The Regular typeface was researched with children and developed specially for use in children’s reading books - bridging the gap between reading and handwriting. Short ascenders and descenders may not trouble literate adults but it is quite a different matter for children struggling to read. These fonts include extended ascenders and descenders and slight slant makes blocks of text easier to read. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

Quick On is a script font with typical handmade, a work that is purely a result of handmade, has a natural characteristic. This is perfect for invitations, signatures, blogs, social media, business cards, product brands. Quick On has Stylistic standard, Stylistic Alternates and ligatures. OpenType features can be accessed by using OpenType smart programs such as Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. They can also be accessed through the character map.

Alphacal JNL and Alphacal Black JNL are variants of the same lettering style found in Jeff Levine's Juneway JNL font... all based on water-applied decals once made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois. Alphacal JNL can be used alone as an outline font (best at 18 pt. and above) or with Alphacal Black JNL as a backfill. Note: Perfect registration is not guaranteed. Some user adjustments may be necessary.

This family was created inspired from the two sets of rough initials fonts used by the famous William Caxton in Westminster (GB) in the late 1400’s. As it was normal for the time, there were not any differences between I and J, U and V. It is not a mistake. We have reconstructed the few other missing characters. This font was conceived as a supplement for our 1479 Caxton but may be used with all our Blackletters fonts.

PGF Business inspired by script used on maps, spencerian aka "Business Script" and manual and confident signature strokes. Organized in 5 individual styles, for making it easier to use, and gathered all at one in a bigger unique file called "PGF Bussiness Full" where you will find way much more options, but requires a more advance editing skill to use. Accompained with a useful set of Dingbats and a set of complementary Ornaments to enhance more versatile typographic compositions.

The free-form Art Nouveau hand lettering for the 1905 song "Will You Love Me in December as You Do in May" was the design model for Funky Nouveau JNL, which is available in both regular and oblique versions. Since the 1960s hippie counterculture embraced elements of the Art Nouveau period in their art and design, it seemed only fitting to use the term "Funky Nouveau" in the fontís name as an homage to both eras.

Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

Sheet music for the title song from the 1933 Jean Harlow-Clark Gable film "Hold Your Man" has the movie title hand lettered in a dual line sans serif with Art Deco influences. This is now available as Dual Line Deco, and is available in both regular and oblique versions. The song itself was written by Arthur Freed and Nacio Herb Brown, whose vast catalog of musical compositions was tapped for the 1952 musical classic "Singing in the Rain".

Cruz Quaste is a calligraphic medieval type, drawn by Måns Grebäck between 2018-2020. While traditional in character it is yet original, and could be described as a reinvented Gothic style. Its blackletter style it works great in historical contexts, or to give projects a tough feeling. Cruz Quaste contains OpenType features such as alternates and ligatures. The font is multilingual and supports all Latin-based European languages. It contains numbers, punctuation and all symbols you'll ever need.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​

Ziro expresses itself boldly and spontaneously. It consists of two different sets of capitals to help create natural handwriting effect. The letter "I" is treated like a lowercase "I" and the letter "O" has a dot in the center. The lowercase variation does not have a dot in the center for those less adventurous applications. Ziro is loose and raw in larger sizes and therefore has many useful applications that may include restaurant logos, menus, boutiques, packaging, etc.

This font was inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l'âme..., a religious poetic compilation by Marguerite de Navarre, sister of the French king François the first. It seems possible that Augereau may have also engraved italic styles. This alphabet, with its complete small caps collection, is covering all West, East and Central European languages (including Baltic and Celtic) and Turkish.

Pentagram is a typeable three-letter Pentagon monogram font. You can type Monogram a pentagram with a mapped border on the numbers 0-9. With the support of alternative contextual features It works automatically so all you can do is just type. If you liked this feel free to show your appreciation by giving this project a simple like, I will be making a font with a similar feature in the future. Hope you enjoy. Intuisi Creative

The Classic Charles Rennie Mackintosh Font. Created in 1993, the timeless beauty of Charles Rennie Mackintosh’s letterforms is now available at MyFonts for the first time. Often imitated, but never bettered, this font has been used in various projects all over the globe, enjoying the limelight of Hollywood when it was requested for use in Sam Raimi’s second “Spider Man” adventure. A form of this font has subsequently been used for the TV series “An American Horror Story”.

Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

Kustina Script is a hand brush font made with brushes and ink. This typeface is ideal for use in thick watercolor designs or handwriting styles, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandise etc. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thank you!

