Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most faithful and delicate contemporary version of his types.

Halloween School is a font family with various types in it, you can choose according to your needs, with several characters to suit the latest design trends experience, make this your choice and have fun with each character.

Boldieslab is a font width display type with slab contrast. bring if the old west and the 70s had a lovechild with not a unformal usage, it's the perfect typeface for adding sophisticated playfulness to any design project.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Here's a charming little face from the 1896 American Type Founders specimen book. Its naïvete will add warmth to any project it graces. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The opening title card for “Grand Central Murder” (1942) is hand lettered in a stylized, condensed serif type style with strong but elegant appeal. This is now available as Mystery Story JNL in both regular and oblique versions.

Bisalir is a beautiful display font, so you can create beautiful headings or signature looks. Open type features 1000+ glyphs including stylistic alternates so you can fine tune your creations (this option works well also for other languages)

Handy Casual Condensed is an informal non-linking brush script that was inspired by hand lettering from 60's posters. This font combines a unique character with tons of Open Type features including ligatures, catchwords, stylistic alternates etc.

Mixed Messages JNL brings back a favorite old theme... mixing up various letters and numbers from different fonts to create a printed message that resembles a ransom note or a collage of type with many styles of lettering.

Lokanova is a display font with a sans serif type designed in a bold and unique style to give the impression of a firm but still playful design. Lokanova is available with uppercase, lowercase, number, symbol and multilingual

Willoughby JNL by Jeff Levine is a typeface whose lettering was inspired by a 1950s package of toothpaste. Slightly Deco, it also fits well into 1950s-retro projects. This type design is best used at large point sizes.

This is close to insane! My Breakfast font has got 8 (yes EIGHT!) different versions using contextual alternates! They cycle nice and easy AS you type! How cool is that?! Ofcourse, the font is also loaded with diacritics!

This font family includes six very unique font styles & weights. The font styles are applicable for any type of graphic design - web, print, motion graphics, etc. and perfect for t-shirts and other items like posters and logos.

Quinbery is casual handwriting. It comes with the perfect stylish & modern touch to make any design stand out! This font type is made perfectly for applying headlines, invitations, greeting cards, book covers, fashion, hand tags and product labels.

Shipping Carton JNL was modeled from vintage bands of rubber type used on a special rotary marking stamp (similar to an office date stamp); generally used for identifying cartons and boxes of merchandise for shipment or product identification.

Ditto is a confident and striking, geometric, inline display face. Based on Talbot Type Kamerik, both Kamerik and Kamerik Text make ideal text fonts to accompany Ditto. Ditto includes all accented characters for Western and Central European languages.

Nanu is a hand drawn font where lower and upper cases have the same cap height. It is multilingual and contains a lot of open type features. When purchasing Nanu you get the Nanu Simple Ornaments for free.

Barollo is a boisterous, lively, display family of two typefaces, offered in regular and shaded form. It’s ideal for eye-catching banners and posters that call for clear and forceful type, with a sense of fun and life.

Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry. Pekoe JNL is available in both regular and oblique versions.

This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in today¹s old fashioned typography.

Crystasea, a Dawn Seeker Display Serif Font with Stunning 4 weight Style. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded

Designed at ParaType in 1997 by Tagir Safayev. Based on OCR-A typeface (1968) of American Type Founders. A simple sans serif typeface designed to meet the requirements of the US Bureau of Standards for optical character recognition.

Aery is a Typeface designed by Daily Studio. This font is a slim type font. Every letter has its design, so it makes your projects look professional and outstanding. Aery contains full uppercase, lowercase, punctuation, and multilingual letters.

Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font is a popular choice for newspaper headlines.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring. 1 font-style (Comic) with 248 glyphs (Adobe Latin 1). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Presenting Blastone! A Brush Font with 2 Versions, Alternates, and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Blastone looks amazing on design projects. So, Blastone Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Besteam also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, ii, nn, oo, rr, ss, tt, and yy. WHAT'S INCLUDED? 1. Blastone Texture • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Blastone Texture Alternate • The Second version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Blastone Solid • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 4. Blastone Solid Alternate • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 5. Blastone Texture Swash • It comes with 19 underline swashes. Just type s_1 until s_19 to feature all or type a-z/A-Z and choose this version. 6. Blastone Solid Swash • It comes with 19 underline swashes. Just type s_1 until s_19 to feature all or type a-z/A-Z and choose this version. Enjoy the Font! Thank You Azetype Studio

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

Graduating Class JNL was inspired by the hand lettered titles found on a 1934 high school yearbook from Richmond Hill, NY called "The Senior Dome". This Art Deco era type design is available in both regular and oblique versions.

Ranch Hand JNL is a tall, condensed wood type with slab serifs. The font is somewhat bolder in weight than Nostrand JNL, but like its counterpart, fully captures the spirit and flavor of Nineteenth Century advertising, fliers and notices.

Kare is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos. Inspired by the popular and unique Motter Ombra typeface designed by Othmar Motter.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

The face exudes Edwardian elegance, based on a 1905 release from American Type Founders called Meriontype. It's evocative of simpler times. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the narrow, italic version, completing the Gothic Special family of 5 fonts in total, sans serif.