“Hand Stamp Play Rough Serif” is a rough and dirty serif Font with authentic & real stamp look. Original Hand Stamped. A–Z, a–z, and 0–9 are each 3× different forms (every letter/glyph has two additional alternate characters) and is intended to show the hand-made nature and the vibrancy of the display font. The different pressure (velocity) of the stamp on paper creates a liveliness in the typeface. Ligatures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffj, ffi, and additional logotypes like and, the, by, tel fax, web, www … and a Versal Eszett (Capital Letter Double S) give the Font more life and shows that despite their retro-looks works with modern OpenType technology (from ❤ love is, from luck will ✤ … ). Replacing the glyphs “E” instead of “3” to convey that typeface invites you to play. It is the desire to experiment and promote uninhibited experimentation. A variety of alternative letters and a few glyphs follow her own head @, &, ₤, £, “,”, * … The typeface has its quirks and downright human characteristics to “just love.” Have fun with this font – Just Stamp It. Application Area The serif font works best for head­line size. Logo, Poster, Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, party flyer, movie pos­ter, music pos­ter, music covers … How To Use – awesome magic OpenType-Features in your layout application ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the glyphs panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. ■ For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Technical Specifications ■ Font Name: Hand Stamp Play Rough Serif ■ Font Weights: Regular, Bold ■ Fonts Category: Display for Headline Size ■ Desktop-Font: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph coverage: 617 ■ Language Support: Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Guarani, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Islandic, Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu ■ Specials: Alter­na­tive let­ters, Ver­sal Eszett (Ger­man Capi­tal Sharp S), symbols, dingbats, digits, accents & €, incl. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Nume­ra­tors (numr), Ordi­nals (ordn), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Super­script (sups), Slashed Zero (zero) ■ Design Date: 2014 ■ Type Designer: Manuel Viergutz

Introducing Rough Sketch fonts duo. This font has character like the name "rough" but yet elegant. Rough Sketch is suitable use for stand out and contradiction themes. This font also elegant for logo, web titles, poster, quote, book or magazine cover, poster and more. Benefit of Rough Sketch Packages Perfect collaboration of Rough Sketch and Roug Duo. You can get two fonts that always well-suited to collaborate in your design or project so this font complete each other. Multilingual Support and ligature set. This font is already for multilingual support for Italian, French, Spain, Danish, Czech, Portuguese, Hungarian, Irish, English, Finnish, Norwegian, Polish etc or contact me if you need to add your language. Ligatures is two or more of letters are joined as a single font like or, sr, pr, and etc. I hope you enjoy using Rough Sketch - fonts duo, if you have anything question about this font please let me know with your comments. Thanks for reading and have a nice day:)

Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply "The Elegant Alphabet" and cautioned that it, "being neither quick nor easy, needs to be used with discrimination." Or not...

Ghost Childs this is a light and thick brush font that looks very charming, and bold, this design can make you more confident, for you to pour it into your design that smells of horror or something else, very suitable for all types of designs, brochures, invitations, billboards, books, magazines and much more include : Ghost Childs otf Ghost Childs otf Bold punctuation numeric latin Thank You Very Much

Based on ancient scribal texts, useful for Jewish education. Useful at text sizes and large scale applications. Bold, high contrast typeface. Pro version- Excellent support for Niqqud (Vowels). All marks are programmed to fit each letter's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

AltraTwo is a complete redraw of a family based on a tracing of a clip art font from an old printed book. The AltraTwo family adds italic, black, and black italic. I liked the gentle calligraphic look. Consider it a sans serif with style. This is a typical NuevoDeco OpenType pro font with caps, lowercase, small caps, lining, oldstyle, and small cap figures, numerators, denominators, fractions, swashes, and so on. There aren't many unusal ligatures for this one, though. It does have the Latin 2 character set or what Adobe calls CE, Central European characters. Altra has been my preferred header face for sevral years. it also works very well for body copy. I usually use it for my contrasting tip and quote paragraphs with Bergsland Pro as my normal body copy.

