The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Gutters Butter! A handwrittent marker font with 8 styles, Gutters Butter Regular, Gutters Butter Regular Italic, Gutters Butter Regular Bold, Gutters Butter Regular Bold Italic, Gutters Butter Rounded, Gutters Butter Rounded Italic, Gutters Butter Rounded Bold, Gutters Butter Rounded Bold Italic. Gutters Butter font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? Uppercase and lowercase characters Supports international languages Opentype feature: ligatures, alternate Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don’t hesitate to drop me a message if you have any issues or queries.

An informal script designed for ATF as an italic for his Piranesi by W.T. Sniffin.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

Amalligna Monogram is an incredibly beautiful and romantic handwritten font, featuring little hearts as ornaments. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

This is a romantic set of ornaments inspired by Valentine’s Day. It includes calligraphic flourishes which include heart shapes, and many that can be combined to form heart shapes, as well as images of hearts, roses, and cupid’s arrows.

"Valentine Heart" is a very unique and beautiful script font. This font is equipped with upper- and lower-case letters, ligatures, numerals, punctuation, and multilingual support. Valentine's Day, a wedding, spring, an invitation, and other romantic occasions are ideal.

Fuchsia is a soft, romantic, and slightly eclectic script. The characters feature wide proportions, high contrast, and backward bends at joints—all ensuring the typeface truly shine in large sizes. Complex capitals look very nice next to lowercase letters.

Gladis is a modern calligraphy font that has thin strokes and wide characters. A super stylish and elegant for branding purpose and also great for romantic projects. Gladis created with passion and designed to be a reflection of beauty.

Absalon has square letter shapes. It has some characteristics semi-sharp and semi-rounded corners and it has a relatively tall x-height for legible text. To create the perfect typesetting the spaces between individual letter forms has been precisely adjusted. The Absalon font family is perfect for the web as well as for print, for display as well as longer text, for motion graphics, on the side of a van, t-shirts, logotypes and so on. The font family consist of 5 weights or 10 styles and it has 410 glyphs. A total of more than 4000 glyphs. The styles are: Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extra Bold & Extra Bold Italic. It has OpenType features such as automatic fractions, subscript, superscript, numerators, denomerators, ordinals and the “f” ligature set. Absalon has extended language support (most Latin-based scripts are supported). The name of the font family is Absalon and it is a reference to a Danish bishop in the middle ages. He was a key figure in the founding of Copenhagen, the Capital of Denmark.

Diotima Classic is a total upheaval for the 21st century of Gudrun Zapf von Hesse's mid-20th-century Diotima, one of the most beautiful types ever cast in metal. Its roots lay in a calligraphic sheet written by Gudrun Zapf von Hesse. The text was the Hyperion to Diotima" by Friedrich Hölderlin; Diotima is the name of a Greek priestess in Plato's dialogue about love. In the philosopher's imagination, she should appear slim and beautiful. In 1948, Gudrun Zapf von Hesse finished the typeface's Roman. The Diotima family was released as a metal typeface for hand setting by D. Stempel AG in 1951-53. This original Diotima is a festive design particularly suited to invitations, programs, and poems. The delicate Italic drew attention to text passages that should be emphasized. Linotype's previous digital Diotima only had one weight, which looked great in display sizes, but was too thin for text setting. Diotima Classic has four weights. The new Regular has more robust serifs and thicker hairlines, making it more appropriate for text sizes. The Diotima variation with finer serif remains under the name Light. Gudrun Zapf von Hesse also took the opportunity in 2008 to add an extremely heavy weight to the family. In comparison to the old Diotima, letterforms of the Diotima Classic are more harmonious and balanced. The rhythm of the Italic letters in Diotima Classic is more consistent. The lining figures of the Diotima Classic align with caps, and the letter spacing of the tabular lining figures in Diotima Classic is significantly better. The forms of the figures have been improved as well."

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs.

Aure Jane defines grace under fire. These clean, sans-serif forms engage the reader with a subtext of trust. Jane’s excellent legibility will stand up under almost any typographic challenge, bringing confidence to text and titles, and clarity to astrological expressions and chartwheels. Jane is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. In addition to Aure Jane’s versatility as a text font, Jane can enhance the message of other designs. Aure Jane pairs well as an innocuous foil to any decorative font; Aure Sable, for example, will shine all the more beside Jane’s sensible utility. The witty highlights of Aure Brash will sparkle against Jane’s practicality. Give Aure Jane a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Delve into the world of timelessness with Montaigne. With its blend of classic elements and contemporary design, this serif family offers a comprehensive selection of eight styles and their corresponding italics. Explore Montaigne's OpenType features, including Small Caps, OldStyle numerals, and a delightful array of Swash initials and Discretionary ligatures in the Italic styles.

The Greater Neue font family is a modern collection consisting of 32 weights, 16 uprights, and matching italics. Condensed width consisting of 16 weights, 8 uprights, and matching italics. It is perfect for packaging, advertisements, headlines, and corporate identities. This font family is well-suited for graphic design and any type of display use.

A display font collection for fantasy headlines within the concept of Moho Condensed based in letters with shadows as Moho Umbra Regular and Italic, or simple shadow effect as Moho Shadow Regular and Italic, or font effects to be used in color layers. all ideal for interesting lettering to magazines, posters and labels design.

Ataxia was designed to be used in long texts such as books and magazines. The font has the weights regular, bold, italic and bold italic as well as ligatures, small caps, oldstyle numbers and support for many languages (unfortunately not German: ß is missing, lower quotes ‚wrong‘ and „missing“), with more than 500 glyphs.

Curbdog is a bold, playful display face with light horizontals and curved terminals in the italics.