The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme.

RARE BIRD SPECIMEN II Specimen II is an elegant hand by Karla Lim of Written Word Calligraphy. It floats across the page on gossamer wings. Specimen II pairs well with classic typefaces like Baskerville, Garamond and Bodoni. OBSERVATIONS Specimen II is exquisitely delicate but not fragile. Best suited for unforgettable affairs. DEFINING CHARACTERISTICS Opentype programming, formal title & preposition wordart, 7 alternate ëandí options, Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, alternate capital letters, old style numerals, basic Latin encoding. POTENTIAL SIGHTINGS Wedding stationery suites, logo design, luxury product packaging, fragrance, wine labels.

Rebus Script is a fun, lively font that lets you create rebus puzzles by automatically replacing certain words or syllables with pictures. This font is an advanced OpenType font that requires an application that supports Contextual Alternates. The font was created by Terrance Weinzierl and is based on the Louisville Script handwriting font designed by Steve Matteson. To use the font you simply type a word like 'sun' or 'son' and those letters will automatically be replaced by a picture of the sun. There are over 70 pictorial symbols in Rebus Script that make up the 'vocabulary' for automatic substitution based on over 300 different syllable/word combinations in various cases (lower, upper, titling) in the English language.

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Retro Vibes-A Script Font Retro Vibes is a bubble-styled, handcrafted font inspired by designs and illustrations from the 1960s. It's a fine-looking font, bought to life by a splendidly scratchy halftone gradient that aims to bring out a retro vibes. This font comes in regular and italic versions. Retro Vibes includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Presenting Thorletto! Created with the influence of the background story of the great franchise Fast and Furious, this font are meant to remind you to not give up, be brave, do your best, fight the good fight and fight for the best thing(s) in your life. This unique font characterized by its stroke of brush on every glyph, it made intentionally with a real brush resulting in a unique, bold, and rough looking font. Thorletto includes a complete set of uppercase and lowercase letters in regular and italic style, also support multi-language, numbers, punctuation, and ligature. It is suitable for various kind of design like clothing, poster, quote, branding, logo, packaging, greeting card, invitation, and many more.

Bikini is a display-font that offers designers a variety of opportunities to create a lively and sophisticated typography. The font contains swash-capitals and roman capitals as well as two different forms of lowercase letters for endless combinations. Furthermore, a set of more than 60 ligatures is included. Bikini gets its charm by mixing up constructivist and handmade origination concepts. Although the letters show partially very expressive and overhanging details, the creation is strictly based on a matrix of circles and arcs (see drawing). In spite of its static and geometric basic elements Bikini seems to come to life and to break the rules of the grid, thus it looks somewhat psychedelic.

Barnsley Gothic is a condensed sans serif font family. It was designed by Steve Jackaman (ITF) in 2017. It was developed alongside its sister font family, Steelplate Gothic Pro, and includes support for Latin 1 and Central/Eastern European languages. The family is named after the town of Barnsley, a coal mining town in Yorkshire, England. In 1960, there were roughly seventy collieries within a fifteen-mile radius of Barnsley town center, however the last of these closed in 1994. Barnsley Gothic has a straightforward, industrious, no-nonsense feel, much like the town it shares a name with. Always ready to do the heavy lifting in any design project, Barnsley Gothic is the quintessential workhorse font family.

Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved or demure. The design blends the stroke weight stress of Bodoni with the urgency of handwritten letterforms, conveying the energy and immediacy of a design that’s bigger than life – and outside the fence. OpenType® Pro fonts of Wola provide for the automatic insertion of ligatures and alternate characters. These are in addition to a character set supporting most Central European and many Eastern European languages, including Cyrillic and Greek. All this makes Wola a comfortable – if boisterous – world traveler.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Alterglam is one of my all time favorite fonts, although I didn't think so at first. The font appeared as a modification of my other default font. But over time, the font turned into an independent work. Moreover, the font began to live its own life and constantly demanded attention. So at the same time the Alterglam font is the most thoughtful and polished font in my collection. It is my pleasure to present this wonderful font set for exquisite designs. In the set there are 20 font sizes, which provides a rich typography. If you need a strict, but at the same time artistic font, Alterglam is the font of your choice.

Even though the phrase Art Nouveau originated in Paris at the shop of Siegfried Bing, the French preferred to call it Le style moderne. This very sinuous, very Art Nouveau typeface was designed by an E. Mulier around 1894, probably also in Paris. The organic, vine-like curve forms are frequently seen in the art of the period. Examples include the architecture of Victor Horta, the furniture of Henry van de Velde and the jewelry of Max Gradl. Mulier Moderne is an all-cap font with a full Western European character set plus ST and TH ligatures, an alternate ‘E’ and two glyphs of period printer’s cuts. Warning: do not use for extended text. Duh!

