Kermel serif is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure, label, magazine

Maori New Zeeland is made for all MAORI Tribal fans. It comes with many MAORI Tribal Graphics and a extra Font for two color style!

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

This font is based on real prints made out of a linocut. The glyphs were handprinted, then scanned and then turned into a computer font.

This font was made in collaboration with Nikki at Melonheadz Illustrating. The quirky look and feel of the lettering is perfect for illustrations for children.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.

Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful version of Century Old Style by Les may be superior to any existing versions.

Borba Sans is based on Borba . It is really readable sans serif typeface which may be used whenever you need a stylish and modern typography.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

Reinert is a casual script font inspired by a few words in a magazine ad layout from the mid-1930s hand-lettered by Allen Reinert.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

A very unusual type based on wooden type designs of the 19th century, lacking lower case which may not have been designed for this font.

Old Beck - Display Vintage Retro Serif Font. This bold typeface effortlessly combines the charm of vintage and retro aesthetics, creating a groovy yet classic vibe. With two distinct versions - clean and rough - Old Beck offers versatile options for your designs. The font's unique feature lies in its captivating groovy-shaped letter ends, adding an extra layer of character and style.

Wieynck Gotisch, a 1920s font family created by Heinrich Wieynck, was completely redrawn and redesigned for modern usage. Use this remarkable and eye-catching fonts in an appropriate context. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the OT feature Ordinals you get an oldstyle numbersign. The round ‚s‘ lies on the #-key.

Black spoon is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round, clear and modern.

Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Use it in large sizes for advertising, posters, greeting cards, etc.

Sans-serif reversed capitals in circles, resembling typewriter keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

Suitable for use in casual themed design applications, this font is made with a unique shape and condensed width, as well as a strong authenticity value.

Morganismi is the first font I made for myself. I originally used it for making notes at the outsider art exhibition Morganismi here in Sysmä, Finland.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.