Amongst a batch of antique sheet musical instruction booklets offered for sale online was a piece with Art Nouveau hand lettering on the cover entitled “Seven Musical Travelogues for Piano”. This design served as the inspiration and model for Ragtime Gal JNL, which is available in both regular and oblique versions. The font’s name comes from the line ‘Hello my baby, hello my honey, hello my ragtime gal…’ from the 1899 song “Hello Ma Baby”; a tune that found a new burst of popularity in an odd way within a 1955 Warner Brother’s cartoon [“One Froggy Evening”].

Breuer Condensed is a mechanical sans ideal for captions and headline settings, and may also be suitable for moderate lengths of body copy with its comprehensive offering of OpenType features. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs to provide a warmer read. The overall design ensures a distinct aura of technical precision in a personable tone. This family of eight fonts is designed to accompany the Breuer Text and Breuer Headline sets released in 2007. Breuer Condensed offers a 76% narrower footprint compared to Breuer Text and is fine-tuned to render typographic color equivalent to each sibling Text weight.

Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

The objective of this font was to try and find out how far back in the designer's life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering. The experiment was a success, which means that the designer's got it bad since he was, like, four! The Marvin set includes three stylistic variations (Regular, Round and Shadow), with extensive multi-script language support covering Western, Central and Eastern European languages, as well as Cyrillic, Greek and Vietnamese. A few extra alternates and interlocking ligatures are also included, all adding up to over 650 characters in each font. And here we are. Marvin is a great cartoon font that can help you build your very own Illudium Q-36 Space Modulator, so you can trigger that earth-shattering kaboom. Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?

THE NORWEGIAN RUNES The oldest runes discovered in Norway date from 400 AD. They were based upon the 24 - rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. Then, about 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD.

THE DANISH RUNES Prior to 500 AD the 24-rune Elder Futhark was used in Denmark. From 500 AD to 800 AD there were many transitional futharks, reflecting a change from the 24-rune Futhark to the 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. From 900 AD some of the runes changed, visually and phonetically. This occurred again about 950 AD and 1100 AD due to language changes. Runes dated to 1300 AD show evidence of being influenced by the Latin alphabet. Runes found in Skåne, Halland and Blekinge in Sweden, and runes found in Schleswig-Holstein in Germany, is counted among Danish runes, because in the Runic period, this was Danish land.

Rawhide is a fresh digitization and expansion of a very popular (yet uncredited) early 1970s film type called Yippie, which was commonly used in wild west cartoons and comics. Publishers of Lucky Luke, the famous Belgian comic by Morris, used these bouncy letters for the titling on a few of their soft cover editions, and different variations of it were used throughout the 1970s and 1980s by cartoon classic Looney Tunes and a variety of wild west animations and comics. It slowly disappeared without fanfare when desktop publishing became the norm. Here it is again now for the computer age, available as a high quality font with a complete character set that accommodates more than 20 Latin-based languages. In short, Rawhide comes with an impressive track record, and is a must for any funny cowboy design or off the wall wild west layout. This set of fonts contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

The eText fonts from the Monotype Baskerville have been specially tuned by our type design experts for a better on screen readability for instance in PDFs.

JH Hadi is an Arabic Naskh typeface, including three weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

JH Fadi is an Arabic modern square koufi typeface, including two weights; it is typical for headlines, logo design, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.

JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

Prior to 500 AD the 24-rune Elder Futhark was used in Sweden. From 500 AD until 800 AD there were many Futharks which were transitions from the 24-rune Futhark to one of the 16-rune Futharks. By the end of this period the 24-rune Futhark was completely out of use , and only 16-runes Futharks were in use. By 900 AD two different types of Shorttwigs-Futharks had been born. One was popularized in Norway and the other was used in the west (the British islands). By 1000 AD the adjustment of the runes to the Latin alphabet had begun, and several versions are found up until the Dalrunes, about 1700-1800 AD.

Our Smokum Pro is a western inspired slab-serif font with a little playful swagger to it. It's perfect for headlines and display uses that require a little loosened up country flair, but because of the contrast of thicks and thins, it will perform best as a WebFont at medium to large point sizes. The SmallCaps and extensive figure sets offer a little more serious tone and a wider range of design use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.

The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.

Winnetka JNL was inspired by Cooley Antique Tuscan Condensed - a printer's wood type manufactured in 1859 by J.G. Cooley. Given an additional hand-made treatment, the lettering resembles characters made from cut paper.

JH Lina is an Arabic Naskh typeface, including four weights; it is typical for long running text, headlines, branding , news letters, magazines, signage and electronic publishings ... The diacritic positioning is fine tuned per the publishers requirements.

The original OCR B was designed for optical character recognition systems and was therefore monospaced. Designer Alexander Branczyk made a more typographically tuned and fitted version, with both regular and bold weights, and called it OCRBczyk™.

Bisalir is a beautiful display font, so you can create beautiful headings or signature looks. Open type features 1000+ glyphs including stylistic alternates so you can fine tune your creations (this option works well also for other languages)

Song Crafter JNL was modeled from the writer credits on the cover of the 1943 sheet music for "This Love of Mine", a tune popularized by Frank Sinatra. The typeface is available in both regular and oblique versions.

