ovalive is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, ovalive has a unique style with stylistic, alternates, ligatures and supports multilingual languages.
Stazin is a display high-contrasted font comes with single-weight. Stazin supports many Latin based languages and Arabic language with almost 900 glyphs that covers many OpenType features.
Haruka is a unique and bold handwritten font that is inspired by Japanese artistry. It will add an authentic and dynamic touch to a big variety of design projects.
Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font.
Modernist sans serif with a "big" look and lots of weights. Compact, elegant and strong, Sense commands any kind of page -- from the largest headline to the smallest text.
Elgista is modern serif display font with design choices and a combination between high contrast, experimental, and brutalism style. Elgista comes with stylistic, alternates, ligatures and supports multilingual languages.
Abracadabra is a headline font and shows its characteristics best in big sizes. Abracadabra loves to be used for fashionable reasons and likes to play with religious-looking symbols.
Lemans is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Lemans has a unique style with stylistic, alternates, ligatures and supports multilingual languages.
The Brown Sound is an authentic signature script font. This handwritten beauty is suitable for high-end, sophisticated branding, movie poster, album cover or for simple, memorable Instagram quotes.
Corbby is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Corbby has a unique style with stylistic, alternates, ligatures and supports multilingual languages.
Madigan is a high-contrasted, crisp, and attractive typeface. While situated firmly in the category of ‘modern’ types, it appears fancy and lively, showing extravagant details in display sizes.
Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most faithful and delicate contemporary version of his types.