Liston is a modern multilingual elegant display font enhanced with ligatures, alternations, and strokes. Liston is a very versatile font character - with its seamless shapes and modern features it will cover a wide range of design projects from greeting cards to magazines, wedding invitations, websites, etc. The number of alternatives is incredible, from simple style alternatives to sweeps, ligatures, and alternatives. Enjoy!

Amillina is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

The Crusthed is a bold retro-style display font. With a retro and groovy vibe, this font is suitable for a wide pool of design ideas. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. This font is PUA encoded, which means you can access all glyphs and swashes with ease!

I'd like to introduce you Little Moment. This font has the same thickness every stroke. The spacing of each letter is slightly wide, making this font look clean. Little Moment has a friendly taste with a warm and charming impression. This font is perfect for making quotes, T-shirts, mugs, or just annotating photos, and many other things. Enjoy The Font, Thanks.

Askja – A modern, decorative serif typeface with creative ligatures, larger upper serifs and multilingual support. This decorative font features numerous creative non-standard ligatures incl. nested or overlapping caps. Due to its large selection of ligatures, Askja is a very versatile typeface, covering a wide range of project types. Combine this font with sans serif typefaces for a modern aesthetic.

Giette is a delicate and timeless handwritten font that brings its own unique style to any design project. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more! It is PUA encoded which means you can access all of the glyphs and swashes with ease!

Wrong Boys is a spectacular Display font with a Fatty and Thick graffiti style for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more! If you find some problem please chat me Have A Nice Day

Growing Garden is an elegant and natural trio handwritten font. This original look will appeal to a wide range of crafty ideas. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Includes: Uppercase and lowercase For every questions or help, Please contact me. Happy Creating! Thanks!

A Superfun font with a wide and bold. It can be used alone, or with the overlay version placed on top for a snow-capped effect. This font is a winter theme font so that this font will be perfect for your winter-themed projects The loving snow font comes with uppercase and lowercase letters, numerals, and punctuation and also supports multi-language.

Fox Browny Font is a charming handwritten Slab Serif Fonts typeface that exudes cuteness and simplicity. With its clean lines and easy-to-read design, this font is the perfect choice for a wide range of creative projects. Whether you’re creating inspirational quotes, captivating headings, engaging blogs, striking logos, or inviting invitations, Fox Browny Font adds a delightful touch to any project.

Fox Realistic is your versatile companion, ready to enhance a wide range of projects. Whether you're working on blog posts, branding materials, advertisements, invitations, greeting cards, planners, photo albums, decorations, or anything else your creative heart desires, this font has you covered. Infuse your projects with personality and charm. Try Fox Realistic today and experience the magic of handwritten simplicity, sans serif style.

Holand Century is classified as a contemporary display grotesque font. It features sharp and dynamic strokes, a strong contrast between thick and thin lines, and delicate pointed grotesque elements. Its extensive set of styles, versatile usage, and support for various languages make it a valuable tool for designers looking to create clean, elegant, and visually striking typography for a wide range of applications.

Fox Playing Font is a charming handwritten serif typeface that exudes cuteness and simplicity. With its clean lines and easy-to-read design, this font is the perfect choice for a wide range of creative projects. Whether you’re creating inspirational quotes, captivating headings, engaging blogs, striking logos, or inviting invitations, Fox Playing Font adds a delightful touch to any project.

Ernst is a high powered energetic font designed to provide an interesting and authentic feel to text that needs the handwritten ballpoint pen look without descending into bland letter shapes focused solely on legibility. Ernst has a wide array of glyphs (nearly 1500) defined for many linguistic needs including support for Cyrillic, Runic, Ogham, and various Astronomical and Astrological symbols.