Matogrosso is another rough script from Argentine calligraphy team Koziupa and Paul. With its expressive urge at the importance of discovery, it is ideal to use on wine labels or organic food packaging, stationery and old maps. It also makes a great choice for designs relating to outdoor activities and rugged travel, where the concept of the wild is to be accentuated. Matogrosso's OpenType programming combines several alternate lowercase characters to generate perfectly fit and more natural textures.

Angustina is an elegant display typeface, it takes inspiration from classic letter styles. I chose the font name after reading the classic Italian novel “The Tartar Steppe”. I was inspired by the sickly, stoic and mysterious man who differs for his willingness to stay at Fort Bastiani. Angustina conveys distress and stinging sensation with extreme contrasts between thick and thin strokes and exasperated serifs. The alternate of hairline and bracketed serifs gives Angustina a modern and military appearance.

This family began with Berkshire Swash Pro, an alluring semi-sweet typestyle with a bold yet feminine flair to it. This was always meant to be a trio family, complete with Regular, Loops, and Swash Pro styles. See the last graphics for a comprehensive character map preview. Opentype features include: A collection of ligatures. Smallcaps. Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional figures for Berkshire Pro, and Oldstyle figure sets for Loops & Swash Pro.

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky for ParaType in 2006. The type family contains nine styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Five condensed styles were added in 2007 by the same designer.

A neogrotesque with a distinct mid-century feel. Shapiro’s multi-axis Variable Font comprises of 8 text weights, from Light to Black. Three additional sizes, “Headline”, “Display” and “Max” supply another 8 weights that are spaced for larger applications. To top off the package, 8 Wide styles are ready for that extra punch. Choose Shapiro for any job that calls for a restrained but confident voice. Give your design that professional look in the blink of an eye.

Jeenull is a distinctively appealing typeface with a thick character that gives a distinct impression ideal for a variety of serious and casual applications. What are you waiting for? Get this font and enjoy the beauty of letter combinations in words that you may use in a variety of projects. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

Mexican Pattern is my vision of classic Mexican style with colorful and ornate pattern. Mexican patterns appeared as a result of the fusion of two cultures. Aztec and Mayan heritage mingled with Spanish traditions in bright colors. You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Wedding Doodles Too is the follow-up font to the popular Wedding Doodles. This font gives you all you need to make your own invitations, announcements, RSVP cards, save your date cards and thank you notes. Font includes 3 sets of hand-lettered words… save our date, thank you and RSVP. Just add a wedding cake, flowers, top hat, wedding bell, heart or flower and you are done. Check out Wedding Doodles, you may need both.

X marks the spot -- and the height of the lower case letters -- in this cartographic calligraphy mapped out for you by lettering landlubber Jolly ’JG’ Roshell and his trusty crowquill. Mapquest "Mystery Island" and be sure to keep your eyes on those scurvy dogs that call themselves your crew, this font is spilling over with dubloons and pirate booty and it’s finders keepers! Artwork by Chris Bachalo from Captain Stoneheart and the Truth Fairy and Carlos Pacheco from Arrowsmith

Antemowa is modern script font, where every single letter has been carefully crafted to make your text look beautiful. With a modern script style, this font will perfect for many different project such as: quotes, blog headers, posters, weddings, branding, logos, fashion, apparel, letters, invitations, stationery, and more. This font includes alternate glyphs and beautiful swirls How to access alternate glyphs: Windows Character Map: https://www.youtube.com/watch?v=BScPsiubM1k Adobe Illustrator: https://www.youtube.com/watch?v=y5XTaWYwWA4 Thanks for looking.

Durer is a modern font, its soft curves and refined details create a sense of elegance. Inspired by the work of Albrecht Dürer (21 May 1471 – 6 April 1528), who was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. 551 Glyphs Upper / lower case, numbers, punctuation Language support: Latin / Greek Designed by iframe type foundry

Lineare Serif is an attempt at solving the difficult problem of creating readable text type, seeking new ways to provide readers with some pleasure and rest as they walk along each line, creating a space where there is harmony between man and the printed form. Asymmetric serifs both in their height and width, medium contrast in the stroke, and balanced upward and downward movements make “Lineare Serif” a typeface featuring both attitude and aptitude for editorial purposes.

