Michelle BF is the sister font of Monique Sans BF, in serif form.

Delamere uses conventional sans-serif letterforms but delivered with a strong calligraphic feel.

A highly readable sans serif that is good for text and display use.

Topanga JNL is based on an ultra-condensed sans serif wood type design.

20 kopeek is sans serif font with a slight touch of a steampunk.

a naive interpretation of Samuel Wello art deco sans serif style of typefaces

SK Gothenburg is a double-weighted sans serif font designed with inspiration from the blending of the historical structure of the city of Gothenburg with its modern life. It contains all the typographic elements you will need. It offers full support for the Latin alphabet, and includes basic characters in Cyrillic and Greek alphabets. SK Gothenburg contains 48 different fonts and 34,176 glyphs. It includes a free version for you to experience.

Tonus Super Family; It is a family of five character styles built on the same skeleton. The entire Tonus Family is built on the skeleton of the "sans" family, it is the only family where five different styles are presented together. All families have an equal number of characters. It has rich opentype features. It inspires designers for different and creative applications such as brand building, periodicals, packaging, and social cultural event designs.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down. Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel. It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages. Grand Regular and Grand Italic are both available for free (personal and commercial use).

Hoeflers is a Hand-lettered font inspired by the vintage 70's sign board, music, shop and movies, it has a rough stroke outline and then we fill it. Hoeflers includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Hoeflers Rough sans font. Its a caps only fonts. Cheers, MaulanaCreative

This family, which includes faces in light, book, bold, and ultra weights, more stroke contrast than is typical of sans serifs, making it very legible in text. Because of its large x-height, it is recommended for used in point sizes ranging from 12 point upward. Of course, it functions well in display sizes, too. The contrast between the four weights makes this family optimal for use in hierarchical advertising systems, and corporate identity uses.

Welcome to the world of typography where every letter counts! Today we’d like to introduce you to our charming small-cap typeface—Kelvingrove. Inspired by the elegant Copperplate style, Kelvingrove is designed to add a touch of sophistication to any project. What makes this typeface truly special is its legibility, thanks to its eye-catching slab serif design. One of the unique features of Kelvingrove is the alternate K, Q, R, and small ampersand that can be accessed via OpenType stylistic alternates in applications that support them. This allows for endless creative possibilities and adds an element of personalization to your designs. Not only is this font aesthetically pleasing, but it’s also incredibly practical. The numerals are properly balanced for use with both caps and small caps, making it an excellent choice for headings, captions, and body text. When you need a typeface that exudes elegance and solemnity, but with a more distinct, captivating flavor, Kelvingrove is the way to go. With its unique blend of style and legibility, your designs are sure to stand out. In summary, Kelvingrove is the perfect choice for designers who want to add a touch of sophistication to their work without sacrificing legibility. Try it out for yourself and see the difference it makes! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

This type of Richard Gans, has always seemed very striking, despite having the complexity of the sources extrusion, has its own personality, and readability unusual for this type of letters. Use it for composing posters, programs or logos was very common at the time. My father, Antonio Lage Parapar, typographer by profession, who composed the texts, which not only had it for profession, but he liked to do, always he spoke of sources and decorative elements of the type foundry Richard Gans, as well as other foundries, especially those that required the mender of them, exercised creator, many of these types they have already been recovered by professionals and companies with excellent results. I've been surrounded by these movable type, and the occasional catalog unfortunately lost. One of those guys that has always struck me visually speaking was the type IMAN Richard Gans, the typographer and more of German origin arrived in Spain, back in 1874, also a pioneer. This work to revive the type mentioned, as well as create non existing glyphs between documents and parts I've been finding, is and has been a personal pleasure all I want serve as a tribute to my father (of aopodo curiously "Richard"), the only sadness it has not been completed. Richard Gans, arrived in Spain in 1874 as a representative of several European factories. then liaised with journalistic and publishing companies, which led him knowledge required of the first sector art. In 1878 he created a center importer gadgets graphic arts and three years later he created his own type foundry. The first rotary newspaper ABC, very famous and the most advanced of the time, the brand manufactured Richard Gans.

