This is The Classic font of XX century. Based in a typeface created by

The archetype of the Brush Script, designed for ATF by R.E. Smith in 1942.

Kauhuaatos is a writable picture font, ideal for scaring anybody by text or prints.

Broxa was designed with a flat brush and inspired by Roman Sans Serif Alphabet

The ornamental font is based on original decorative paper cut masks by Iryna Korhcuk.

Gert Wunderlich’s Maxima font family in a new, most extended redesign by RMU Typedesign.

This font was inspired by lettering found on old tradecards from the 19th century.

William Caslon’s design as made regular by ATF at the beginning of this century.

Inspired by Alf Becker's Rounded Block letterstyle. Nice 30's/40's era appeal.

The design of Montada was inspired by the manual printing of mixed wood types.

This design is based on custom design work by DTP Types Limited in 1990.

The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.

Brand Law is a Serif Font Family. This font is designed by Hanif Arifinsyah.

Ornaments 5 are based on the Amsterdam Primula ornaments designed by Imre Reiner, 1949.

In For The Birds, the letters are made by bird feet or bird tracks.

Castiana is an elegant font inspired by old books, medieval typography, and rustic art.

Digitally engineered by Steve Jackaman. Originally in five weights, Steve produced three additional weights.

Modular Matrix «Calligraffiti» Robotic Letterform Typeface! New Edition. Redesigned with Obliques and OT Features! This Typeface was inspired by Graffiti Calligraphic Broad Markers and Underground Lettering Technic and Style, grid based by squares perpendiculars and Diagonals… Is Part of a juxtaposed “Type-Game” based on inversions and rotations… Type cool legible digital manuscript Aesthetics body text, scripts, lyrics, articles; Plus, Create Fancy Display’s Branding designs, Packaging, Publishing, Advertisement, Posters, Art Support, Motion, Games, tastes good to text on everything! Experiment Automatic and Responsive OpenType Features, like Fractions, Ordinals, Nominators, Denominators, Scientific Inferiors, Numerators, Localized forms and Kerning. Previous Released by MMC-Typo* 2020. Post Released by MMC-TypEngine 2022. Tip 1: Combine styles into infinite possibilities of Digital Monochromatic or Color Typesetting, by ‘central pasting’ or you may dislocate layers for improvisations! TIP 2: *BLIND BLOCKS ‘FREE-STYLES’ Use Block «Free Styles» 1 & 2 also to add 3D, change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. *All Styles have 917 Glyphs. Follow the Groove!! & Power to The Pixel!! Greetings !! André, MMC-TypEngine.

Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Uzbekistan and Kazachstan, where i’ve been impressed by the impact of arabic script in Asian style Cyrillics. The Harpagan type Family consist of 5 futuristic styles.

The type family was designed at ParaType (ParaGraph) in 1992 by Alexander Tarbeev. Based on the handwriting of the German graphic artist Betina Kuntzsch. For use in advertising and display typography. Additional Latin letters (for the whole family) and Greek letters (for the normal style) were added by Gennady Fridman in 2006-2009.

The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil. It is a decorative variant ('open', or 'engraved') of classical serif typefaces. For use in magazine headlines, title and display typography. The revised and completed digital version was designed for ParaType in 2005 by Victor Kharyk.