The Florest is a display type font inspired by the beauty of nature on florest island, Indonesia. The Florest has a characteristic impression of nature that will beautifully translate into a wide variety of design ideas. Include : The Florest Reguler (with Alternate) The Florest Outline (with Alternate) The Florest Deco (with Alternate) The Florest Deco Outline (with Alternate) The Florest Dingbats Swash

Bluend is a bold retro-style script display font. With a retro and groovy vibe, this font is suitable for a wide pool of design ideas. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Inspired by a futuristic cyberpunk and Neo-Tokyo vibe, UNHUMAN is a typeface that embodies the essence of technology and innovation. With its simple shapes and wide form featuring 45° cuts, this font brings a sleek and hi-tech aesthetic to your designs. Created by AN Górski, UNHUMAN is the perfect choice for projects that require a modern and cutting-edge look. **Uppercase

SPORT NEWS headline magazine, logo racing Awesome sport font with italic wide letters, modern letter cutout and dynamic slant. Ideal for sports headline of Megazine, car race, logo and monogram of automotive game or other modern dynamic text Font “Sport News” compares favorably with its readability and massiveness, creates the effect of power and speed. but with a slightly different font design.

BB Torsos™ (Pro) is based on the shape and proportion of the human body. For the interpolation of the typeface family, a special formula was developed, which reflects the different and individual character: flat to round, thin to fat and narrow to wide. ● 11 Stylistic Sets ● 13 Styles/Weights/widths ● 29 Opentype-Features/Style ● 87 Languages Support ● 8,450 Glyphs (650/Weight)

MGN Larusso is a mixed-width sans font produced by Morgana Studio. It features a unique design that combines both regular and condensed letterforms to create a visually interesting and versatile typeface. With its modern and distinctive appearance, MGN Larusso is a great choice for a wide range of design projects, adding a touch of sophistication and style to your work.

Argumend | A Humanistic Slab Serif Typeface Argumend is a versatile slab serif typeface with a wide range of Opentype features. Create strong and eye catching headlines with its upper case ligatures or make use of its many weights and true italics to create mindful body copy; either way, Argumend is rich with typographic options to help create attention worthy text.

Rafflesia - Modern Calligraphy by erlosDESIGN Rafflesia is a delicate, elegant and flowing modern calligraphy font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Rafflesia features a varying baseline, smooth lines, gorgeous glyphs and connecting heart swashes. Add it to your most creative ideas and notice how it makes them come alive!

Starsight is a modern multilingual elegant display font enhanced with ligatures, alternations, and strokes. Starsight is a very versatile font character - with its seamless shapes and modern features it will cover a wide range of design projects from greeting cards to magazines, wedding invitations, websites, etc. The number of alternatives is incredible, from simple style alternatives to sweeps, ligatures and alternatives. Enjoy!

Gaston is a complete solution for teachers and pupils. A wide choice of styles allows to create varied and homogeneous documents. Gaston uses a lot of contextual alternates so it's necessary to use friendly OpentType applications. Note: Previews don't render the font accurately (Contextual Alternate aren't shown). To have a fair idea of how it will appear, look at the presentation here.

Glamoria is a Modern Monoline Script Font. Glamoria Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Glamoria also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Hello guys Proudly presents our font Progelud. Progelud is mazing sans-serif look attractive and natural! Every single letters have been carefully crafted to make your text looks beautiful. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Progelud is PUA encoded, which means you can access all of the glyphs!

Makeevka typeface is sans-serif semi-condenced font family. It has wide multilingual support with cyrillic also. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Idealista directly responds to its other members, Nudista and Kulturista. It shares the same proportions and the same set of weights, yet it enriches the expression means of the two typefaces with new themes — the character set is smooth, even round, and it boasts a number of special details and perky moves. Most of all, Idealista relishes juicy magazine titles, typographic logotypes and propagandist posters. Unlike cold, technicist typefaces, it has great zest for life, so there's no wonder that in each of the letters, intuition wins over intellect. Owing to this, the text set in Idealista has a special voluptuous quality and unmistakable temperament — in a single typeface Idealista combines the best of sans-serif, slab-serif, as well as geometric and calligraphic construction principles, coming down to one impressive, expressive cocktail. Some letters have serifs, some do not, some are sharp, some are smooth, and all this results in the nice hip-hop beat of the line of text. The typeface has five weights and ten styles in total, so it can easily accommodate to the needs of complex texts, unlike many of its display counterparts. Idealista is valuable partner for the more text-suited Nudista and, if need for tiny sizes arises, to Kulturista as well.

Mr Orange is a typeface based on our handwritten letters which we used in some of our books H.O.U.S.E, D.E.S.I.G.N and Who Eats Whom. It has up to three alternate glyphs for each character, even for every diacritic letter. We do use our fonts in our books so we know that switching alternate glyphs can be a pain in the ass. Thats why we’ve created a very cool Contextual Alternates feature. It automatically sets alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. It’s checks if lets say letter “A” appears more then once in a sequence of characters. For example in the word “ANAKONDA”, the third “A” and the second “N” would be changed to glyphs from first stylistic set, the second “A” would also be changed but to glyph from second stylistic set. We’ve designed different rules for basic characters and different for diacritics and punctation. It really works great but of course you can always fine tune it by hand. This option has one obvious advantage for web fonts. Browsers that support OpenType calt feature will be able to display alternate characters. And since you can’t put by hand alternate glyphs on your website this is the only way to use them.

Kaat is a new type (2013). It was designed by Chris Nuijen and named after his daughter Kaat. It represents the period in which everyone has their face behind the latest mobile phone screen or interactive games console. "Kaat"is slick, modern and progressive, to reflect our busy immediate life style, whilst providing the essentials in a period where people can be judged on television. Kaat is here to stay and to evolve. Everyone wants to try to be that little bit different, but essentially we are all the same, with the same inherent needs, just like babies or children. We need to be fed, watered, nurtured and loved, the only difference is in today's world you can do all that from behind a screen. "Kaat" bridges that gap, transcending the basic needs of type, with the sophistication and fast paced sharpness of today, everyone wants to be different but we all stay the same, this is a reflection in the thickness and shape of each glyph. The font represents how we are molded and cast differently in yet we still stay the same, because we need the repetition! Everything needs to be done quicker, simpler and cheaper. We eat we sleep we communicate.

Boromir is a hand-drawn, serif, layered, vintage font family. Each font features over 440 Glyphs, 5 Stylistic Sets, Standard and Discretionary Ligatures. The flow and vintage style works perfectly on invitations, blog headers, branding, art quote, posters, book cover and so much more! Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Kaisar is a geometric sans serif typeface that draws inspiration from Eurostile or similar typefaces, with less boxy feels. It comes with 9 weights and matching italics and contains 400+ glyphs that support broad latin language. Kaisar was designed to give a corporate, technological, futuristic look, great for many contexts from web to print, as a headline or as a body text.

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

Gordita is a minimal sans serif typeface with a geometric foundation that has been built upon with modern details that result in an optically balanced, friendly typeface. When designing Gordita referring to features in Futura were influential as were the structural and harmonious strokes of Gotham. Forms have been optically compensated to appear natural and purely geometric. Joints are slightly tapered and ink traps feature in heavier weights with the purpose of achieving maximum legibility. Gordita has been tested in print and on screen in a wide range of point/pixel sizes. The family is equipped with OpenType features including alternate glyphs, fractions, case sensitive forms, small figures, arrows and symbols as well as old style and tabular figures. Now delivered in 7 weights with matching italics that slant at 15°. The italics are slightly lighter and narrower than the upright versions. The horizontal weighting in the italics have been reduced to compensate for the loss of vertical stroke thickness. With support for over two hundred languages with an extended Latin and Cyrillic character set, Gordita is ready to be put to work. Designed by Thomas Gillett, metrics and engineering by iKern (Igino Marini). The family has been recently updated to include two additional weights (Thin & Ultra + their matching italics) as well as slightly opened apertures for better legibility in the heavier weights, new glyphs and more opentype features.