According to the Dictionary of the Spanish Royal Academy, «canturía» is the exercise of singing, and a way of singing musical compositions. Canturiana Type (derived from «canturía») has a romantic and musical air, as well as a clear sensuality thanks to its sinuous construction. The curves seduce us, conquer us, hypnotize us and the letters acquire a resounding lightness, and a very earthly presence that is complemented by a certain aerial, spiritual expressiveness. Canturiana Type is inspired by Canterbury, a font designed in the 1920s by the legendary American type designer and engineer Morris Fuller Benton and published by the American Type Founders (ATF). Canturiana Type collects all this heritage and transforms it into a digital typeface perfectly functional and adapted to the visual communication of the 21st century. Its elegant art deco essence provides it with a unique and heterodox imprint that works in very different media, giving them distinction and depth. The creative process of Canturiana Type has gone through various mutations to a point where each episode of its creation has left its mark, a multiple imprint that makes it unique, singular in its essence and plural in its possibilities. For this reason, Canturiana Type expresses itself with several voices without any variation in its essence. A conceptual ambiguity that makes it truly versatile. Canturiana Type is a typographic choir, a complex entity that has infinite nuances and tones. Classic and cool. Disruptive and romantic. Literary and musical. Canturiana Type is composed of 5 weights, and has a large number of swashes, alternate characters, ligatures and various visual elements to make compositions as titles or for use in short texts. Canturiana Type has more than a thousand glyphs and offers a wide range of languages that use the Latin alphabet.

Anteri Signature is a beautifully crafted handwriting font that exudes a cute and feminine charm. With its cursive calligraphy style, this font brings a delightful touch to your creative projects, making them feel personal and inviting. Ideal for personal branding, stationery, greeting cards, and social media posts, Anteri Signature is a versatile font that adds a heartwarming and elegant touch to your designs. The font is characterized by its swash alternates, allowing you to create a truly customized and unique typographical experience. Use underscore _ anywhere in a word to make a swash. Example: Love_letter Features available when downloaded: Use multiple underscores to make longer underlines. Use % at the end of any word to make a swash letter. Example: Scrap__book% Write # before or after any word to make a tail letter. Example: #cuteness# The Anteri Signature font family includes four high-quality styles to suit various design needs: Regular: The perfect balance of elegance and playfulness Bold: A stronger, more assertive presence for impactful designs Italic: Adds a touch of whimsy and flair to your text Bold Italic: Combines the assertiveness of bold with the expressive nature of italic Built with advanced OpenType functionality, Anteri Signature ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing “Funky Choky” Font: A Bubble Dynamic, Modern, and Funky Typeface Funky Choky is a captivating font that combines the essence of bubble dynamics with a modern and funky style. Its unique design exudes energy and playfulness, making it perfect for projects that require a fresh and vibrant look. This typeface features rounded letterforms with soft edges, giving it a friendly and approachable feel. The bubbly contours of each character create a sense of movement and liveliness, capturing attention and adding a touch of whimsy to any design. With its modern twist, Funky Choky brings a contemporary edge to traditional bubble fonts. It embraces clean lines, sleek curves, and a balanced composition, making it versatile for a wide range of applications. Whether you’re designing a logo, branding materials, advertising campaigns, or social media graphics, this font will add a dynamic and eye-catching element to your project. Funky Choky also offers a wide range of glyph variations, including ligatures, alternates, and stylistic sets, allowing you to customize and experiment with different letter combinations. This versatility empowers you to create unique typographic compositions that truly reflect your creative vision. Embrace the spirit of modernity and funk with Funky Choky font. Elevate your designs, stand out from the crowd, and infuse them with a sense of joy and energy. Let this captivating typeface be the perfect tool to express your creativity and make a memorable impact. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

Centuria is a sanserif humanistic family. Unlike many sanserif fonts, Centuria has modulated strokes and a moderate x-height. Centuria has a contemporary design with a soul of early grotesque fonts. Its slightly condensed letterforms and its short descenders allow a considerable amount of text per column. Centuria is very readable at small sizes! It is suitable for use in: newsletters, magazines, newspapers or just for any simple editorial application. Works very well in continuous text, short paragraphs or headlines. Provides a balanced and friendly texture. Match very well with Century.

P22 Music Pro is a unique font system that allows the user to compose music with text editing and page layout programs capable of OpenType features and contextual substitutions. The OpenType features speed up the composing process by adding chords, contextual accidentals (sharps and flats), contextual key signatures and time signatures. P22 Music Pro covers a wide range of symbols and notation used in traditional western music composition. P22 Music Pro requires an application that uses OpenType features and is capable of contextual substitutions, such as Adobe InDesign or Illustrator. P22 Music is the companion, non-pro font included with P22 Music Pro and also sold separately. P22 Music also contains music symbols and notation and is suited for layout and text edit applications such as Microsoft Word that do not support Pro OpenType features. Unlike the P22 Music Pro font, the music symbols in the non-pro font are not tied to the staff lines, making them more useful for general design purposes. Staff lines are included as a separate character.

