heart It has over 2600 glyphs, is extremely smooth and is packed full of romance. There are 25 different swashes which connect to, not only, the lowercase alphabet but also on the left of the uppercase letters and the ligatures too. That’s not all! I’ve added 26 ornaments which will come in very handy for that additional touch of elegance and creativity in your designs. It’s all about the love, making this beautiful script font perfect for wedding stationery, engagements, and baby, family and friends orientated themes. Not only that - it can be used for logos, tattoos, delicious food and drink, mugs, clothing, the list is endless! They say that love conquers all and I Heart It will go a long way in expressing that through it’s illustrative design versatility, making it the perfect addition to your font collection. Once you’ve used it you’ll wonder how you’ve ever managed without it!

VLNL Beatbox is a solid tech heavy straight stencil-face with a lot of character. It was originally designed as a logo for dj Markus Schultz back in 2004, who rejected it. His management couldn't read it, or thought people wouldn’t be able to read it. But Chef Donald DBXL found the concept interesting enough to finish it and has used it in many projects since. It was the identity font for the Battle of Amsterdam, a talent showcase in beat boxing and other skills. Beatboxing is a style of hiphop music (beats) made with the mouth and a microphone. A box is a handy container to store stuff. Like food, or fonts. We use a lot of boxes at the VetteLetters office. VLNL Beatbox is best deployed big, like in logos or headlines. Or flyers, album covers, posters and signage. As a display and headline typeface it’s got a lot of character. We could definitely see it painted on the side of a tank, or an airplane. It’s heavy, but not at all dangerous. Use it without risk. VLNL Beatbox comes in two variations; Regular and Small (smallcaps)

The Pattern Project is an ornamental display type family. It is inspired by medieval initials and transforms their mesmerizing rhichness of detail into cool state-of-the-art typography. All letter shapes and patterns are exclusively geometric, providing a very distinct and contemporary feel. Pattern is the new sexy – perfect for vodka labels, record sleeves and posters. For editorial design and packaging. With a special typographic impact. Some practical details: - Family consists of 9 diverse patterns + a blank version. - 3 weights available. - As with patterns in general: It is quite essential how far you zoom in to change the graphic impression. 3 pattern resolutions (Coarse, Medium + Fine) allow varying the pattern size independently from the font size. - Each pattern comes with diverse weights and/or pattern resolutions. - Use in display sizes only. The bigger – the better! - Fine pattern resolutions require even larger font sizes than coarse resolutions. - Fonts gain kind of ʺtransparencyʺ through the patterns - handy for use on top of images. - Characterset is caps only and supports Central, Eastern and Western European languages. - Entertaining 2 min movie explaining the basic concept: youtube.com/watch?v=wbuUkRDApzs

Ellie Script is a hand drawn signature style typeface. Ellie is great for branding, headlines, invitation cards, poems, posters or as a logotype. Boasting over 600 glyphs, Ellie is equipped with handy OpenType features - Contextual Alternates and Standard Ligatures are automatically on and they help to keep the connections smooth and text varied to simulate hand writing. In addition Ellie Script is equipped with Swash and Stylistic Alternates that can be used for more customised look and in addition it has Stylistic Alternates that can be used for long end swash to a word. If that isn’t enough there are also Discretionary Ligatures: certain letter pairs like th, lt, or, is are made into more showy. They work best in shorter texts. Ellie has three ampersands and two sets of numerals, and even more alternates can be found from the Character Window. Ellie Script is PUA encoded so you can access the extras in most graphic design softwares. Ellie Script Ornaments is a set of strokes and arrows with the same look so that they can be used to complement layouts with Ellie Script. Have fun!

If you’re in need of some serious typography, stop scrolling. Barth. Yoooou heard that right. Designed with a love for horror movies and 90s Nickelodeon nostalgia, Barth is the best font. Get serious about your design work, get Barth. It’s burgery. Looking for a horror font that is as fun and nostalgic as it is eye-catching? Barth. Yoooou heard that right. This retro font is sure to get your viewers hooked on your work with its bold style and innocent yet spooky lettering. It’s perfect for posters, books, movies, even restaurant signage and beyond. Features Doubles Elimination gives you a more natural look. Stands out and get noticed…. be heard. Includes a Remedy667 Font Catalog PDF, all your favorite fonts in one handy catalog. Additional Information Some fonts may require special graphic design software to access OpenType features. Examples of these programs are Adobe Illustrator, Adobe Photoshop, Adobe Indesign, and Corel Draw. Feedback is always welcome. If there is anything missing from our typefaces that you would like to see, or if there are any issues that occur when using them. Please don’t hesitate to contact us or email me at nick@remedy667.com and let us know.

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Premium Sans is a professional typeface which is aspired to solve the major typographic challenges in editorial, print, Graphic design, Commercial designs and other form of templates and documents such as pdf or ms word. It has four weights light, regular, semi bold, bold. Each with an italic profile, so in total it has 8 typefaces. We created this typeface to have attention of reader in Graphic commercial designs and as well as on editorial designs. The X-height plays a great role in readability of a typeface, so we tried to give it a reasonably high x-height with accordance to ascenders and descenders. We've engineered it in such a way that it can easily be paired with script, slab serif and serif typefaces. Premium sans is made on minimum required character set which will be handy while typing currency symbols like cents, dollars or euro and also be very useful when typing the characters consisting of diacritic. We've designed it in such a way that either you write a long content for editorial purposes or you create a typographic or graphic/commercial design it will look nice and fine which is the uniqueness of this font.

