Charlot is a decorative display font with dozens of beautiful ligatures and ornaments. The vast selection of ligatures and stylistic alternates makes this font extremely customizable. Charlot is perfect for unique branding and title treatments, personal monograms, and vintage-inspired layouts. Charlot has over 150 ligatures in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet, 60 ligatures, 33 stylistic alternates, 15 decorative ornaments, borders, and frames, numerals and math symbols, extensive punctuation and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Charlot, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. For a complete preview of all the ligatures, please look at the 4th image in this product listing. Languages Charlot includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text. There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing. Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters. Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details. Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses. Designed by KAZER STUDIO

In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." Jenson Old Style™ was designed by Freda Sack and Colin Brignall for Letraset in 1982. Because of its darkness, this version is best used for display designs that call for a sense of old-world elegance and solidity."

Introducing Merinath Typeface a rounded vintage monoline. Merinath is clean modern-vintage display font which inspired from old school letterpress and rounded sans serif shapes. This font was created and explored become 3 styles with over 500 glyphs on each font. Also with many features that give you many options in your design project. You can access the open type features by accessing Font Book (Mac) and Character Map (Win) or you can get it in design software like Photoshop, Illustrator, CorelDraw, InDesign etc. Here's what you'll get : - Merinath Normal : Looks good for a headline, editorial, body text, and other formal styles. - Merinath Rounded : With the inky effect, this style is awesome for old school, hipster, vintage, typographic, sign board, logo design and letterpress effect. - Merinath Bold : Suitable for food, kids, logotype and other joyful designs. TTF & OTF format features : - Uppercase - Lowercase - Numbers - Symbols - Ligatures - Stylistic alternates - Contextual alternates - Swashes - Stylistic set 01 - Stylistic set 02 - Multilingual characters : Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish,French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu Thank you for visits and enjoy!

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Hello Mellogia is a modern vintage serif font packaged in a modern and classy style, complete with access your OpenType features to access a large selection of alternative fonts and bindings, Choose the font you like from large and small font variations for a luxurious and elegant look. A unique, fun and versatile serif family with 26+ binders and 100 alternatives to perfect any design you love. This font is perfect for branding projects, Logo design, Apparel Branding, packaging, magazine titles, advertisements, T-shirts, postcards and more. This typeface has been enriched with additional alternate characters of up to 350 glyphs. Hope it helps to capture the soul of any design. Finally, there are no words to say other than "Success and enjoy. Hello Mellogia is encoded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ

Wonderful writting is a calligraphy script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Wonderful writting is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Wonderful writting features 450+ glyphs and 254 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornamentation to make this font look elegant. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access swashes, using the Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac).

Unleash the playful vibes with Bigsize, a vibrant display font crafted to command attention and inject a dose of fun into any design. The bold, rounded letterforms make it a perfect choice for titles, headlines, and product packaging. Its whimsical charm also positions it as an ideal companion for brands targeting a youthful or lighthearted audience. Bigsize isn't just about fun; it's designed to be both playful and functional. Its readability, even at larger sizes, ensures that your message shines through. The font's distinctive style is a testament to the designer's creative exploration of letterforms, resulting in a typeface that strikes the perfect balance between playfulness and legibility. With over 350 glyphs, including support for broad Latin and Cyrillic languages, Bigsize proves its versatility across various design projects. Whether you're working on posters, billboards, logos, or digital ads, this font is your ticket to making a bold and memorable statement. Whether you're crafting a poster, developing packaging for a brand, or spearheading an advertising campaign, Bigsize is the font that will set your project apart. Its bold and comical aesthetic captivates your audience's attention, while its readability ensures your message resonates effortlessly."

Ardhelia is a beautiful display font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. Ardhelia come with 500+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Ardhelia : Uppercase ( Four style variations ) & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-21 Character Variant Contextual. The file include the following : Ardhelia.otf If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before each pair of eyes, never faltering or stumbling in its refined step. But while dressed with gentility, this elegant family is not faint of heart when challenged. Crafted well for high-impact resistance, Mandrel steps boldly and prominently into the arena of the reader’s eye, boasting its tall x-heights, high contrast, confident bends, and sharp serifs. Skillfully, it wields its sharp serif endings, cutting swiftly through opponents’ crude clutter, which fights for the reader’s attention. From Thin to Black, nine weights and their matching italics make up this noble family. Mandrel furthermore includes an abundant treasury of OpenType variables to adorn your text. Ligatures, old-style figures, and stylistic sets are available to accompany the family’s 500 glyphs and its support for more than 70 languages. Raise your cup to this new Mandrel! With strong serifs and high contrast, you’ll find this champion ready to take up your challenge in many a test ahead.

