»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

The lettering and 100 extras for this font set, the third in P22’s Frank Lloyd Wright series, are derived from letterforms and decorative embellishments found in Wright’s early work (1893–1910) and in his book, The House Beautiful (1896–97). Wright based his delicate graphic designs on stylized natural plant forms. Users go this font can adorn their graphics with these beautiful motifs. Terracotta Regular and Terracotta Alt have been remastered and now contain almost 400 characters including support for Western and Central European languages.

Introducing Bringhum, a bold and nostalgic typeface that captures the essence of the 90s era. Immerse yourself in its retro charm. This font is exceptionally well-suited for a range of applications, particularly for logos and various formal formats such as invitations, labels, magazines, books, greeting stationery, novels, and diverse advertising materials. Features :Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures , Multilingual, & PUA encoded

The year 2022 went and 2023 came. I can honestly say that last year was a horrible year and I am happy it ended a couple of days ago. The first week after New Year’s Eve always fills my head with the U2 song ‘New Year’s Day’ - so I named this font after a line from the lyrics. I also happened to watch a fantastic movie called ‘Im Westen Nights Neues’, directed by Edward Berger, but based on a book by Erich Maria Remarque, which, in English, was published as ‘All Quiet On The Western Front’. So there you have it: naming a font in 2 easy steps! ;-) All Is Quiet is a lovely brush font, which I created using my father in law’s Chinese pencil and ink. I can suggest some uses here, but I am convinced you can come up with that yourself.

Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Echelon is based upon 1970s Eastern European ‘pipe-style’ typefaces. This style of Communist consumer typography came from what, at the time, seemed like a bizarre mirror universe: Existing alongside the West, similar-but-different, essentially unknowable. Even though the letterforms had the same historical origins as their Western equivalents, they also had their own bizarre fashionable/unfashionable aesthetic. The parallels between the surveillance practices of the Soviet Union and those of today’s Western governments informed the naming of this typeface. Echelon is the codename for a massive international surveillance system that collects and processes data from communications satellites. It can eavesdrop on telecoms and computer systems, it can track bank accounts. It can record and store information on millions of individuals.

Turbayne is an all caps serif display revival of book cover titling originally drawn by A.A. Turbayne in 1896 London. Expanding upon the original drawings, Turbayne includes basic Latin, western and south eastern European language support, and includes opentype features such as ligatures, stylistic alternates, and even ornaments. Reflecting the refinement of the late Victorian era without being gaudy, it is perfect for designing headlines, labels, logotypes, posters, invitations, t-shirts and so much more.

Juvenile is a hand drawn fresh and playful font family, offered in a variety of weights and special characters, which matches perfectly with 52 decorative elements. It is suitable for different applications such as logos, stationery design, invitations, labels, merchandise products, and much more. Juvenile contains OpenType features such as ligatures, stylistic alternates and swashes. It supports Central, Eastern, Western European, Baltic, Turkish and Greek languages. The fonts are fully unicode-mapped (PUA encoded).

Abigail Script is a handwritten, monoline cursive font. All the uppercase letters has stylistic alternates and some lowercase letters as well, ligatures and positional forms. Also have a few ornaments in place of numbers 1-9 best fit under words up to 5-6 characters long. See the gallery for preview. It contains Eastern and Western European accented characters. I hope you like this font, good luck with your project and let the creativity flow!

Result, a grotesque sans-serif, is a typeface well-suited for multiple purposes. It’s easy to find a suitable weight of Result for all kinds of needs, being very suitable for packaging and identity design, magazine and newspaper headlines, signage, you name it. Result fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as fractions and ligatures.

Iova Nova is based on Jowa Script, designed by J. Wagner in 1967. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. The resdesign includes the modification of the numerals which originally had capheight size. Besides, we complete the character set to cover Western and Eastern Europe including Turkey and Romania. The font contains more than 300 characters. Iova Nova is a young, fresh and casual design.

Madone is a medium-contrast typeface with unique and reduce stems for terminals in several letters. The modern impression on Typeface is very supportive to perfect a design. Madone comes with 3 text and 5 display weights with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 600+ glyphs supporting all Western, Eastern and Central European languages also Cyrillic (over 20 languages supported).

Nada Fraktur is a modern geometrical blackletter made to serve your hip intentions. Think hip-hop album sleeves, your local t-shirt print shop, and Tumblr-boy action. The goal with this typeface is to blend medieval aesthetic with sharp modern cuts. You could say that the font is sort of monospaced, but it is not. The typeface includes an extended character set to support Central and Eastern European as well as Western European Languages.

Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due to the rounded edges it has a very soft / warm look and feel. It comes along with varius OpenType features such as table and old style figures. Oblivian Grotesque as an extended character set that support Central and Eastern European as well as Western European.

MS Reference Sans Serif font is a special font containing the WGL character set and a range of symbols and icons. The WGL Pan-European character set provides support for Western, Central and Eastern European languages including Greek, Cyrillic, Baltic and Turkish. MS Reference Sans Serif is based on the Verdana fonts created by Matthew Carter and hinted by Thomas Rickner. The MS Reference Sans Serif font is distributed under license from Microsoft Corporation.

