Here’s a collection of fifty-eight handy-dandy vintage Victorian and Art Deco panels to dress up your next design project. Letters A-Z, a-z and numbers 0, 7, 8 and 9 have single-element designs, and the number series 1-2-3 and 4-5-6 contain Victorian tapestry elements. Enjoy a wealth of design elements at a very attractive price.

Handmade Caslon JNL is a somewhat imperfect version of one of the many Caslon faces in use during the late 19th and early 20th centuries. Based on vintage source material, Handmade Caslon JNL is the right typeface for projects reflecting antiquity, a hand-made look or where slightly imperfect lettering adds a bit of the "real world" to the message.

Teapot is a font with letters on teapots. Upper-case letters have the handles on the right and lower-case characters have the handles on the left. The letters on the teapots are from the typeface InsideLetters. A revision in 2018 added some characters that can be used to create multicolored lettering. A pdf file here shows how to use them.

Stone skipping creates water ripples. This font expands by the same principle. A small, narrow base growing to the top, right, bottom and left until it reaches the shores. In this case: from the mean line to the baseline and caps height with a max. of three lines. WBP Ripples is a beautiful, friendly looking and playful display font for everyday use.

This jaunty display face was discovered in one of the many books on sign writing produced by Eric Matthews. The work was signed “King Cole", hence the font’s name. This typeface’s large x-height and tight spacing make it highly suitable for attention-grabbing headlines. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Murisa Betzmann is a very special font. We make it with enthusiasm and joy. Betzmann is an innovation and style in typography. We provide 4 alternates for each uppercase, and 4 swashes for each lowercase. You are also given various ligatures for variations of your writing. Multiple alternates, multiple swashes, multiple ligatures, a brilliant work of art. Get it right now.

Introducing our newest font called Gasego, this font will bring a unique touch to your design, Gasego Groovy font is one of the right choices. With precise curves and soft lines, this fun font is sure to add something special to your designs. It’s never too late to start incorporating this cool font into your work, so don’t wait and use it now!

Welcome to the cosmic dance of typography with Groove Galaxy, a captivating and thrilling rounded vintage typeface that swirls you into a time warp of retro charm reminiscent of the beloved 1970s. Just like stars twinkling in the night sky, each letter of Groove Galaxy emanates a mesmerizing aura, pulling you into a captivating journey through the groovy days of the past.

Friendly. Open. Self-confident. Generous and inclusive. Intellect and libido guided by the measured tension and release patterns of a well-validated ego. So might a graphologist characterize the handwriting reflected in this useful script typeface. Designed for penning short notes and other informal correspondence, this attractive design could easily become one's most-used font, regardless of how large a library is available.

There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower right hand corners. With six weights in Roman and italic, Suomi Sans works well for both headline and text use.

With its tall, slinky letterforms and perky switchbacks, Ziggity may not be your father's typeface, but don't let that fool you. It's ready and willing to step right up and say what's needed with a unique angle on things. Ready to use as-is or with any variety of angles, outlines or shadows, it will make your message memorable if not downright adorable.

Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.

Welcome to Sunset Waves, a fun display font that adds a playful touch to your project. This font is the right choice for creating graphics with an eye-catching and unique style. Whether you want a creative edge for your party invitations or looking to jazz up a logo design, this funky font is here to make a difference. Thank You

The Neubank family builds on the firm foundation of Bank Gothic, a twentieth-century classic designed by Morris Fuller Benton for ATF, and adds a fluid, dynamic lowercase that makes it right at home in the twenty-first century. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Chiller is the work of British designer Andrew Smith, a chaotic, reckless fun font. Although the ink blots and stray strokes might look undisciplined, the forms of this typeface were carefully planned and it is surprisingly legible even in small point sizes. Chiller is equipped with a number of alternate characters as well as illustrations and almost guarantees eye-catching graphics.

Finally an animated alphabet with a tall tale to tell -- perfectly suited to putting words in the mouths of mutts, talking tigers and anthropomorphic animal characters of all kinds. The precise thick and thin pen strokes of these eight versatile weights are well suited to gag strips, classic cartoons and maybe even that internet meme you've been thinking about for weeks!

This contrast serif typeface is good for display use. Bandera Display Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera Cyrillic (slab serif), Osnova Cyrillic (sans serif) and Bandera Text Cyrillic (serif) fonts. Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

This set of four fonts, organized as a font family, consists of toy train cars with letters on them. Upper and lower cases have different typefaces on them, so there are eight different type styles available. Some of the letters on the cars are from Salloon, TiredOfCourier, Glitzy, Qwatick, and PhederFrack. To add variety using more cars without letters, use the XLaserTrain font.

Churchward Maori is the second of a series of eight Maori style typefaces designed by New Zealand type designer Joseph Churchward, and released by BluHead Studio, LLC. Churchward Maori infuses standard Latin glyph forms with traditional Maori decorative elements to create a wildly organic design. BluHead Studio expanded the character set to support standard Latin character sets. BluHead previously released Churchward Ta Tiki.

Hjem, in Danish, means ‘at home’ or ‘home’. I made this font ‘hjem’, so I thought the name was quite appropriate! Hjem is a rounded, handmade display font that comes with extensive language support and cute swashes. Use this versatile font for your packaging designs, book covers, party posters or whatever you want. I am sure this font will feel right hjem!

Introducing military label font named Militarist. This font has a cyrillic and multilungual characters support (check out all available characters on previews). The font family has eight styles: Regular, Stencil, Lines, Texture, Texture FX, Rough, Stencil Rough and Lines Rough. This font will look good on any military or serious styled designs like a poster, T-shirt, label, logo, etc.

A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.

Features: Chella Lyfe Print: Uppercase letters, numbers, & extended punctuation We Offer Non-English support for the international designer as well Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! This is such a fun new display font, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, The ChellaLyfe variations in stroke thickness for upper and lower case fonts, so you can so it can display creativity and life in every stroke! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

The letters in this font are made by chopping bits from footprints. Individual letters are sometimes very hard to decipher, but when put together as words they are usually readable. In Pedestrisan-Regular, the original version of this font, the upper-case letters have toes on the top the lower case letters have toes on the bottom. All the feet with letters are right feet. The upper case and lower case do not mix. In 2020 two alternate versions were created. In Pedestrian-Alt all toes are on the top but the lower-case letters are left feet. In Pedestrian-AltTwo all toes are on the bottom with the upper-case letters being cut from left feet and the lower case from right feet. Both the alternate styles also have an alternate set of numbers on the unicode circled numbers that can also be accessed with an OpenType feature.

Letric is a high-energy capital typeface. With traits of a brush comic title, it has rough and cut edges, electric in nature but with smooth curves. The strokes are reminiscent of a tiger's skin, making for a great jungle or wildlife font. Used in the right context, with the right wording, it fits perfectly as a vintage thriller/splatter/horror movie header typography. This cartoon sans-serif is slanted/italic as default but also comes with a professional upright style. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

I'm happy to present you my new classic style font. It's a vintage serif font with my brush touches. I used dry strokes with rough edges decoration elements. Perfect if you want to add slight retro style to your project. I designed it for fashion labels, classic headlines, glamour posters, luxury identity, wedding invitations. You will get: * Uppercase glyphs * Numbers and symbols * Multilingual support * Free future updates Please feel free to request to add characters you need: kaer.pro@gmail.com Thank you!

A retro-style can be regarded as lack of original contemporary ideas. But also as passion for nostalgic time-traveling. Everyone wants to return to their youth at least for a moment. Inicia was one of my first designs (hence the name) from the mid-eighties. The original drawing was never finished because there were too many similar typefaces around. After three decades the shapes of the old designs suddenly became tempting to finish. Now restored and completed at Storm Type Foundry.

Flamingo Plush is something you want to use when you need your statement shouted out! The large, rough and worn letters will do the job for you - all you need to do is write your message! There is a slight difference in upper- and lowercase in a kind of unicase way. Some of the lowercase letters looks a bit more worn, when mixed with uppercase makes the handmade look really stand out! Go for something big, go for Flamingo Plush!

Zuume Soft is a high-impact, condensed sans serif family with a soft touch. A sister to Zuume, this version features round corners for a friendlier appearance. The lighter weights give a sharp, technical feel while the bold, blacker weights can be tightly spaced and stacked for a strong visual punch. The notched and extended ink traps add both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

Reminiscent of a stencilled spray-paint message, making a stand against the world, Headlined is equally at home expressing the voices of the oppressors and the oppressed. Simple in application, this font sets down an idea and makes it stand out from the crowd with a bold tone backed up by a slight fading that implies age and wisdom. Make a statement with Headlined and watch the world change. Alternatively if you're looking for something a little cleaner, check out Headlined Solid.

Plasto is a complete grotesk sans serif family. The quirky letterforms and its slight width variation characterized the typeface as fun and playful as "plastic" in a graphic layout, fit for various design spaces, fit for both informal or functional purposes, fit for large display and also small text. Plasto complete family contains 54 styles with two axes; Weight and Width. The weight consists of 18 styles from Thin to Black, and the width consists of 3 styles, condensed, normal and expanded.

First cut by Lanston Monotype, the Goudy Modern font family was based on designs used by French engravers during the eighteenth century. Although called a modern it possesses a number of old style characteristics. Capitals are much shorter than the ascenders, serifs are fully bracketed and round shapes have a slight stress. The overall weight of Monotype Goudy Modern is on the heavy side, giving good emphasis in display sizes but it is not too heavy for use in text.