Proudly present "Sabille - Modern Serif Font" Sabille is a modern serif font that come with awesome alternate that perfect for an kind design project such a branding, cricut project, invitation, embroidery and many others. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

The coffee made typography. CoffeeBreak is a typefamily designed by Carlos Fabian Camargo G. Its purpose is to communicate similar feelings to the ones you get when you first try the best roasted Colombian coffee early in the morning. That is the reason of the waiting, accompanied, or when you only want to be, nuances your design with its fonts full of flavor, texture and passion. For each time, every time, it gives you hints of flavor to design your day. It unleashes your artistic streak mixing possibilities as you wish, to your taste or the taste of your friends or that special someone. From handwriting to every warm drop of your first mug of the morning, we've always got something for you. Eye catching, modern, beautiful, cool and adventurous styles in the CoffeeBrwak shop ready for you to purchase. - CoffeeBreak A & B: 2 typographic tools with countless swashes and ligatures ideal for use at the beginning, in the middle or end of words that need italics, flavored dancers and rhythm masterfully expressed in gestural strokes for his calligraphic experimental logic. - Coffee Break Script 1 & 2: write them you can easily with decorative letters advocating a return to the artisan product ingenuity of the primacy of man over machine so your upper and lower case letters travel in a single line. - CoffeeBreak Words & WordsBold: It contains words specially designed to attract attention. - CoffeeBreak Dingbats: They are figurative silhouettes with textures that add warmth and a highly communicative environment. All are easily activated glyphs using the Glyphs panel in Illustrator, InDesign and Photoshop. Special thanks: Ilustrations: Eduardo Gomes. Photos: Karen Salvatierra. Texts: Javier Lineares- Description: Ernesto Googolplex. French translation: Marta Cano

Positronic Toaster is a modern interpretation of the French upright scripts of the nineteenth century. It started off as an attempt to make a stylized script that didn't feel like it belonged on a 1950s chrome appliance. Later on, however, the design grew to embrace the qualities of that style of lettering. The result is something playful and elegant, that is not tied to any particular time period. The distinctive angular loops on the ascenders will join together in words like 'bulb' or 'wallflower' using OpenType contextual alternates. It is suitable for cards, wedding invitations, or any project requiring a fashionable, upscale look.

Gramma is a compact sans with big x-height, a robust and balanced typeface that work well both for headlines and main bodies of text. The initial constructions, assembled from a few well-defined geometric modules, were later polished into more organic forms; the letters’ arches are quite squared, and the counters and other internal negative spaces push outward, creating a tension that balances the forms’ compression. Gramma’s most evident characteristic is its “bird-beak” terminals (present in many letters, including the c, e, f, s...) that replicate the unconnected junctures between stem and curve, visible in the a,b,d,g,h.

Ozonos is a brand & design font to make your products look more bold and elegant. Rounded, Elegant, Minimalist & Bold Font that goes smoothly with any font, especially script fonts. The bold design of the font emphasizes your product, brand design and will surely satisfy your clients. The complete font set will surely bring a chic design touch to your website, the font is designed so easily be read & bring the bold effect to any kind of design. Kufic Studio is a platform that provides professional and high quality designs & fonts to fill the gap that has been missing in the market.

Introducing our newest typeface called Portalica - A Stylish Italic Serif font. This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing the Shalyne Typeface. This luxury and timeless italic serif is perfectly designed with Ligature & Alternates . can make your lettering/logotype become more attractive. The clean and neat serif combined with the alternate & ligatures makes this font very attractive. This font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazine headers, books, greeting/wedding cards, Clothing Branding, product packaging, fashion, makeup, quotes, stationery, novels, cutting, labels and advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures stylistic alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. Thanks & Happy Designing!