Artuso is a unique condensed typeface, ideal for branding projects and editorials headlines. It Will be a great addition to a modern web or app. The super-tight kerning give this font a distinctive retro feel. A font is a go-to tool for making stand out projects. Artuso has an extended character set to support Central and Eastern European as well as a Western European plus Cyrillic and old Russian letter too.

profonts Concerto and profonts Sonata are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. Concerto's upper cases are more complex, swashier than those in Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate. Both fonts contain about 370 glyphs covering the complete Latin set for Western and Eastern Europe.

A serif display type family inspired by two popular fonts: Albertus and Friz Quadrata. We made an hybridization matching those kind of fonts that have flared and oversized serifs. ​​​​​​​Vallejo Serif is a versatile font because of the shapes that are adaptable to many sort of typographic compositions, we recommend to use it in headlines. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto's upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate. Both fonts contain about 370 glyphs covering the complete Latin set for Western and Eastern Europe.

Lady Marmalade is a hand drawn script font, with a sketchy style, that makes it perfect for lettering prints. It is combined with an Extra font that contains 62 decorative elements with ornaments, drawings, catchwords and ampersands. All you have to do is type any uppercase or lowercase letter or number, to find the element you like. The font contains standard and discretionary ligatures and supports Central, Eastern, Western European, Baltic, Turkish and Greek languages.

Compass TRF is a reevaluation of an existing Compass typeface dated 2002. Compass is a geometric contrast serif typeface - "contemporary Didone". New Compass consists of four styles—regular, italic, alternate and flourish initials with small caps. Compass TRF is recommended for use as display typeface. It is suggested that flourish initials font to be used for decorative purpose only, not basic typesetting. Compass TRF generated as OpenType single master format with Western CP1252 character set.

The Sweet Orange Blossom font is a handwritten font that gives neat but realistic roller pen feelings when being displayed! It offers support for all the characters in all western European languages as well as standard punctuation glyphs. Perfectly suitable for numerous use such as product labels, quotations, banners, logos, product packaging, titles, headers, menu lists, and even for digital note taking! It comes in OTF format. Feel free to purchase and try!

Winston was inspired by strolls through downtown Winston-Salem, NC. Back in the 60's, 70's and 80's Winston-Salem was responsible for supplying tobacco and hosiery to people around the world. Now, smoke stacks and ghost signage fill the downtown area. Winston blends the modern city aesthetic with the vintage influences of classic advertising. All Caps typeface Capital letter alts US and Western European language support OTF file format

Old Harbour is a font collection of 12 hand drawn fonts inspired by the vintage hand lettered signage, the old bottles’ labels and the aesthetic of my favourite old school tattoos. The fonts can work together in endless combinations, to create beautiful vintage designs for apparel, logos, labels, posters or any merchandise product you can imagine. All the fonts support Western European languages based on Latin script and delivered in OpenType and True Type format.

The Roos family is a digitization and expansion of the last typeface designed by Sjoerd Hendrik De Roos, called De Roos Romein (and Cursief). It was designed and produced during the years of the second World War, and unveiled in the summer of 1947 to celebrate De Roos's 70th birthday. In 1948, the first fonts produced were used for a special edition of the Dutch Constitution on which Juliana took the oath during her inauguration as the Queen of the Netherlands. To this day this typeface is widely regarded as De Roos's best design, with one of the most beautiful italics ever drawn. In contrast with all his previous roman faces, which were based on the Jenson model, De Roos's last type recalls the letter forms of the Renaissance, specifically those of Claude Garamont from around 1530, but with a much refined and elegant treatment, with stems sloping towards the ascending, slightly cupped serifs, a tall and distinguished lowercase, and an economic width that really shines in the spectacular italic, which harmonizes extremely well with its roman partner. The Roos family contains romans, italics and small caps in regular, semibold and display weights, as well as a magnificent set of initial caps. All the fonts contain extended language support, surpassing the usual Western Latin codepages to include characters for Central and Eastern European languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, and Turkish.

Kugelhopf is a calligraphic style font with an old-world Blackletter feel to it. Full of charm and flair, this friendly script font will lend a sense of childlike magic to any design. Perfect for themes relating to holidays, fairy tales, storybooks and even Renaissance designs, Kugelhopf was inspired by a hand-lettered sample in an old book about sign painting. It can also be used for cards, invitations and scrapbooking as well! ‘Kugelhopf’ is a German & Austrian holiday yeast cake from which our modern western Bundt cake was derived. It has a particular shape that is said to be inspired by Turkish turbans. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Entendre is a stately, commanding and handsome sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre pairs well with our rounded sans serif family Elpy, sharing similar proportions and spacing.

Where Bootspur JNL combined elements of Western and Art Deco, its more traditional "cousin" is Bootblack JNL - a straightforward Western Font in look and design.

La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

ResotE-Pastels family was created inspired by the poetry of natural colors: the elegance of Pearls, the freshness of Mint, romanticism of Lavender and Cherry Blossom. Fully vector color Letters allow you to create any size headers, banners or advertising slogans. Because of the predefined pastel colors, of course, fonts work best on darker backgrounds. Automatic contextual alternates and ligatures built into the fonts compensate for whitespace area differences. Normal OTF ResotE (AllCaps) font is included in the package, which allows you to create text in smaller sizes in style of the ResotE family. Technical info to use: The package contains 6 color font variants in OpenTypeSVG TTF format and a normal TTF font in Black White. To be able to use the color files you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018, Mozilla Fire­fox or Microsoft Edge.