Wood Bonnet Antique No.7 is based on real vintage wood type blocks from Switzerland. The very distressed letters give a warm analogue vintage charm on printing. These kind of wood type letters were very common and often named by generic names like Roman, French or Antique followed by a catalog number. But these letters have some very quirky details hard to find else were. » pdf specimen « The font offers up to five glyph variations of all the Latin base letters, figures and some additional letters. An OpenType glyph-rotator is programmed to emulate the randomness of old school printing on live typing. All dingbats of the specimen file are included in the font data too.

DaBronx is an downright nifty condensed grotesque font family. It comes with 12 righteous weights. DaBronx is ready for a wide range of uses. It would look great scrolling across a screen and would give extra presence to titles and headlines in a number of different applications. DaBronx is like a finely tailored suit for your content, upright, spiffy and slick. It has been painstakingly tweaked to perfection in the Good Gravy lab to make it so easy on the eyes. It looks stellar in an ad campaign, logo design, apparel, or anything else that requires a sleek modern look. DaBronx would pair well with Koozie Script, another one-of-a-kind Good Gravy font!

Mexican printmaker Jose Guadalupe Posada (1851-1913) created a massive variety of material—broadsheets, cards, advertisements, posters, etc.—which largely represented a defense of the common man and a manifestation of the horrible and gruesome events of the day. Posada often cut his own lettering that looked like more decorative versions of Gothic wood types. His most notable imagery comes from his Calaveras celebrating the Day of the Dead. Calaveras often represent effigies of living people depicted as skeletons going about their daily activities. These are often humorous and playful in a way that helps bridge this world with the beyond. This font family contains two small caps style fonts and one Extras font containing 60 images.

Ford's Folly is a lively yet sophisticated handwriting font designed by Ascender's Jim Ford. It captures the look and spirit of the designer's handwriting using a using a Sharpie™ Extra Fine felt pen. This casual script font evokes an energetic feeling, and has very legible letterforms without quirky distractions. Jim Ford took his hand global by creating a massive multilingual character set. The font features the WGL Pan-European character set (Eastern Europe, Cyrillic, Greek and Turkish) and advanced typographic features for use with OpenType-savvy applications. The font is a fun and attractive handwriting font that is great for greeting cards, menus, advertisements, scrapbooking and many other projects that can benefit a personal appearance.

Argyle Rough was originally developed for a packaging campaign in the late 80s in my studio and sat around in various stages of completion until I decided to autotrace my original drawings. I liked the quirky roughness and decided that it did not detract from the charm of the original, in fact it improved it and saved me a whole lot of work. The original campaign called for a few additional alternate characters for use at either end and double in the middle of words, ee, ff, ll, ss etc and a stylized Th, always useful. I hope you enjoy Argyle Rough, named after the world’s largest diamond mine – a rough diamond, get it?

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.

Caligonia, a casual display font which has unique ligatures. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For how to accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.

‘Thwaites’ typeface is fully dedicated to one of my best Canadian friends who I do cherish and value highly. This great and industrious Canadian friend is ‘James Douglas Thwaites’ who lives along with his good-natured family in British Columbia, Canada. For me, James is like a source of inspiration and I do consider him as an ideal in my life. Our strong friendship has started since 1999 and I hope that it will endure just to the last moment of my life. Sometimes I see him as the writer and poet that I learn a lot from, sometimes I see him as a devoted religious minister that I try to understand more about his teachings, and other times I see him as the educator that I strive to imitate verbatim in my life. When I want to talk more about this Canadian friend, I will not be able to give him his due in full. Thus, I will instead mention some excerpts of his biography that he wrote himself saying that: “James D. Thwaites is a self-accomplished man. Having worked in various fields including restaurant management and cleaning, he has achieved his goals of being a full-time teacher, past-time writer, and volunteer religious minister for the Christian Congregation of Jehovah's Witnesses. His personal and academic pursuits have led him to be published in various magazines, newspapers, self-published books, and websites, including his now defunct ‘poetryofthemonth.com’ website. He continues to learn and augment the craft of writing while working primarily in early literacy and delayed literacy learners, teaching reading and literature to a wide age range of students. He views his religious endeavors as an extension of his academic ones. He teaches others both as a public speaker and in one-on-one situations, teaching about the benefits of submission to God and to His teachings. His future goals include expanding his ministry and continuing his writing.” The name ‘Thwaites’ itself comes from Great Britain and originated from the last Viking raids upon England, being an Anglicized version of a Scandinavian term meaning—depending on the source material—either "a place that is difficult to approach" or "a small thicket of trees." Another recitation mentions that ‘Thwaites’ can be described also as an English surname but one of pre 7th century Norse-Viking origins. It may be either topographical or locational, and is derived from the word "thveit", meaning a clearing or farm. As a locational surname it originates from any one of the various places called "Thwaite", found in several parts of Northern England and East Anglia to the south. The various modern spelling forms include Thwaite, Thwaites, Thwaytes, Thoytes, Twaite, Twatt, Twaites, Tweats and Twite. The name, although often appearing unique to outsiders, can often be found within other famous names like Braithwaite, Goldthwaites, or Misslethwaites. With various spellings, some families not including the ‘e’ or the ‘s’ at the end, Thwaites and its derivations—although not exceedingly common—is a name found worldwide. ‘Thwaites’ typeface is simply a sans-serif streamlined, stylish, and versatile font. It is designed using a combination of thick and thin strokes for its +585 characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish language. The typeface is appropriate for any type of typographic and graphic designs in web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in headlines, posters, titles, products’ surfaces, logos, medical packages, product and corporate branding, and also signage. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. ‘Thwaites’ typeface is really the cannot-miss choice for anyone who wants to possess unique artistic and modern designs produced using this streamlined typeface.

