Are you feeling a little dazed, silly, or light-headed? Are you talking incoherently as if you've received repeated blows to the head? Would you perhaps describe yourself as punch-drunk? Happy-go-lucky? Have you recently been sleep deprived or are experiencing excessive feelings of fatigue or tiredness? Have you become prone to inane semi-maniacal rambling? Have you been making strange and/or meaningless remarks? Are you demonstrating fits of random and inexplicable behavior? Did you just give yourself a wedgie? Experiencing bouts of uncontrollable laughter -- at your own jokes? Standing on a silver surfboard holding a hot dog and wondering why?! You're off your rocker, dude; Slaphappy!

Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal. Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable. Orto contains Latin and Cyrillic script and covers six codepages: Latin 1, Latin 2, Cyrillic, Turkish, Windows Baltic and MacOS Roman. It has basic OpenType features like ligatures, oldstyle numerals, proportional and tabular lining figures, fractions, superiors, etc. Capital German sharp S shows up when the lowercase is typed between two uppercase letters, and the Contextual Alternates feature is turned on. The Stylistic Set 01 changes the shape of the Cyrillic b. The Stylistic Set 02 is a shortcut for using Serban Cyrillic alternatives that differ from Russian in cursive.

Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

ITC Chivalry is a calligraphic hybrid that honors the tradition of combining Roman capitals with italic lowercase letters. Drawn by Missouri lettering artist Rob Leuschke, who used a flat-nib pen on textured watercolor stock and then converted the drawings into a digital font, the design combines an old world" feel with "new world" legibility. A companion set of black letter caps completes the suite of characters. "I've loved drawing letters for as long as I can remember," says Leuschke. "Even in kindergarten, I tried to draw letters like my teacher." After graduating from college, Leuschke worked for a short time at a sign company in St. Louis, and in the early 1980s began working at Hallmark Cards in Kansas City. His talent as a calligrapher and lettering artist eventually brought him back to St. Louis to begin a freelance career. Since then Leuschke has created over 250 fonts, primarily for the greeting card industry, that are now being used on work for his clients all over the world. Leuschke first conceived of the face as just the black letter caps; he later added the Roman letters to give the design more versatility. The Roman caps of ITC Chivalry combined with the lowercase are well suited to blocks of copy, while the more decorative black letter caps are ideal for showcasing short text of just a few words. Both sets of capitals also make great initial letters."

Hello there! We are introducing my new font - Skypilot! This font is carefully selected from hundreds of letters. We manually created this font using a flat pen and make it as close as possible to street graffiti style. Not only that, we also make another typeface that is perfectly suited for this theme, Skypilot extruded! With those fonts, you can combine them as a pair to make them a layered style! You will make exquisite real street graffiti art just like on the wall that you saw in the city! Besides all this, the Skypilot Swashes and ornaments are designed to make your designs more fun! You can apply this font to t-shirt designs, posters, covers, video thumbnails, merchandise, wall, and so on to make it look special. ——— Skypilot features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Layered Style +379 Total Glyphs +100 Graffiti Swashes and Ornaments included! ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

I was inspired to create the Rainier type family during my summer back home in the Pacific Northwest. The concept behind it may be simple - a hand crafted font family - but what it delivers is quite complex! Here is a breakdown of everything you get: FONT FAMILIES: Two sub-families with unique styles - Rainier North and Rainier West WEIGHTS: 4 weights per family, broken down numerically - 100 (light), 300 (regular), 500 (bold), 700 (black) OPENTYPE: In each family, there are tons of OpenType options, offering lots of customizable opportunities (in order to access all these goodies, you must be using Illustrator, Photoshop, Indesign or Publisher). Because Rainier is 100% handmade, contextual alternatives allow each letter has three subtle variations, this way it keeps that authentic hand-drawn look. Additionally, a full alphabet with special descending swashes, as well as start and end swashes for capitals and small caps. Titling alternatives offer a full character set just to help with readability! Meant for captions or smaller text, these letterforms are easy on the eye and a great complement to the regular alphabet. Stylistic Alternatives add a little fun, providing a unified cap height, no matter what case you are using (all caps, small caps or lowercase.) Discretionary Ligatures are created only for capitals, and takes specific letter pairs and creates a unique ligature between them To get a better understanding of everything, please check out the quicker user guide (http://bit.ly/1W0Bfma) and print if you so desire (http://bit.ly/23W9ZV6) that helps you navigate your way around and get the most out of Rainier! Unfortunately those links aren't working right now and soon I will have them fixed. So sorry! ORNAMENTS: In addition to the font, you get a set of awesomely rustic ornaments designed and drawn to go specifically with Rainier! - Rustic Northwest Illustrations - Banners & Flags - Frames - Flourishes - Lines & Line Breaks - Arrows There are a lot of extras packed in this set, so make sure you check out the Ornaments User Guide to get the most out of it! Check it out here: http://bit.ly/1rRVJRx And that’s all folks! Hope you enjoy Rainier!

