4,627 search results (0.018 seconds)
  1. CODE3X - Unknown license
  2. Fh_Perception - Personal use only
  3. Baumarkt - Unknown license
  4. ParkLane - 100% free
  5. Two Tones - Unknown license
  6. Circuitry - Unknown license
  7. Tasmin Ref - Unknown license
  8. winob - Unknown license
  9. Blocked Off - Personal use only
  10. Concielian Break - Unknown license
  11. CircuitBoredNF - 100% free
  12. Quark Outline - 100% free
  13. SF RetroSplice Shaded - Unknown license
  14. GAU_font_modern - Unknown license
  15. Deng Thick - Unknown license
  16. Induction - Unknown license
  17. Spacebeach - Personal use only
  18. CARMEN - Unknown license
  19. Quadaptor - Unknown license
  20. Moby - Unknown license
  21. Ben Brown - Unknown license
  22. Metro-Retro - 100% free
  23. Masterforce Solid - Unknown license
  24. XPED Bold - Unknown license
  25. Alphabeta - Unknown license
  26. Big Blocko - Unknown license
  27. 11.20 - Unknown license
  28. Perolet - Unknown license
  29. SF Speakeasy Shaded - Unknown license
  30. Clearblock circular - Unknown license
  31. Romance Fatal Sans - Personal use only
  32. SF Willamette - Unknown license
  33. Ubahn - 100% free
  34. SF Diego Sans - Unknown license
  35. Venus Rising - Unknown license
  36. Garota Serif - Personal use only
  37. Synthica by Volcano Type, $35.00
    Synthica is the advanced version of a geometrically constructed typeface – designed for a thesis project in summer 2010 in Pforzheim. In the context of electronic music and the profound analysis of its parameters, this typeface is primarly based on a strict modular grid. Additionally, the ascender, descender and the x height had slightly been increased in order to even out a visual difference in size between the glyphs. The name „Synthica“ dervives from a basic principle in electronic sound synthesis. Sinus, triangle and square are some of the basic waveforms in the synthesizers’ oscillator section and were thus used as geometric modules for the grid. The modularity and geometry also derive from different structures of electronic music. The strong emphasis on diagonal lines creates a rhythmic typeface that connotates electronic music patterns with highly recognisable glyphs. The contrast between digital and analog is another basic idea of this typeface: while Synthica Outline has a more synthetic and fragile character, the filled version Synthica Black serves as the analog counterpart.
  38. Locarno by ITC, $29.99
    Locarno is the work of British designer Alan Meeks and is his adaptation of Rudolf Koch's original design for the Klingspor type foundry. The unique design of the roman weight features geneous capitals and a reserved lowercase. The italic capitals have an open, engraved decoration that combines perfectly with the lowercase with its tall, elegant ascenders. Locarno is a typeface with the sophisticated look of the 1920s and 30s.
  39. Hauslan by Álvaro Thomáz Fonts, $15.00
    Hauslan is a simple, minimal and geometric type family inspired by the rationality presented by Bauhaus in 1920 which affected many areas such as architecture and graphic design. Following the concept of basic geometric shapes, Hauslan focuses on readability and versatility, either for small texts or headlines.
  40. Athan by Thinkdust, $10.00
    Athan is an uppercase geometric sans-serif typeface designed by Dani Montesinos in 2009. Inspired by one piece of lettering from the 1970s, Athan offers something a little different in terms of typography. With strong geometric forms, and highly distinctive characters, it's sure to catch your eye.
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