Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains 188 glyphs. Next Stop was designed for contiguous flow, and can be made pseudo-monospaced by using spacers in the fi and fl ligatures.

Cursivica is a decorative font. Its letters are an odd mixture of script forms and block letters straightening and slimness. Cursivica supports several writing systems and besides supports extended Latin characters, also it contains extended Cyrillic (including Tatar letters), Greek alphabet and Hebrew. This font will perfectly fit for invitation letter design, packaging of cosmetic products, creams, etc.

Qbig was originally designed as a typeface for an amateur sci-fi movie in 2006. The basic style can be complemented with two types of shadows (Block and Superblock) which leads to 3D effect. The "Shadow" styles can also be used individually for example to create various graphic structures. This typeface is determined for use in larger sizes.

A set of rubber stamp letters, figures and punctuation used for marking electrical or communications equipment [and made in Japan] is the basis for this serif typeface. Varying widths and some letters in more of a block style than rounded are typical of Japanese packaging text from the 1950s and 1960s. Available in regular and oblique styles.

WOOD TYPE COLLECTION from Mateusz Machalski is a set of wonderful, warm, and weathered hand made typefaces designed by Mateusz Machalski. The Inspiration for this collection comes from a wooden letter blocks and other old technologies used for printing. WTC supports 40 different languages and contains over 300 glyphs per style. The Family consists of 20 typefaces. ENJOY!

Diamond Cubic is a modern serif font with a geometrical and a slightly condensed design which makes it particularly effective for space economizing. It will look fantastic with short and middle length text blocks, headlines, presentations, logo, branding, poster, packaging or any other creative design. Diamond Cubic containing small caps and glyph coverage for several languages.

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Cardboard Cutouts JNL is a blocky sans serif font re-drawn from some old "kiddie" stencils from the 1950s or 1960s acquired by Jeff Levine.

Just write, I just want to write, I took a pen, I write the words with punctuation, I write the numbers, symbols and some currencies. No matter about My writing is ugly or very ugly, but sharing this handwriting to the world is my best wish. Tello Mallo comes in regular and italic style for every word you type. Do you like it? Hope you enjoy this, if you have problems or questions, please don't hesitate to contact me. Thank you and have a nice day :) ;)

Basati is a display typeface designed for headlines and hard-hitting messages. It is sharp, heavy, and hard as an axe. But don’t be fooled by its rough look or the impression of having been carved with a machete. Each character is precise and sharp as a scalpel, and in that perfectly cut informality lies her deliberately wild temperament. Perhaps because its design was conceived during a severe bout of lumbago, its strokes are heavy and provocative, as if trying to defy logic and gravity alike.

Whassup y’all! Me and my bros got this li’l gang together: we is Ringo, and we got da bling, yo! We is da typeface family for ya all! We got some real sweet stuff for ya, some nice characters. We got all ’em OpenType features like fractions and proportional figgers, we even got da cubic root, man! And check out da question mark, man, is real sweet. And the ampersand, yeah! I luv ’em ampersands. Now my brothers over here got some light action for ya, and they got some real bold action for ya. We got some nice foxy curves goin’ on, some nice tension, and some nice relaxation. My bro Light over here is kind of like the subtle guy, ya know. He’s in for the female fans, ya know. Heh! Hell, yeah! And man, we speak like 84 languages: we speak the German, and the French, and the Spanish, and we speak the Polish, and the Czech, and the Hungarian, and we even speak Shambala and Swahili and Rundi, and we got some Esperanto thing as well for ya. And check out my bro Black right over here, he’s like the action superhero, man! He’s got impact, man! Yeah yeah, but you know, my bros Regular and Bold are the real deal. Them is like da word of da street, man! Like da word of you, and you. And we got a message for y’all: life is hard, life is real, but you should work your mojo, be smooth, be nice, chill. We got all them kerning pairs, and all them weights, and we got ’em alternate letters. So check us out, yo!

I noticed this font for its versatile techno look - it makes wonderful logotype word images. Every letter combination is perfectly kerned so that the letters fit together nicely... Also includes some alternate letterforms, but only in their basic forms (not made in combinations with diacritics). These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss02" and "Swash"/"ss01". Technique BRK Pro is the perfect companion for Technique Outline BRK Pro (it exactly fills the "holes") but also a nice techno font in its own right. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Dynamic by name, and dynamic by nature - this sleek font is perfect for logos and hightech quotes. The original lowercase f had a big overhang - I redesigned it so it fits better with accented letters, but also kept the original shape as a contextual alternate: the font automatically uses the "large" f before any low letters... Also the lowercase j would crash into any preceding letters with a righthand descender - so I also designed an automatic alternate j. Result: no colliding letters! The Slanted version adds a touch of speed. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Elaina Family Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters, its stylistic alternates, and a companion font, Elaina Semi Serif, useful for body text and complementary contexts. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Script Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Semi-Serif Elaina Semi Serif was designed to complement Elaina Script. Both faces share calligraphic roots and typographic and allow them to mix harmoniously. Its modulated strokes and subtly flared terminals give it a humanist feel that adds warmth and positivity to any setting.

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

Bessington is a quirky rough uppercase display font, each character hand drawn using rich black ink on a soft paper giving it a beautifully ragged look.

Ugaritica is an uppercase typeface. Blocky, sharp, and aggressive. Nice for headlines to catch the attention. Ugaritica is available in two styles - regular and bold. Enjoy!

Back in the days when we earned our living with a travelling magic show, we took the shaded font Lithotint, filled it in, modified some characters, and here is the result. In those days, to use the font we had to cut and paste stats of individual letters by hand. You have it easier!