Western Americana is a unique collection of signatures of 72 famous American frontiersmen, gunslingers, Wild West personalities, outlaws, and Indians in a high-quality font. A must-have for autograph collectors, desktop publishers, lovers of history, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous Western celebrities. This font includes signatures from the following American West personalities: William Frederick Cody ("Buffalo Bill"), George Armstrong Custer, Meriwether Lewis, William Clark, Kit Carson, Joseph Brant, David Crockett, Wyatt Earp, Geronimo, James Bowie, Daniel Boone, Sam Houston, Calamity Jane, Sitting Bull, William H. Bonney ("Billy the Kid"), Cole Younger, Bob Younger, Jim Younger, Pat Floyd Garrett, James Butler "Wild Bill" Hickok, Squire Boone, Samuel Colt, Gordon William Lillie ("Pawnee Bill"), Annie Oakley, William Barret Travis, Allan Pinkerton, Jose de Galvez, George Rogers Clark, George Crook, John Charles Fremont, George Croghan, Simon Kenton, Maj. Frederick Benteen, James Wilkinson, Nelson Appleton Miles, Philip Kearny, Chief G.H.M. Johnson, William George Fargo, William Barclay "Bat" Masterson, King Philip, Frank James, Eleazer Williams, Henry Wells, Junipero Serra, John Sevier, John Ross, Joseph Virgo, Chief Joseph, Red Jacket, Manuel Lisa, Julian Dubuque, John Augustus Sutter, Manuel Lisa, Jesse James, Jesse James alias Thomas Howard, Manasseh Cutler, Robert Newton Ford, Emmett Dalton, Henry McCarty alias Greenville Mellen Dodge, Edward Zane Carroll Judson ("Ned Buntline"), Rain-in-the-Face, James Robertson, Zebulon Pike, Chief Two Guns White Calf, Pierre Chouteau Jr., Frank Butler, Isaac Shelby, Moses Austin, Moses Cleveland, Rufus Putnam, Pierre Chouteau Sr., Father Pierre Jean De Smet, and Auguste Chouteau. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map.

Savigny began as an offshoot of Le Havre. Le Havre met my design objective of a geometric sans serif with a strong art deco touch. Le Havre’s primary inspiration came from the art deco titling of the 1930’s, and the lower case was just icing. The art of the 1930’s is of particular interest to me, and I love the art deco era and its art, and the simplicity of geometric shapes. I am mostly interested in designing display typefaces. In many ways Le Havre was the exact opposite of another popular insigne offering, Aviano Sans. Le Havre has very high ascenders, a lower case and is very condensed. Aviano Sans has no lowercase and extremely extended capitals. With the rise of webfonts I began to see Le Havre being used frequently online. It’s short x-height and very tall ascenders made it difficult to read in on screen text settings as it was intended as display type. With this observation, I felt that there is more room for a geometric sans in the insigne catalog. So I set about to design a new geometric sans using the successful skeleton of the Le Havre family. Although I planned to extend the Le Havre line, the new family is so drastically different I decided on a new name: Savigny. The face evolved and began to take on a few humanist touches. Designed from the very beginning as a webfont, the design is open and pleasing to the eye, with a tall x-height. To optimize it for onscreen settings, the spacing is generous. In addition, it includes extended and condensed members, making it insigne’s first superfamily. The family includes over 100 OpenType alternate characters. These include several style sets. Some are stemless, others are purely geometric, and in a nod to Savigny’s origins, Art Deco titling alternates. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Savigny is a great choice for a professional designer who wants a well rounded typeface family that is ready for the web.