"Metteora" is a hand lettered font style that is perfect for greeting cards, branding, stationery design, social media, packaging, magazine layouts, prints, logos and more! This unique font features complete lowercase alphabets and uppercase alphabets along with a few other ligatures and stylistic alternates to create a truly handwritten look and feel. "Metteora" has a variety of unique, coded features to create compelling, handmade outcomes. Multilingual support is included for Western European languages. OTF is included for the full, "Metteora" font. This is the personal license font that can be used for all personal needs. If you want to use this font on items you are going to sell or on anything promoting your business, please purchase the extended license version. Thanks, Haksen

Omerta Font Family - is a classic style sans serif typeface making it one of the most memorable caps fonts on the market. This versatile font can be used for logos, mastheads, pull quotes & monograms showing both feminine and masculine qualities.Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) FONT FAMILY: regular style italic style stripes style stripes italic style Stripes style is not outline!!! This is a developed style of the letter that goes from contour to line, which gives a certain rare style that makes you pay attention to yourself. Features : UpperCase & Lowercase Numerals & Punctuations Multilingualcharacters(AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's Astro City dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing really. See the families related to Samaritan Tall: Samaritan &

Something beautiful does require extra energy to realize it !!! This Saylove font is very tiring in its work but now you only need a few minutes in an instant to make various crafts that you are working on, which allows you to work on various types of typography you need to get beautiful hands made in a short time. With some interesting initial and final forms, the Saylove font suits your needs in creating logos, invitations, cards, product packaging, headers, and whatever you want. You will be very satisfied with the presence of attractive replacement letters, where you can make according to the shape you expect, Saylove is equipped with a number of small letters including swash that you can use to realize a hand job that suits your imagination. I really hope you will get special satisfaction in using this font.

Introducing “Lirzec Font” – Where Playfulness Meets Creativity! Lirzec Font is your gateway to adding a delightful touch of whimsy to your designs. This playful typeface is designed to infuse your projects with a sense of joy and imagination. With its charming and unique characters, Lirzec Font is perfect for children’s books, eye-catching posters, and distinctive branding that demands attention. Let your creativity run wild as you bring your ideas to life with the playful spirit of this font. Whether you’re crafting invitations that radiate cheerfulness or designing logos that leave a memorable impression, Lirzec Font is the perfect choice to make your projects stand out. Elevate your creative work today with Lirzec Font and embrace the delightful charm it brings to your designs. Grab your audience’s attention and spark their imagination effortlessly! – PUA Encoded Characters – Fully accessible without additional design software.

Welcome to the world of Thurof, a bubble typeface that will provide a strong, bold, and whimsical touch to your projects. Do you want to make your messages more colorful and entertaining? Thurof is the ideal candidate. Thurof is available in three different styles: Regular, Outline, and Shadow. This means you can produce an effect that is appropriate for your project, from bright to lighter with an outline or shadow effect. Thurof's plethora of variant ligatures and characters distinguishes it from other languages. This allows you to use your imagination to create unique and inspiring designs. Thurof's multilingual support will also assist you in spreading your message over the world. Thurof is an excellent choice for projects that demand a fun, playful appearance. Allow Thurof to transform your message into something vibrant and inspiring, and leave an indelible impact.

Blarks is a unique font with a strong character. The inspiration for making this font is from several e-sport and typography logos that I have seen on various websites, where I found ideas to make fonts that could be applied without having to use another application to change it. Blarks is ideal for logos, event titles, quotes, product packaging, clothing, or anything that requires a turbo typographic boost. It is perfect for titles and logos. Type any a-z using this font, and you will get a unique font arrangement and strong character.

Toulouse is a city of culture. It has long nurtured literature, music, dance, theater and concerts. It is therefore an entirely appropriate name for an elegant and classical french-style font. Toulouse, the font, is classically calligraphic with a sharp-edged look to the character terminus that speaks of skilled penmanship. Careful attention has been paid to the weights of the vertical strokes, keeping them consistent with the pen angle, and enhancing the faithfulness of this font to the period style. Toulouse will be very useful wherever an ambience of measured elegance is required. It will enhance the appearance of advertisements, wedding and other invitations, as well as menus, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.

