This family was inspired mainly (Normal and Italic style ) by a Didot pattern font used in Rennes (France, Britanny) by Cousin-Danelle, printers, for Antiquités historiques et monumentales ‡ visiter de Montfort ‡ Corseul, par Dinan... Saint Malo... etc. an historic guidebook for a journey through a part of (French) Brittany in 1820, and many other books. The present version contains 1820 Modern Normal and Italic, 1820 Modern Large Normal and 1820 Modern Narrow Normal, each style with small caps. This font may be used together with 1906 French News and/or 1906 Titrage.

A slightly roughened version of The Oldtype “Gutenberg B” Font, simulating irregularities and ink spreads associated with old metal types, papers and parchments. Apart from its rough appearance, which will be clearly noticed only at large point sizes, the font is identical to The Oldtype “Gutenberg B” Font. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg C” Font Page.

Core Escher is an optical illusion type family which has two sub-families: Core Escher A and B. Core Escher A has impossible shapes inspired by the optical illusion works of artist M.C. Escher. The letterforms in this type family are structurally twisted and complicated but it looks simple because of its simple strokes. And for easy color variations, it split into two fonts, Core Escher A Left and Right. Core Escher B has a different kind of optical illusion. The letters of Core Escher B look like three dimentions by just putting thin lines on bold letters. Also B has two sub-families that have different viewpoints. Core Escher Family supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. This family is really nice for book titles, headlines, logotypes and any artworks.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

Mexican Relics is a collection of over 100 dingbats in font format based on images found on a variety of clay stamps primarily from pre-Columbian Mexico. This font brings ancient artwork featuring fantastic animals and geometric shapes into the computer age.

Free money is an organic-looking display font. It was inspired by gig poster art, alternative comics and b-grade movies.

Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility. Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script. Crafted Koziupa and digitized by Ale Paul.

Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco. Kozemtica comes with plenty of alternates, focusing in particular on the degree of lowercase ornamentation. The setting can be simple and straightforward, or swashed with hairlines seamlessly emanating and swirling from beginning or ending forms. Designed by Koziupa and digitized by Ale Paul, Kozmetica’s ideal use is in packaging design.

A sturdy and solid presence, CamingoSlab is defined by its heavy serifs, low stroke contrast and elliptic curves. Yet it retains a light touch, and feels vivid and friendly, thanks to the humanistic tone that derives more from handwriting than from strict construction. Special attention has been paid to compatibility with the other members of the Camingo series — With their consistent line heights, an equal grey value and the same formal language it can be seamlessly combined with CamingoDos and CamingoMono. CamingoSlab comes with a Pro version that contains small caps, ligatures, 10 different figure sets, stylistic alternates and two sets of arrows.

Royalist Pro is an expanded OpenType font based on "Secretary Hand" from the time of the English Civil War, circa 1632. This Pro version includes over 500 glyphs with alternate characters, ligatures and full Western and Central European Characters sets.

Salome is a revival, normalization and elaborate expansion of a 1972 film face called Cantini. The original film type, released by a tiny independent outfit called Letter Graphics, looked like it was hand drawn with little consideration for consistency in essential lettering flow measurements, like angles, stroke widths, and vertical metrics. All these issues have been resolved in this digital version, and the original character set, including the whole lot of alternates, was entirely redrawn and expanded to include even more alternates and many useful ligatures, as well as extended support for Latin-based languages. Combining elements of early 20th century art nouveau with common 1960s and 1970s signage and poster lettering flair, Salome uses curls and curves to wave its fantastic shapes in a most hypnotic dance. Salome simply cannot be unseen. Just like its namesake, the female seduction icon, it does not hesitate to put all of its natural beauty and energy on display in order to get what it wants. Salome comes in all popular font formats. The OpenType version, Salome Pro, combines the main font with the alternates one, and contains convenient features for push-button alternation and ligature substitution in supporting software programs.

Angel Koziupa was drawing letters for labels since forty years ago, now he meets SudTipos and his beautiful works could be used around the world. Murga is a dance, it’s Latin, it’s carnival....

Cobya is inspired by the waves and the ocean. Some letter like A,W,V reflects the dynamic and beautiful shape of the waves. Try All Capitals and play with the spacing for a modern and fashionable look. Cobya consists of three widths condensed, normal and expanded. Each width has 9 weights, also a variable format. Cobya has distinctive and unique characteristics, so it is very suitable when used as a branding logo or fashion design concept.

The Miramonte™ Pro Family was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte™ Pro Family is based on Stanislav Marso's humanist sans serif released by Graphotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro Family includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include the euro symbol, alternates, old style figures, proprtional lining figures, diagonal fractions, stacked fractions, superscript/subscript and scientific inferiors. Character Set: Latin-1, CE, OpenType Pro features. View Miramonte Pro Type Specimen (PDF)NOTE: An OpenType-savvy application such as Adobe Creative Suite, Mellel or QuarkXPress is required to access the OpenType typographic features.

The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and since the recent trend of layered fonts his idea is more up-to-date than ever. profonts studio now took the idea of the Graphique Pro to its next level: Graphique Pro Next. This layered type family consists of 8 styles which can be combined in plenty of ways to create unique designs. The fonts thereby preserve the outstanding and timeless drawings of the original Graphique Pro font and will add an aesthetic and fresh look to every project. Please have a look at the Graphique Pro Next Type Specimen for more details about the language support and font layer combinations.