Father Christmas is a festive, fresh, rich, and elegant calligraphy font. It’s great for Christmas-themed greeting cards, branding materials, business cards, quotes, posters, apparel and more! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Palm Shine is a beautiful and versatile font with a retro serif design that can be used in many different ways. Its elegant lines and modern look will make your designs stand out while maintaining a classic, timeless feel. It's also extremely versatile - perfect for logos, boho and groovy designs, and even silhouette art and more.

Space Majestic is a retro display font that is a perfect blend of boldness and uniqueness. Its bulky letters are slightly unbalanced, adding an extra layer of charm and personality. It’s perfect for designs that require a vintage touch with a modern twist. This font is PUA encoded which means you can access all glyphs and swashes effortlessly!

Blushring is a beautiful modern calligraphy font. It comes with some alternates that make the font look beautiful and elegant. It’s perfect for logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be accessed.

Mawoot is a geometric display font. This design has a strong technological feel and modern playful shapes, it will suit any project you can think of. Mawoot comes with many OpenType features, and with broad multilingual support covering many Latin-based languages. Mawoot is a nice fit for many design projects, for example logo, branding, posters, etc.

Brenda Script is a beautiful formal script, contemporary typeface with classic roots and an elegant touch. It can be used for various purposes.such as logos, wedding invitations, headings, t-shirts, letterhead, signage, lable, news, posters, badges etc. Brenda Script features 405+ glyphs and 160 alternate characters. including initial and terminal letters, swashes, alternates, ligatures and multiple language support.

Nido is a cute and funny childish typeface, designed for logos, book titles, invitations, birthday cards, flyers, posters, advertising, etc. It comprises 5 styles: black, white, black italic, white italic and dingbats, which can be used nicely together. Nido is a new design by Sofía Mohr. See also Café Brasil http://www.myfonts.com/fonts/sofia-mohr/cafe-brasil/

Welcome to the Bologna Script font is a modern, casual, and beautiful calligraphic typeface with a swash. It can be used for many purposes. such as titles, signatures, logos, wedding invitations, letterheads, nameplates, labels, newsletters, posters, badges, etc. Bologna Script Features Open type, including initial and terminal letters, alternatives, binders, and International support for most Western languages included.

Logotype Frenzy is a display typographer’s guilty pleasure. It’s one of the very few fonts ever made that can take intense abuse and still look natural. It comes with over 1000 characters, including a lot of alternates and extended language support. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.

Introducing The Boldstyle a retro bold script which will bring yo back to 70s feel.comes with Extrude versions. So you don't need extra effort to create extrude effects. Its features include: Stylistic Alternate, Swash, Ligatures, Stylistic set and multilingual support. You can choose alternatives for substitution with various variants Glyphs. Very suitable for logos, tshirts, posters, branding, etc.

Introducing vintage label font named Vida Bandida. It is based on my other font, Black Widow. All available characters you can see at the screenshots. This font has six styles: Regular, Full, Shadow, Shadow FX, Texture and Texture FX. This font will look good on any vintsge styled designs like a poster, T-shirt, label, logo, etc.

Girlstory is a font that inspired the story of a woman who tries hard for her children, never giving up in order to achieve and keep happiness together. This font has simple and interesting style characters for various design needs at this time, you can use it for embroidery, screen printing, business cards, cutting, branding, etc.

Introblues Script is a modern brush font, organic, dynamic and energetic style. It can be used for various purposes. such as for titles, signatures, logos, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Introblues Script features 228 Glyphs, 118 alternate characters, including initial and terminal letters, alternates, ligatures and International support for most Western Languages is included.