The Dalecarlian runes, or dalrunes, was a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century.The province has consequently been called the "last stronghold of the Germanic script. When Carl Linnaeus visited Älvdalen in Dalarna in 1734, he made the following note in his diary: The peasants in the community here, apart from using rune staves, still today write their names and ownership marks with runic letters, as is seen on walls, corner stones, bowls, etc. Which one does not know to be still continued anywhere else in Sweden. The Dalecarlian runes were derived from the medieval runes, but the runic letters were combined with Latin ones, and Latin letters would progressively replace the runes. At the end of the 16th century, the Dalecarlian runic inventory was almost exclusively runic, but during the following centuries more and more individual runes were replaced with Latin characters. In its last stage almost every rune had been replaced with a Latin letter, or with special versions that were influenced by Latin characters.

This singsong font is Chock Full o’Notes to help semibreviate your lettering with melodic minims, quarter notes and quavers! NOTE, however that we cannot take responsibility for any arrangement that my seem out of tune to the trained eye.

Dark, Darker, Darkest - Daemon Runes.

A 1940s Australian song folio featuring tunes performed by singer-actress Deanna Durbin had her name hand lettered in an interesting Art Deco style sans. This became the basis for Song Folio JNL, capturing all the nuances of the original in digital form.

This childish script by Monotype designer Steve Matteson strikes a great balance between informality and legibility. The TrueType versions have been extensively tuned (hinted) for high legibility at small sizes on screen at a quality level termed ESQ (enhanced screen quality) by the foundry.

MVB Dovetail is an editorially focused text serif designed by David Sudweeks. The working idea for the typeface came from a design school letter-making exercise: Take a pair of scissors and a few large sheets of paper, and start cutting. The resulting letters and the action itself of cutting them out of paper informed the type design process, producing strong, simple shapes and an open, inviting texture. Dovetail’s tone is crisp and straightforward. Its classic letterforms, set off with a touch of playfulness, give the design both a practical and spontaneous personality. The text weights capably set copy at a variety of sizes for print and render crisply on screen. Its lightest and heaviest weights perform best at display sizes. Care has been taken to save the typographer’s time with OpenType features including contextual punctuation and symbols to fit mixed-case, small-caps, and all-caps settings, as well as figure sets tuned to each use.

Lanka Curves is a curly font, with traditional Sri Lankan art curves mixing with modern design elements. It houses more than 200 Glyphs, and can be used as typographical art, as well as a typeface. It's a very versatile font that works great in large and medium sizes. You will be pleased to use the many option of alternates and ligatures, to create nice different rhythms and balances in your creative works. INSIDE IDEA - In the Sri Lankan art alphabet, the teacher will initially give the ‘Wakadeka’ design (two-tone pattern) first. That pattern made out of curve shapes. The student should tune it up properly until he practices his hand. ‘LANKA CURVES’ typeface is dragged as it exposes the shapes in traditional Sri Lankan designs. Download & enjoy my fonts for your creative works. Lanka Curves best use for logos, invitations, fashion industry, jewelry industry, decorative designs & whatever you might need, Lanka Curves make it.

Description Chordette for Guitar Chord Fonts are tuned EADGBE. Create a guitar chord chart or chord sheets quickly and easily. Guitar Chord Fonts Chordette contains high quality guitar chord fonts. Each guitar chord is mapped to a specific key on the keyboard, so you can type out chords. It’s a lot easier than dealing with images to create a guitar chord chart or song sheet. It’s a favorite tool for teachers, music therapists, and musicians. What instruments are supported? Chordette for Guitar is tuned EADGBE and supports Guitar. Chordette is available in multiple tunings for most stringed instruments. Most versions of Chordette support multiple instruments. App / Instruments Supported / Tuning Chordette for Guitalele / Guitalele, Baritone Guitar / ADGCEA Chordette for Ukulele / Concert Ukulele, Banjolele / GCEA Chordette for Soprano Uke Soprano Ukulele ADF#B Chordette for Baritone Uke / Baritone Ukulele / DGBE Chordette for Mandolin / Mandolin, Irish Tenor Banjo, Irish Bouzouki / GDAE Chordette for Banjo / Banjo /gDGBD Chordette for Tenor Banjo / Tenor Banjo, Tenor Guitar, Mandola / CGDA Chordette for Guitar / Guitar / EADGBE Each version of the Chordette font uses the same chord sets and keyboard mappings. If you play multiple instruments, you can create a chord sheet for one, then use another Chordette font to transpose the song to another. For example, you can create a song for Mandolin, then instantly transpose it for Guitar and Ukulele - just by changing fonts! Chordette for Guitar is priced at $10, which includes the guitar chord font sets for both Mac and Windows. For help and support, please visit http://ukefarm.com/chordette/help.html

The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use declined after the Christianization of Scandinavia; most writing in Scandinavia from the 12th century was in the Latin alphabet, but the runic scripts survived in marginal use in the form of the medieval runes (in use ca. 1100–1500) and the Latinised Dalecarlian runes (ca. 1500–1910)

The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th century world of steel-tube chairs and fluorescent lamps.

King Slayer is a strong versatile serif font, the design details have been fine tuned to offer excellent readability on any screen size. King Slayer comes in three weights from regular to bold, with matching true italics, for a full range of editorial and advertising uses.

A contemporary script great for casual invitations, cards, tubes, scrapbooking.