The hand lettered title found on the cover of the 1932 sheet music for “Dancing Marathon” inspired the digital revival of this unusual lettering as well as the font’s name. This eccentric Art Deco design (with a slight bit of Art Nouveau mixed in) is a thin, monoline typeface. Dancing Marathon JNL is available in both regular and oblique versions. Dance marathons got their start during the Great Depression as people desperate to earn a few dollars would enter into contests that went on for hours until the last couple remained standing on the dance floor.

Designer Nick Curtis found the inspiration for this typeface on a 1920s poster for a German bookseller, by Berlin poster artist Paul Scheurich. ITC Jeepers retains the spontaneity and playfulness of Scheurich's original lettering and adds a few surprises of its own, one being the somewhat exclamatory ear on the lowercase "g". It was, in fact, the excited look of this particular character that gave rise to the font's name. Not to be outdone, the exclamation point takes on an even more startling demeanor. The monoweight, slab serif design has a friendly personality, perfect for headlines and other display uses.

Sashay Script is an elegant yet friendly script font. It is a rich smooth voice that gives an immediate human connection to any design. Do you need to display: speech; thought; emotions; desires…Sashay Script says it all in a clear legible script. It struts down the runway with panache, accompanied by: 13 Icons, 42 Ligatures and 21 Alternates. Although it is clearly a font that represents handwriting, it is very versatile and usable in that it is: easy to read; has good flow and looks great in both paragraph form or as a standalone word or line. As a bonus, since each and every letter was crafted from the ground up, Sashay Script can be used at larger sizes without losing any of its elegance as its edging is well groomed, without the raw edges that can be the terror of handwritten fonts at larger sizes. Sashay Arrows & Underlines was designed to match with Sashay Script. Often a font such as Sashay is used descriptively and the flow and line-weight of the 68 arrows and underlines match Sashay Script in look and feel. Please take a look at the gallery posters that show both Sashay Script and Sashay Arrows & Underlines, in use. We just know you'll have a perfect project for this little model of a font 'Sashaying' down the font runway.

Euphoria Shades is a textured font designed to enhance your designs with its unique style, this font allowing you to choose the level of texture and intensity that best suits your project. The textured elements of the font add an eye-catching quality, making it stand out and capture attention. This font truly chic in a wide range of design applications. Whether you're working on branding projects, advertising materials, posters, or social media graphics, Euphoria Shades can effortlessly elevate your designs and engages the audience. Features : Uppercase & lowercase Numbers and punctuation Alternates Character Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Harjita is a Retro Groovy Font inspired by the retro pop style of the 80s-90s by combining a thick serif style and rounded corners so it looks friendly and easy to read. This font is perfect for brand identity needs or other graphic media. This font is also PUA encoded, which means you can easily access all glyphs and opentype features easily. 376 Glyphs 4 Opentype features 9 Ligatures set Support Multilingual for 89 languages We highly recommend using a program that supports the OpenType feature and the Glyphs pane like many Adobe and Corel Draw applications, so that you can view and access all variations of Glyphs. Thanks for your support of our product and using it in your project.

Welcome to the era of modern elegance with Amuttix, a slab serif display font that will elevate your visuals to the next level. Are you looking for a clean, elegant, and powerful look for your project? Amuttix is the answer. With four different family variants, including Regular, Outline, Shadow, and Light, Amuttix gives you incredible flexibility in delivering a look that suits your design vision. You can create powerful and memorable messages with a distinctive touch of elegance. This font not only offers great visual appeal but also supports multiple languages, ensuring your message is accessible to audiences around the world. Amuttix - a symbol of modern perfection in every letter. Immediately use this font to bring an unforgettable impression to each of your projects!