Dilemma is a sans/sans serif type system with 42 styles; it is inspired by the anonymous Polyphème, Cyclopéen and Extra Condensé designs from the early 1900s at the Peignot Fonderie. From these initial points of reference, Sudtipos went further and reimagined these projects for an actual use by blending them into a unique and complex type system. Dilemma is defined as ‘a situation in which a difficult choice has to be made between two or more alternatives, especially ones that are equally undesirable’ and that is exactly how we designed this font. We created a workhorse system where each style functioned well alone but would be more powerful when working as a team, pairing the sans styles with the serifs. Dilemma comes in 3 different widths and 7 weights in both the sans and the serif, ranging from the more economical yet legible condensed styles, to the opulent bold and expanded weights. Dilemma also contains 2 Variable Fonts. We imagine Dilemma being used in a limitless array of graphic projects including identity systems, digital platforms, public spaces, editorial design and beyond. Now the Dilemma is yours.

Hi everyone, how are you today? We hope you are good. And don’t forget to stay safe. Today we release a crafted display font again, it's called Hertical. Hope you are enjoy the design of font. Hertical come with two typefaces, serif and sans serif. Every typeface contains four styles (regular, smooth, rough and texture). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Hertical includes : 2 typefaces (serif and sans serif) 4 style typefaces (regular, smooth, rough and texture) All-caps, numeral, symbol and punctuation 2 sets alternates on serif font Multilingual PUA Encoded Thank you for your support and choosing us.

Fellbaum Grotesk is a condensed typeface with both grotesque and cursive/humanist attributes. Fellbaum Grotesk Regular presents a clean, “grotesk” exterior, while the Italic version features faint slab-style flourishes. These characteristics, combined with a subtle stroke contrast and slightly extended x-height make for a distinct, and artisanal appearance. The family was inspired by the condensed & sterile, yet quirky, sans serifs found on a lot of vintage apothecary labels & municipal street signage. Both styles in the family are modest enough to work as secondary fonts, but also sport enough character to work as a primary sans face for wordmarks, logos, headers, etc. Fellbaum Grotesk Features: • 14 Fonts, 7 Weights, 2 Styles • OpenType Support • Adobe CE Language Support • Dingbats

Empire Display is a sans serif italic display face which references the styling of the 30s through to the 50s. It has a large x height and with its condensed proportions makes it ideal for headlines, posters or where large size settings are required. It has the unique feature of having the stems and cross bars slightly angled top and bottom. This also helps to create the art deco/modern feel that sets it apart from standard condensed typefaces.

This font owes its inspiration to the Bauhaus, the celebrated 1920s design collective which more or less invented modernism as we know it in the applied arts: from architecture and industrial design to graphics and typography. In its day, Bauhaus typography would have been considered brutally modern. Nowadays, when unadorned sans serifs are commonplace, it still has a freshness and quirkiness that sets it apart. With this new release I've tried to recapture the zeitgeist of those pioneering days.

Torpedo is a five-weight rounded, compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017 alongside its sister typefaces Coliseum Pro and Clydesdale. Torpedo, whose name was inspired by round torpedo warheads, is a visually sturdy font that maintains excellent legibility. Torpedo is flexible in its applications, like its violent namesake; it is explosive at large sizes, and still works efficiently at low profiles.

Gunter is a bold modern quirky half serif half sans serif display font that is in a category all on its own. it has a super-strong grounded horizontal present with playful cuts and loops inspired by 60's and 70's design. It was designed with Social Media in mind as it is sure to stand out. It comes with an alternate style set with more traditional caps if you don't want to get too crazy.

The Vtg Stencil series of fonts from astype are based on real world stencils. The Germany No.1 design was derived from authentic antique German stencil-plates. » pdf specimen « Surprisingly these stencil-plates offer a high contrast Didot design very similar to the French stencils produced and sold till today. The production time of these stencils is in the range of the German imperial period (1871‒1918). Of course the usage period was even longer. The font styles PAINT and SKETCH include 4 additional variations of base glyphs and figures. An extensive random function will mix the glyphs as you type - on proper OpenType-savvy apps like Adobe InDesign only. All styles offer an extended Latin character set.

A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.