CrappyJoe got its name because I wrote all characters with a felt-pen with a broken tip. It's still very readable though.

FatSally is written with a broad felt-tip marker, scanned and finished by hand on screen, taking care to emphasize the typical "marker" feeling.

A basic sans serif letterform was used to create the impression of broken glass in this unique typeface. Created by talented designer Vic Carless.

Retrozoid is the first Open Type font from Pizzadude. It has got loads of different autoligs, just take a look at the preview pic!

Vintage French tin stencils with various phrases were the model for Paris Stencil JNL. The type design is available in both regular and oblique versions.

IMark is a “drying” marker hand written, felt tip pen font. Usage recommendations include captions, packaging, invitations, cards, posters, ads, greeting cards, book jackets and covers.

A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Don’t go for the fonts with all that fancy flare. You want something classy and timeless. A font that tips the hat to the old school hand letterers.

Wilma has 19 weights ready to be combined. Please read the instructions for this font carefully, in the PDF. You will find tips on how use it properly.

Hand Cut Stencil JNL is a condensed Roman typeface modeled from an antique tin stencil hand cut for shipping merchandise. The design is available in regular and oblique versions.

Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.

These playful letters are perfect for any whimsical designs. There are two versions- one with tickmarked tips and one without. Looks great in all caps as well as mixed-case.

Ann's Valentines are heart-shaped dingbats that are perfect for web design as well as print that you'll use 'til your heart's content. A dingbat to fall in love with.

Introducing Ayuga, a display typeface inspired by the retro and psychedelic typefaces out there. Ayuga is definitely bold and thic enough to make your design stand out from the crowd.

Put on your top hat, tie up your white tie, brush off your tails and surrender your serifs at the door! We've popped open a bottle of French Champagne for you, but don't worry, because our latest stylishly handsome, devilishly clever offering doesn't just offer thrills and chills, it’s also Spillproof! So step out and breathe an atmosphere that simply reeks with class and distinction, What a swell font for party invitations, soirees, nightclubs and weddings this is! See the families related to SpillProof: Spills.

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

willgive is a font with a firm and pointed tip which is perfect for writing with a strong impression, this font has 4 families that can be used according to your wishes.

Solidarius is a chubby, friendly typeface which captures the innate legibility of well done felt-tip marker lettering. It's ideal for any poster needing that 'hand-lettered' look combined with optimum legibility.

A handwritten font created with a 0.5 - 1 mm felt tip pen that works great with illustrations and comics. It seems a bit creepy because of the strokes getting smaller at the bottom.

Flatpen is a font that was written with a pen we used to call "Redis-Pen". It had a flat, round tip that enabled you to write letters, with the same width of stroke.

ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.

Mango Style is a modern branding font with a stylish script alternates. This font is ideal for crafting logos for fashion, apparel brand, luxury projects. Tips: Insert stylish alternates between words for more fashionable look

To design a font Blezja, I was inspired by an old metal tin from 1907 from Potsdam, which was used to store earplugs. From a few letters I created whole typeface - lower and uppercase characters.

The idea was to create a legible font based on graffiti (wide tip marker) hand styles. Special attention to tight spacing, stylish caps & alternate drips bring an authentic street aesthetic into any layout or signage.