Elephant Party playfully dances along its baseline in bold and rounded style. This warm and friendly whimsical design has lots of trunk space and is reminiscent of groovy ‘60s and ‘70s typography where letter spacing was admittedly tight, but cozy. Like snuggling up to a warm fire while toasting marshmallows. Like snuggling under a warm blanket. Like, well, you get the point. Elephant Party is an equitable font that includes a diversity of multilingual support, and will communicate your message with a funky, retro vibe and festive mood. It’ll break out into a happy dance across a wide variety of your design projects ranging from children’s books, t-shirts, posters, logotypes, product packaging, merchandise, branding and beyond. And it’ll groove across a variety of environments from print to digital media. So come on in, join the “Party”, it’s ELEPHANTASTIC! Digitized by John Bomparte.. ***Breauhare’s My Left Hand font makes a cameo appearance on the poster of Chocolola bars.

Lonely Heart Font Duo is a fancy font. which comes with a combination of modern and elegant fonts, namely Script and Sans style. You can combine them to create beautiful typography. This handmade style makes it perfect to use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, invitation cards, art quotes, home decor, book covers/titles , etc. Here's what's included: Lonely Heart Regular / Bold Script • Elegant and realistic Script font contains 108+ ligatures and substitutes, lowercase, uppercase, all punctuation & numbers. Regular / Thick Lonely Heart • Sans font with upper and lower case, all punctuation marks, numbers and Language support Language support • Lonely Heart supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. I hope you enjoy this font. If you have any questions, feel free to message me :)

Hello Girlfriend Font Duo is a fancy font. which comes with a combination of modern and elegant fonts, namely Script and Sans style. You can combine them to create beautiful typography. This handmade style makes it perfect to use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, invitation cards, quote art, home decor, book covers/titles , etc. Here's what's included: Hello Regular Girlfriend / Bold Script • Elegant and realistic Script font contains 108+ ligatures and substitutes, lowercase, uppercase, all punctuation & numbers. Regular / Bold Hello Boyfriend • Sans font with upper and lower case, all punctuation marks, numbers and Language support Language support • Hello Girlfriend supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. I hope you enjoy this font. If you have any questions, feel free to message me :)

Sabrva by Nirmana Visual is designed to work as perfect companions or simply as strong standalone typefaces. Give your typography design with a touch of Classic style with Sabrva. You can pick the alternate for substitution up to 7 variant per-letter. We really hope you enjoy it! Thank You!

Over the past few years, every designer has seen the surprising outbreak of blackletter types in marketing campaigns for major sports clothing manufacturers, a few phone companies, soft drink makers, and more recently on entertainment and music products. In such campaigns, blackletter type combined with photos of usual daily activity simply adds a level of strength and mystique to things we see and do on a regular basis. But we couldn't help noticing that the typography was very odd in such campaigns, where the type overpowers all the other design elements. This is because almost all blackletter fonts ever made express too much strength and time-stamp themselves in a definite manner, thereby eliminating themselves as possible type choices for a variety of common contemporary design approaches, such as minimal, geometric, modular, etc. So extending the idea of using blackletter in modern design was a bit of a wild goose chase for us. But we finally found the face that completes the equation no other blackletter could fit into: Leather is a digitization and major expansion of Imre Reiner's forgotten but excellent 1933 Gotika design, which was very much ahead of its time. In its own time this design saw very little use because it caused problems to printers, where the thin serifs and inner bars were too fragile and broke off too easily when used in metal. But now, more than seventy years later, it seems like it was made for current technologies, and it is nothing short of being the perfect candidate for using blackletter in grid-based settings. Leather has three features usually not found in other blackletter fonts: - Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century. This design is one of the very few manifestations of such interaction. - Fragile, Boboni-like serifs, sprout from mostly expected places in the minuscules, but are sprinkled very aesthetically on some of the majuscules. The overall result is magnificently modern. - The usual complexity of blackletter uppercase's inner bars is rendered simple, geometric and very visually appealing. The contrast between the inner bars and thick outer strokes creates a surprising circuitry-like effect on some of the letters (D, O, Q), wonderfully plays with the idea of fragile balances on some others (M, N and P), and boldly introduces new concepts on others (B, F, K, L, R). Our research seems to suggest that the original numerals used with this design in the 1930s were adopted from a previous Imre Reiner typeface. They didn't really fit with the idea of this font, so we created brand new numerals for Leather. We also expanded the character set to cover all Western Latin-based languages, and scattered plenty of alternates and ligatures throughout the map. The name, Leather, was derived from a humorous attempt at naming a font. Initially we wanted to call it Black Leather (blackletter...blackleather), but the closer we came to finishing it, the more respect we developed for its attempt to introduce a plausible convergence between two entirely different type categories. Sadly for the art, this idea of convergence didn't go much further back then, due to technological limitations and the eventual war a few years later. We're hoping this revival would encourage people to look at blackletter under a new light in these modern times of multiple design influences.