With open palms, place your hands together at the center of your chest, close your eyes and bow the head slightly. Namaste! Welcome to a beautiful spiritual journey. Namaste is a font collection, designed by Coto Mendoza, consisting of two variants: a capital sans and a script font (based on watercolor calligraphy strokes). Each variant comes in 5 weights—Thin, Light, Regular, Bold and Black—and 2 versions: Essential and Pro. The script font, in its Pro version, provides a wide range of OpenType features such as swashes, alternates, ligatures and different stylistic sets. The Namaste family also includes a set of ornaments inspired by Hindu and Buddhist symbols—that Coto Mendoza saw virtually everywhere on her trip to India—like Mandalas and Yantras, and others found in textiles and monuments. Namaste is the perfect choice for wellness, healing and therapy oriented products. Its smooth shape and soft curves allow the user to create beautiful designs for essential oils, bath salts, quartz crystals, mindfoodness, candles, incense and aromatherapy products packaging. The font is well-suited for publishing design (short text); self-help and healing handbooks; tarot and divination cards; and women’s empowerment and spirituality publications. Namaste is an ideal typeface for yoga (and other body disciplines) center branding; holistic centers; and group meditation, womb blessing and circle of women invitations. Namaste is a beautiful journey full of love and inspiration. Namaste: a spiritual journey.

The Artimas family is the new book design font family developed out of Aramus. These new serif typefaces are readable and graceful — part of my development of a series of book families. Aramus was very popular for a single font release of a text font. This new book font family retains the looseness of the original with radically different font metrics and many shape “corrections”. In fact, Artimas continues a genuine new path for this foundry This new font family for book design continues a turn toward more “traditional” x-heights of around a third of the point size.The Artimas print production font family is six new OpenType Pro fonts with Caps, lowercase, small caps, & figures to go with each of those character sets. There are many ligatures, a few swashes, fractions, numerators, denominators, and ordinals to infinity. This family of fonts is a joy to read and easy to use for text or display.

Zena is an Arabetic typeface design with visually connected glyphs, named for designer’s younger daughter, Zena, for her twelfth birthday. Zena follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Zena employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. The Zena typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Zena is available in regular and italic (slated to the left) styles.

Interlaken™ is a modern display & branding typeface allowing to design creative logotypes, posters and headlines with ease. It is an uppercase family of six OpenType fonts and one 2-axis variable font, packed with features such as stylistic alternates and tons of original ligatures. The family’s purpose is to make the creative process of designing logotype a blast. It has a wide set of OpenType features crafted especially to make your life easier, allowing you to accomplish your projects in less time. Interlaken has a powerful and very modern character, it comes in three width variants, making it a good fit in various design scenarios. Its cutout details make it look unique and create an impression of inner shadows when set on a dark background. Interlaken is a great typographic tool for such industries as sports, fitness, modern technology, fashion and gaming. It works perfect as a pairing typeface with Rothorn, Conthey and Conthey Inline and Axalp Grotesk.

Varese Gradient is a color font for display, headlines, or large body text. Use it for bold graphic statements or a vintage mood. Its geometric style is inspired by Art Deco and early 1900s European travel posters. This typeface will set a friendly and light tone while giving messages a unique and memorable feeling. The gradients transition vertically and come in these sets; color with white, color with black, two colors, chromatic grays, grayscales, and concepts like summer or cappuccino. The font name will indicate its color. The full family includes one regular font. Here is a list of all the fonts in color. The lowercase letterforms are similar to the uppercase, but the lowercase have counterforms. It comes with OpenType features such as alternate glyphs, half-height letters, standard ligatures, and stylistic sets. The fonts are OpenType SVG format and fully scalable. Contact Tarallo Design if you need custom colors. Varese Gradient has siblings, Varese Soft (rounded) and Varese Outlined (color/shadow/outline).

Is the real romanticism over? This is not the intention achieved on a creation of the new version of Only You Pro. Develop a font that reflects the perfect union of sensuality and romanticism: Only You Sexy. It has a soft trait and delicated curves that evokes contemporary and musicality while has erotic and sensual references. The icons are a piece of show. They make reference to hipsters concept a recurring nostalgia and a recovery of an almost forgotten romanticism. Bring all that romance back. Bring the sensuality in your work and graphic texts. This font brings back everything that the true romanticism deserves: a font that allows you to write using beauty, sensuality and the sounds from the hearts. Only You Sexy is handmade, stylish, modern and multilingual. With more than 800 glyphs it is possible to get an infinity of combinations at your disposal. The font doesn't have PDF and works better in softwares that support the complete OpenType function.

Bussi is an inline font family full of extras. It is rich with alternatives and symbols, which makes it a playful font to use. It was inspired by hand lettering and bullet journaling. The font is perfect for branding and packaging to bring your extra brand personality—an ideal font to use for stationery design or even movie titles. Versatile and high-quality Bussi will be your new font love. Bussi was inspired by hand lettering and bullet journaling. The first drafts were designed during studying for my high school graduation, where I would focus more on the headline lettering than on the actual content. I tried to motivate myself by lettering joyful, swirly headlines, and keywords. Originally designed as a caps-only headline font, over the years more and more letters and symbols were added, resulting in nearly 1400 glyphs and 5 different stylistic sets. Designed by Stella Chupik and Schriftlabor team.

