Bolda Display is a a-z lowercase display font in two styles; regular and outline. Lowercase is regular and uppercase is outline. Inspired by the 1970’s tennis, dart and ping pong fashion. Perfect for headlines, logos and everything above the body.

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.

Estonia Regular is based on the calligraphic style found in the east European country of Estonia. The swash versions are designed to be used in conjunction with the regular version. For the full character set all in one font, try Estonia Nouveau Pro.

Bramble is a lively organic font that draws reference from Roman characters rather than Italic forms. Use Regular for small point-size setting to retain legibility. For invigorating display settings try combining Regular and Wild. Warning: you may become attached to Bramble!

Mowaq es una tipografía limpia, abstracta, moderna, minimalista y de trazos sencillos pero elegantes. Sus cuatro pesos hacen un juego visual de degradados muy marcados. La tipografía Mowaq fue inspirada a partir de los estilos mayúsculas sans-serif, como uso de encabezados y subtítulos en dos libros donde se necesitaba mostrar un aspecto limpio, moderno y minimalista. Los tipos minúsculas fueron adaptados posteriormente a la familia Mowaq. Mowaq is a clean, abstract, modern, minimalist typeface with simple but elegant lines. Its four weights make a visual game of very marked gradients. The Mowaq typeface was inspired by sans-serif uppercase styles, used for headings and subheadings in two books where a clean, modern and minimalist look was needed. The lowercase types were later adapted to the Mowaq family.

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as "Cc, Ss" is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as "Th, Tl, Ti, Tä, Tä, Tü, Tö, iï, fä, fä, fö fü" for very wide and different accents. “Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

A geometric san serif typeface influenced by Theo Van Doesburg and the De Stijl movement.

A skillful revival of the Uncial by S.H. de Roos for Lettergieterij Amsterdam in 1938.

Savage Garden - 3 Quirky Playful Fonts are a delightful trio of typefaces that exude a sense of whimsy and playfulness with their unique and irregular letterforms. This font family includes three distinct versions: clean/regular, decorative, and block/fill, allowing for creative versatility. The fun and playful vibe of this font makes it a perfect choice for child-related themes or baby-oriented designs. It's well-suited for logos, printing materials, branding, quotes, posters, greeting cards, birthday cards, invitations, children's books, and more, adding a touch of joy and creativity to your projects.

Teorema. Well balanced Reading. Looking for a geometric yet flexible character? Teorema typeface combines different geometric shapes, according to a pragmatic approach that favors flexibility and ease of use. The font is distinguished by the contrast between perfectly circular shapes, and other, more angular ones in search of a formal balance aimed at optimizing the recognizability of the characters and finally the legibility of the text. Worthy of a geometric “theorem”? Try Teorema for free. Download a free version of Teorema Regular and Bold with a reduced character set. Check it out!

In many ways, handmade items fit as collectibles, because they look unique and not boring. Dephion is one of the handmade fonts we made to give a casual and natural impression that brings modern style calligraphy made in a very manual way. We want to get out of the habit of seeing perfect font types by making the shape imperfect and irregular. Dephion presents three styles: Dephion Script Regular, Italic and Dephion Sans. You can pair them to create a variety of attractive designs with a sense of casual.

Ingone is a slightly irregular sans-serif face. It was designed to complement PattyDay and HeyPumpkin, but can be used alone if you need an informal, friendly sans-serif font. It has only one weight, but the family includes a shadowed style. In 2018 the inside of the shadowed version was separated out and made a separate typeface. The letters have the shapes of the regular version but the spacing of the shadowed version and can be layered with the shadowed version to easily produce lettering with two colors.

Created exclusively for an exhibition catalog for the exhibition 'Hail to the King, Baby!'. CA Hail to the King is based upon different letters taken from handmade signs from all over the world. You will find a lot of unexpected specials: irregular character sizes and styles (uppercase characters are bold; lowercase characters are in regular style) everything that makes CA Hail to the King so varied and unpredictable. In addition to west European diacritics an extensive central European character set were added including some very nice stylistic alternates.

inner shadow is a great display font that brings out a street art vibe. the inner shadow appears in capital letters and a unique variety of ligatures. Inner Shadow is a graffiti font that combines the improvised qualities of urban graffiti with the subtlety and regularity of typeface. the inner shadow is spaced letter to letter individually so spacing will work smoothly, regardless of irregular shape expression and also includes a decorative font, which has clouds, underlines, arrows, crowns, halos, and more to add flavor. on your design.

Redoneta™ is a contemporary geometric sans serif family of 6 weights with its matching italics. From a refined Thin to a solid Regular and a forceful Bold gives us multiple voices and uses according its multipurpose vocation. Also, its smooth and clean shapes gain more personality with his alternates: from rounded to square and angular forms across 7 combinable stylistics sets. Dozens of Latin languages supported and other OpenType features as fractions, superscript, subscript, tabular figures, arrows and more give useful tools to the user for editorial design, web or others intensive uses.

Inspired by a love of geometry, combined with an obsession with all things stencil type! HAZMAT is a distinctive stencil, using angular characters to give the font an energetic look and feel. Created with the intention to be different from other stencils, the cut of the font has been designed to create eye catching and intriguing displays. HAZMAT works very well at small sizes for legible and detailed typesetting and is equally successful when used at bigger sizes for creating large format, powerful graphics. The font is available in two styles - Regular & Oblique.

Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

An interesting hand lettered example of Art Deco lettering (minus the letter ‘L’) was spotted on Pinterest and served as the inspiration for Deco Sketch JNL. Because there was no attribution as to the age or source of the alphabet, it can only be surmised that it was a scan from a 1930s or 1940s source. The original showed many of the irregularities of pen lettering, and had rounded terminals. The digital version has been redrawn more uniformly with flat terminals. Deco Sketch JNL is available in both regular and oblique versions.

Introducing Ruminate - serif typeface - regular and italic fonts Ruminate is feminine and elegant typeface with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol 3 fonts - regulat, alternate, italic alternate glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The digital font Technotyp is based on the hot metal typeface created by the German typographer and type designer Herbert Thannhaeuser (1898-1963) for the former East German type foundry Typoart in Dresden. In the typography book ‘Der Schriftsetzer’ (Fachbuchverlag, Leipzig, 1952), by Paul Fritzsche, this absolutely beautiful slab serif design is presented in all its variations. Fritzsche remarked that – because of its rather condensed form and its relatively long ascenders – the 'Werkschrift' of the Technotyp (comparable with our 'Regular') seemed to be very well suited to serve as a text face, and recommended for this purpose that the face be cut for the composing machine. However, this never happened and the entire Technotyp family was made available for hand composition only. This is finally changing and being remedied for good now: URW++ proudly presents the new digital version of this really charming font family with its distinct flavor of the 1950s, adding it to the other digital renditions of Herbert Thannhaeuser fonts at URW++, namely Garamond No. 4 and Magna. The original Typoart family had an italic style for the light version only. The new digital version of Technotyp includes italic styles for the regular, medium and bold weights as well, enhancing the family to meet today’s standards and requirements for professional type setting. To further increase its usefulness, Cyrillic faces were created, too. True to the standard for all digital fonts at URW++, the character set for Technotyp covers all West- and East European languages.

Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles   Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura Meseguer, this artist entered our catalogue in the nineties with four weights: three display faces and a collection of naive dingbats.