Amaris is a nostalgic serif fonts features high contrast between thick and thin strokes, and traditional letterforms. They evoke elegance, sophistication, and tradition. Ideal for formal designs and branding. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, poster, pop vintage design, retro design or any purpose to make your art/design project look pretty and trendy? Feel free to play with this typeface!

Introducing Expressway, a sleek sans-serif typeface that draws inspiration from the iconic FHWA Series of Standard Alphabets, also known as Highway Gothic. As the most widely-used typeface on road signs in numerous countries since the mid-twentieth century, Expressway’s freeway-themed aesthetic exudes both technicality and industrial charm. With 28 unique styles to choose from, including seven weights, two widths, and italics, Expressway’s practical design perfectly captures the original road sign feel. This family also offers both lowercase (old-style) numerals and monospaced (tabular) numerals, as well as currency, mathematical, and fraction symbols, all of which are monospaced, making it a breeze to create price lists and other tabular numeric data. Whether you’re a designer, engineer, or simply a lover of all things technical, Expressway’s warm and inviting style is sure to stand the test of time. So why not hit the road with Expressway and take your designs to the next level? Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Coco Sharp is the newest evolution of the Coco typographic project, developed since 2013 by Cosimo Lorenzo Pancini for the foundry Zetafonts, with the help of Francesco Canovaro and Andrea Tartarelli. Influenced by vernacular grotesques sign-painting and modernist ideals, and inspired by the classy aesthetic of fashion icon Coco Chanel, Coco is drawn on a classic geometric sans skeleton but applies humanist proportions and visual corrections to key letters with the aim to create a warmer, subtly vintage texture on the page and on the screen. Coco Sharp drops the rounded corners of previous incarnations (Coco Gothic and Cocogoose) to pair the typeface display and logo capability with a sharper definition for text use. As in the other Coco families, a wide range of alternate letterforms allows to express different historical moods, including elegant, quirky and unexpected designs able to transform a simple word in a memorable wordmark. The other peculiarity of Coco Sharp lies in the wide choice of x-heights given to the user, both by providing a variable version and five graded sub-families, that allows designers to fine-control text readability and space usage. Large and XLarge versions provide big and easily readable lowercase letters, perfect for small point size typesetting or bold copywriting; Small and XSmall provide smaller lowercase letters with the elegant proportions of Futura and its modernist eponyms, optimized for display use or for adding a classy flare to body text; the Regular x-height offers a "one size fits all" solution that works both for texts and for display use. Alle the 60 weights of Coco Sharp come with a full set of open type features allowing faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. Use Coco Sharp out of the box as a solid workhorse family or enjoy discovering the limitless possibilities of its 2000+ latin, cyrillic and greek glyphs covering over 200 languages worldwide. • Suggested uses: perfect for modern branding and logo design, editorial design, web design, packaging and countless other projects; • 62 styles: 6 weights + 6 italics x 5 different x-heights + 2 variable fonts; • 2011 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Subscript, Superscript, Tabular Figures, Slashed Zero • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;

Elegant, graceful and timeless. Astorica is a versatile font family with timeless classic appeal, has alternatives & ligatures, multilingual support, (And we think this is our best work so far!) Each letter has been hand-drawn and made with great care. Weight variations provide a variety of options that will help you find the best typographic character for your project. All 6 weights are perfect for big screen use and high impact headlines. The binding and style alternatives available offer a number of different options that give your logo or business card a unique look. FEATURE 6 loads of Astorica High contrast 41 ligatures per capital letter weight and 30 Ligatures per lower case weight 10 alternate glyphs per weight Comprehensive language support Stay sweet, Sweetest Thing

