An elegant family designed to be legible while saving maximum row space.

A collection of 174 corner deco, geometric, fan, palm and arc designs.

A decorative font design of many borders, ornaments and frame like illustrations.

An innovative font from Oporto Design, Indice is clean, modern and urban.

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

An inline shadowed Clarendon designed in 1973 for VGC by Ernst Volker.

FleurAloha are flowery embellishments Hawaiian style! Your very "Aloha" designer, Gert Wiescher

Fiendstar Shaded has been designed to complement the Fiendstar family of fonts.

Based on the popular VGC typeface designed by Ronald Arnholm in 1972.

Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch.

Apollo13 is a custom decorative typeface for any type of graphic design.

Niju was designed and published by Mikaele Biana. Niju contains 1 style.

Outlined techno font designed on the 1990s. Perfect for true expressive artworks

Rudolfo is based on the calligraphy of Art Nouveau designer Rudolph Koch.

A set of figures designed at ParaType in 1992 by Elvira Slysh.

This font will help the beginner designer create their own wedding invitations.

Contains 21 isometric designs with six variations of each totaling 126 ornaments.

An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.

Fiendstar Cameo has been designed to complement the Fiendstar family of fonts.

Pure romantic and personal with lots of grace and tender designed curves.

A collection of 174 flower designs based on '50s and '60s textiles.

Make your designs stand out with a fresh and clearly crafted handwriting.

Transactive JNL is a simple dot matrix font design from Jeff Levine.

An original design based on Progreso from the Gans foundry circa 1923.

Contains 16 number ornament designs from 0 through 9 totaling 160 ornaments.

Each style is a collection of 174 illustrative and printer cut designs.

A Swiss Sanserif designed for FotoStar with traditionally straight elements deliberately curved.

Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

Fiendstar Outline has been designed to complement the Fiendstar family of fonts.

Morris Fuller Benton’s 1931 design, reworking the model of Memphis for ATF.

The typeface TWIGS 4 kids was originally designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz. 4 font-styles (Einerseits, Andererseits, Invert, Icons) with 495 glyphs (Adobe Latin 1) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (20+ stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: TWIGS 4 kids ■ Font Weights: Einerseits, Andererseits, Invert, Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 495 glyphs (Adobe Latin 1) ■ Spe­cials: Decorative extras like arrows → emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as Open­Type Fea­ture. dlig) and stylistic alternates (20 stylistic sets) ■ Design Date: 2005–2020 ■ Type Desi­gner: Manuel Viergutz

I Am Black is a sophisticated, charming sans serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Geometris Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Semi-Condensed from the other fonts is its exceptionally distinctive design. Brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions. The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.