The Neonica Toolbox - a complete collection to creating awesome neon designs! This is a complete collection which included the fonts, decorations, illustrations, Adobe Photoshop styles and HQ background textures as brick or rusty grunge walls. Create awesome graphics for few simple steps! VV Neonica contains mono lined sans, volumetric sans with inline font option and mono lined script. Also, you'll get the decoration and illustration fonts. Create your own neon signs or add the decoration to your neon graphic. The illustration font has one color or up to three color options. That mean you'll be able to create a full color neon illustration graphic for few seconds! Also, the Neonica Collection comes with Adobe Photoshop styles file (.ASL). Just add it into your Photoshop and get 19 neon colour realistic effects. This file works with any Photoshop versions. As a desert you'll get 6 HQ JPG (4000x4000 pix; 300 dpi) background textures. All the additional materials (Photoshop styles, PDF Guide and Textures) you'll can get here Enjoy!

This is the companion sans family to make the Librum serif families work as well as they do. By companion, I do mean stylistically compatible. But mainly, they have the same vertical metrics. So they work very well for run-in heads, inline character styles, and all the rest of the needs in large books with complex formatting. They are designed for use in InDesign, and they work very well in that environment. The fonts use the same OpenType feature files as the rest of the Librum families. The feature files for the italic and bold are more limited—as I have rarely used things like that [over the past 20+ years]. The character shapes are a bit whimsical. The original ancestor of this book design sans was a very playful font I released as Aerle. It’s been calmed down a lot but is still loose and friendly. For a great deal, see Librum Book Design Group , for a package containing all fifteen fonts!

The main source of inspiration for this project was Herb Lubalin's Serif Gothic font. This and other fonts of similar style provided the basis for developing a unique display typeface with a strong personality yet neutral enough to be used in a variety of applications. In order to make the font more versatile, we included a number of layered fonts, like inline and shadow styles, which, along with the core styles, provide users with a wide range of choices for any design project. The Lumiere Family comes in 14 styles and includes 2 different variants: multi-layered fonts that make Lumiere easier to use and single layer fonts which allow experimented designers to create their own combinations. Lumiere is highly influenced by retro designs but it features a modern and simplified style that brings great value to your design work. The font is well suited for album covers, movie posters and book cover designs, among other uses.

Newston is a minimalist, elegant serif font. It is beautiful and playful with 4 styles available. It is made with a medium contrast of the strokes that allow you to create more than a headline. The spacing is adjusted a bit tight that possible to fill empty space on your modern or typographic design. Newston also complete with some stylistic alternates that allow you to create the more beautiful design. Inspired by minimalist and decorative style, Newston has expanded to 4 styles : - Regular : Recommended for magazine cover, poster, flyer or website header. - Italic : Looks good to maximize the foreign language, verbal or motion effect. - Outline : Very good to combine with Regular to get some joyful effect. - Inline : The strong strokes and empty space, gives the art deco style. Good for a logo. Overall, Newston is flexible to apply in many styles such as minimalist, decorative, hipster, luxury, vintage and editorial. You can use this font for a t-shirt, corporate identity, magazine, banner, billboard, or storefront.

The Rally Symbols 2D font family has been developed for integrated graphical motor racing design. First of all that includes rally, rally raid, cross-country rally and hill climb. With the Rally Symbols 2D - Signs font one can create quality road maps with rally routes and various symbol books. The font also includes symbols that can serve as workpieces to create competition logos and other design solutions. The Rally Symbols 2D - Arrow font has been specially developed for building tulip diagram road books. It includes various ready-made combination of traffic direction indicators and individual elements that can be combined together. The Rally Symbols 2D - Picto font can be used for the same purposes but also contains a range of convention that can help to find one’s bearings on the ground. This is a a wide range of icons or pictograms of various scenery, for example: different buildings, churches, cemetery, bridges, tunnels, different types of trees, posts, etc.

