Cilager is a Modern Serif Typeface that gives a romantic feel to every curve. With 26 Ligatures which are included, it is very helpful in creating the title of each of your project such as Logos, greeting cards, quotes, posters, branding, business cards, postcards, movie titles, blog headers, art quotes, typography, magazines and more.

Wiramatra is a modern Wire-Metric style font. This neat display font with unique wire cable on each character. Dainty and joyful, this font will be ideal for Sci fi Novel Tittle book, or writing techno modern wedding style invitations, cards or any other design that may need a techno futuristic romantic, personalized touch!

Grayphene is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! The font has a smooth texture, so it would be perfect for your design.

Rahere is a humanist sans with subtle features that give the typeface a distinctive, warm appearance without distracting the reader. Legible at large and small sizes, Rahere is a versatile family suitable for a wide range of applications such as annual reports, advertising, brochures, catalogues, information signage, screen text and visual identities. For projects that need to convey a sense of authority or credibility, this is the ideal sans serif to use. The family consists of six weights ranging from light to extra bold with corresponding italics and the character set covers most of the major European languages. Each weight contains lining & non-aligning numerals in both proportional & tabular spacing. The tabular numerals share the same width across all weights and styles – a must for financial tables in annual reports. Spirited and lively, the italic lowercase is more cursive and calligraphic than the roman, although it harmonises perfectly, displaying enough character to create emphasis without looking out of place. When used on its own, for pull-out quotes or poetry, the italic exudes a charm that draws attention to the text. The typeface is named after Rahere, a 12th-century Anglo-Norman priest, who founded St Bartholomew's Hospital, London in 1123. I will always be indebted to Barts (as it is now commonly known) because in 2007 I was successfully treated for relapsed testicular cancer. Way back in 1992 I designed my first sans serif, Charlotte Sans, and although it was relatively successful, I was never really satisfied with the end result: not enough weights & italics, a small character set, lack of accented characters, and my design skills were still in their infancy. Whilst Rahere shares many common elements with Charlotte Sans, it is much more than just a reworking; it represents over 20 years of accumulated knowledge and experience as a designer.

Very few letter types with the context of grunge style fonts offer hierarchies to differentiate words in sentences or paragraphs. With Navaja I developed a font family that meets this need. This family is useful to organize the information into a hierarchy with an eroded look. Its central idea mixes grotesque, geometric and humanistic letter conventions. This way, Navaja is a grunge-sans with dense proportions to make graphic design with eroded character. Its main purpose appeared when one of my customers asked me for a t-shirt design for a fan club of an important football player. For this reason its starting point were stained and muddy letters characterizing the toughness and coldness of the sport. Over time their glyphs began to imitate the robustness of "wood type & Tuscan Type" widely used in posters in the late nineteenth century. Its purpose was strengthened in a family with 6 members that when mixed they produce mind catching contrast levels ideal for designing T-shirts, stickers, flyers, brochures, posters, billboards, cinema or TV. Therefore its variants are short up and down height X combined with different widths that by working together produce information that radiates outstanding apparently destroyed controlled violence. Navaja Dingbats consists of 52 illustrations useful for frames and textures. In that vein, the origin of each member comes from skeletons of Roman and Italic calligraphy. The low amount of contrast between thick and thin lines matching the contours apparently gnawed but strictly regulated by optical adjustments equating the sum between full and empty areas. Factors such as finishes, shapes and counter internal and external forms are meticulously planned although its scruffy look which strategic arrangements are offset to provide color typographical homogeneous. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

LFT Arnoldo began as an all-caps book cover typeface created during the rebranding of Oscar Mondadori, the most important Italian publisher, with over 4,500 titles from ancient classics to contemporary works, and spanning academic essays to children’s and self-help books. For such a diverse catalogue, it was necessary to find a coherent and flexible paradigm which took into account genre and readership differences and ensured harmony among its works. The main idea was to create a typeface suitable for the branding element and which could be used for each title of the immense catalogue. So what makes LFT Arnoldo a companion to the centuries? Starting with the design of the capital letters, it is first a rational typeface with contemporary proportions. But rationality without style wasn’t enough, so its glyphic nature carries an engraved feeling to resemble letters when chisel is put to stone. Once these two traits were settled, the entire character set was developed as a flared humanist sans in order to complete the family and extend its usage, from titles and display settings to texts. LFT Arnoldo sets titles with dignified authority to appear digitally carved and more arresting than the usual sans or flared sans designs of the past. It is calm and dependable in paragraph use and a captivating vehicle of aesthetic expression in title and display use. At once rugged and syncopated, the slight hourglass stems and incised details make each letter come alive and engrave each paragraph upon our emotions. LFT Arnoldo intends to be a resilient type family for centuries to come. Its seven roman weights have italic counterparts and the entire family is loaded with OpenType features: alternates, ligatures, small caps, oldstyle and lining numerals, and science and math capabilities. In the battle of charisma, where the right voice must project intelligence, influence, and refinement, LFT Arnoldo is the victor.