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Attached" because the "alef" and "lam" are attached together. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation & spelling according to the Holy Quran). You will also notice that the decorative letters in this font are bigger than usual, we also used the traditional "soukoun" instead of the "Quranic soukoun" & we were a little bit more generous than usual with the decorative symbols. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef, Tah & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% Error Free, and you can use them with your eyes closed. All the “Tachkilat” are 100% Error Free, all the "Spelling" is 100% Error Free, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

Are you looking for a modern typeface? Geometrico. Round without Compromises. Now 12 Italic Styles added. Even more futuristic than the classical Bauhaus typeface Futura, “Geometrico” is a geometric typeface based on round shapes as suggested by its name. Designed without compromises, neither in form nor in function: Geometrico is ideal for logotypes, headlines and other modern typographic purposes. Would Paul Renner be delighted? Or would he turn around in the grave? Make your own opinion. Try Geometrico for free. Download a free trial version of Geometrico with a reduced character set. Check it out!

Originally conceived while sketching outline typefaces for a client, Minotte Pro has blossomed into a font one thousand glyphs strong and is chock full of alternates and contextual swashes! By enabling swashes, style sets, and contextual alternates in your OpenType savvy application, headlines and text set with Minotte Pro will transform into unique combinations of initial, middle and final swash forms! There’s also an alternate Cap set with a partial fill for even greater variety! Perfect for travel ad headlines, Minotte Pro adds a light, carefree touch. If your app doesn't support OpenType, then check out the split out versions, Minotte, Minotte Swash, Minotte Fil and Minotte Swash Fil. Minotte Pro Minotte Solid Pro contain these OpenType features: Contextual Swashes, Stylistic Alternates, Standard & Discretionary Ligatures, 6 Style Sets, Superiors & Inferiors, Fractions and Ornaments. The Minotte Extras Pro Pak includes three chromatic effects fonts, Minotte Center, Minotte Gradient and Minotte Shadow. These Extras fonts are intended to be used with Minotte Pro and Minotte Solid Pro, allowing colorizing and 3-D shadow effects. There are numerous combinations when using all three together! The three Extras fonts support the entire Pro character set and all OpenType features! Intended for users that do not own or use OpenType savvy apps, the four alternative fonts capture the best of the Pro version and will provide you with the glyphs needed to duplicate some of Minotte Pro’s typographic richness. Minotte and Minotte Fil are fully usable, whereas the Minotte Swash and Minotte Swash Fil are intended to work in tandem with the basic Minotte fonts. Set your headlines and text in Minotte, then switch to Minotte Swash and manually select the appropriate swash glyphs. Switch to either of the Fil fonts for full sets of Cap alternates sporting a partial fill. Minotte Pro, Minotte, Minotte Fil, Minotte Swash and Minotte Swash Fil support an extended European character set.

Beauty Style is a luxurious font collection that includes both a signature script and a sans serif typeface. Beauty Style scripts come in four weights including 12 alternates and 56 ligatures. Programming has been added to the scripts for flow and elegance. Use Beauty Style for sophisticated designing. Fonts designed by Cindy Kinash. See font details below. SANS FEATURES: All caps letters Condensed Sans OpenType Common ff fi fl ffi ffl ligatures Available in Extended Latin Pro (Standard) or American (US) version. SCRIPT FEATURES: Signature style OpenType Common ff fi fl ffi ffl ligatures Available in Extended Latin Pro (Standard) or American (US) version. 12 alternates and 56 ligatures Programmed ligature feature for optimization. Every time you type specific pairs, ligatures are programmed to pop up to avoid letter pair collisions. Programming ligatures gives the script a more elegant and pretty flow. Make sure to turn on the feature in your preferred program that supports ligatures. FREE WORDS FEATURES: 52 free words useful for beauty and sales promoting. Keyword examples include you, sale, and beautiful. Intended use for beauty, fashion, newsletters, websites, magazines, sales, commercials and packaging. VERSIONS: American and Extended Latin Pro AMERICAN (US) Shorter version 12 alternates and 56 ligatures (scripts only) Common ff fi fl ffi ffl ligatures OpenType Includes the common alphabet, numbers, American symbols and punctuation. EXTENDED LATIN PRO (Standard) Extended version of the American. 12 alternates and 56 ligatures (scripts only) Common ff fi fl ffi ffl ligatures OpenType Includes characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. TIPS: Try the OpenType ligatures by turning on the feature in your preferred program that supports ligatures. FONT LAYERING — Layer the script over the sans to give a cool retro effect. There are so many fun and creative possibilities. FONT CONNECTING — Interconnect the sans and script letters together creating TYPE ART. All you need to do is convert the font into an object and have fun! (Watch the upcoming tutorials on the cultivatedmindtype Instagram) SANS — When sans text is small, widen the text tracking for legibility and style variety. Sans is diverse and can work as tight or loose tracking. Use Beauty and Style for type art, beauty marketing, fashion, apparel, product design, music, websites, promotions and film. Last tip…Always have fun when creating. This isn’t a race. Creating should always be enjoyed. TUTORIALS: For more Beauty Style font tips including font layering, vlogs and tutorials, check out @cultivatedmindtype on Instagram.