DIN Stencil on Behance. DIN Stencil: Specimen Manual PDF. Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. After the successful introduction of DIN Monospace a few months earlier, PF DIN Stencil now completes Parachute’s extensive library of DIN superfamilies. It was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. Two companies dominated the market in the mid-twentieth century: the Marsh Stencil Machine Company in the United States and the Sächsische Metall Schablonen Fabrik in Germany. Ever since the late 1930s, it was the German Sächsische Metall Schablonen Fabrik which used heavily the new DIN 1451 standard font (introduced in 1936), attempting to overthrow the reign of the Didot-style modern roman which was at the time the most common stencil letter in Germany. These letters were manufactured mainly as individual zinc stencils which could be ordered in sizes between 10 and 100mm. The DIN Stencil family manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. Furthermore, the spacing attributes of the glyphs were redefined and legibility was improved by revising the shape of the letterforms. The DIN Stencil family consists of 8 diverse weights from the elegant Hairline to the muscular Black. Currently, it supports Latin, Eastern European, Turkish and Baltic.

Skope is an experiment in horizontal stress and also a recreation of the extreme lettering style of comic masters such as Josep Coll or Manuel Urda from his cartoons in the pages of the classic TBO (Barcelona, Spain, 1917-1998) or our contemporary favorites Francesc Capdevila -Max- and Joost Swarte. The proportions and some of the fundamental features of Skope are drawn from the features of the masthead of the magazine Triunfo (Valencia, Spain, 1946-1982). The inspiration for the numbers comes from a kitchen clock from the 70’s photographed in the distance in a second-hand shop.

The typeface LED pixel is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 60 + 1 (icons) font-styles (Circle, Circle Outline, Cross, Hex, Hex Outline, Line, Square, Square Cross, Square Half 1, Square Half 2, Square Outline, Square Circle, Square Star, Star, Triangle × 4) with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️ or #SMILE for

The typeface was designed at ParaType (ParaGraph) in 1997 by Manvel Shmavonyan for Russian primary school sample writing schoolbooks. The typeface is based on script fonts presented in the book 'Rodnoy Mir' by. L.I.Tikunova. The first version of the font included just letters of Russian alphabet and basic set of figures and signs. The second version with extended set of alphabetic letterforms was developed in 2004 by Gennady Fridman. Current third version that covers full Cyrillic and Western code pages was prepared by Gennady Fridman and released in 2009. Medium style also was added by him in 2009.

Gradus is a multi-purpose typeface designed to properly mix elegance and rhythm. The balance between modern and sophisticated touches and styles can achieve the effect of harmonizing well with any device and channel. The hardness of the rigid stem of the grotesque typeface is transformed into a soft touch that organically matches words and sentences. Langages. Basic Latin. Western European, Central European, South Eastern European, South American, Oceanian, Basic Cyrillic, Ukrainian OpenTypeFeatures. Standard Ligatures : fi, ff, ffi. Discretionary Ligatures : ai, ia, il, ill, illi, ma, md, mi, mu, na, nd, ni, nu. Fractions, ss01, ss02, and more.

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced. The style range of Fact is wider than of any cognate type family, including weights from Thin to Black and widths from Compressed to Expanded. Fact type system contains 48 upright styles and 48 italics with variations in width and weight. The font was designed by Alexandra Korolkova and Manvel Shmavonyan and released by Paratype in 2018-2019.

The typeface Stempel Sans Print Neo is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on a original set of 29 old rubber stamps (6 cm height). Digitized via hand-stamped, a scanner and Glyphs app. 3 font-styles (Rough, Misprint, Black) with 321 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Stempel Sans Print Neo ■ Font Styles: 3 font styles (Rough, Misprint, Black) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Glyph Set: 321 glyphs (incl. decorative extras) ■ Lan­guage Sup­port (36 languages): Asu Bemba Bena Chiga Cornish English German Gusii Indonesian Kalenjin Kinyarwanda Luo Luyia Machame Makhuwa-Meetto Makonde Morisyen North Ndebele Nyankole Oromo Rombo Rundi Rwa Samburu Sangu Shambala Shona Soga Somali Swahili Swiss German Taita Teso Uzbek (Latin) Vunjo Zulu ■ OpenType features (16): aalt calt case ccmp dlig liga lnum onum ss01 ss02 ss03 ss04 ss05 ss06 mark mkmk ■ Design Date: 2022 ■ Type Desi­gner: Manuel Viergutz