The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda Wright. For that purpose, some initial shapes were modelled after letters Colville himself had used on a Governor General gold medal he designed in the mid-1970s. From there started a year-long project that culminated in a set of four comprehensive fonts ranging in weight from Light to Bold, each containing over 750 glyphs to cover Pan European language support, stylistic alternates, five sets of figures, automatic fractions, and some ornaments rooted in Alex Colville’s art. These fonts exhibit a strong art deco aesthetic that has always been a favourite of architects, metal casters, and sign makers. This is a very humanist geometry alternating from the precisely calculated to the curvy and lithe, subtle contrast, flat stroke stops, and airy proportions that make for a counterspace built for accommodation and comfort. The breadth and timeless humanism of the Colville set makes fit in a variety of applications, from straightforward headlines, titles, and emphasis captions, to branding and packaging.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

What makes "Logopedia Now" unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony. All letters in the character have "alternatives" in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using "Logopedia Now". "Logopedia Now" is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design. "Logopedia Now" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Logopedia Now 500 Regular” forms the central point. "Logopedia Now" comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs. Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs. "Logopedia Now" is the perfect font for web use. Be sure to check out the other siblings of "Logopedia". - Logopedia Now - Logopedia Now Soft - Logopedia Next - Logopedia Next Soft You can enjoy using it.

In January of 2006, Jeff Levine fonts debuted with ten releases. Many of those first fonts were based on vintage lettering stencils, which were the "school years" catalyst for Jeff's interest in lettering and type design. Eight years later, his collection of fonts has become a giant catalog of display type ranging from Wood Type revivals to Art Nouveau, Art Deco to stencil, reinterpretations of old favorites, experimental fonts, dingbat fonts and typefaces reflecting a particular decade's styles of cultural popularity. Designs from old lettering books, type catalogs and advertising have also been fodder for many alphabets not previously available in a digital format. Along the way, many unusual lettering sources were also mined for type ideas. Vintage packaging, hand-lettered signage, sign making kits, rubber stamp type, water applied decals and at times just a singular letter example inspired many of the releases within this collection. It was a source of pride for Jeff Levine Fonts to reach 500 releases and a determined goal to grow the type library as far as possible. With this in mind, February 2014 brings forth many new releases. This one in particular, Ornery Polecat JNL, is the 800th typeface release from Jeff.

Geliat would be the youngest brother of Creo, retaining the letterform and proportion but has more geometric looks. This font family comes in two versions which has some different default glyphs. Geliat family has similar letterform with Creo, while the Alt version has common geometric letterform. Italic styles of Geliat were designed using semi-rotalic method. The round parts have 5 degrees italic angle, while the vertical strokes were made in 10 italic degrees. The result gives the styles look more circular than most geometric typefaces with the same 10 degrees italic angle. Each version of Geliat has 2 variable fonts along with 10 different predefined weights from Thin to Heavy with matching italics. Each family member of Geliat also equipped with useful OpenType features such as Ordinals, Superscripts, Scientific Inferiors, Stylistic Sets, Tabular Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages. Geliat will be suitable for many creative projects, from logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more! Sky is the limit!

