Introducing Sokinz. Sokinz was round shapes, funky and playfull fonts, made carefully with handdrawn by combining two concepts of graffity style and groovy styles, you can use this font for your creative design, this font was suitable to make posters, pamflets, t-shirt, merch, apparels, brand names, gift cards, products tags, and many more can be discovered by using this fonts.

Herkings is a serif based font with unique lowercase & uppercase that will make your design looks minimalist yet modern. You can use this font for any purpose, especially for logotype. This font also suitable for branding. You can mix and match the uppercase and lowercase to make your logo more unique and stand-out. This font also support multi language!

Hisquins is a serif based font with unique lowercase & uppercase that will make your design looks minimalist yet modern. You can use this font for any purpose, especially for logotype. This font also suitable for branding. You can mix and match the uppercase and lowercase to make your logo more unique and stand-out. This font also support multi language!

Epic Miracle is beautiful rounded bold retro serif with a 90s touch. A great serif that works beautifully in modern designs. You can definitely create amazing logos, headings, apparel designs and more. Epic Miracle is an essential font for branding as well if you want to go BOLD. I can't wait to see what you can create with Epic Miracle!

The Milade is inspired by the retro style in combination with the hand lettering style.The Milade has many alternative swash & ligatures characters and has opentype features like a stylistic alternatice, stylistic set, ligature, and swash so you can mix and match as you want. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

This font is based on a lot of the downtempo culture in Paris. Smoky bars, jazz clubs, that sort of thing. How a font can be influenced by intangibles is a question that I can't quite answer, but I can say that when I created it, it strongly reminded me of a couple of times spent in Paris back in the mid-90s.

Blothia is a brush script font with a dynamic and energetic style. It can be used for various purposes such as titles, signatures, logotypes, T-shirt designs, letterheads, signage, labels, newsletters, posters, badges, and every other design which needs a unique, striking font. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Lafisken Signature is a typeface with personality. You can use it as a logo, badge, insignia, packaging, headline, poster, etc The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. The OpenType features can be accessed by using OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign. Thank you!

Rae's Monogram Family is a contemporary take on monograms. Rae's Monogram One letters are best used as the right and left letters. You can add Rae's Monogram Two for the middle letter. Rae's Monogram Doodles One are 50 small illustrations to use with the monogram. If you don't see the one you want take a look at over 1,000 others in Outside the Line's Doodle font library. Of course just because it was planned this way doesn't mean you have use them this way. Use your imagination! You can use just one font, or two or all three. Commercial Licensing: Rae's Monogram Doodles One uses Outside the Line's normal licensing if you are using an illustration alone or not in a monogram on commercial goods. Plz read the http://www.outside-the-line.com/license/ Rae's Monogram One and Two offers Impression Licensing. If you don't intend to sell any items made from these fonts you don't need an additional license. But if you do, to make it easier Outside the Line offers the added ability to buy this license upgrade at the time you place your order. Plz contact Rae directly to do that. By default, you're allowed to sell 250 items in total without any additional licensing required and should you intend to sell more items, additional levels of licensing can be purchased now or at any time in the future. To be clear, 250 items doesn't refer to how many different items you may create but rather refers to the number of total sales of any item or items created with these fonts. If you have any questions or need additional commercial licensing feel free to contact Rae at hello@outside-the-line.com She is always happy to hear from you.

Madromit(ma-do-ro-mi) is a somewhat nostalgic display font. Do you remember computer advertisements in the 80s and 90s? Yes, it is the most excited period in the history of computer. We call the design in this period Primitive Digital Design. Madromit is, so to speak, the revival or reconstruction of the primitive digital type in the period. The structure and elements of this font are very simple and the key features are geometric shape and simple griddy design with rounded corners, oval bowls, and right‐angled joints which we used to see in the primitive period. In addition to this, Madromit has one more characteristic feature — classic engraving font —. It is called Open Style. Open style is one of the classic method to decorate and emphasize the font. Our aim is the synergy by the mixture of primitive digital design and classic engraving method. This mixture makes new impression we have never seen before. Madromit family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layers. Madromit "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Madromit" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Madromit Standard, Half Open, and Full Open style can be used solely.

