Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design. Praxis Next shines where space is at a premium. The regular designs are modestly narrow while the condensed typefaces perform with grace in the most crowded of environments. The bold designs create powerful headlines and banners and the lighter weights are ideal for both long and short-form text copy. Because of its many weights and proportions, Praxis Next is also an ideal design to build a brand identity. Praxis Next Variables are font files which are featuring two axis and have a preset instance from Light to Ultra and Condensed to Roman. Pair Praxis Next with old-style designs like Bembo® Book and Stempel Garamond™ to create a dynamic typographic contrast. Or complement the design with its serifed counterpart, Demos® Next . Unger also drew ITC Flora® as an alternative italic design. Looking for something a little different? Pair Praxis Next with Masqualero™ .

Fazeta Sans is a perfect companion to serif typeface Fazeta. Two light weights were added, so the complete typeface consist of 14 fonts (7 weights + matching italics). The fine gradation lets you choose perfect weight for any type of project. Every font have 1140 glyphs – just like the serif version and contains the same features, so use and combining of whole typeface is very comfortable. Also fixed kerning allows better comfort for eyes by reading and shortens the length of the text. I tried to preserve sharp and cold impression from serif version, but some straight lines had to be curved due to the natural limitation of sans typefaces (for example the upper arch of “f” is shaped more smooth). However it keeps extremely open form. A little playfulness was left at the end of letters “k, K, and R”, but if you want, this can be eliminated by using a rigorous SS01 feature. Serifs were here transformed into a small yaw from main stroke and so enlive the monotony of sans kind of types. Also slight cutting the top of the letters helping to surprisingly vivid final impression. Fazeta Sans is therefore suitable for wide range of type sizes – from small marginalies to huge poster sizes. To see more please check the PDF specimen.

Oktah is a geometric grotesk that comes both as a variable font and 22 static fonts: 11 uprights and 11 matching italics, which make it a great tool for those seeking a versatile font with a strong character and high legibility. Throw in a very pleasing look, elegant curves and a wide range of weights, and you'd get what Oktah aspires to be: a perfect typographic tool for every need.In Oktah, elegant geometric curves meet bold strokes and wide apertures. Round letters are nearly circular, but, to boost readability, slight changes were introduced for optical compensation. Oktah is also equipped with amazing OpenType features: case sensitive punctuation, ligatures, fractions, superscript and subscript figures, two kinds of circular figures, stylistic & contextual alternatives and much more! Oktah supports all major European languages, as well as Vietnamese and some dozens of foreign languages that you may encounter in your designs. We've got all that covered. The glyph count for each of the styles is 800+ characters. Two styles (Extra Light and Bold Italic) are free to try and experiment with. If you need wide language support and more extensive OpenType features, consider taking a look at Oktah Neue, a bigger version of the classic Oktah.

For these fonts I have reworked the spacing a bit, and completely redesigned the "N" as they were calligraphically very wrong. Kevin King says: "Petrock is based on letterforms found in a small city Church in Exeter - from a display case about bell ringing. A lovely simple labeling hand, I think I've done it justice... Petrock Light is a lighter form of Petrock - makes both of them more usable." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Argone LC is a handmade organic typeface family. It is a variant of Argone typeface, but has lower case letters. It comes in four weights– light, regular, bold and black, which is a feature not seen much in handmade typefaces. This makes Argone LC a versatile and flexible type family. There is also a version of Argone LC which only has upper case letters – Argone

Lovato is a family of five fonts, perfect for branding applications, books, or poster designs that require a clear, sharp, stylish tone. The styles range from an elegant, delicate light weight up to a brazen, commanding black weight. This original Latin-serif family, designed by Kosal Sen, has primarily a geometric construction, with hints of details inspired by inscriptional lettering, all coalescing to fit a contemporary palette.

Kathleen Serif is a geometric serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. Kathleen Serif font has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Abdo Line is a simple Naskh font for books and magazines. Accurate design and clarity of reading and writing space-saving, it comes in sixth weights: Thin, Light, Regular, Bold, Heavy and Black. This is an OpenType Font supporting Arabic, Persian, Urdu Languages and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives.

Quirkily is a crooked serif family with natural and organic feels! Contain 6 fonts. Including Light-Regular - Bold with an italic each style. You can use this font for every project. Suitable for branding logo, a classic theme, and also for text. This font family also support multilingual, number and symbol. If you bored with a casual serif, maybe this font is for you!

Mazot is a modern sans serif with a compact and low contrast structure. Low contrast structure and terminals being flush with the body, gives it a raw effect. Perfect for Branding, Poster and Packaging designs. It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics. It is available in 2-axes variable version.

Bookbag is a font for teaching kids to read and write. It comes in 4 weights, from light to extrabold, and has dotted and lined versions for students to practice. Many glyphs have alternate versions, that can be accessed either through OpenType stylistic alternates, or using the Alt versions of the font. Bookbag has a very wide language support, with most latin languages supported.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

Here’s another offering based on the work of Alf Becker, long-time contributor to Signs of the Times magazine. This only comes from the 1940s, and is a light and bouncy single-stroke face that’s sure to pep up any project it graces. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Carolina is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Gottfried Pott designed his Carolina in the tradition of the Carolingian Minuskel. The rhythmic flow of the font gives text a light and elegant feel.

