Advertiser JNL is a simple A-Z only font used to make retro-styled titles and names. Based on a popular style of retail signage from the 1950s and 1960s, alternating keystrokes will create a contrast of positive and negative letters. The capital letters have the alphabet in white on black boxes, the lower case have the black letters alone—with the white space conforming to the width of the black boxes. In a pinch, the boxed characters can also be used as initial caps. For a more complete character set with the same style of lettering, use DuBois Block JNL.

TOMO Bossa is a cartoon inspired sans serif, ideal for kids related stuff, in print or digital, like posters, video, websites or books! This beauty also speak Cyrillic! The complete family comes with a Black and Black Rough style. Enjoy!

Important! There is a whole new redesigned version (remake) of Uni Sans called Uni Neue . The Uni Sans font family includes 14 weights - seven uprights with seven italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque strong typefaces like DIN and Dax - Uni Sans has his own unique style in expressed perfect softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Uni Sans font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos. PDF Specimen also available - click here .

Xero is an intentionally loose creation of a humanist font, given a Russian flair! Played rougher than its counterparts Helvetica and Arial, Xero works well for those who want to go that route but don't want the sharply defined lines of others in the humanist family.

Bitmax is the work of British designer Alan Birch, who was inspired by the look of fax transmissions. He took Helvetica medium and used controlled distortions to create this commanding, high-tech style. Bitmax is best used in large display sizes for a limited number of words.

Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.

Crepe Paper JNL is an alphabet-only novelty font that creates a wavy ribbon headline with a vintage wood type alphabet that somewhat resembles an unfurled stretch of crepe paper. The upper case A-Z keys will produce a white ribbon banner with black letters, while the lower case a-z keys are white letters on a black background. The end caps for the white banner are on the left and right parenthesis keys, while the end caps for the black banner are on the bracket keys. A blank space is located on the period key for the white banner and on the comma key for the black banner. This will allow for a continuous text banner without an open break due to using the space key.

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.

ITC Digital Woodcuts font is the work of Timothy Donaldson. Although made on a computer, each character has the look of a block of wood with a character cut into it. The forms are made entirely of lines, typical of how the result would be if they were truly cut into wood. ITC Digital Woodcuts is a capital letter alphabet including both white letters on a black background and black letters on a whitish background which looks as though the bark of the piece of wood was chiseled away for the effect. Donaldson suggests alternating the black version with the white to create a three dimensional effect.

Geometos Soft is a geometric sans-serif display typeface family. It is a rounded version of Geometos Neue. An all caps family of seven weights, Geometos Soft is especially suitable for headlines, headings, branding, posters, packaging, titles and logos.

Helovatica is a sans serif font with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Helovatica is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

MD-Type Rounded is a modern, stylish font family. The family consists of five fonts (Regular, Bold, Light, Block, Black) which are formed by all capital letters. The strong and accented letters were rounded on the corners and therefore softened. The font family supports Turkish language as well.

Public Utility JNL digitally duplicates the look of those small white-on-black self-adhesive stickers used by cities, power companies and telecommunication firms in order to identify utility poles and other service locations. A blank rectangle is available on both the solid and broken vertical bar positions.

The rustic lettering which also served as the model for Grist Mill JNL is the basis for Gristwood JNL. Another set of vintage wood type has the letters reversed out of blocks, making for a specialty titling font. Decorative end caps are located on the greater and less than keys and also on the plus and equal keys. A blank block for regular word spacing is on the underscore key, along with a wider blank box on the backslash key. This typeface has a somewhat limited character set.

A simple and elegant sans serif font inspired by the legendary Helvetica and Univers. Perfect for minimalist, modern typography. The font has a dense enough kerning that it's perfect for large and medium-sized headlines. The highlight of the font is the letters N and K, adding some spacey vibe to the design.

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!

Eklipse is a ultra-black typeface from Neder Type. Designed to defy the limits of legibility it is also a journey into a universe of strange possibilities. With multi-lingual support, contains more than 60 ligatures and contextual alternates! Eklipse fits perfect in headlines, logos and small blocks of text.

HK Requisite™ is a sans serif typeface inspired by the compactness of Neue Haas Grotesk and the strong character of Akzidenz Grotesk. The name came from the fact that fonts are elements that are necessary for the achievement of a specified end.

Introducing Goga, a versatile sans serif family available in 10 weights from hairline to black. It is a typeface that combines the best of geometric sans serifs and neo-grotesques. It draws inspiration from typefaces like Avenir on the one hand and Helvetica on the other. Although Goga is a universal and neutral typeface, it is rather warmer and friendly in nature. If you want to add more juice to your project, you can do so by using unusual stylistic alternates of the lowercase g (hence the name Goga). Goga is a typeface suitable for both large sizes and smaller text, thanks to its large x-height. It contains Latin-extended character set, and thus supports most Latin languages. It also offers many open type features such as fractions, old-style figures, tabular figures, discretionary ligatures and more.

London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."

Inspired by pointed pen calligraphy and modulated sans serif typefaces used for advertising in the 1920´s, Bologna is a high contrasted sans serif with a modern and fashionable look. Bologna comes in three weights: Regular, Bold and Black. The Regular and Bold weights are, despite of their high contrast, also build for body texts. Whereas Bologna Black, with a more expressive look and sharp angles, is specially designed for large and striking headlines, packaging or identities. Overview: 3 weights - Regular, Bold, Black Regular/Bold: 657 Glyphs Black: 871 Glyphs Lining, tabular and old style figures Ligatures: fl, fi, ff, ffi ffl, Unicase Letters: a, e, m, n, r Alternative Guillemets Case Sensitive Arrows Bologna Black: hairline accents and interpunctations Fractions Extended Language Support Stylistic Sets: ss01 = Alternative Guillemets / Alternative y ss02 = Unicase glyphs ss03 = Numerals in circle ss04 = Numerals in black circle ss05 = Hairline Accents and Interpunctations (Bologna Black)

This forerunner of Helvetica made its debut as Breite Grotesk in the 1886 specimen book of the Schelter & Giesecke foundry in Leipzig. This classic face still retains its freshness, even after more than a century. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

If you build a block, they will come.

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Morning Sweetest and Morning Sweetest Neue is a Classic feat Modern serif family. It's clean and smooth with 9 variable weight combining the regular and italic and much alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc.

Here’s a novelty font emulating the plastic pennant streamers that were popular in the 1950s and 1960s used to decorate a store parking lot or used car lot for a sales event. The typeface inside the individual pennants is Manufacturer JNL, which can be used for body copy associated with titles made by this font. Parking Lot Sale JNL is available in regular (black letters on white pennants) and black (with white letters). A blank pennant for word spacing or end caps is available on the backslash key.

Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.

BR Sonoma is a new geometric grotesque built for the 21st century with a finely tuned modern aesthetic. BR Sonoma builds on the foundations laid by the classic Swiss grotesques such as Helvetica and Univers but combines their features with a stronger geometric base usually found in other early classics such as Avant Garde, Futura and Avenir.

Deka was 10 years in the making. Intended as a clean and straightforward sans serif family, it has just enough personality to stand out. Helvetica this ain't! Deka has 8 weights, language support for all Latin plus cyrillic languages, and loads of Opentype features. It is a versatile workhorse suitable for both text and display usage.