Dottingham is a vintage style display font with a look that will take you back to the Victorian era. Inspiration for this 2 member family came from signage, publications, and old advertisements that appeared not only in Europe, but North America as well during the 19th century. Exaggerated serifs, wispy strokes, and high contrast dominate the character set. For those looking for a bit more authenticity, a distressed version is available for a straight-out-of-the-box eroded look. This unique styling makes it a strong choice when attention is paramount to your project. Dottingham is equipped with Basic Latin, Extended Latin/diacritics, kerning, ligatures, fractions, and some alternates. Use it for a Pub logo, book cover, or restaurant menu.

Novante is a luxury display serif, a beautifully smooth and elegant typeface with high contrast of the letterforms that represents glamour and magnificence. Inspired by the luxurious Art Deco and modern minimalist of the design trends. Novante is an All-caps font equipped with lots of stylish ligatures and classy alternates that you can mix and match to get an elegant typographic look. This versatile font can be used for branding, logos, labels, quotes, magazines, cards, or short body text. The fonts features: Uppercase Small-caps Numbers Symbols Punctuations Accents (26 languages) Stylistic alternates Stylistic set 01-04 Discretionary Ligatures I hope you enjoy this elegant font as much as I was excited making it. Ramz. Check out Ranille which is a great pair for Novante.

Familytalk is a script font that exudes confidence and elegance in every character. With its thick and sturdy strokes, this font commands attention. The swinging endings on certain letters provide a delightful sense of rhythm and flow to the text. These unique design elements create a sense of movement within the text, making it visually captivating and engaging. Despite its thick weight, Familytalk maintains excellent legibility. Its ability to strike a balance between boldness and grace makes it a versatile choice for projects that demand a stylish script font. Familytalk fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

Where Headlined creates bold statements, Headlined Solid states facts. Simple, sans serif and steady as a rock, Headlined Solid does what needs to be done, no more and no less. For pragmatism and clarity of form this font couldn’t be better. Alternatively if you're looking for something a little more filthy, check out the original Headlined.

The font Speech Bubbles offers a convenient way to integrate text and image. While the font can be used to design comics, it also gives the typographer a tool to make text speak – to give words conversational dynamics and to emphasize visually the sound of the message. The font includes a total of seventy outlines and seventy bubble backgrounds selected from a survey of historic forms. What follows is a discussion of my process researching and developing the font, as well as a few user suggestions. My work on the Speech Bubbles font began with historic research. My first resource was a close friend who is a successful German comic artist. I had previously worked with him to transform his lettering art into an OpenType font. This allowed his publishing house to easily translate cartoons from German to other languages without the need to use another font, like Helvetica rounded. My friend showed me the most exciting, outstanding and graphically appealing speech bubbles from his library. I looked at early strips from Schulz (Peanuts), Bill Waterson (Calvin & Hobes), Hergé (TinTin), Franquin, as well as Walt Disney. The most inspiring was the early Krazy Kat and Ignatz (around 1915) from George Herriman. I also studied 1980’s classics Dave Gibbon’s Watchmen, Frank Miller’s Ronin and Alan Moore and David Lloyd’s V for Vandetta. Contemporary work was also a part of my research—like Liniers from Macanudo and work of Ralf König. With this overview in mind I began to work from scratch. I tried to distill the typical essence of each author’s or era’s speech bubbles style into my font. In the end I limited my work down to the seventy strongest images. An important aspect of the design process was examining each artist’s speech bubble outlines. In some cases they are carefully inked, as in most of the 80’s work. In others, such as with Herriman, they are fast drawn with a rough impetus. The form can be dynamic and round (Schultz) with a variable stroke width, or straight inked with no form contrast (Hergé). Since most outlines also carry the character of the tool that they are made with, I chose to separate the outline from the speech bubble fill-in or background. 
This technical decision offers interesting creative possibilities. For example, the font user can apply a slight offset from fill-in to outline, as it is typical to early comic strips, in which there are often print misalignments. Also, rather than work in the classic white background with black outline, one can work with colors. Many tonal outcomes are possible by contrasting the fill-in and outline color. The Speech Bubbles font offers a dynamic and quick way to flavor information while conveying a message. How is something said? Loudly? With a tint of shyness? Does a rather small message take up a lot of space? The font’s extensive survey of historic comic designs in an assembly that is useful for both pure comic purposes or more complex typographic projects. Use Speech Bubbles to give your message the right impact in your poster, ad or composition.

