Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. Burdigala Sans is especially well suited for on-screen usage such as in apps and pdf documents. It is also ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. Check out its sibling, the Burdigala Semi Serif version. The expanded versions, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Economica Next is a redesign and expansion of the classic Economica typeface celebrating its tenth anniversary. This new version has a wider range of weights and was adapted to work in new digital environments. It was carefully designed to save space without loosing its legibility, it is used in several publications around the world and many important websites. It includes sixteen weights and a comprehensive set of characters that allows you to write in several languages. Economica Next is a typeface especially developed for web and app design in complex situations. It has been tested successfully for use in small sizes improving legibility. It is an ideal font for menus, tables, charts, etc.

When it comes to poster design, the line between wild west and psychedelic can be surprisingly fine. Dave West combined both typographic genres to create his refreshing Banjo. Developed in the late 1960s for Photo-Lettering, Inc., this curvaceous high-contrast sort-of serif might have been born on the nineteenth-century frontier, but it was raised in the counterculture of the mid-twentieth century. Use it wherever the conventional and uncommon collide. Vectorized by Mitja Miklavčič in 2017. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise. Teaspoon is available in all popular formats, comes with plenty of alternate characters, and supports a wider than normal range of Latin-based languages, as well as Cyrillic and Greek.

Drunk Cowboy is a bouncy version of the popular Old West type style, inspired by hand-made signage in Paducah, Kentucky. The strokes are loopy and loose. The exaggerated terminals give this font a loud, boisterous presence. Drunk Cowboy is a brutish rogue that emanates the fierce independence of Rio as played by Marlon Brando in One Eyed Jacks, but it is most like Paul Newman's Butch Cassidy—a mischievous wise-cracker. And there's gold worth mining for in this font. Dig deep enough and you'll find swash characters and special ligatures, like Th, ST, CT, NT and other popular letter combinations found in the Cowboy dialect.

Mermer font family is a contemporary take on Roman capitals in six weights. The font name is the Serbian word for marble, and the inspiration for its creation comes from chiseled street signs in Istria. With lowercase and Cyrillic added, it gets a broader range of usages. Mermer is bold and versatile, can be both sporty and high fashion, looking sharp in more than 40 languages. Thin is thorny and Heavy feels like a block of concrete. Make it LOUD by setting it in large sizes and choosing Mermer Heavy for posters, magazine headings or logos, or you can make it cosy and friendly setting it smaller in Mermer Regular for menus, book covers, invitations or business cards.

Epoca-Classic, designed in 2012, is the contrasted sister of Epoca, also suited for text and display. As is the case with Epoca, Epoca-classic has economical proportions, a neutral appearance and a discreet elegance. It is fresh, crisp and distinguished. Its well-balanced proportions result in an even text flow which allows for pleasant reading even with large amounts of text. Epoca-Classic comes in twelve weights, in OpenType format and with extended language support for more than 40 languages. All weights contain small caps, standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Metal Cry is a font family that was inspired by countless hours spent playing video games, watching old movies or reading comic books. And even more hours closely analysing the design of all these things. The art of creating beautiful letters has slowly declined with the rise of the digital age and its solid-colour, 2D fonts. And most of the time, the care given to typography in cultural products just isn't what it used to be anymore. This was the inspiration for Metal Cry, a family of 4 layerable fonts that can bring a feeling of depth to its letters, and offers endless possible combinations. Metal Cry Outlands is the basic shape of all the characters, it can be used as the bright side of the bevel. Metal Cry Front is the inline border font that can be used as the front side of the bevel. Metal Cry Shadow can be used as the dark side of the bevel. Metal Cry Depth can be used to flash out the inside shape of the letter. But of course, any font can be combined with any other font(s) to obtain various results. The planets in the above visuals are courtesy of 3D artist Thomas Veyrat / veyratom.com

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts. A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (Codec Cold Logo) comes alive with funky ligatures, while Set 5 (Codec Warm Logo) stretches uppercase characters horizontally for a dynamic, unexpected effect

Aderos is a refined and professional slab serif font family that offers a fresh take on the modern and bold aesthetic of its predecessor, Adero. This font family introduces a range of styles that provide versatility and visual impact. With its four width variations – Normal, Extended, Wide, and Stretch – Aderos delivers an exciting array of extreme wide letterforms that command attention. Designed with precision and attention to detail, Aderos is particularly well-suited for branding projects, where it can lend a distinctive and authoritative presence. Its strong and bold letterforms make it an excellent choice for titles and headings that demand impact and legibility. The spacious layout of Aderos further enhances its professional appeal, allowing for clear and organized content presentation. Whether used in print or digital applications, Aderos brings a sense of sophistication and professionalism to a variety of design projects. Its versatility and range of styles make it a valuable asset for designers seeking to create visually compelling and memorable visuals. With Aderos, you can elevate your designs with its refined slab serif style and confidently communicate your message to your audience.

