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  1. Fonce Sans Pro by Ryan Ford, $10.95
    Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.
  2. Ponte Vecchio NF by Nick's Fonts, $10.00
    An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.
  3. Big Foot Forest by RodrigoTypo, $30.00
  4. My Left Foot by Rocket Type, $14.00
    Don’t let the name fool you! My Left Foot was made by hand. Alts, ligatures and Vietnamese all included in this whimsical typeface. Go ahead and dip your toes in!
  5. Font in a Red Suit - Unknown license
  6. The Font With No Name - Unknown license
  7. Exit font (for a film) - Unknown license
  8. Nanncie Fancy Groovy Display Font by Maulana Creative, $15.00
    Nanncie fancy groovy display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nanncie font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nanncie font. Cheers, Maulana Creative
  9. Sister Pamella Font Cyrillic Duo by Ira Dvilyuk, $18.00
    Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.
  10. Reprizo Condensed Sans Display Font by Maulana Creative, $17.00
    Reprizo is a modern condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Reprizo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Reprizo font. Cheers, Maulana Creative
  11. Emorical Typeface Western Display Font by Maulana Creative, $17.00
    Emorical typeface western display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Emorical typeface western display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Emorical typeface western display font. Cheers, Maulana Creative
  12. KG A Teeny Tiny Font by Kimberly Geswein, $5.00
    The handwriting of A Teeny Tiny Teacher, Kristin Oldham.
  13. Happy Go Lucky Display Font by Goldfish Girl Creative, $9.00
    A Feel Good Kinda Font This playful and light-hearted, sans serif, display font includes uppercase letters, numbers, and punctuation. Great for carefree, boho, and fun designs like stationery, logos, wall art, stickers, patterns, and products. Use the font styles separately or try layering them! Built for easy use in Canva too. Includes: Happy Go Lucky font in 3 styles: Regular, Outlined, and Rounded
  14. Portilla Rounded Bold Sans Font by Maulana Creative, $15.00
    Portilla is a modern round sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Portilla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Portilla font. Cheers, Maulana Creative
  15. Pollet Signature Script Sans Font by Maulana Creative, $14.00
    Pollet is a fancy signature script and sans serif font duo. With light contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Pollet font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pollet font. Cheers, MaulanaCreative
  16. KG I Need A Font by Kimberly Geswein, $5.00
    A neat handwritten font in 2 styles- one with hearts and one without hearts.
  17. THE BOLD FONT (FREE VERSION) - Personal use only
  18. Modern Dot Digital-7 - Personal use only
  19. Advanced Dot Digital-7 - Personal use only
  20. KG How Many Times - Personal use only
  21. Small Dot Digital-7 - Personal use only
  22. Not Quite Right BRK - Unknown license
  23. Iron Lounge Smart Dot - Unknown license
  24. KR Lots Of Hearts - Unknown license
  25. I Shot The Serif - Unknown license
  26. AW_Siam English not Thai - Unknown license
  27. Iron Lounge Dots 2 - Unknown license
  28. KR Lots Of Holly - Unknown license
  29. Do not eat this - Unknown license
  30. Lil' Mug Shots Humanoids by Patricia Lillie, $25.00
    From nice ladies to evil clowns.
  31. Display Dots Two Serif by Gerald Gallo, $20.00
    Display Dots Two Serif is a display font not intended for text use. It, along with its sans counterpart were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Two Serif has an uppercase alphabet, numbers, and punctuation.
  32. How To Consume Oxygen by Vic Fieger, $8.99
    How To Consume Oxygen was created with the plan of emulating words written on a fluted-steel 'warehouse'-type door in advanced state of rusting.
  33. KG Sorry Not Sorry by Kimberly Geswein, $5.00
    A neat blocky solid font for headlines. In two weights.
  34. Got That Bling NF by Nick's Fonts, $10.00
    Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.
  35. HWT Roman Extended Fatface by Hamilton Wood Type Collection, $24.95
    The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.
  36. Not So Grotesk JNL by Jeff Levine, $29.00
    A circa-1920s book on lettering entitled "Book of Alphabets" by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time). This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique. Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.
  37. Display Dots Three Sans by Gerald Gallo, $20.00
    Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.
  38. Display Dots Three Serif by Gerald Gallo, $20.00
    Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.
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