The Mutamathil Taqlidi type family is the largest size member of the Mutamathil type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. With each glyph being slightly symmetrical around its vertical axis, this family is only suitable for right to left ordering. The Mutamathil Taqlidi family includes all required Lam-Alif ligatures and uses final position glyph substitutions, ligature substitutions, and marks positioning. Text strings composed using types of this family are non-cursive with stand alone isolated glyphs. The Mutamathil Taqlidi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Dip is the abbreviation for Carrer Diputació (Diputació Street), where the original sign spells Farmacia Específicos Diputación. The reference taken from the pharmacy sign is a curious model, where sans-serif lowercase letters coexist with script uppercase. This fundamentals create the system that we have introduced in Eixample Dip. The capitals are built with contained decoration to achieve maximum compatibility between letters. The script capitals are the default uppercase but we have also included alternative capitals, a slab style that can be combined with the scripts. The narrow influence of the original sign is correlated with the Narrow styles of the Dip family. But for more versatility, Eixample Dip explores normal widths and weights as well. Furthermore an Inline version was added to the suite.

Create a great combination design with this font family! Leophard font family is a modern slab serif that is inspired by sporty design and vintage style. There are 6 different styles that you can apply in your design projects. This font is made with tenacious basic shapes, the visuality of strength, old school movement, and modern minimalist style. - Regular style - good for your titles, sub-headlines or body text for readability. - Bold style - recommended for your titles, naming, labels or logos. - Bold inline style - is cool for your big typographic designs that are showing the precision of the shapes. - Outline style - good for your additional text, or minimalism design purposes. - Shadow style - suitable for vintage logos, minimalist effects, and titles. - Stencil style - inspired by street art and letterpress design. Recommended for design project which visualizes strength and movement. Make a great combination on your label designs, brand, poster headlines, movie titles, storefront, monograms, sport designs and merchandise design.

Sedid, “solidity; It is an Arabic term meaning “righteousness”. In particular, the correctness and soundness of a word is indicated by this word. The fact that I gave this name to the writing family is to point out its accuracy and robustness. This typeface, which is sans serif, consists of three families: ▪ Sedid: Font family containing Latin letters ▪ Sedid Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Sedid World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Do you want a difference in your work? Then meet the Sedid World font family. This font will meet all your expectations in terms of the languages ​​it supports and the variety of glyphs it contains. You can easily use the Sedid World font family in every project. Because this font has beautiful and soft lines. The font family includes open type features, as well as a large number of ligatures, small caps, modifiers, and currency symbols of many countries.

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

A modern and funny pack with 4 handmade script and sans fonts that started in the sketchbook and finished in the computer. Fregata has a unique and beatiful look to be used in many design projects as: cover books, labels, logos & branding, advertisements & product design. When you get this pack you will receive 4 font files, designed to work as perfect companions or simply as strong standalone typefaces. Fregata Script Inline: A unique style with a different look thanks to the line that connects the whole typographic system. Fregata Sans: Includes 3 handmade fonts variables (Fregata Sans 1, Fregata Sans 2, Fregata Sans 3) with small rounded serifs making it a modern and fun typography. Fregata is equipped with ligatures and all stylistic alternates, extended character set to support Central and Eastern European as well as Western European Languages. That's it! I really hope you enjoy it, and please don't hesitate to send us a message if you have any comments or questions. Enjoy Fregata!

Those who have grown tired of text typefaces insensitively blown up to the size of a poster or a building facade should from time to time try out extreme display styles, which are designed precisely for this purpose. They look best in dimensions from around 32 point out to infinity, and they rise to the occasion when a strong impression is necessary. This is especially true for the extreme weights Hair and Black, which don’t allow for any compromise. The sharp hairline and brutal contrast of the strokes test the most extreme possibilities, without having readability suffer in continuous text, as is characteristic for all the typefaces of the Tabac superfamily. Tabac Big Sans has the distinction of having most of its styles hold up not only in giant sizes, but also in smaller texts, where it’s an obedient little doggie. It actually works like a narrowed linear grotesk with an increased x-height. There’s no limit to fantasy.

Imperial Insignia is a serif font that celebrates power and grandeur. The name refers to something related to a kingdom or empire, creating an image of a strong and authoritative font. “Insignia” in this name refers to the subtle details in the font design that make it unique and easily recognizable. It is a symbol or sign indicating status or membership in a certain group. With its strong and authoritative character, and unique details that make it stand out, Imperial Insignia is an ideal serif font for projects that require an elegant and formal touch. From business branding to wedding invitation design, this font adds a touch of elegance and professionalism to every project. Imperial Insignia is specifically designed for the luxury market, making it a perfect choice for designs related to jewelry and luxury goods. With Imperial Insignia, you’re not just using a font, but you’re also conveying a message about strength, grandeur, and individuality.