The typeface Raw Street Wall is designed for the Typo Graphic Design font foundry from 2011–2017 by Manuel Viergutz. A playful display type for headlines with a street-art graffiti-style by hand. Rough-look plus state-of-the-art automatic generated OpenType-features (like contextual alternates (calt)). 567 glyphs with extras like emoticons/icons, arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. Multilingual support with 27 languages. Have fun with this font & try the DEMO-FONT (with reduced glyph-set) FOR FREE! Example of use It’s your turn … for example ever­y­where where it makes sense. Maybe for use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Tech­ni­cal Specifications ■ Font Name: Raw Street Wall ■ Font Weights: Regu­lar + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 567 gly­phs ■ Lan­guage Sup­port: 27: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu ■ Spe­cials: Extras like emoticons/icons, arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters plus OpenType-Features. ■ Design Date: 2011–2017 ■ Type Desi­gner: Manuel Vier­gutz ■ License: Desk­top license, Web license, App license, eBook license, Ser­ver license

Robert Moore is a font that was specially designed for comics. A lot of work has been done. At first, glyphs were drawn manually using different markers, then they were transferred to the font. The font was tested on real printing and digital comics. The world of fonts for comics is big and I wanted to create even more variability for authors with one family, which is why a variable version was created containing two axes: weight and italics. This gives you more options. A large number of glyphs, multilingualism, ligatures, and a capital give even more scope for work and creativity. The name was created from the names of the authors of the comics Robert Kirkman and Alana Moore, so the Robert Moore font turned out. Although the font was made for comics, it is not limited to them. Posters, logos, covers, text, headings, prints, product design, web, interfaces are not all options for using the font.

Tenacious Brush is an expressive font, provocative, free spirited and wild hearted. It's an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or... pick your choices manually, which is quite a playful task now in some applications like Adobe Illustrator and Photoshop — just select a glyph and you see its alternates. The font brings yet some useful ornaments to give an extra buzz here and there. And let's not forget to mention the extended language coverage. And there are even fractions available! And ordinals! Definitely not just a rad face. This is a cool brush font with a contemporary tone, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more... With loads of attitude included. Step into it!

Inspired by the Appalachian culture of the Southeastern United States, the finely tuned forms of Dulcian strike a clear, empowering chord with your audience. This energetic and fresh sans serif flows fast and smooth with its simple lines and slight hand-written character. All total, there are six weights, with complementary italics and three different widths. Dulcian supports OpenType features and is packaged with unicase alternates, unconnected alternates, ligatures, old-fashioned figures, fractions, titling and small caps. Preview any and all of these features in the interactive PDF manual. The Dulcian family of fonts also includes glyphs for 72 languages, providing you with more than 600 glyphs per font. While designed especially for pull quotes, this display typeface can be used for a variety of applications. Dulcian is an excellent choice for websites as well as flyers and packaging. Other uses include coffee, menus, awards, certificates where a touch of humanity and personalization is needed.

The Glisten Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Glisten Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Glisten Script has 500+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Now everyone can create simple pieces of graffiti in an easy way. With all our experiences in the real graffiti scene combined with our skill in creating fonts, we create these "Street Pieces." This is a simple version of a wildstyle graffiti piece; you can clearly read the font; unlike heavy wildstyle, which not everyone can read clearly, your message is still clear with this font. It's very easy to use, but for a better result, you should adjust the kerning and lead manually because the real graffiti is like that, and use your own graffiti style because there are no rules in graffiti. In this package, you’ll get two fonts. "Street Pieces Line" for the line, and "Street Pieces Fill" for the fill. Don’t forget to combine with "alternate" fonts; see the preview fonts for the sample; and also add a drop shadow or extrude effect to make it more realistic.

Hoyle is a dynamic high-quality serif typeface. Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional. Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles. The weights are harmonic and created to balance perfectly agaist each other. Try the included Variable Font! A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers. It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

The theme in these illustrations is the pleasure of books and reading wherever you are, at any time. This series collects illustrations of people enjoying the pleasure of reading in the most diverse places and situations, some of them frankly absurd and funny, ranging from children reading tales to a witch with her magic brewing manual. A fraction of the contained images comes from other Whimbats, but most of them are exclusive. We hope you will feel like reading and start reading a good book! These illustrations are ready to use at any size and in any application (their vectorial format ensures they can be scaled to any size with no loss of sharpness). They can be used out of the box, or easily customized in any graphics program, adding colour or texture, resizing, combining... the variety of suggested uses is huge, from small spot illustrations to full-page layouts. Use them to great effect in magazine spreads, advertisements, stationery, packaging, bulletins or poster creative designs.

Alara Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Alara Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because it has many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Alara Script has 450+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic). Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

It’s time to have some fun! The Scandiebox Hadlettering Collection was inspired by simplicity of the modern Scandinavian style and also have some influence of Japanese kawaii. All handwritten fonts in this collection perfectly compliment each other as well as the set of more than 100 illustrations created in the same happy style. You can find Scandiebox Extras Manual here. The collection’s childish look-and-feel makes it perfect for all sorts of designs for children - books, cards, invitations, packaging, apparel, children shop ads, etc. If you are an Adobe Suite user, you’ll find that working with illustrations is extremely easy - just select a stylistic alternate you want in either drop down list or using the glyphs panel. If you are using an application that doesn’t support opentype features, you can use all the fonts additional features with a help of either your default font management software or using the pdf reference guide mentioned above. Enjoy!"