851 search results (0.174 seconds)
  1. Chicken Wire Lady - Unknown license
  2. Grill Sans - Unknown license
  3. Kantor - Unknown license
  4. Kantor Ligatures - Unknown license
  5. Valecia by ejhaa, $20.00
    Valecia is a calligraphic script font that presents exquisite vogue characters, a form of classic ornamental copper script infused with a modern touch. It has been intricately designed with 715 glyphs to convey a stylish and elegant flair. Valecia possesses an alluring quality characterized by refinement, cleanliness, femininity, sensuality, glamour, simplicity, and remarkable readability due to the abundance of lavish letter connections.
  6. Ciseaux by Wilton Foundry, $29.00
    Ciseaux was inspired and is dedicated to the art of paper cutting. Early paper cutting artists were often royalty, but it soon became a folk art practiced by commoners whose cutouts decorated their homes. By the seventeenth century it had spread throughout the world. The Japanese called it Mon-kiri, the German's Scherenschnitte and Turkey even boasted a guild devoted to the art form. In Poland the designs were traditionally symmetrical and often used layers of colors to form pictorial collages. When Russian invaders confiscated scissors, villagers were found to cut their intricate designs with sheep shears! The art form later developed into cutting out elaborate designs of nature scenes and people, celebrating special occasions and even decorating legal documents. Ciseaux letterforms mimic paper cutting art in its shapes with a rather loose and almost joyous rhythm. The overall effect is somewhat earthy and natural yet it has an element of sophistication that cannot be ignored. Just like paper cutting, Ciseaux can be used for special occasions like invitations, brochures, identities, restaurant menus, and if you dare, some awesome looking paper graffiti. Available in TT, PS and Opentype for Mac and Windows.
  7. Ben Pioneer - Unknown license
  8. Thyssen J - Unknown license
  9. Red Pen Society - Unknown license
  10. CloseCall - Unknown license
  11. Durianik - Unknown license
  12. Seized Future A - Unknown license
  13. KR Nutsy! - Unknown license
  14. National Primary - Unknown license
  15. KR Look Closely - Unknown license
  16. CloseCall - Unknown license
  17. Christian Crosses - Unknown license
  18. David Lozano Lucas - 100% free
  19. Diamond - Unknown license
  20. Idiot - Unknown license
  21. Addict - Unknown license
  22. BengaliDhakaSSK - Unknown license
  23. Deanna - Unknown license
  24. Nephrite by Nine Font, $29.00
    Nephrite is a clean and soft family of 14 styles, 7 weights and italics. Recommended for text, magazine, book, logo and brandings.
  25. Digital Sans Now by Elsner+Flake, $59.00
    Digital Sans Now combines and completes the many diverse requests and requirements by users of the past years. By now, 36 versions for over 70 Latin and Cyrillic languages have become available, including Small Caps. Digital Sans Now is also available as a webfont and reflects, with its simplified and geometric construction and its consciously maintained poster-like forms as well as with its ornamental character, the spirit of the decorative serif-less headline typefaces of the 1970s. The basic severity of other grotesque typefaces is here repressed by means of targeted rounds. Exactly these formal breaks allow the impression that it could be used in a variety of visual applications. Short texts, headlines and logos of all descriptions are its domain. It is because of this versatility that the typeface has become a desirable stylistic element, especially in such design provinces as technology, games and sports, and that, for many years now, it appears to be timeless. Additional weights designed on the basis of the original, from Thin to Ultra, the Italics, Small Caps and alternative characters allow for differentiated “looks and feels”, and, with deliberate usage, give the “Digital Sans Now” expanded possibilities for expression. The basis for the design of Digital Sans Now is a headline typeface created in 1973 by Marty Goldstein and the Digital Sans family which has been available from Elsner+Flake since the mid-1990s under a license agreement. The four weights designed by Marty Goldstein, Thin, Plain, Heavy and Fat, were originally sold by the American company Visual Graphics Corporation (VGC) under the name of “Sol”. Similarly, the company Fotostar International offered film fonts for 2” phototypesetting machines, these however under the name “Sun”. The first digital adaptation had already been ordered in the mid 1970s in Germany by Walter Brendel for the phototypesetting system Unitype used by the TypeShop Group, in three widths and under the name “Digital Part of the Serial Collection.” Based on the versions by VGC, Thin, Plain, Heavy and Fat, new versions were then created with appropriate stroke and width adaptations for data sets for the fonts Light, Medium and Bold as well as for the corresponding italics
  26. Stefan Budde-Siegel - Personal use only
  27. KR Butterfly Two - Unknown license
  28. Annie - Unknown license
  29. Stiletto - Unknown license
  30. LCR Rainy Daze - Unknown license
  31. Akashi MF - Unknown license
  32. JSL Ancient - Unknown license
  33. Happy - Unknown license
  34. Paris - Unknown license
  35. Toit - Unknown license
  36. Urkelian Television Dynasty - Unknown license
  37. Aftermath BRK - 100% free
  38. Champlin - Unknown license
  39. Grease - Unknown license
  40. Cross Stitch Solid by Gerald Gallo, $20.00
    Cross Stitch Solid is based on upper case characters 14 stitches tall and contains the characters A-Z, numbers 0-9, and ampersand.
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