Piercing is part of a series of typographic experiments from the young Swiss designer Michael Parson. In the Piercing family, which contains three separate weights, Parson has successfully transformed the movements of points and lines into a fabulous display of alphabets. But you can use Piercing as your key to the techno scene: these letters, made up of fine lines terminated by dots, virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. Piercing is one of ten experiments in constructed letter design that Parson has included in the Take Type 5 collection from Linotype GmbH."

The English typographer Robert Harling created Tea Chest in 1939 with the Stephenson Blake foundry. Today, this classic design is available in digital format from Linotype GmbH. Tea Chest is a bold stencil face. The font's narrow letters are all caps, and they sport small, slab serifs. Harling's design was most likely reminiscent of the old industrial lettering painted onto boxes and wooden crates that used to be shipped all over the world on the high seas. These letters had to be simple to reproduce, easy to read, and not take up too much space! Try out Tea Chest for large signage displays, on exotic product packaging, or in magazine or newsletter headlines.

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Rounded was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

An irresistible design by my (11 year old) Granddaughter; it brings that child innocence to font design. When she first showed it to me I was so impressed I could not resist I had to make it into her very own font. Alexandra is also the designer of the font flag and says she is working on new font ideas.

The Saihat font is inspired by Arabic or Middle Eastern style calligraphy. This font is made with Latin characters so that it can be read internationally which does not have to be able to read Arabic characters. This font is perfect for Middle Eastern or Muslim designs. In addition, the Saihat font can also be used for other decorative design concepts.

A Superfun font with a wide and bold. It can be used alone, or with the overlay version placed on top for a snow-capped effect. This font is a winter theme font so that this font will be perfect for your winter-themed projects The loving snow font comes with uppercase and lowercase letters, numerals, and punctuation and also supports multi-language.

Bord is a type of display font that gives a clean, minimalist and futuristic impression. This font is equipped with upper and lowercase letters (all caps) but the uppercase have futuristic characters and their lowercase give a clean impression, so the combination of upper and lower case letters can give unlimited impression of design, This font supports multiple languages as well.

This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace notes that make it warm and friendly, as well. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Monster Scratch is a display font created to complement each of your Halloween parties. Spooky and incredibly unique, this font will elevate each of your designs to the highest level. Add it to your Halloween crafts, horror movie posters, and anything else that requires a spectacular look. This font is PUA encoded which means you can access all of the glyphs.

Say hello to the Montlake Road Script Font. This is a carefree and elegant font with a romantic and feminine flare. Montlake Road has Opentype ligatures that give help give a natural handwritten look while the lowercase swashes add a beautiful touch to any project. This font is perfect for logos, notes, labels, wedding invitations, or branding for any project.

This rough-hewn offering is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Its energetic and, at times, eccentric letterforms make this face a perfect choice for headlines and subheads that will be noticed. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

IMPERFECTION Is a hand-written san-serif font inspired by human imperfections (mistakes). This is the first font created by LIGHTDESIGNS. It has no consistency in it's design which made the font looks like a lot of mistakes has been made. But this is done with purpose. With these characteristics, the font is given the name "IMPERFECTION', With surprising font and glyph designs, the intent of this font design is to pass a message that says, "SUCCESS IS NOT THE ACHIEVEMENT OF PERFECTION, BUT THE ACCOMMODATION OF IMPERFECTION™ This font design will be a fit in every design project it is utilised like logos, posters, flyers, magazine, card designs e.t.c. This font can be nicely pairs with script fonts & San serif font.