"Drunk and Proud" is a bold and rebellious typeface that embodies the essence of the punk movement. Its chaotic and distinctive letters are designed to challenge convention, adding a wild touch to your designs. With carefully incorporated accents and punctuation marks, this typeface maintains its versatility. Perfect for projects seeking a disruptive and daring image, "Drunk and Proud" is the ideal choice for posters, album covers, and edgy designs.

Uncial Antiqua Pro is a hybrid type combining the styles of Uncial & Half Uncial letterforms in a formal text form. Signature letterforms to the styles are not sacrificed, yet readability is surprisingly maintained. The SmallCaps and extensive figure sets expand the range of usability & appeal. Opentype features include: - SmallCaps. - Full set of Inferiors/Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figures. - Stylistic Alts for Caps to SmallCaps conversion.

Zafrada features classic wedge serifs that can be sharp like a machete or round like molasses. Inspired in the sugar cane, this typeface brings great display legibility with versatile expressions. While the edgy version reminds us of classical rustic grotesk typefaces, the round version brightness the tone considerably. Be it display, branding, campaigns or content creation, this font has a sure space in many projects for it's reliable and versatile nature.

Neuville is a geometric and low-contrast sans serif for everyday use related to typography. The shapes of the characters are clear, simple and balanced to allow for legibility and help the typeface deliver the contents with a neutral and objective voice. The Neuville family includes three weights and has a wide range of OpenType features such as tabular figures, numerators and denominators, superscript and subscript numbers, and case-sensitive forms.

I have always wanted to create the world's biggest and heaviest font. I admit that I was visually inspired by contenders like Akimoto, Champ Ultra, Blackoak and Bloque. However, I not only wanted a real heavyweight, but a really good looking and readable font as well. Look out—Big Boy is here. This powerhouse can get the job done. Try it out and get the attention you deserve.

It's a mix of two simple fonts that can make your design projects amazing. You could say that it is beautiful and eye-catching for this one font. You can apply it to branding designs, social media posts, logos, posters, quotes, food menus, wedding invitations, book covers, video content etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

Verger Junior is a serif font designed for editorial design, books, and magazines. But not constrained by anything but your fantastic imagination! Verger Junior is a part of the Verger Font Family. Junior is a moderate redesign with a ... specifik Ten-version for small text (footnotes, picture texts etc.) slightly narrower width a more conventional italic style new swash family Don't let its classic look fool you. It’s a working horse!

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Fonseca is a modern sans serif inspired by art deco and typography poster in early 20th century. The key of this all-caps family is simple straight geometric forms and modernized letterforms. This display family is perfect for headlines, posters, logos, branding projects, magazines, and packaging. The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way.

LALOU Greek Chubby Font is a fun decorative font. The font supports Greek character set and a Latin character set. This only uppercase font is ideal for bold graphic design statements. The cute, chubby feeling of the font makes it ideal for food packaging. Also, it can be used on social media content, for branding, poster design, for “hand-written” quotes and any other kind of product packaging

“Nobier” typeface has has a modern look in tech flavor. Extended shapes with half circles gives these letters more unique feel but they are still legible on any screens. They can be great fit for mobile apps, social ads and contents, poster designs, film and TV credits, and many other media outputs. If purchased with the ‘variable’ option, you can control weights of letters more precisely as you like. Enjoy!

Firelli is an original family of 14 styles including 7 weights and Italics. Delighting from thin to black, Italic swash caps, ligatures, and neat alternate characters. Big headlines will love Firelli’s incorruptible details. Longer texts will benefit from a wide-ranging family with its solid posture. Go, use everything Firelli has to offer, to design your contentful magazines, powerful annual reports, or even bedtime stories and fairy tales.

Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Okaycat Font Foundry proudly presents "Flaticons"! Flaticons are cool flat icons for your app development or website designs, UI UX purpose graphics, conveniently done in font format. You can type it in Xcode as a font, or you can edit them in your preferred graphic editing software to create the right images. I have used it in my personal website, and my apps to show you how useful it is.

Patzcuaro is a summer resort by a lake of the same name. It is situated 370 km west of Ciudad de Mexico and a visitor from Europe, on seeing it, will be reminded of the Austrian Rust or the South Bohemian Trebon. The town's colonial architecture is protected as a historical monument, the reddish-brown tint of the footings of the buildings, their white facades and even the type of lettering with red initials is prescribed - and these regulations are also complied with as far as cars are concerned. This colour scheme is splendid in combination with the rich gamut of greys of the stone window jambs, vaults, lintels and pillars. Joking apart, even the local petrol station is 16th-century in appearance. Patzcuaro Regular is a cosy, welcoming type face which is good for use on labels.

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

Novin Font family is designed by Naghi Naghashian. This Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Novin supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Novin Font is available in Light, Regular and Bold. Novin design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Novin is based on Aldo Novareses Eurostile Extended. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Novin’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Novin was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."

