Rockner is a family of fraktur typefaces designed by the calligrapher/designer Julius de Goede. Like all Blackletter styles, fraktur evolved out of Northern Europe's medieval manuscript tradition. Fraktur was the most used Blackletter variety between the sixteenth and twentieth centuries. Unlike many similar fraktur font families, Rockner is available in three weights: Regular, Medium, and Bold. This flexibility allows for richer design possibilities. The OT fonts contain the many alternate characters, such as the long s and historical ligatures, which are often necessary for the setting of historical documents.

Sava is a calligraphic capitals and small capitals design by Jovica Veljović. Available in six weights--light, regular, medium, semibold, bold and black--it includes support for most western and central European languages, as well as for Greek and many Cyrillic languages. Typographic features include a series of non-standard ligatures and a large collection of specialized Byzantine ornaments. Influenced by the forms of medieval calligraphy, Sava is named after St. Sava, the first Archbishop of Serbia, who was famous as a peacemaker, and for his educational and charitable works.

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

Bulk Weight JNL is a stripped down version of Inline Square JNL (based on 1930s sheet music hand lettering) with the inline removed. What is left behind is a thick, bulky, ultra bold lettering style suitable for attention-getting headlines. Bulk Weight JNL is available in both regular and oblique versions.

Lakester is a layered type family. It comes with 4 font systems that can be layered to create different effect (regular,shadow,inline,inline 2) . Inspired by vintage american west poster, it's loaded with 300 glyphs. This family works best for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

Presenting Kaizen! A Bold Handbrush Font in 2 Versions. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Kaizen looks unique and Japanese style on design projects. So, Kaizen can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? 1. Kaizen Version One (Solid) • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Kaizen Version Two (Inline texture) • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Extra Swashes • Included 6 Underline Swashes. You can feature all with typing c_1 until c_6 (in both versions) A Million Thanks Colllab Studio

Voila! This is it . . Classical Romance Decorative Serif Family Classic serif with 125 stylistic alternates for a uniquely vintage, yet modern feel. Each letterform has a slightly rough exterior that works beautifully to enhance Classical Romance’s soft, conventional details. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, alcohol labels, poster, online magazine, automotive, and much more. Keep it classic, or get decorative with ornate alternates for both uppercase and lowercase glyphs! This Classical Romance font was handwritten under the inspiration of traditional calligraphy and the wonderful magical vibe of Bali Island. Classical Romance brings more lovely old day vibes with 12 weights to matchmaking with your own style and it has Multilingual support (Western European characters) and works with the following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. Immerse more your arts in the classic feel with Classical Romance, and be classy! A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y Features: A-Z Character Set a-z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Bonislawsky pulls off a beauty in these letterforms rendered with barbed wire. In our view, it couldn't have been done better. Now you can contain the animal in you with style.

Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.

During the heydey of automobile travel hundreds of motels, motor courts and tourist cabins sprung up along the roadways in order to offer weary drivers (and most often their families) rest with a night's lodging. Tourist Cabin JNL takes the inline portion from the inline font Asbury Park JNL and creates this pleasant monoline design. The original design inspiration (from which the inline portion of the letters was taken) was a 1930s WPA (Works Progress Administration) Federal art project poster with the hand-lettered words “Work with Care”

Font family based in the russian constructivist with three variants, solid, inline and shadow.

Inspired by retro movies and theatre display design. A very condensed font made by Minor Praxis. Perfect for headlines, tall-format prints, posters, and displays which can utilize space of a medium. Neugen is a condensed type of font with a very dense kern. Give a strong impression which can be matched with basic sans serif fonts as a body copy that can make it more casual and modern looks. Available in medium and medium-rounded style with multi languages support. Ligatures, alternates, and stuff like icons and symbols.

The Xavier family of typefaces is based on the delightful deco typeface called Ashley Crawford, originally designed in 1930 by Ashley Havinden. After designing Xavier Black (Serif) and Xavier Sans Black, I added Bold Sans, Medium and Medium Sans and finally added lowercase to the medium weights. Although more manageable than Ashley Crawford, Xavier, due to its very playful nature (splayed A, M, etc.) needs to be used with care, especially in terms of spacing. Xavier is a playful typeface and I have been particularly pleased to see it used in children's books.

George Gibson is based on handwriting samples dating back to mid-1800s England. The font features additional characters for foreign language support, as well as extra glyphs.

Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.

The 1937 sheet music for the tune "Sweet Stranger" has the title hand lettered in a round cornered Art Deco sans with an inline featuring square corners. Now available as Curtain Up JNL, it is available in regular, oblique, solid and solid oblique versions (for those who prefer a version without the inline).

Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I've had this particular Alf Becker alphabet in my sights for a few years now. But in the typical way chaos shuffles the days, Buffet Script and Whomp won the battle for my attentions way back when, then Storefront beat the odds by a nose a couple of years ago. Nevertheless, revisiting Alf Becker’s work is always a breath of fresh air for me, not to mention the ego boost I get from confirming that I can still hack my way through the challenges, which is something I think people ask themselves about more often as they get older. You can never tell what may influence your work, or in this case remind you to dig it out of dust drawers and finally mould it into one of your own experiences. On my recent visits to the States and Canada, I noticed that quite a few high-end steak houses try their best to recreate an urban American 1930s atmosphere. This is quite evident in their menus, wall art, lighting, music, and so on. The ambience says your money is well spent here, because your food was originally choice-cut by a butcher who wears a suit, cooked by a chef who may be your neighbour 20 minutes from downtown, and delivered by a waitress who can do the Charleston when the lights dim and who just wouldn't mind laughing with you over drinks at the bar later. So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language. As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support. Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

Richfont Bold is the bold version of my handwriting. I always felt that I had unique handwriting. When I was learning how to design fonts, the first font I made was Richfont Medium, which Bitstream is selling. The Bold version is the perfect companion to the medium version, which is offered at Bitstream.

Rigide is a clean, contemporary, geometric, condensed font family. There are 6 fonts in the Rigide family, Rigide Light, Rigide Light Oblique, Rigide Medium, Rigide Medium Oblique, Rigide Bold and Rigid Bold Oblique. The Rigide fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

This typeface has its roots in the Egyptienne-family which became popular in the beginning of the 19th Century. To make the family more unique and personal, ”twists” have been crafted throughout the design. All together a family of 6 weights, including: Medium, Medium Italic, Bold, Bold Italic, Black and Black Italic.

Saya Satpol – Sketched Typeface made with a sketch-themed application that gives a relaxed and cool feel. Saya Satpol is perfect for design, logo, social media, branding, advertising, product design, handwritten quotes, product packaging, headers, posters, merchandise, and other designs. What’s Included : + Saya Satpol + Standard glyphs + All Caps + Multilingual Accent + Works on PC & Mac, Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thanks