So far the Creator Campotype standard version known in the form of free font (published on several websites by license: free for personal use). The font takes the basic form of modern typography, but some user feedback consider it in the medieval look. Whatever it is, the inspiration of the font was originally set off from the logotype of internal student magazine where the designer had studied in the late 80s. Creator Campotype is a pure display font. This fonts do not have faces lowercase, but all caps. Nevertheless forms of different characters can be accessed by pressing the uppercase and lowercase on the keyboard. Maximum usage can be made by combining them as necessary. Some forms of characters were made more stylistic such as slash and backslash which “out of” the conventional form. In addition, the circle effects on several glyphs were created by default (as found on the free version) so that the glyph was enough to generated with the keyboard access as usual. Information for those who have access to the free version, there are significant changes in this version (2001) as described in the file “creator ct pdf” (gallery)

Distinctively Art Nouveau with a touch of Arts & Crafts, Quaint Gothic is a typographic gem from the late nineteenth century. Also known as Desdemona, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Quaint Gothic comes complete with an alternate set of caps and a new set of lowercase characters. And for your convenience, a nifty set of small caps and small figures are included in this version. You may also want to access the word-on-a-wave logotypes like “to” and “and” located in the special character slots. They’re great for constructing provocative headlines and titles. Quaint Gothic is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, a wide variety of discretionary ligatures and word ornaments. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Wish to give your design that vintage and classy look? Great fonts inspire emotion, and choosing the right one will push your brand in the right direction. Introducing Glamsy - A Vintage Modern Font. From merch and printed materials to websites and social media campaigns, Glamsy is ready for any project. Try it out and see the impact that a chic font can make. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Looking for a fun display font that makes your design bold and original? A great 3D font can be a real head-turner, leaving standard fonts in the dust. Introducing Ciubby - A Chubby Display Font. From T-shirts to headlines, Ciubby is perfect for any type of project. It works equally well for web and print, allowing you to use it across your brand. Let’s get creative! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Typefaces don't simply appear fully formed to a designer, even with a clear concept in mind, they evolve naturally during the design & development process. Out of the current 'Artytype' collection, Omni has evolved the most, being a stripped back off-spring from several exploratory exercises. At first glance and particularly at small scale, you'd be forgiven for thinking the basic characteristics have a conventional outlook; but on closer inspection, it's own distinctive, clean cut, subtle styling becomes apparent, revealing enough personality to stand alone or complement a wide variety of projects; subsequently, it's a font that won't go out of style quickly and may even become a modern classic in time. The Omni family has 2 distinct styles, sans and serif, each style being available in 4 weights; all 8 fonts have slanted options to match making a total of 16 fonts. Dictionary definition of OMNI: Combining form - Of all things, in all ways or places. Quite an apt name for a font with ubiquitous aspirations.

Looking for a modern and extravagant font that is easily memorable? In the sea of similar designs, something unconventional but tasteful will certainly put your brand on the map. Introducing Fagelyne - A Modern Elegant Font. Use this font for promotional material, ads, web pages, apps, clothing, printed material, and anything else you need to make your brand shine. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Hold on to your hats, there’s a new orchestra in town - the Banda Nova! Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more. We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place. Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again? Download: PDF Specimen | Trial Fonts

Introducing Rondey – Display Font A Bold Serif with a Twist Rondey is a captivating Display Font that combines bold serifs with a unique twist, making it ideal for display purposes. Display Elegance Rondey’s design exudes an elegant charm that’s perfect for grabbing attention in various display contexts. Versatility for Diverse Projects Moving beyond its captivating elegance, Rondey’s versatility shines through, allowing it to seamlessly complement a wide range of creative projects. Captivating and Memorable Rondey ensures that your content is not only captivating but also memorable. It leaves a lasting and distinctive impression that sets it apart. In Conclusion In summary, Rondey – Display Font is a font designed to captivate in the world of display typography. Its unique twist on bold serifs adds an elegant touch to your projects. Whether it’s for branding, posters, or a myriad of creative endeavors, Rondey’s versatile and captivating design caters to a broad readership, ensuring your content leaves a memorable and distinctive mark.

SG Larchett is a stunning new sans serif font perfect for display. It features clean, elegant lines and a modern, minimalist design that is stylish and versatile. The font is characterized by its balanced proportions, uniform stroke width, and subtle variations in letterform, giving it a distinctive and sophisticated appearance. The unique features of SG Larchett make it ideal for use in a wide range of design applications, including branding, advertising, packaging, and web design. The font's clean, uncluttered lines and legibility make it easy to read even at small sizes, while its bold, striking appearance ensures that it stands out in any design. SG Larchett is a font that commands attention, yet remains understated and refined. It is the perfect choice for designers looking to make a bold statement with their typography while maintaining a sense of elegance and sophistication. Whether used in headlines, logos, or body copy, SG Larchett is a font that will impress.

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.

Giambattista Bodoni was an Italian engraver, printer, and publisher who was one of the best typographers of the 18th century and became known worldwide for his iconic serif typeface. In the posthumous edition of Bodoni’s “Manual of Typography” published in 1818 by his widow Margherita “Ghitta” Dall’Aglio may also be found, among the other treasures, the Cancellaresca (Chancery). Ghitta is a redesign of this typeface in its finest form. With strong stroke contrast in 4 optical grades, 850 glyphs with wide range of language support, accented ligatures, oldstyle figures, 8 stylistic sets, and unique way of letter connection, Ghitta Bodoni Cancellaresca follows and builds on the best of Bodoni’s historical prototype and shifts further to a contemporary script typeface full of grace, neatness, and beauty. *** This font is powered by OpenType feature “Ligatures”, so it is necessary to have this function turned on. If you need support or more information, please kindly contact me: spurnej@email.cz