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

What makes "Logopedia Next Rounded" unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony. All letters in the character have "alternatives" in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using "Logopedia Next Rounded". "Logopedia Next Rounded" is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design. "Logopedia Next Rounded" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Logopedia Next Rounded 500 Regular” forms the central point. "Logopedia Next Rounded" comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs. Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs. "Logopedia Next Rounded" is the perfect font for web use. Be sure to check out the other siblings of "Logopedia". - Logopedia Now - Logopedia Now Rounded - Logopedia Next - Logopedia Next Rounded You can enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

About the design Spitzkant is a serif typeface family that is characterized by strong contrasts. Pointed, sharp serifs and edges contrast with round and fine forms, making it very individual and expressive. This makes it particularly suitable for branding, editorial, packaging and advertising. The high-contrast display version has been complemented by a lower-contrast text version, making Spitzkant in combination suitable for both strong headlines and extensive body text. An allrounder that can be used for many purposes. Variable Font The Variable Font contains 3 axes: weight, oblique and optical size – all in just one file. Features With over 850 characters, it covers over 200 Latin-based languages. It also has an extended set of currency symbols and a whole range of open type features. For example, there are alternative characters as Stylistic Sets, Small Caps, automatic fractions and many other features. Ligatures Especially the extensive selection of ligatures (standard and optional) is a special feature which was an important part during the design process. With over 95 different ligatures there are many possibilities to give headlines and logos an individual touch. Get the usual version of the Spitzkant family here: https://www.myfonts.com/fonts/julien-fincker/spitzkant/

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features. PDF Specimen Benchmark on Behance

Cavole Slab is a new slab serif, designed in early 2011, that has a strong influence from Dutch typography. The name is an altered form of the Portuguese word for feather, emphasizing the typefaceís soft and friendly character. Slab serifs give this face plenty of impact and make it an excellent choice for contemporary designers. The font family includes a very dark and powerful black all the way down to a hairline thin weight, giving a tremendous versatility. The family also features dynamic italics that add plenty of emphasis and momentum. Cavole Slab is suitable for both headline and text settings and should easily find its place in a number of different settings, from corporate identity to magazine body copy. There are six weights that come with complementary italics, and each font includes over 450 characters and extended Latin-based language support. The typeface family comes in OpenType format, and OpenType alternates are easily accessible through OpenType enabled applications such as the Adobe suite or Quark. Please see the informative .pdf brochure to see what OpenType features are available and to see them in action.

Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!

What makes "Logopedia Now Rounded" unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony. All letters in the character have "alternatives" in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using "Logopedia Now Rounded". "Logopedia Now Rounded" is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design. "Logopedia Now Rounded" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Logopedia Now Rounded 500 Regular” forms the central point. "Logopedia Now Rounded" comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs. Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs. "Logopedia Now Rounded" is the perfect font for web use. Be sure to check out the other siblings of "Logopedia". Logopedia Now Logopedia Now Rounded Logopedia Next Logopedia Next Rounded You can enjoy using it.

Alio™– Let Your Creativity Flow. Inspired by sleek sans serifs and flowing cursives, Alio™ features the best of both worlds. The hybrid modular design of this display type gives you tons of alternates and options to play. Just let your creativity flow and enjoy creating a broad range of styles from minimalistic modern to decorative flourish. *Alio Pro* comes loaded with extensive ligatures and alternates. When combined this display type with Alio Decor, you can let your creativity flow to the max. Together, you can create stunning flourish designs and unique type treatment to your projects. The Pro also supports most Latin-based languages. Heck, it even covers Chinese PinYin. Perfect for the logo, branding, poster, book cover, store sign, and packaging. [6 weights/12 font styles. 750+ glyphs each] *Alio Decor* is more than just an Alio Pro’s sidekick. You can enjoy creating flourish designs exclusively with Alio Decor. [6 weights/12 font styles, 300+ glyphs each] *Alio Std* features selected glyphs from Alio Pro (fewer ligatures and alternates). Perfect for web headlines and subheads, and minimalistic, modern print designs. [6 weights/12 font style, 400+ glyphs each]

