Tiresias was designed for subtitling by Dr. John Gill from the Royal National Institute for the Blind (RNIB), in the United Kingdom. The Tiresias font is designed to have characters that are easy to distinguish from each other, especially important for the visually impaired. The following key factors were considered during the design process: character shapes, relative weight of character stokes, intercharacter spacing, and aspect ratios that affect the maximum size at which the type could be used. The benefits of the Tiresias font are greatest on lower resolution displays, such as televisions, train and airline information terminals, and low resolution displays on wireless communication and handheld devices. InfoFont is for printed instructions on public terminals where legibility is the primary consideration; these instructions are often read at a distance of 30 to 70 cm. Infofont is not designed for large quantities of text. The Tiresias LPfont is a large print typeface specifically designed for people with low vision. Large print publications should be designed to specifically help with reading problems, and should not just be an enlarged version of the ordinary print. The Tiresias LPfont family, made up of roman, italic, and bold weights, was designed to address and solve these issues. The RNIB developed PCfont for people with low vision to use on computer screens. It is designed for use at larger sizes only. PCfont includes delta hinting technology in the font to ensure pixel-perfect display at key sizes. Signfont is for fixed (not internally illuminated) signage. The recommended usage is white or yellow characters on a matt dark background. Note that the “Z” versions have slashed zeroes, and are identical in all other respects. These faces were developed together with Dr. John Gill of the National Institute of the Blind, Dr. Janet Silver; optometrist of Moorfields Eye Hospital, Chris Sharville of Laker Sharville Design Associates, and Peter O'Donnell; type consultant. Tiresias himself is a figure from Greek mythology, a blind prophet from Thebes.

Nadsat is a unicase display typefaces with a condensed, art deco styling. Best suited for short texts or display settings, the lowercase and capital letters can be combined to offer more layout possibilities. The typeface also includes a series of ligatures and alternate characters for even more layout options.

This stylin' font is one cool cat! It's great for that groovy layout.

A grungy and narrow bad-boy tagfont. Take it to the streets, home!

Browsa is a display font suitable for design, logotype, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work. Features Of The Font: - All Standard Character, Symbols, Multi-lingual Support, Stylistic Sets - PUA Encoding Follow Me: - https://www.instagram.com/FHFont - https://twitter.com/FH_Font - https://www.facebook.com/FHFont/ - https://id.pinterest.com/feydesign/

Inky and grungy, Stomper is perfect for your layouts that require the look of imperfection.

This fun sans-hand typeface gives your designs and layouts a personal touch that leaves a smile. FUNFAIR has two weights each with italics. FunFair has tall letters and tight kerning to give a natural hand written style. It’s great for posters, cards and headings but also versatile enough for many kinds of typographic layouts.

Hello, now I tell you. its time for "Kelphyn". Yes you heard right. Kelphyn is a serif font family that allows you to try out new, innovative designs that suit your taste. Created to support all forms of design, art and ideas. especially for modern magazine designs, website layouts and supporting branding layouts. Grab it fast here Free updates

Modulus is a clean, minimal, modern sans typeface. It looks smooth in any layout with its sleek rounded lines, use it for your magazines, brochures and editorial layouts. Modulus makes awesome headings, it looks great on its own or with imagery, body copy looks neat and tidy. Modulus is one to add to your font collection.

Vindeco is a classic typeface, vintage with a mix of decorative. It looks stylish and elegant in any layout with it’s slick lines, use it for your magazines, brochures and editorial layouts. Vindeco is designed to make eye-catching headings and typographic designs, use it on invites and in magazines, Vindeco looks beautiful on its own or with imagery.

Air is a clean, contemporary, geometric sans typeface that has been designed for use in minimalist layouts where type is hero, such as those for high fashion magazines, and luxury brands. The rounded face is smooth, subtle, and non-intrusive, even when scaled up so will work effortlessly in editorial layouts when used with or without imagery.

This stylish font has that ornamental curly look. It would be excellent for the formal scrapbook layout.