Baumfuss and BaumfussTwo are unpolished, crude typefaces with small flared serifs and very few straight lines. They are a bit heavy to be easily readable at smaller point sizes. Baumfuss has a high x-height, while BaumfussTwo has a more conventional x-height.

British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for poster and billboards and sports. FF World provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The Silly Treat font is actually handmade, but I traced each and every letter and cleaned them up - however, I wanted to keep the handmade look, and left just about enough details for you to find details of my original drawn lines.

Saulifriend feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Headey is a clean and lining brush script with a bouncing baseline. Include OpenType alternates and common ligatures. Try the alternates and ligatures to give your designs looks good, fresh, casual, stylish, and modern. That's it! I really hope you enjoy it.

DaMane Display combines the decorative design style used in the past and the minimal design used today. Simple lines, sharp and radius corners come together harmoniously in the letters. High contrast letters create an elegant visual perception. It has nearly 400 glyph sets.

Introducing Moycen font is the perfect blend between bold, modern and feminine. It's strong yet soft, urban and high fashion. The hard lines with subtle rounded edges gives it a perfect mix of contemporary typography and classic design. Versatile is an understatement.

Sugar Junk is my all-caps brush font with soft edges and rough lines. Use it when you need something stated with clear legible and organic looking letters! I've added 5 different versions of each letter, and they automatically cycles as you type!

Kardust is geometric basic typeface with smooth touch of rounded corner. It is based on single line brings consistent width and character on each style. Each style is crafted separately without auto transformation to maintain the consistency as well as the characteristic itself.

This beautiful writing, which belongs to the Greek culture, is in a good place among the world writing cultures. I wouldn't have done it if I didn't make the font in this article. Dozens of beautiful fonts all have the same elegant lines.

Sweet Mia is a playful modern calligraphy font with a dancing baseline. This sweet font has nice smooth lines and is perfect for crafters and cutting machines. Sweet Mia will look gorgeous on cards, mugs, quotes, logos and all your other lovely projects.

A bold grotesque typeface in the best traditions of the Star Wars logo. It has clean geometric lines, a humnaist character, it combines a tech feeling with a friendly organic feeling. Will work excellently as a white text on a busy background.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England. This font is now available as Chamfer Engraved JNL in regular and oblique versions.

The future is now with Stellator JNL! With all the clean lines and styling one would expect of a futuristic or space age font, your design projects will have a simple, yet effective type design that conveys modern technology and interplanetary travel.

Allez Hop is a very useful font: it comes with all accents, bells and whistles and has been created using scans of handwritten text. It has a certain 'quickness' to it, not unlike someone jotted down a couple of lines on a notepad.

The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th century world of steel-tube chairs and fluorescent lamps.

Uptown JNL was found amidst the pages of a 1944 edition of the vintage lettering design book entitled "Sixty Alphabets". This lovely Art Deco typeface has slight curvature to the straight lines of the letter forms and a wonderful hand-lettered look.

Saltbush Rough from Estudio Calderón Is the burning version of Saltbush, a dry marker handwritten font with textured lines and multiple personalities! Equipped with a practice and funny smart ligatures group to get a "handcrafted" look for your designs. SEE WHAT’S INCLUDED!