Lyra is an Italian Renaissance script that might have developed if metal type had not broken the evolution of broad pen calligraphy. It lies in the area between the humanist bookhand and the chancery cursive, combining the fullness and articulation of the Roman letters with a moderate italic slant and condensation. A steep pen-angle allows use of a broader pen relative to the x-height, giving the letters more contrast with light verticals and heavy curves. Lyra embodies the Renaissance spirit of refining technical advances of the late middle ages with reintroduction of ancient classical principles. Based on the moving penstroke with constantly changing pen-angle, it brings the vitality of handwriting to the ordered legibility of type. Lyra is a formal italic, too slow for copying books. By eliminating the element of speed, digital technology opens up a new level of calligraphy, bringing it into the sphere of typography as would naturally have happened if metalworkers had not controlled the process. If classical Western traditions are respected, digital calligraphy has the potential to recapture the work of the past and restart its stalled evolution. There is of course no substitute for the charm of actual writing, with each letter made for its space; but the tradeoff is for the formal harmony of classical calligraphy as every curve resonates in tune with every other. This three-weight font family marks Philip Bouwsma's much-requested return from a three year hiatus. It also reminds us of his solid vision in regards to how calligraphy, typography and technology can interact to produce digital beauty and vesatility. Each of the three Lyra fonts contains almost three character sets in a single file. Aside from the usual wealth of alternates normally built into Bouwsma's work, Lyra offers two unique features for the user who appreciates the availability of handy solutions to subtle design space issues: At least three (and as many as six) length variations on ascending and descending forms, and 65 snap-on swashes which can be attached to either end of the majuscules or minuscules. The series also offers 24 dividers and ornaments built into each weight, and a stand-alone font containing 90 stars/snowflakes/flowers, symmetric contstructs for building frames or separators, masking, watermarking, or just good old psychedelia.

After 13 months of hard work, Iza W and Intellecta Design are proud to announce Penabico. This is a free interpretation of the copperplate script styles to be found in the Universal Penman . London, 1741 , the monumental publication of engraved work by George Bickham (along with collaborators Joseph Champion, Wellington Clark, Nathaniel Dove, Gabriel Brooks, William Leckey and many others). This enhanced OpenType version is a complete solution for producing documents and artworks which need this kind of calligraphic script: 100s of stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; 250 ornaments and fleurons (mostly in the copperplate roundhand renaissance style) encoded in the dingbats range and accessed with the glyph palette (plus a special set with over 50 of these ornaments accessed with the ornaments feature); an extensive set of ligatures (100s of stylistic and contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; complete, intricate, ready-made calligraphic words; abbreviations (in many languages). The principal font contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish with all diacritic signs, punctuation marks (including interrobang ). The German ‘ß’ (germandbls, eszett, sharp s) even has over six different alternate forms. And we don't forget to add the unconventional germandbls uppercase. In non-OpenType-savvy applications it works well as an English commercial script style font. Because of its high number of alternate letters and combinations (over 1500 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette. Two last things — we have placed some of the ornaments, catch-words and other material in supplementary fonts, for easier access in non-OpenType-savvy programs. They are: Penabico Words (see the pdf user guide in “Gallery”), Penabico Abbreviations (free font), and Penabico Extras (free font). And, when buying Penabico you get the 'Penabico EPS Bonus Set", a gift pack containing various highly intrincated frames in EPS format, easy and ready to work with your preferred vector design software like Corel or Illustrator (see the pdf in the Gallery). Know too our other superscript font : Van den Velde Script at http://new.myfonts.com/fonts/intellecta/van-den-velde-script/

Monthoers is handmade Modern font family with Elegant and Classic style containing of sophisticated siganture-style script and elegant, classic all-caps sans font. Which is combining the style of classic typography with an modern handlettering style. you can easily combine with this pair to create classic style. This family is designed to pair harmoniously, and lend themselves to high end branding, logo designs, product packaging & invitation designs. A modern and elegant signature script font containing upper & lowercase characters, all punctutation and numerals. also contains over 20+ ligatures and 50+ alternates to create the text flow and add a custom-made feel Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Do you like cats? We love them! Cats do so many crazy things, we thought it was time to design a font for cat lovers and their cat-loving friends. LiebeKitty is just right for greeting cards, birthday invitations and to add pretty details to your photo album. We have spent much time on cat-watching research and included over 50 cats and kittens for a wide range of creative applications. Happy cats, mad cats, bad cats, hungry cats, egyptian walk cats, and more. Plus‚ cats love fish, just like we do. Check out LiebeFish, one of our other popular fonts. And if you're looking for a typeface that perfectly fits the hand-drawn looks of LiebeKitty, check out LiebeErika, #1 Hot New Font in October 2010!