Flawless Valentines is a beautiful and light handwritten font. Its unique feel and stunning impact will add a luxury spark to any design project you wish to create! This font is PUA encoded, which means you can access all of the amazing glyphs and ligatures with ease! Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

Brookley is a hand-crafted, monoline script typeface designed to add a beautiful, modern touch to your designs. Available in 3 weights: light, regular and bold. Brookley comes with 372 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType alternates and ligatures for easy customization. It's perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, and invitations.

A loose, casual felt-pen script, Chantal comes in three weights plus italics, and a Cyrillic version too. Alternate versions are available in the upper and lower case keys, so settings can be customised according to taste. Chantal communicates a hand-drawn light touch with character. Originally designed to letter the RoboHunter series that Peter Hogan and Rian Hughes produced for the comic 2000AD.

Cabarno is a sans-serif organic typeface that can be use in any typographic situation. It has his own unique style in expressed perfect condensed forms with a warm and humane feeling. This font can function as headings, subheadings and body text with a set of alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Heritage Set is a display font. It was designed specifically for display, headline, logotype, branding, and similar applications. Heritage Set has been designed to equipped with three different widths; Narrow, Normal and Wide, addition to expanding weights to support various usabilities ranging from ExtraLight, Light, Regular, Bold and ExtraBold. Which makes with a Tabular Lining features support the creativities of the designer from the Font Menu.

Airy is in fact a very light-minded summer font without any serious design concept. It is a collection of hand-drawn letters that with the help of OpenType features allow you to get a lace texture with mutable structure. Together with the font you also get a bonus — a set of naive pictures that you normally draw on the margins of your sketchbook.

Unison Pro is an extended sans serif typeface. The family includes 8 fonts with stylised caps and a rounded version for each. Unison has bold and light minimal extended glyphs making it great for headers, logos, posters, titles and much more. The stylised caps included allow users creative control for creating unique typography. 8 Fonts Total 4 Font Styles Stylised Caps Multilingual Over 1700 Glyphs

ID Grotesk is a contemporary typeface that combines modern design with a classic feel. Its unique inktraps add an intriguing touch, enhancing both aesthetics and legibility. Suitable for various projects, ID Grotesk is a versatile choice that brings a fresh twist to traditional typography. ID Grotesk boasts a comprehensive collection of 14 styles, including Thin, Light, Book, Regular, Medium, Semibold, Bold, and their corresponding italic variants.

Virtual is an experimental fantasy font based on a pseudo optical enclosure where a linear system that is not connected there. Virtual comes in three weights: regular. light, and thin also an virtual mix by mixing different thicknesses in a single font, with alternative variations through features of open type. Virtual is an experience based on play with the laws of the Gestalt of closing.

Brefa is a san serif font family that carries a modern classic theme with a variety of designed fonts with light strokes that make up a vintage style with a rustic touch and a stamp With this font, you can beautify your work as well as strengthen your work in the form of storytelling, logos, typography, hand-lettering, packaging, t-shirts, labels, and much more.

Slovakian type designer Peter Bil'ak created this display FontFont in 1995. The family contains 3 weights: Extra Light, Regular, and Extra Bold and is ideally suited for festive occasions, logo, branding and creative industries, music and nightlife as well as sports. FF Atlanta provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

German type designer Ingrid Liche created this script FontFont in 1995. The family has 5 weights, ranging from Light to Black and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Clair provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Reverie is a cheerful band of letters that bounce across the page and get together to create words in three weights. Generous spacing and a modest x-height project an airy typeface that's open but not frail. Quirky without being too whimsical. Use the regular weight for surprisingly readable text or put the light and bold weights to use for decorative headlines and titles.

Giacometti Letter is a fun design by Sine Bergmann and Leonore Poth. It has a rough, handwritten-looking style that is perfect for informal communications. The letters are light and narrow similar to her thin figures in the Pi font Giacometti." When combining Giacometti Letter with other fonts, try using "Jump" - another of Sine's designs - which contrasts well since is it wider and bolder."

ITC Samuel is a delicate and lively calligraphy font designed by Phill Grimshaw. Every detail has been worked to create harmony. The stroke contrast, the light brush character, the graceful forms all give ITC Samuel the spontaneity and individuality typical of handwriting. The font includes several ligatures and is legible even in smaller point sizes. ITC Samuel is perfect for invitations, greeting cards and other personal correspondence.

Astegra is a modern serif font with a unique ligature style, a high contrast and light font perfect for feminine logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Astegra is also included full set of: Uppercase and lowercase letters Automatic ligatures for Uppercase and Lowercase Stylistic Alternates Multilingual characters Numerals Punctuation Thank you!

Tiva is a light and breezy casual script reminiscent of handwriting and packed with contextual and stylistic alternates. This easy and friendly style adds a personal touch to any project. See what’s included! http://bit.ly/2c5Nn4K This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

FeggoliteMono is a decorative, monospaced typeface family with a small x-height and long descenders. Two styles (plain and bold but renamed in 2020 as light and regular) were created in 1994 and revised in 2010. In 2020 a bolder bold was added along with italics versions for each of the three weights. The design was an attempt to create a decorative typewriter font.

Lockhart is a romantic, modern script font family available in 3 weights- light, regular and bold. Lockhart is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, and invitations. It includes custom swashes, opentype features and ligatures to make your projects more unique and customizable. Language Support: English. Danish, Finnish, French, German, Italian, Portuguese, Spanish, Swedish, welsh, Icelandic

Art Nouveau typeface "Gaisma Latin" ("Light" in Latvian) draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. It contains characters for all the European languages as well as a huge set of contextual and stylistic alternates and historical characters to replicate texts of the era.