At first glance, there is something familiar about this font, but one may not be sure... “Where have I seen this font before?” Known for his diverse portfolio of script style display fonts, typographic designer and lettering artist Rob Leuschke has taken a step back in time with Alumni™. A true departure from present trends, this font resurrects the clean and simple forms made popular in the 1950s. Originally inspired by the black face Impact™, it soon evolved to include numerous weights from the Black flavor of its progenitor to a super thin Pinstripe. The extreme weights (Pinstripe, Hairline and Black) are designed for display situations while the remaining weights may be used for more traditional textual design applications. The Inline and Collegiate flavors offer added display options. Alumni™ is available in Roman and Italic versions of each weight. Extensive kerning and OpenType programming have been applied to give it optimal functionality.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Ico Phone is a set of 115 symbols depicting anything that happens on the screen of a regular mobile phone. To name a few, there are Bluetooth and sync icons, signal bars, battery statuses, media playback icons, USB symbol, lock icon as well as a wifi signal strength indicator. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Phone is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

TT Milks useful links: Specimen | Graphic presentation | Customization options About TT Milks: The collection of scripts and wonderful decorative typefaces. Initially the idea for TT Milks was to create a collection of fonts to be used for packaging and branding of dairy products. While working on the initial idea, we've tested all possible glyph variations, which resulted in a large decorative designer font family. Thanks to a variety of elements, TT Milks collection has exceeded its initial idea and now offers an unlimited application range. TT Milks type collection includes several subfamilies and consists of 26 typefaces: TT Milks Script subfamily is a satellite to the basic typefaces and features 5 weights. Every typeface of the TT Milks Script subfamily consists of 801 glyphs and supports a lot of OT features: ordn, frac, case, sups, sinf, numr, dnom, tnum, onum, pnum, liga, calt. TT Milks Casual Script consists of two script faces with a different degree of roughness. In TT Milks Casual we've collected 6 typefaces—the unique Black called 900 in three degrees of roughness, and the Bold called 700 featuring three degrees of roughness as well. TT Milks Casual Shadow is a version with broader letter setting and shadow effects. There's a clean shadowed version, three variants of rough typefaces with shadows, and a rough shadowed inline typeface—5 typefaces in total. TT Milks Casual Pie is a special set of typefaces which can be easily combined with each other using different layers. The set of the subfamily includes two basic typefaces—black and inline, and also features a typeface with a clean shadow, a shadowed inline typeface and line typeface. TT Milks Outline completes the collection. It consists of a total of 3 amusing super-display typefaces—outline, outline shadow, and a cow pelt patterned typeface. All typefaces belonging to TT Milks Casual and TT Milks Outline subfamilies contain uppercase letters only, and support tabular numbers and case sensitivity. TT Milks language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Ferryman is a Blackletter typeface for the contemporary reader. Unfamiliar Blackletter characters have been replaced with adapted common Latin characters (Antiqua) or with letters from other historical scripts that are more legible to a modern audience. Ferryman is the antidote to the overused geometric and neogrotesk styles. An expressive display typeface with a strong character, it is perfectly suited for counterculture projects and progressive concepts e.g. in visual art, indie music, and alternative lifestyles. With nine weights and corresponding italics Ferryman offers a wide range of creative possibilities. Each style offers 590 glyphs supporting all Western-, Eastern- and Central-European languages and comes with four sets of numbers and various currency symbols.

Introducing Radian Horizon Handwritten Script - Latin and Cyrillic Radiant Horizon is modern and minimal script loaded with 95 languages support, alternate and ligature glyphs. Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternate glyphs Cyrillic support Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The retro-inspired design of Aviano Copper Variable echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before each pair of eyes, never faltering or stumbling in its refined step. But while dressed with gentility, this elegant family is not faint of heart when challenged. Crafted well for high-impact resistance, Mandrel steps boldly and prominently into the arena of the reader’s eye, boasting its tall x-heights, high contrast, confident bends, and sharp serifs. Skillfully, it wields its sharp serif endings, cutting swiftly through opponents’ crude clutter, which fights for the reader’s attention. From Thin to Black, nine weights and their matching italics make up this noble family. Mandrel furthermore includes an abundant treasury of OpenType variables to adorn your text. Ligatures, old-style figures, and stylistic sets are available to accompany the family’s 500 glyphs and its support for more than 70 languages. Raise your cup to this new Mandrel! With strong serifs and high contrast, you’ll find this champion ready to take up your challenge in many a test ahead.