Swiss Interlock represents the extraordinary meeting of two disparate cultural phenomena of the mid-twentieth century. Its compact frame combines the International Style of the late 50s, which championed the clarity of sans serif, with the interlocking lettering characteristic of 60s counterculture aesthetics. The remarkable result is a tightly woven face with unexpected letter pairs that warm an otherwise cold industrial appearance. Swiss Interlock’s unusual origins make it comfortable on everything from album cover artwork and snack food packaging, to home improvement applications and automotive-themed advertsing. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Galea is a slightly condensed serif typeface with long extenders. Its elongated proportions and graceful terminals seek to bring femininity and elegance to any layout. It is a display face that works well at large sizes in editorial contexts as a headline, titling or introduction to a text. Galea was designed by Isabel Urbina Peña while at Cooper Union’s Type@Cooper Extended Program, 2012 and released on May, 2014. Galea obtained an Honorable Mention from the Fine Press Book Association in the Text Family Category, 2013. Also, it is featured in the book "Playing with Type: 50 Experiments" by Lara McCormick, Rockport Press, on Parenthesis Magazine, Autumn 2013 on Behance's Typography Served and will appear on "Typography Magazine", Japan (Nov 2014).

Without Sans is a new geometric sans serif of 10 weights plus matching italics and alt family. It was designed by Felipe Sanzana and Diego Aravena, the founders of “Without Foundry”, in 2014/15. It is inspired by the geometric-style sans serif typefaces that were famous during the 50s. The fonts are based on the geometric forms with a mix of grotesque typefaces. The opentype fonts have an extended character set to support Central and Eastern European as well as Western European languages. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

FM Valentines Pro consists of 50+ hand-lettered love expressions and sentiments for various romantic purposes: from St.Valentine's greeting cards to email/ letter signatures, to engagement, wedding and anniversary accessories and gifts. Most of the expressions are in English, with some additions in other languages, such as French, Spanish, Italian, German (for example 'Te quiero', 'Amore', 'Je t'aime', 'Ich liebe dich', etc.). All the words and phrases are original and handwritten - a high quality calligraphy for your projects. In addition there are 10 hand-drawn heart icons in the digits' glyphs. (0-9) I Love You | Happy Valentine's Day | Miss You | Be Mine | Kiss Me | Love Me | Will You Be My Valentine | Love | Ich Liebe Dich | Te Quiero | Amor | Je t'aime | Amour | Amore

Beauville Script is a handmade pen font with a touch of comfortable elegance, inspired by the script headings of the 40s and 50s. Beauville is an upright, condensed and soft vintage script with a modern and contemporary twist. Its main characteristics are the bouncy baseline, round forms and bumpy stems. These qualities give Beauville it’s casual, friendly look and makes reference to traditional fluent handwriting. Beauville font is equipped with contextual and stylistic alternatives, swash alternatives and ligatures to create more authentic and varied connections between the letters. It has a Central European language support to fit your design. Beauville Script works perfectly in greeting cards, invitations, weddings, posters, magazines, fashion world, branding & logos, packaging, etc. It is friendly and lovable, fresh and fun to work with.

Introducing "Charming Gesture // Modern Vintage Typeface" Charming Gesture is a brand new serif font which has a modern and vintage feel. In total this font has 255 glyphs and has more than 50 alternates and ligatures that will enhance a vintage feel to this font. Gesture would be perfect for branding, logo design, web design, poster, magazine, fashion and many more. What inside and what will you get: Uppercase and lowercase Beautiful ligature and alternate Number and Punctuation Multilingual Support PUA Encoded I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Poblano is a masterfully designed flared typeface, inspired by Gothic Tuscan that incorporates an aura of modern fun and classic southwest whimsy. With serifs that embody the beautiful, natural curve of the Poblano Pepper, it captures the pepper’s essence and attitude of having the perfect amount of piquant heat. Perfectly suited for menus, headlines, and logos, Poblano will be the ideal garnish to complete and elevate your food, rustic, grunge and hipster themed designs. The Poblano menu includes: • A range of styles from elegantly thin to boastful black • Over 400 glyphs per weight • More than 50 stylistic alternatives • Upper and lowercase characters • Uniquely stylized to elevate your design and add that finishing touch This is the ultimate niche solution to both display and functional Tuscan serif fonts.

Calsera is a vintage display font duo. Inspired by 50s-60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. ADDITIONAL INFORMATION : For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : ironbirdcreative@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative