Komika Text Kaps is a unique and dynamic font that is part of the expansive Komika collection, masterfully created by Apostrophic Labs. This collection is particularly renowned for its comic book-ins...
Picture this: you've just stumbled upon a treasure trove of fonts, and there, gleaming in the midst of them all, is "More than Enough" by Kimberly Geswein. This font is like the cool breeze on a swel...
As of my last update in April 2023, if "Jano" refers to a specific font that has garnered widespread recognition or been released by a notable foundry, I unfortunately do not have detailed informatio...
Brave New Era (outline) G98 by GemFonts | Graham Meade is an intriguing font that embodies the spirit of exploration and innovation. Designed by the adept font artist Graham Meade under the banner of...
Imagine, if you will, sneaking into a bustling cityscape deep in the heart of a neon-lit night. Everywhere you look, shimmering lights dance against the dark, outlining shapes and letters with a glow...
The Eighty-Eight font crafted by Woodcutter Manero bursts with a distinct character that makes it stand out in the expansive universe of typography. Woodcutter Manero has a reputation for creating fo...
As of my last update in April 2023, "Slurp" is a distinctive font created by Eric Djengué, embodying a unique blend of artistic flair and functional design. Eric Djengué, known for his creative prowe...
Hyundai, a font devised by the talented designer Samuel Park, presents a captivating blend of modernity and practicality, echoing the innovative spirit and aesthetic principles of the brand it is ali...
The Datura font, with its enchanting and somewhat enigmatic presence, embodies a harmonious blend of classic elegance and contemporary flair. At its core, Datura channels a sense of mystique, reminis...
Once upon a time, in the enchanted lands of typography, nestled between the bold warriors of Arial and the elegant serifs of Times New Roman, there lived a whimsically charming font named TagettesPlu...
Ah, the Grandesign Neue Roman – if fonts were dinner parties, this one would arrive in a tuxedo, waltzing in with the grace of a bygone era, yet with a sparkle in its serif that whispers, "I've got a...
As of my last update in early 2023, "Angel LemonaDemo" by Pentagonistudio is a charming and playful font that embodies a lighthearted and whimsical aesthetic, making it a delightful choice for a rang...
Beef'd, created by the talented Lewis Bauer, is a font that commands attention and exudes strength. This distinctive typeface blends the robustness of block letters with a unique flair that sets it a...
The KG What the Teacher Wants font, crafted by Kimberly Geswein, is a testament to the personal and approachable style that has become synonymous with educational and instructional environments. At i...
Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
Ah, "Derail," the font that decided to be the life of the graphic design party, where it loudly proclaims, "Who needs the straight and narrow path?". Imagine if a typeface had a rebellious teenage ph...
Mister Loopy is a playful and whimsical font that feels like it has been directly lifted from the pages of a captivating children’s storybook or a whimsical piece of modern art. With its distinctive ...
Close your eyes. Wait, don’t—then you won’t be able to read this. Imagine, in a world where letters not only talk but strut down the catwalk with unmatched elegance, there lives a font: Ordinatum Med...
Ah, KG Seven Sixteen, a font that confidently saunters into the world of typography, tipping its hat with a cheeky grin. Crafted by the whimsical wand of Kimberly Geswein, it's as if this font was sp...
Imagine, if you will, a font that captures the whimsical essence of a sunny afternoon spent lying in the grass, musing about the mysteries of life with your best friend—a friend who just happens to b...
The Edhiron Asdhúriel v. 1.2 font is a work of typographic art that transports the imagination to realms of ancient manuscripts and elvish lore. Its design intricately weaves together elegance and my...
Imagine stepping into a bibliophile's dream, a realm where ancient manuscripts and regal scripts of yore come alive. This is the world of Basileus, a font that hails from the illustrious archives of ...
As of my last update in April 2023, there is limited widespread recognition or documentation of a font specifically named "Rogers2". Without direct details or specifications about this font, it's cha...
KR Down By The Sea by Kat Rakos is a charming and whimsical font that instantly evokes the playful and carefree vibes of a day spent by the seaside. Its design marries a sense of nostalgia with a fre...
Ah, if fonts were people, Struck Base PERSONAL USE ONLY PERSONAL USE ONLY by Måns Grebäck would be that incredibly charismatic friend who insists on making a dramatic entrance at every party, yet onl...
The "Harry P" font, created by GemFonts under the direction of Graham Meade, is a striking typeface that has carved its own niche in the world of typography. It's a font that immediately catches the ...
Certainly! The Faltura Animals font, designed by the renowned typeface creator Måns Grebäck, is a fascinating and creatively driven font that deeply resonates with nature and animal lovers. This font...
The CF Anarchy font by CloutierFontes is a vivid expression of freedom and rebellion. Crafted by the visionary Steve Cloutier, this font is more than just a collection of characters; it's a statement...
The font "The Girl Next Door" created by Kimberly Geswein has an intriguing mixture of casualness and charm, encapsulating the warmth and approachability its name suggests. Kimberly Geswein, known fo...
Alright, prepare yourself for a typographic voyage to the land of "Rational Integer" by Tepid Monkey Fonts, where numerals and letters coexist in a harmonious utopia devoid of irrationality.
Ration...
Oh, if fonts were animals in a grand zoo of alphabets, then PANDA, my dear friends, would be the adorable, munching, and utterly irresistible main attraction. Picture this: each letter of PANDA font ...
Arbuckle is a font that dances between the worlds of playfulness and respectability, masterfully designed by Nick Curtis. Picture a font that could easily headline a whimsical party invitation one mo...
Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
RomanticFont2, as its name suggests, is a font that breathes life into the essence of romance, elegance, and an exquisite touch of delicateness. Crafted with a keen eye for harmonizing the traditiona...
Bubbleboy is a charming, lively font that seems to burst with cheerful energy and playful charm, evoking the whimsy of childhood bubble letters yet refined enough for both personal and professional p...
The font "Problematic Piercer" crafted by Vinterstille is an intriguing embodiment of artistic rebellion and edgy sophistication. This typeface stands out through its unique design that combines elem...
SF Piezolectric is a distinctive font designed by ShyFoundry, a type foundry known for creating innovative typefaces with meticulous attention to detail. SF Piezolectric stands out because of its uni...

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Minimal" because of the minimal decoration and simplistic design. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). This calligraphy is not only minimal in its design but easy to read, very few letters overlaps and the decorative symbols are at minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Random" because we don't follow any one principle to write the names, some overlap some don't, some letters are big and some are small. All the letters, harakat, decorative letters and symbols may differ from one name to another.(in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). Decorative symbols are at a minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it). The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.