Varese Outlined is the perfect font for giving content a retro, dimensional, and playful feel. Use it for headlines or short body text for an optimistic or nostalgic tone. It comes in two variations, outlined and shadow. It has standard uncolored and colored options. Please see the slides to know what each color font is named. This geometric and modular typeface was inspired by Italian posters of the 1920s and 1930s. Its design playfully explores the boundaries between unity and variety. The blocky characteristics lend it well to tightly composed text either horizontally or vertically. The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces (counterforms). It comes with standard ligatures; ff, fi, fl, ffl and three alternate glyphs for number 1. The color fonts in Varese Outlined are vector-based and in the fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator and InDesign 2018, and QuarkXPress 2018 (and later versions). Those who do not want a color font should purchase the files simply named “Regular” and “Outlined”. These will not have any color words in the names. Varese Outlined has two siblings; Varese and Varese Soft. The designer suggests pairing Varese Outlined with his ornamental fonts FormPattern or FormPattern Color Two, Three, or Six.

The Obla font family is a modern serif typeface accompanied by appropriate italic in seven weights. Sketches of letters were drawn manually, using thick marker for creating shape and pencil for finishing details. Calligraphic origin of shapes is revealed beneath strained curves drawn on computer. All of the weights were carefully adjusted to each other. Obla is equipped with some basic OpenType features and supports Cyrillic and Latin script. Using Obla in small sizes is very convenient, because of its large x-height, and Obla is a very readable typeface. It seduces the reader with its vivacious character. The typeface is also suitable for usage in large sizes. The best choice for headlines is using the heaviest (Black) and the lightest (Thin) weight. There are two smaller family packages in offer: Obla Basic Set contains Regular, Italic, Bold and Bold Italic, while Obla Light Set contains Light, Light Italic, SemiBold and SemiBold Italic. These two sets are the most appropriate for working with small text. Other weights can be bought separately, or within the whole family. Obla is an awarded typeface. It got Special Mention in Cyrillic Typefaces category in Granshan 2016 competition and it was chosen as a Merit Winner in Print’s Typography and Lettering Awards competition. At that time, before publishing, the typeface was named Petra.

Essay is an elegant serif typeface intended for setting books, with many stylistic alternates and other typographic goodies, designed by Stefan Ellmer. It is a highly legible text face with a natural flow of reading. This is enhanced by a slight slant of the roman, the combination of open and closed apertures and the amalgamation of organic strokes and counters with a static, fully straight baseline. Essay Text Regular looks back to the spirit of the french Renaissance, when the roman typographic letterforms came to full emancipation. Departing from that historical reference, Essay Text gets rid of all sentimental antiquity and becomes a contemporary interpretation of the “archetypes” of that period. Essay Text Italic refers to that more vaguely, resulting in a formalised look with fairly upright and open shapes and little cursiveness. As in the Renaissance, before the mating of roman and italic, Essay Text Italic works as a separate text face and a perfect secondary type. The name Essay derives from the literary meaning of the word, attempt or trial. Therefore, the typeface Essay can be seen as an attempt to express an opinion about reading, the omnipresence of history, the importance of calligraphy and the importance to deviate from that calligraphic source; as well as an attempt to crystallise lettershapes in balance between convention and the designer’s personal idiom.

Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.

Carocks is a handwritten brush font inspired by violence, chaos, cruelty, fear, horror, resistance and more. This font gives a strong impression on each of your works and is made in a regular and italic style and is equipped with an opentype feature to help designers produce amazing works.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

In the 1904 book “Letters & Lettering” by Frank C. Brown is a page of Roman style upper case letters entitled “Modern American Capitals – after Will Brady”. The slab serif, Art-Nouveau-influenced alphabet inspired a digital version. Roman Nouveau JNL, is available in both regular and oblique versions.

Kinlock is a new elegant stencil serif font featuring a regular & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Kinlock includes all standard glyphs plus a few essential ligatures as well as multilingual characters.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

Alquitran Stencil is a variant of Alquitran Pro. Alquitran stencil is specially designed for titles, with stencil effect.,Iin addition to Regular and Bold Alquitran Stencil also contains Rough and Rounded with additionally traces Extras (1-2) that are dingbats that support the text to look much more realistic.

A piece of vintage British sheet music from 1941 entitled “That Lovely Week-End” featured the song’s name in a bold Art Deco sans serif with rounded edges. This lettering design is now the digital type face Weekend Plans JNL, which is available in both regular and oblique versions.

The movie poster for the 1937 film “Cafe Metropole” served as the basis for Outdoor Cafe JNL, which is available in both regular and oblique versions. The extra bold, stylized letter forms with their rounded corners typify the wide variety of typographic styles the Art Deco period offered.

A 1929 German travel poster had the caption “Wer schlafwagen reist spart zdeit und geld” (“Whoever travels in a sleeping car saves time and money”) hand lettered in an Art Deco sans serif style. This is now available as Foreign Tourist JNL, in both regular and oblique versions.

Lettering on the sheet music cover for the title song from the 1957 Marlon Brando movie "Sayonara" was the model for Pacific Island JNL. The design has an Asiatic influence, but also reflects a bit of show card lettering as well. Available in both regular and oblique versions.

Kimora is a versatile, modern unique and elegant sans serif font. File Type (Desktop Font): Style: Regular, Shadow, Bold Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Kimora for any graphics that require a sleek look with a elegant flair.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.