New for 2020 Bodoni Ornamental now has two italics to choose from, one basic italic and a second which is more of a true italic with a few uppercase letters that have been stylized. Only one italic can be style linked to the regular upright version so in the second italic we've added Avanti to the name which means forward in Italian. When purchasing the regular upright and Avanti italic together they will install as two separate families. Bodoni Ornamental is a revival of a very old typeface based on the Poster Bodoni letter shape. Giambattista Bodoni passed away in 1813, this decorative version was created in the 1820’s or 1830’s which was the time period when many of these ultra bold decorated type faces began to appear, the original artist is currently unknown. The original version of this ornate classic was only available as a set of uppercase letters, today over one hundred eighty years later this font is now complete with a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Due to the ornate detail in Bodoni Ornamental when printing itís recommended to use a laser printer 600dpi or greater, a 1200dpi printer will give you the best results rendering the most detail at the smallest possible point size for this font. Small home user Ink Jet printers are not recommended for Bodoni Ornamental unless you set the font to a very large point size. With Ink Jet printers much of the detail in the letters will bleed together as the ink hits the page, commercial Ink Jet printers such as GiclÈe printers may give good results. When using Bodoni Ornamental for digital images including web site graphics it may help to add a one pixel stroke fill around the letters setting color to white or grey, this may help the web site images display better on some computer's. You will need a photo editing application such as Adobe Photoshop to create your image adding the stroke fill and save as a jpg , png or gif file. I hope you enjoy this old font as much as I did making it. Note: When previewing the Bodoni Ornamental font in the Windows font preview you may notice some letters appearing lighter and some darker, this is a problem with the preview window and some ornate fonts, Bodoni Ornamental will print normal and not with mixed light and dark letters.

Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I've had this particular Alf Becker alphabet in my sights for a few years now. But in the typical way chaos shuffles the days, Buffet Script and Whomp won the battle for my attentions way back when, then Storefront beat the odds by a nose a couple of years ago. Nevertheless, revisiting Alf Becker’s work is always a breath of fresh air for me, not to mention the ego boost I get from confirming that I can still hack my way through the challenges, which is something I think people ask themselves about more often as they get older. You can never tell what may influence your work, or in this case remind you to dig it out of dust drawers and finally mould it into one of your own experiences. On my recent visits to the States and Canada, I noticed that quite a few high-end steak houses try their best to recreate an urban American 1930s atmosphere. This is quite evident in their menus, wall art, lighting, music, and so on. The ambience says your money is well spent here, because your food was originally choice-cut by a butcher who wears a suit, cooked by a chef who may be your neighbour 20 minutes from downtown, and delivered by a waitress who can do the Charleston when the lights dim and who just wouldn't mind laughing with you over drinks at the bar later. So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language. As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support. Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

Quinter is inspired by the writing on the vintage beer labels from the good old days, but still has a strong modern appearance. It come with 2 types of styles. Each combination has been carefully crafted to make your design look better. Ideal for product names, packages, labels, old-fashioned coffee shops, bars and everything with special characteristics in the past. This combination allows you to easily build beautiful vintage designs in a short amount of time. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at picatypestudio@gmail.com. Thanks for purchasing and have fun!