Alio™– Let Your Creativity Flow. Inspired by sleek sans serifs and flowing cursives, Alio™ features the best of both worlds. The hybrid modular design of this display type gives you tons of alternates and options to play. Just let your creativity flow and enjoy creating a broad range of styles from minimalistic modern to decorative flourish. *Alio Pro* comes loaded with extensive ligatures and alternates. When combined this display type with Alio Decor, you can let your creativity flow to the max. Together, you can create stunning flourish designs and unique type treatment to your projects. The Pro also supports most Latin-based languages. Heck, it even covers Chinese PinYin. Perfect for the logo, branding, poster, book cover, store sign, and packaging. [6 weights/12 font styles. 750+ glyphs each] *Alio Decor* is more than just an Alio Pro’s sidekick. You can enjoy creating flourish designs exclusively with Alio Decor. [6 weights/12 font styles, 300+ glyphs each] *Alio Std* features selected glyphs from Alio Pro (fewer ligatures and alternates). Perfect for web headlines and subheads, and minimalistic, modern print designs. [6 weights/12 font style, 400+ glyphs each]

FG Rochelle has some special capitals like the B and R that makes it stand out from other script fonts. A beauty!

In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.

Bombay is serif type family by ManVsType. It is ideal to use at larger sizes as a display font. The family comes in 5 weights in 2 styles (normal stem height and low stem height). This font is variable in its weight and "connection" heights in the letters a, b, d, h, m, n, p, q, r and u. The typeface has a number of ligature including an R+s ligature that automatically turns into the ₹ (rupee symbol) to solve a major problem in the Indian subcontinent where people don't know how to type it. Bombay is inspired by the colonial version of the city. The city being a melting pot of all kinds of people. Poets, writers, filmmakers enjoyed the city and it quickly became the cultural hub of the entire country.

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Beauty Club is a modern font collection that includes four serif weights, a thin signature brush script and free marketing words. Beauty Club Brush is a hand-painted script that includes 7 ligatures and 26 alternates. The brush script works great paired with the serif fonts. Try the Beauty Club free font for beauty marketing and social media. It’s a great font for promoting your beauty brands. Fonts and posters designed by Cindy Kinash. See font details below. VERSIONS: American (US) and Extended Latin Pro (Standard) FREE WORDS FEATURES: 57 free words useful for beauty marketing and social media promoting. Keyword examples include beauty, makeup, free, love and sale. Intended use for: beauty, fashion, apparel, marketing, music, social media, websites, magazines, sales, film and packaging. BRUSH SCRIPT AMERICAN (US) Shorter version Thin hand-painted brush script 7 ligatures and 26 alternates OpenType Includes the common alphabet, numbers, American symbols and punctuation. BRUSH SCRIPT EXTENDED LATIN PRO (Standard) Extended version of the American (US) version. Thin hand-painted brush script 7 ligatures and 26 alternates OpenType Includes Latin Pro characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. SERIF AMERICAN (US) Shorter version OpenType Includes the common alphabet, numbers, American symbols and punctuation. SERIF EXTENDED LATIN PRO (Standard) Extended version of the American (US) version. OpenType Includes Latin Pro characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. TIPS: Try the OpenType brush script alternates/ligatures by turning on the feature in your preferred program that supports ligatures. DISPLAY- Pair the Beauty Club brush script with the serif fonts as large headline text for optimization. FONT USE- Use Beauty Club for beauty, fashion, apparel, marketing, music, social media, websites, magazines, sales, film and packaging."

“Designers can’t help but be inspired by the things that surround them,” says Massif’s designer Steve Matteson. An avid mountain climber, Matteson found his inspiration for his text face family in the dramatic granite formations of North America’s Sierra Nevada Mountains. Most of Matteson’s type designs are custom projects designed with an end use or customer in mind. Massif, which had no customer or specific purpose, was probably his most personal typeface to date. “My goal was to embody, in Massif’s two-dimensional letterforms, the angular tension and smooth curvature characteristic of the rugged terrain of Yosemite National Park’s Half Dome, which was formed by eons of glacial and tectonic activity,” Matteson explains. The typeface’s striking design echoes the faults and fissures that define a massif formation, resulting in a rich texture when used for body text and revealing distinctive shapes and proportions at display sizes. The Massif family comes in six weights, from Light to ExtraBold, each with an italic companion. The OpenType Pro suite contains small caps, ligatures and old style figures, and offers a small set of decorative ornaments. Pro fonts also include an extended character set supporting most Central European and many Eastern European languages.

Introducing Bringhum, a bold and nostalgic typeface that captures the essence of the 90s era. Immerse yourself in its retro charm. This font is exceptionally well-suited for a range of applications, particularly for logos and various formal formats such as invitations, labels, magazines, books, greeting stationery, novels, and diverse advertising materials. Features :Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures , Multilingual, & PUA encoded

Pericles Pro is an attractive typeface for headlines and short passages of text which recall inscriptional lettering and playful, art deco design. There are two weights of Pericles Pro, Light and Regular, containing OpenType-enabled typographic features with alternative characters for creating eye-popping effects in headlines, book titles, banners, and greeting cards. Each Pericles Pro font includes 433 glyphs. This includes 12 stylistic alternates and 17 ligatures to mix and match with a full set of capitals, small capitals, superscript, subscript and petite small capital letters. Pericles Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, as well as Windows Presentation Foundation (WPF) and the forthcoming QuarkXPress 7.

A drop cap ornamental font. Pro version includes the Basic one.

The history of this font is those. Once I assorted the old children's books which have stayed from times of my childhood. On one of them I have seen a trade mark of a printing house consisting of two Russian letters "L" and "B". From they were begun also with my font. And though finally from these letters a little that remained, elements of these letters can be seen in font D-block B.