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

Vortices is a font that made the hand by having the character up and down like a dancer. Vortices has a very unique style of calligraphy, it is very suitable for use in the work of modern design. combines from copperplate to contemporary typeface with a dancing baseline, modern and elegant touch. Vortices features 531 glyphs and alternate characters Include . including initial and terminal letters, alternates, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all european languages that are based on latin alphabet Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Schrödinger's is a remarkable signature font which was made hand-drawn manually using Hitech-C pen, This typeface is very natural-like and make your design stand out! Schrödinger's is perfect for gorgeous logos, cards, quotes, posters, wedding invitations, blog posts, social media, and more! To keep it more natural-like, we provide you hundreds of ligature! Schrödinger's font contains following ligatures: aa ab ac ad ae af ah ak al am an ar as and ant at att all av aw ax ay az bb bl bt cc cd ce ch ck cl cm cn cr cs ct db dd dl dt ea eb ec ed ee ef eh ek el em en er es end ent est et ett ell ev ex ey ez ff fi fl fo gh ght gt he ht ib ic idd ie if ih ik il im in ir is ind int ist it itt ill iv ix iy iz kk la le ll lt mm mt ns nt oa oe of oh oi ok ol om oo or os ond ont ost ot ott oll ov ow ox oy oz pp rr sh sl ss st th the tl tt ub uc ud ue uf uh uk ul um un ur us und unt ut utt ull uv uw ux uy uz wh yy zz nn Not only that, we also include swashes and love swashes for those who interested in valentine stuff! Schrödinger's features: A full set of upper & lowercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters +418 Glyph Up to 163 Ligatures Swashes OpenType Features In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

Blundell Sans is a type-hybrid that combines the precision and power of a sans serif with the elegance and humanism of a script. A resolutely upright font with a strong diagonal thrust.

The typeface "AI" is designed base on the new relationship between Human and machine. Reflecting the concept of "Ghost in the shell" which contains typeface features from both Sans-serif and Serif font.

Option Sans is a rework of Anuthin Wongsunkakon's Coupe. The popular font originally sold by T26 has now been humanized. Improved legibility from the original Coup to serve better as fine text font.

These modern, handwritten letters can be used for fancy headings or images. The characters aren't oriented straight or orderly, but a bit random. So they look like they were written by a human.

Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.

Just Frames... 31 to be exact. Some swirls, some hearts, some ovals, some squares. Some line, some solid, all with a fun hand drawn feel. Just add some hand drawn type and you are done.

Walmars is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Files Include : Multilingual Support Alternate Character Ligature Character Thanks

Indian Feather is a Beautiful Handdrawn Font. Indian Feather is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! Indian Feather also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

The Morille is display bold serif typeface. The shape is classic and unique style. You can also get more elegant serif in alternate and ligature. With vintage fill It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

‘La Arista Del Sol’ it's the mountains climbing route. I've created this font family to transfer adventure and romantic mood. I believe La Arista is very useful in printing and for web. * Regular, italic and pattern styles * Uppercase and lowercase * Numbers * Ligatures * Punctuation * Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

A new romantic serif typeface with Baroque initial caps that can be incorporated to complement the standard set or be set together. Inspired by European architecture of the seventeenth century, the decorative initials fit comfortably with today’s illustrative typographic trends. The standard set offers classic tradition with contemporary touches that can stand alone in display or text sizes.

Satin Orange is an elegant and delicate script font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. So what's included : Basic Latin A-Z & a-z Numbers, symbols, and punctuations Ligatures Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.

Aceh Is Great attracts a typeface that is smooth, clean, unique, elegant, modern, serif, san serif, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels.

Love Pica is a lovely Typeface with Ligature inside. It features gorgeous hearts in each letter which give it an incredibly romantic feel. this font suitable for valentine day poster, logo, t shirt, event banner and etc. you can use this font for any design, apparel, kids logo, logo type, with many Ligature for make your design awesome.

Indulge in the romantic allure of Romantica Vibes, a captivating script font that weaves passion and sophistication into your designs. Infuse your projects with the timeless charm of love, as this font adds a touch of grace and warmth. With PUA encoding, explore its versatile features effortlessly, ensuring your Valentine's creations are both enchanting and memorable

Bitterlove is a romantic and graceful calligraphy typeface with characters that dance along the baseline. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. Bitterlove is PUA encoded which means you can access all of the glyphs and swashes with ease!

arima is a beautiful and feminine serif font created by a romantic and lovely look. Karima was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome!! Perfect for Branding identity, editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Berthalia is a lovely and romantic handwritten font. It looks stunning on wedding invitations, books, quotes, business cards,and lovely craft. With the addition of love that will enrich your design choices. Special characters are also available for lowercase letters with added beginning & end swashes, also Ligatures that can make your design more smooth and looks natural.

Royal Paradise This is a beautiful thin font, with a variety of alternatives that you can use, this font is perfect for anything that has a romantic feel or looks simple elegant and will complement the luxurious side of your design. make sure you don't miss this font. include : Numeric latin Alternate Thank you very much

Romantis Natalies Script and Sans are beautiful and romantic writing fonts. Looks amazing on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design. This font is PUA encoded which means you can access all glyphs and swashes with ease! The font includes OpenType features with alternative styles, ligatures, and multiple language support.