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  1. MC Costino Macko by Maulana Creative, $15.00
    Costino Macko a display font, fun character with a bit of ligatures. To give you an extra creative work. Costino Macko font support multilingual more than 100+ language. Cheers, Maulana Creative
  2. Remaglide by Mabhal Studio, $18.00
    Remaglide is a Brush Handwritten Font. It has several swash and several alternative styles that can be used as needed. Remaglide will do great on invitations, in quotes, ads, and more.
  3. FG Callie by YOFF, $13.95
    FG Callie is a Calligraphy font, but it shouldn't be taken too seriously :) With curly ends on the descenders and her not so straight lines it's more of a fun font.
  4. Gazeta Stencil Ds by Vanarchiv, $31.00
    This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.
  5. Sylfane by Maulana Creative, $14.00
    Sylfane graffiti display font, fun character with a bit of ligatures. To give you an extra creative work. Sylfane graffiti display font support multilingual more than 100+ language. Uppercase. Maulana Creative
  6. Guffie by Dealita Studio, $9.00
    Guffie - a chic & elegant display modern serif with beautiful contrast. Specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle designs such as logos, titles, magazines, and more.
  7. Sign Decal JNL by Jeff Levine, $29.00
    Sign Decal JNL is an outline version of Sheldrake JNL - lettering based on original water-applied decal transfers once made by the Duro Decal Company (now Duro Art Industries) of Chicago.
  8. Sportune by Raditya Type, $11.00
    Sportune is made to support the work of designers who are used to making works with a sporty style. This font is great for various design styles, modern or old school.
  9. Borka by Wirtu, $8.00
    Borka is sans-serif, clean and simple family that can be used for wide variety of purposes. It is well suited for web text, advertisements, designs, flyers, posters, brochures and more.
  10. Kingko by Graphicxell, $20.00
    Kingko Ligature Serif Font inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and more.
  11. Rubbish JNL by Jeff Levine, $29.00
    Rubbish JNL from Jeff Levine is simply letters scribbled from an old stencil as if made by a child... But the look takes on a form of "stencil grunge" as well!
  12. Bellissimo Brushed by Make Media Co, $12.00
    Say Ciao to Bellissimo Brushed! A trendy, hand-brushed font, designed with branding in mind. Bellissimo Brushed looks gorgeous on logos, websites, invitations, greeting cards, magazines, business cards, packaging and more!
  13. SF Atlantida by Supfonts, $19.00
    Atlantida it is a Calligraphy chick font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and many more What's inside: Atlantida Script Multilingual support Cricut support
  14. Antidotum by GRIN3 (Nowak), $20.00
    Antidotum is a hand-made letterpress font with two different sets of capital letters. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
  15. Gastronomes by Maulana Creative, $12.00
    Give your designs an authentic brush handcrafted feel. "Gastronomes" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, flyer, clothing, branding, packaging design and more.
  16. Oceanwide Pro by California Type Foundry, $47.00
    A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.
  17. Komika Text Kaps - Unknown license
  18. Plastic No.20 - 100% free
  19. TMBG Severe Tire Damage - Unknown license
  20. Komika Text Tight - Unknown license
  21. Independant - Unknown license
  22. Kandide Wide - Unknown license
  23. Kandide Upper - Unknown license
  24. Kandide Unicase - Unknown license
  25. Independant - Alternates - Unknown license
  26. Arshinta by Nandatype Studio, $13.00
    Arshinta is a handwritten, contemporary script with an irregular baseline. It is suitable for use in titles, apparel, invitations, books, stationery design, quotes, branding, logos, t-shirt, packaging design, poster and more.
  27. Julie Brious by Cotbada Studio, $5.00
    Julie Brious is a handwritten signature typeface. Its classy energetic look makes it the perfect fit for feminine logos, printed quotes, invitation cards, social media headers, product packaging and a lot more!
  28. Foda Klay by Fo Da, $30.00
    Foda Klay is a modern Arabic typeface that offers a large number of glyphs and ligatures. Foda Klay is a perfect choice for Logo designs, branding, Clothing , packaging, headings, advertising, and more...
  29. Junkyard by Victory Type, $-
    Inspired by the local city dump is Junkyard, a fat, chunky, boxy and delightful font made by Victory Type. It's surprisingly easy and enjoyable to read! It adds pizzazz to any document
  30. Fontazia Christmas Tree 2 by Deniart Systems, $24.00
    Add more flair to the holiday season with Fontazia Christmas Tree 2 featuring 62 elegantly simple tree illustrations. These stylish tree motifs are sure to add elegance to all your holiday designs.
  31. Dos Crayones by Fat Hamster, $15.00
    Dos Crayones - Hand drawn textured fonts Dos Crayones inspired by child crayons drawing. Textured fonts are perfect for your great projects, quotes, playful branding, children's products, fun greeting cards, packaging and more!
  32. Heroic Mage by Motokiwo, $14.00
    Heroic Mage - a cool marker typeface with natural handwriting style. It's all caps font that great for poster, headline, text overlay, logo, branding and more. Features: - Uppercase - Lowercase - Numeral & Punctuation - Multilingual Support
  33. Tsuki by ReivNick, $12.00
    Tsuki is a beautiful and elegant handwritten font. You can use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design, and much more.
  34. MBF Canno by Moonbandit, $12.00
    A geometric modern with rounded corner sans serif font. This sleek and clean typeface is perfect for futuristic, scifi, technology theme projects. Use canno for poster, headlines, titling, logo and many more.
  35. Sweettooth by Gleb Guralnyk, $12.00
    Hi! Introducing a script font named Sweettooth. It's fully handcrafted and has a natural look. Also it has several ligatures to make it more authentic. Thank you and have a great day!
  36. Public Interest by Bogstav, $16.00
    Public Interest in my all caps fine looking handmade font. Each letter has 5 different versions and they automatically cycle as you type - making your text look even more lively and vibrant!
  37. Mythical Prince by Sign Studio, $15.00
    Mythical Prince is a beautiful and smooth sans serif font created by a romantic and lovely look. It is perfect for greeting cards, wedding invitations, posters, logotypes, product branding, and much more.
  38. Cut Paper Stencil JNL by Jeff Levine, $29.00
    Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.
  39. Aimchestar by FHFont, $18.00
    Aimchestar is script with a hand-lettered brush style, and includes OpenType features. It is suitable for designs, weddings, events, t-shirts, logos, badges, sticker, and more to make your work awesome.
  40. Mono Flower by Letterafandi Studio, $12.00
    MONO FLOWER is a modern sans serif font. This font is perfect for logos, greeting cards, package design, brand identity, craft designs, any DIY projects, book titles, wedding invitations, packaging, and more.
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