The Deberny typeface is an interpretation–carrying a contemporary imprint–of a typographic style which appeared and spread at the end of the 19th century until the begining of the 20th. These typefaces were named Italian, Venetian, Veronese and were classified in the Hellenic category, a spontaneous typographic movement caracterized by triangular and heavy serifs. They found their inspiration among numerous references, from incised to slab serif typefaces and their extreme expressions in wood type letterforms. The Deberny font family is made of 26 styles in 3 complementary sets of style, offering a wide palette of visual resonance: • Deberny Line is ideally suited for editorial, branding, posters and billboards. It has sharp contrast between thick and thin strokes. Heavy horizontal strokes are not frequent in roman letters, but here they fit naturally with the italic letters. • Deberny Open is a stylish outline declination of Deberny Line Medium and Medium Italic. • Deberny Text is an adaptation of Deberny Line made for broader use. Its shapes are less contrasted, which makes it perfectly legible for print or screen reading in small size text. Old style figures and small caps complete Deberny Text in all its 8 styles. The Deberny typeface family supports Latin-based languages and will be available soon in Cyrillic and Greek. Deberny Narrow will be released this year in all its 26 styles.

Brother To create a truly global font family, FS Albert needed an Arabic script sibling. Emanuela Conidi set about the delicate task of creating an alphabet to harmonise visually with its Latin sans serif counterpart so that the two could be used side-by-side in bilingual publications. Working with the Kufic style of script, with its simpler, geometric forms, Emanuela sculpted letters with the a similar optical size, weight and rhythm as FS Albert, with open counters and monolinear strokes. It never hurts to Naskh But there’s more to FS Albert than a simple, geometric structure. To match Albert’s cheery, charming character, FS Albert Arabic needed an injection of warmth and informality. Emanuela incorporated some of the more expressive, calligraphic shapes of the Naskh script style, which lent the letterforms a looser, softer, more handwritten quality, while remaining functional and structured. The Naskh influence is most noticeable in the bowl of characters such as Jim, Qaf and Nun, in the curved tail of Waw and Reh, and the deep joining of Tah. Follow the script The end result is an Arabic script that’s the perfect partner to FS Albert: open counters, monolinear strokes and a friendly, rounded appearance. FS Albert Arabic is available in Opentype format, in five weights from Thin to ExtraBold. It supports Persian and Urdu, with proportional and tabular numerals for both, plus full vocalisation and the Hijra feature.

When the air becomes crisply chilly and we start thinking of festive projects in time for Christmas, it's time to celebrate. Christmas Cove, A classic Christmas typeface for sleigh rides and carol singing. Included are all of the necessary elements, such as numbers, punctuation, and multilingual letters. These ligatures will come in useful no matter what your imagination conjures up. 10 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Torbjörn Olsson's Interrupt is a salty dog of a sanserif, harboring memories of freighters unloading their cargo in a run-down port. Interrupt works great for signs, and looks just fine painted on the side of a wooden crate or stencilled on an old tarpaulin. Interrupt is recommended for use over 36 points. You have run out of packing crates and would like to use it on paper? Sure, Interrupt can add its sturdy sailor's gait to any medium... just don't set any novel in Interrupt. Not even Melville. Interrupt is an OpenType typeface for both PC and Mac.

Grafista is an extrapolation on what fonts are used for: in spite of the possibility to use it for setting text, Grafista strives when used as a texture library, the same way that one would set up tiles. Thus, Grafista was built as two different things compiled in the same font: the letterforms (for setting text) and the texture library. Both of the sets are monospaced (with every glyph having the same width), but the letterforms are half of the texture tiles' width. On the tech side, the letterforms are 500/1000 UPMs, while the tiles are 1000/1000 UPMs.