This chunky rounded bold font is not only fun and playful but also incredibly versatile. Whether you're working on food product branding, creating a display headline, or designing packaging for your latest project, Omletta font will surely bring a smile to your face. With its bold and rounded design, Omletta font is perfect for creating eye-catching designs that demand attention. It's perfect for brands that want to make a bold statement and stand out from the crowd. Plus, with its support for Latin multilingual, you can use Omletta font for all of your international design projects. So what are you waiting for? Add some fun and excitement to your next project with Omletta font. With its playful and youthful tone, this font is perfect for creating unique and memorable designs. Whether you're designing for a food brand or a fun event, Omletta font is the perfect choice to help you capture the essence of your project. Get ready to make your designs pop with this bold and playful font!

“Hand Sketch Rough Pos­ter” is a hand­made, rough and dirty sans-serif dis­play font for deco­ra­tive head­line sizes. Hand drawn. A–Z (× 2), a–z (× 2) and 0–9 (× 4) are each many dif­fe­rent forms. Con­text­ual alter­na­tes. Is inten­ded to show the hand-made cha­rac­ter and the vibrancy of the dis­play font. The dif­fe­rent forms of rough­ness crea­tes a live­li­ness in the typeface. Stan­dard liga­tures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffi, ffj and more deco­ra­tive liga­tures like CT, LC, LE, LH, LI, LO, LU, LY, TOO, TC, TE, TH, TU, TZ and ch, cl, ck, ct, sh, sk, st, sp, addi­tio­nal logo­ty­pes like BPM, fff, ppp, sfz and many more … plus Ver­sal Eszett (Capi­tal Let­ter Dou­ble S) give the font more life and shows that des­pite their retro-looks works with modern Open­Type tech­no­logy (type the word note for the sym­bol ♫ and the word love for the ding­bat ❤ … ). Sym­bols like play, stop, eject, for­ward, back­ward, skip, pause and so on. The topic for the dis­cre­tio­nary liga­tures and the sym­bols are music. Have fun with this font – turn up the volume! How To Use – awe­some magic OpenType-Features in your lay­out application ■ In Adobe Pho­to­shop and Adobe InDe­sign, font fea­ture con­trols are wit­hin the Cha­rac­ter panel sub-menu → Open­Type → Dis­cre­tio­nary Liga­tures … Che­cked fea­tures are applied/on. Unche­cked fea­tures are off. ■ In Adobe Illus­tra­tor, font fea­ture con­trols are wit­hin the Open­Type panel. Icons at the bot­tom of the panel are but­ton con­trols. Dar­ker ‘pres­sed’ but­tons are applied/on. ■ Addi­tio­nally in Adobe InDe­sign and Adobe Illus­tra­tor, alter­nate gly­phs can manu­ally be ins­er­ted into a text frame by using the gly­phs panel. The panel can be opened by selec­ting Win­dow from the menu bar → Type → Gly­phs. Or use sign-overview of your ope­ra­ting sys­tem. ■ For a over­view of OpenType-Feature com­pa­ti­bi­lity for com­mon app­li­ca­ti­ons, fol­low the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may pro­cess a little bit slowly in some app­li­ca­ti­ons, because the font has a lot of lovely rough details (anchor points). TECHNICAL SPECIFICATIONS ■ Font Name: Hand Sketch Rough Pos­ter ■ Font Weights: Regu­lar ■ Fonts Cate­gory: Dis­play for Head­line Size ■ Desktop-Font For­mat: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font For­mat: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph cover­age: 715 ■ Lan­guage Sup­port: Afri­kaans, Alba­nian, Alsa­tian, Ara­go­nese, Ara­paho, Aro­ma­nian, Arr­ernte, Astu­rian, Aymara, Bas­que, Bela­rusian (Lac­inka), Bis­lama, Bos­nian, Bre­ton, Cata­lan, Cebuano, Cha­morro, Che­yenne, Chi­chewa (Nyanja), Cim­brian, Cor­si­can, Croa­tian, Czech, Danish, Dutch, English, Espe­ranto, Esto­nian, Fijian, Fin­nish, French, French Creole (Saint Lucia), Fri­sian, Fri­ulian, Gali­cian, Genoese, Ger­man, Gil­ber­tese (Kiri­bati), Green­lan­dic, Hai­tian Creole, Hawaiian, Hili­gaynon, Hmong, Hopi, Hun­ga­rian, Iba­nag, Iloko (Ilo­kano), Indo­ne­sian, Inter­g­lossa (Glosa), Inter­lin­gua, Irish (Gae­lic), Istro-Romanian, Ita­lian, Jèr­riais, Kas­hubian, Kur­dish (Kur­manji), Ladin, Lat­vian, Lithua­nian, Loj­ban, Lom­bard, Low Saxon, Luxem­bour­gian, Malag­asy, Malay (Lati­ni­zed), Mal­tese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Nort­hern Sotho (Pedi), Nor­we­gian, Occi­tan, Oromo, Pan­gasinan, Papia­mento, Pied­mon­tese, Polish, Por­tu­guese, Pota­wa­tomi, Que­chua, Rhaeto-Romance, Roma­nian, Romansh (Rumantsch), Roto­kas, Sami (Inari), Sami (Lule), Samoan, Sar­di­nian (Sardu), Scots (Gae­lic), Sey­chel­lois Creole (Seselwa), Shona, Sici­lian, Slovak, Slove­nian (Slovene), Somali, Sou­thern Nde­bele, Sou­thern Sotho (Seso­tho), Spa­nish, Swa­hili, Swati/Swazi, Swe­dish, Taga­log (Filipino/Pilipino), Tahi­tian, Tau­sug, Tetum (Tetun), Tok Pisin, Ton­gan (Faka-Tonga), Tswana, Tur­kish, Turk­men, Turk­men (Lati­ni­zed), Tuva­luan, Uyghur (Lati­ni­zed), Veps, Vola­pük, Votic (Lati­ni­zed), Wal­loon, Warl­piri, Welsh, Xhosa, Yapese, Zulu ■ Spe­cials: Alter­na­tive let­ters, logo­ty­pes, ding­bats & sym­bols, accents & €. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Lining Figu­res (lnum), Nume­ra­tors (numr), Old Style Figu­res (onum) Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Sty­listic Set 04 (ss04), Super­script (sups), Tabu­lar Figu­res (tnum) ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz

TT Mussels useful links: Specimen | Graphic presentation | Customization options About TT Mussels: The TT Mussels font family is the successor of such popular fonts as Bender and TT Squares. At the same time, TT Mussels has a number of fundamental differences that make it a unique font family that stands out from other octagonal typefaces. When designing TT Mussels, we paid great attention to the possibility of imposing large arrays of text, and we can responsibly state that TT Mussels is a rare type of technological text fonts. To go along with the rest, we've created a stencil version of the typeface, in which the location of the incisions changes according to their thickness. In total, the TT Mussels font family consists of 36 faces, which include among other things stylistic alternatives, ligatures, and also implements a broad support for OpenType features: case, frac, ordn, sups, sinf, numr, dnom, onum, tnum, pnum, liga, dlig, salt, ss01. Dynamic contrast is widely implemented in TT Mussels. It is most noticeable in the Black typeface, where the ratio of the thickness of the vertical strokes to the horizontal strokes is approximately two to one. For the Thin typeface, the thickness of the vertical strokes is already consistent with the thickness of the horizontal strokes. You can also find other signs of respect for traditional text fonts in the TT Mussels design, such as the trace of pen movement which is historically typical for antiquas. For example, in the letter M from the Black face, we can first see a thin stroke, then a thick diagonal stroke followed by a thin diagonal stroke, and a finishing bold vertical stroke. As in the case of dynamic contrast, this effect gradually disappears when approaching thin faces. In thick faces, in places such as the “armpits” of the letters MN? or the junctions of the diagonals of WVvw, there are visual compensators that brighten the bold typefaces. As the thickness of typefaces moves from thick to thin, the dimensions and conceptual values of compensators change, and in thin typefaces they completely disappear. TT Mussels language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.