Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.

Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.

Abudabi is a connected script typeface that includes 3 font styles: • REGULAR for signs and basic text • BOLD for titles and highlights • STONE for single words or backgrounds

The hand lettering on a World War I recruitment poster for the French Air Service inspired French Nouveau JNL, which is available in both regular and oblique versions.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

Kids Activities JNL is based on the hand lettering found on the covers of some 1955 Cub Scouts activity books. It's available in both regular and oblique versions.

KARN is a display typeface inspired by psychedelics. Regular, bold, outline, and summer dingbats are available. Perfect for projects that require fun and creativity. Punctuation, Multilingual & PUA Encode

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!

Quirky Fashion Quirky Fashion offers beautiful typographic with 2 style : Regular & Italic, harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Simplicity JNL is a lightface monoline sans design for titling and short text that is clean and effective without being bland. Available in both regular and oblique versions.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

Looking for nice handwriting fonts? Easy Hand from Okaycat comes in 2 weights, Regular and Semibold. You can achieve written by marker look by these easy going fonts!

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

An oval-brush-script with some opentype discretionary ligatures along with other ligatures and fractions. Palazzo Solo is the same as Palazzo Regular but is an unconnected version.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

A Toverheks in Dutch means 'witch' - well, actually it means 'magic witch' (it doesn't translate well). The reason for this kind of weird name is the nature of the font: it reminded me of a book of spells - the kind witches use. Toverheks is a didone-ish style font with some jagged edges and curly curls. It would be ideal for books (about witches, say) or posters or even postcards! Toverheks will leave you spellbound and bewitched. Comes with a kettle full of diacritics.

Introducing by Timurtype Studio! Timothea Signature is a Stylish Signature Font This font resembles handwriting. With attention to detail and stylish strokes in every line, this font adds a touch of sophistication and distinctive style to any design or text it is applied to. The distinctive nature of small lines makes them perfect for creating attention-grabbing titles, logos, or other elements. Timothea Signature Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊

Knul is an elegant modern typeface with a subtle mono-line appearance. Balanced engineered geometry with delicate hand touches allows for practical typesetting without complications. Knuls' mechanical simplicity is best suited to identity, editorial, advertising and software applications. Details include six weights with italics and over 600 characters per style. Opentype features consist of six variations of numerals, including inferiors, superiors, fractions, lining and tabular. Language support covers Western, South, Central Europe and Cyrillic—Remastered to version 2.0 for improved OpenType features and usability.

Fermata is an original calligraphic textface inspired by humanist serif typefaces from the 16th century, characterized by the translation contrast of a handwritten pen stroke, monumental Roman capitals, and true italics. Fermata has been modernized for 21st century textual requirements, with clean lines, moderated contrast, and a seamless blending of italics and lining characters into the text form, while still retaining the warmth and subtle idiosyncracies of the handwritten origins of old style serifs. The font was developed with invaluable advice and mentorship from Hannes Famira.

British type designer Neville Brody created this display FontFont in 1991. The family contains 3 weights: Light, Medium, and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Blur provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures. In 2011, FF Blur was added to the MoMA Architecture and Design Collection in New York.

Alogical is a script font that captures a touch of eloquence. Each letter in this font is crafted with high contrast outlines, adding a dynamic and eye-catching quality to the font. The combination of bold strokes and delicate lines enhancing the overall visual appeal. The swaying circular finish lines bring a sense of movement and grace to the font. With its flowing letterforms, Alogical offers a natural writing style. For the best legibility you can use this font in the bigger text sizes.

Puchiflit is a typeface disguised as a pen script. I didn't create this typeface by importing the letters on paper and tracing them into a computer with a draw application. So I think it's a pseudo-pen script typeface. By the way, I used a famous Japanese maker's felt-tip pen as a reference for line widths. I thought, "Isn't this what it would look like if I wrote with this pen? I drew a line in the draw application while fantasizing about this.

The design for Titulata was based on the need for a titles of extreme weight, dynamics and soft morphology. Strong and clear, it takes graceful form in the line and is legible even in small bodies. The script variable is softer and features some punch-line touches, providing another vision and incorporating traits of manual writing. One important feature is that both styles have the same rendering in text box, reason why signs can be combined without other alteration that the form of the printed word.

Vonique 43 is a stylish display font designed to stop passerby in their tracks. Curvaceous lowercase members define this font along with a consistently thin line weight throughout. Most are elegantly styled after circles featuring very short descenders and matching the cap height of capital letters. Vonique 43, like its predecessors, was not designed for everyday text, but eye catching logos. It's equipped with support for many different languages including Russian and Greek. Use it for a luxury brand, clothing line, or a company logo.

Introducing by Timurtype Studio! Queen Smoothie is a Handwritten Script Font This font resembles handwriting. With attention to detail and beautiful strokes in every line, this font adds a touch of sophistication and distinctive style to any design or text it is applied to. The distinctive nature of small lines makes them perfect for creating attention-grabbing titles, logos, or other elements. Queen Smoothie Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