Proudly present "Simply Harmony -Vintage Monoline Font" Simply Harmony comes with 2 styles that have their own characteristics. Simply Harmony Regular : has a clean and elegant style. This font has a more modern feel, so you can apply it to modern-themed projects. Simply Harmony stamp: this font has a rough style both in the middle and the edges of each letter, this font has a vintage feel and can be applied to various needs. This font has 114 awesome alternates and has 311 total glyphs, there are various kinds of alternates that you can use as you wish. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Introducing Zephyrus, our new condensed modern cyber font that's designed to take your designs to the next level! With its unique condensed squared feel, this font is perfect for anyone looking to add a modern and futuristic touch to their work. But we didn't stop there - we've also included a rounded version of Zephyrus, which softens the edges and provides a more approachable feel. This versatility means that you can use Zephyrus for a wide range of design projects, from logos and branding to websites and digital presentations. In addition, Zephyrus comes equipped with numerals, symbols, punctuation, and foreign language support, making it a versatile and functional font that's suitable for global projects. Whether you're creating a tech-based project or looking to add a futuristic touch to your branding, Zephyrus has you covered. Zephyrus is a great font for modern and futuristic designs. Its unique condensed squared feel and rounded version make it a versatile choice for a wide range of design applications. Here are some perfect use cases for Zephyrus font: Technology-based websites and apps: Zephyrus is an excellent choice for designing websites and apps that focus on technology and innovation. Its modern and futuristic design complements the content of these websites and apps and creates an atmosphere of innovation. Corporate branding: Zephyrus can be used to create a modern and innovative corporate branding identity for companies in the technology and innovation sectors. It is perfect for creating logos, letterheads, business cards, and other branded materials. Advertising campaigns: Zephyrus is perfect for advertising campaigns that require a futuristic or high-tech look and feel. It can be used in print ads, online ads, and other promotional materials to create a sense of innovation and modernity. Product packaging: Zephyrus can be used to create packaging designs for technology-based products. Its modern and futuristic design can help these products stand out on shelves and create an impression of innovation and quality. Presentations: Zephyrus is a great choice for creating compelling and modern presentations. Its unique design can add an element of creativity and innovation to your presentations and help you stand out from the competition. Video game design: Zephyrus can be used to create a video game design that requires a futuristic or cyberpunk style. Its unique design can help create an immersive gaming experience for players. In conclusion, Zephyrus is the perfect choice for anyone looking for a condensed modern cyber font that's both versatile and functional. With its squared feel, rounded version, and support for numerals, symbols, punctuation, and foreign languages, Zephyrus is a font that's sure to take your designs to the next level! Zephyrus features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Cyber Style +278 Total Glyphs ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternatives, you can see this link: http://adobe.ly/1m1fn4Y ——— 🔑Important tutorial from the author: Tutorial for Mollusca font trio: https://lnkd.in/d984CQD6 How to use Midway | Retro Script Font on illustrator: https://lnkd.in/eusbZd7s How to use Midway | Retro Script Font on Photoshop: https://lnkd.in/evsYrwgs How to use Hellfire Flames | Death Metal Font on Photoshop: https://www.youtube.com/watch?v=Z0MSBYzl9EM&t=35s How to use Rusted Sabbath | Black Metal Font Font on Photoshop: https://www.youtube.com/watch?v=_BTTgnSszsM&t=6s How to use Black Dread | Death Metal Font on Photoshop: https://www.youtube.com/watch?v=cKoSvIEbdZ4 ——— 🔥 Thank you for purchasing our product, hope you like it and have fun with our product. If you have any queries, questions, or issues, please don't hesitate to contact us directly. If you are satisfied with our product, please give 5 stars rating. ——— Happy Designing...😊

Auchentaller was inspired by a travel poster by Josef Maria Auchentaller in 1906. To our knowledge, it was never cast in type. Grado lies on the northern Adriatic, between Venice and Trieste. At one time the port for the important Roman town of Aquileia. With the decline of the Roman Empire, the upper Adriatic region came under the rule of the Visigoths, the Ostrogoths, the Byzantines, the Lombards, the Franks, the Germans, the Venetians and finally, in 1796, the Austrian Hapsburgs. So it remained until the dissolution of the Austro-Hungarian Monarchy in 1919, following World War I, when the seaport of Trieste was awarded to Italy. With Trieste came Montefalcone, Aquileia and Grado. The area was marked by years of political tension between Italy and Yugoslavia, exemplified by the d'Annunzio expedition to capture Fiume (Rijeka) in September, 1919. Some basic discussion of the period from 1919 to 1939 may be found in Seton-Watson’s Eastern Europe Between The Wars (Cambridge 1945) and Rothschild’s East Central Europe Between The Two World Wars (Seattle 1974). In 1965 I was traveling by train from Venice to Vienna. Crossing the Alps, the train stopped for customs inspection at the rural Italian-Austrian border, just above Slovenia. We were warned not to get off the train because there were still shooting skirmishes in the area. Through all this, Grado remained literally an island of tranquility, connected to the mainland by a only causeway and lines on a map. Auchentaller not only painted the beach scene at Grado, he moved there, living out the rest of his life in this comfortable little island town. His travel illustration contains the text from which the design of our font Auchentaller is drawn. The text translates: "Seaside resort : Grado / Austrian coastal land". Please see our gallery images to see a map locating Grado, as well as Auchentaller’s painting of the resort. Auchentaller is a monoline all-cap font, light and open in design , with a lot of typically art nouveau letter forms. Included in our font are a number of ligatures. As is frequently seen in designs by German speakers, the umlaut is embedded in the O & U below the tops of the letters. This approach led to two whimsies: a happy umlauted O and a sad umlauted U. This font has a clean, crisp look that is very appealing and very distinctive. Auchentaller ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 336 glyphs. 2. Added OpenType GSUB layout features: pnum, liga, salt & ornm. 3. Added 116 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised ‘J’. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. 8. Inclusion of both standard acute and Polish kreska with choice of alternate accented glyphs for c,n,r,s & z. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.