This is Emoji font(Dingbat), contains many cute motif like animals, heart, ribbon, foods, fashion goods. I think you can use it for decorate contents for children, and use web font as icon. You can use as it is, I think that you can paint the color inside. It might be interesting even if you hang a hat or put on a ribbon by combining several characters like a sample. I make it will be cute, and you use it with happy feeling, I will be happy if you think so. ＜「omekashiemoji」紹介文＞ 動物やハートやリボン、食べ物、ファッション小物などかわいいモチーフがたっぷりな絵文字フォントです。 子供向けコンテンツの装飾に使ったり、webフォントをアイコンとして使ってもいいんじゃないかなと思います。 そのまま使ってもいいですし、中に色を塗ってもいいと思います。サンプルのように数文字組み合わせて帽子を被せたり、リボンをつけたりしても面白いかもしれないです。 かわいくなるように、使って楽しい気分になれるようにとの思いを込めて作りました。 その思いが少しでも伝われば幸いです。 ＜スタイルカテゴリー＞ 絵文字、Dingbat ＜価格＞ 税抜1200円

Homework Dashed font was specially conceived/designed for teaching cursive writing. This resource allows tutors and parents to create worksheets for individual or class teaching. Associated with the Homework font, students can learn and exercise their handwriting abilities. All capital letters, excluding I, F, T and P, link to any following small letter: the sequence of the previous letter stroke always follows the angle of the initial stroke of the subsequent letter. This, in the real world, means that words built with the font can be handwritten without having to lift the pen from the paper (except to cross t and f and dot i and j) or interrupt the writing flow. All the letters are base aligned and all small letters have the same ‘x’ height. Homework Dashed font is a tool with which teachers and tutors can create repetitive alphabetical writing exercises that can be printed on lined sheets.

Animus - Serif font family - Multilingual - 6 Styles Animus is a uniquely elegant serif font family.This font provides flexibility in all your projects with its aesthetic structure, multilingual options, 6 styles and 3 weight options. You will have the opportunity to enrich the content of your projects with its elegant structure. Depending on the purpose of use in the typographic composition you will create with 6 styles; you can enrich your titles in books or magazines and your logos for branding. You can benefit form the elegant structure of standard characters in your plain text. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual supports. Ideal for books and magazines, editorials, headlines, websites, packaging, logos, branding, advertising, movie titles and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. Have a good time.

The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small sizes. While there are digital fonts based on this style (such as Burin Sans™ and Sackers Gothic™, among others), few offer the range of styles and weights possible, with the versatility designers perhaps expect from digital type families. Sweet Sans fills that void. The family is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century—especially the engraver’s sans—are still quite familiar and appealing. Referencing various masterplates—which typically offer the alphabet, figures, an ampersand, and little else—Mark van Bronkhorst has drawn a comprehensive toolkit of nine weights, each offering upper- and lowercase forms, small caps, true italics, arbitrary fractions, and various figure sets designed to harmonize with text, small caps, and all-caps. The fonts are available as basic, Standard character sets, and as Pro character sets offering a variety of typographic features and full support for Western and Central European languages. Though rich in history, Sweet Sans is made for contemporary use. It is a handsome and functional tribute to the spirit of unsung craftsmanship. Burin Sans and Sackers Gothic are trademarks of Monotype Imaging.

The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small sizes. While there are digital fonts based on this style (such as Burin Sans™ and Sackers Gothic™, among others), few offer the range of styles and weights possible, with the versatility designers perhaps expect from digital type families. Sweet Sans fills that void. The family is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century—especially the engraver’s sans—are still quite familiar and appealing. Referencing various masterplates—which typically offer the alphabet, figures, an ampersand, and little else—Mark van Bronkhorst has drawn a comprehensive toolkit of nine weights, each offering upper- and lowercase forms, small caps, true italics, arbitrary fractions, and various figure sets designed to harmonize with text, small caps, and all-caps. The fonts are available as basic, Standard character sets, and as Pro character sets offering a variety of typographic features and full support for Western and Central European languages. Though rich in history, Sweet Sans is made for contemporary use. It is a handsome and functional tribute to the spirit of unsung craftsmanship. Burin Sans and Sackers Gothic are trademarks of Monotype Imaging.

Crack open another coconut! With Bamboo, you can almost hear the waves and feel the warm tropical island breeze.

Elegant and refined, Rendezvous has a smooth, calligraphic appearance and can be used in a variety of design settings.

A wild and wacky fun filled extreme design that can be used in many ways even in text sizes.

As personal as a handwriting can be, the ink drops add much of genuine touch to this childish script.

A warm, flowing, calligraphic style can be used for invitations, cards, scrapbooking and a variety of other design uses.

This quirky handwritten font is unicase and unique. The 4-leaf clover can be accessed via the bar key (|).

A decorative font, plain and simple. Ordered and square. Inspired by space. It can be used easily with contour.