Core Sans N SC is the Small Caps version of the Core Sans N that is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N SC Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N SC Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N SC Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Type Tiles JNL is based on a ‘completed’ version of ‘Alpha-Blox’ by American Type Founders, circa 1944. The capitals, lower case and numerals shown in the sample sheet put out by ATF depicted type made with five-high blocks comprised of modular units spaced two points apart. These units could be combined in varying ways to create custom type of varying heights and widths and was available for purchase in both linear (multi-line) and reverse (white on black) formats. Using the 'reverse' model shown on the sample sheet, all of the characters were re-created digitally, and missing punctuation, foreign characters and other glyphs found in a basic computer font were drawn and added. The 'J' and 'T' in the type sample had truncations, so a more complete character was created for each of those letters. For those wanting an unbroken string of words or blank end caps, there is a double column space on the vertical bar key. A single column space is located on the broken bar key for shorter end caps. Type Tiles JNL is available in both regular and oblique versions

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Arbour Soft is the cheeky version of it's big brother, Arbour. The soft version creates a smooth finish that flows perfectly across screens and print. Arbour Soft comes in 7 weights, from a delicate extra-light to a soft, strong black, with matching soft italics for each upright. The soft black weights are perfect for your new brand or article headlines, and the light weights are great for calling out text. The mid weights are perfect for longer texts.

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

Alphacal JNL and Alphacal Black JNL are variants of the same lettering style found in Jeff Levine's Juneway JNL font... all based on water-applied decals once made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois. Alphacal JNL can be used alone as an outline font (best at 18 pt. and above) or with Alphacal Black JNL as a backfill. Note: Perfect registration is not guaranteed. Some user adjustments may be necessary.

The intention with Capo was to make a typeface with a pinched, angled connection between curves and verticals. We have explored this incised, cut motif previously on typefaces, most notably Noah, Sabre and Harbour. These have focussed more specifically on stone-cut forms. For Capo we wanted to mix the expressive quality of its ‘pinch’ idea with an overall aesthetic that could be applied to text rather than headline. So Capo has something of the function and warm, organic quality of Grotesque style typefaces. In Capo’s Bold and Black weights the sharpness of the letter shapes is more dramatic and emphasised, making for great effect for large-sized text. Why Capo? A capo is a device used on the neck of a stringed (typically fretted) instrument to shorten the playable length of the strings by pinching or clamping them in place, hence raising the pitch.

Grrr is a headstrong modular display typeface with a large amount of alternative glyphs. It consists of eight weights ranging from Thin to Black. A variable font is also available. The typeface is designed on a modular grid and it proudly ignores the rules of optical compensations: the horizontal and vertical strokes have identical thickness, and round and triangular letters have no overshoots at all! All these peculiarities are making the typeface usable at sizes from 21pt and larger in print and approximately from 24px on non-retina screens. Grrr is especially good at extremely large sizes. The typeface includes three stylistic sets with even more bizarre letterforms. These sets activate a cyclic pseudorandom substitution of letters from a range of alternates — the letterforms keep changing as you type! The typeface was designed by Dmitry Goloub and Alexandra Korolkova and released by Paratype in 2019.

ITC Kulukundis is the work of designer Daniel Pelavin, a square, connecting script which looks as though it could have been cast in shiny chrome for the side of a 1950s American roadster. Pelavin based his design very loosely on a vertical French script but the overall look is all his own. Unlike calligraphic scripts, the lower case letters all connect in exactly the same way and the straight diagonal junctures give the typeface its broad, spacious character and keep it locked into a continuous line. ITC Kulukundis could also be used to create a decorative border for special occasions.

"And she, Pasiphae, gave birth to Asterion, who was also known by the name of Minotaur, since he had the face of a bull and the rest of a man. Minos wanted to beware against certain oracles by locking him in a maze. It was the labyrinth, the work of Daedalus, a construction of tangled revolts that strayed from the exit.” - Apollodorus from Atenas. LABERINTIA is a font inspired by Daedalus' masterpiece, The Cretan Labyrinth, an experimental, display typeface that creates textures, plays with the mind and loses anyone who dares to take a walk inside it.

Toma Sans is a sans serif type family of seven weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Toma Sans has a functional look with a friendly open touch. While the ExtraLight and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. The typeface has an extended character set to support most European languages.

The cover of a 1950s-era catalog for the Freedman Novelty Company (of San Francisco California) had the word "Novelty" hand-lettered in an unusually angular type style against various geometric shapes somewhat resembling balloons. While the lettering was quirky enough to warrant re-drawing as a digital font, the shapes would have presented a visual nightmare in design and spacing, so simple black rectangles were substituted and the letters appear in white. Since novelty lettering of this type would never become "standard" in use, its function became the font's name, Limited Appeal JNL. There is just a simple A-Z and 1-0 character set along with basic punctuation.

Munderic Godas Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more. How to easily create Death metal & Black Metal logo from font : https://youtu.be/scdtMQUVWXI Features : - All Caps - numbers & punctuation - Alternate - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

BOnuts is a modern rounded sans built in 8 styles and crafted for you by BOtype. It's clean and minimal and modern rounded design gives you a wide array of uses such as branding, editorial & print, and also makes it perfect for UI & digital applications. We designed Bonuts to have the most legibility to give you a very versatile font family you use for any use you want. It includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages, basic Cyrillic and Greek. The type family consists of 8 weights (Thin, Light, Normal, Regular, Medium, Bold, Black and Heavy).

The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure. All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail. As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/