In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase 'g' with its two semi-open counters and the 'k' and 'x' with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the 'v' and 'w' and the uppercase 'M' and 'N'. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome's elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.

The world of aviation is filled with clean and iconic logotypes, yet some of the earlier logotypes were friendly and simple. The Tailwind family finds its origin of inspiration in an early Air Jamaica company logo, and from there is expanded into a small but comprehensive font family. Tailwind celebrates the typographic stylings of the 70’s, with the soft rounded terminals and open geometric feel, transcending its brand inspired origin to give birth to a family that feels both retro and modern. It inherited the friendly stylings of the mostly lowercase logo that inspired it, and goes on to include a full standard character set with expansive international support of latin based languages, small caps styles, and three weights jumping from light to regular to a heavyweight black. This family is ready to chart a course for your designs towards that of a modern, comfortable appeal. Here's what's included with the Tailwind Collection bundle: 382 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) 6 fonts in 3 weights: Light, Regular, Black . Small Caps versions available in all weights. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Tailwind Collection is for you: You're in need of a soft rounded font with a variety of weights with small caps for your designs You're a retro airline junkie and have to have anything inspired by Air Jamaica You love VAG Rounded, but you really want something just a little different You really dig the Akademics & Bloomingdales logos, but would like a softer type in that genre You just like to collect quality fonts to add to your design arsenal

Galette is a contemporary all-purpose sans-serif for printing and online delivery, allowing the use of one layout both as printed material and online without loss of quality or legibility. Not only a high resolution printing font with extensive kerning, it was designed from the ground up for clear and uniform display on the computer screen. It displays more predictably than the traditional fonts: no overhangs are used, the stroke thickness of capitals and lower case letters is identical, making hinting or antialiasing smoother at any point size and zoom combination. The hint of Art Nouveau makes the font more expressive and individualistic. A number of alternative capitals allows the font’s expression to be turned up or down at will. A generous complement of accented characters (Western & Eastern European, Baltic, Turkish) enables multi-lingual use.

Great Scott, Marty! This font is your density, charged up to 1.21 gigawatts through the Power of Love! Originally created by Comicraft for the official BACK TO THE FUTURE fan club, Remastered DOUBLEBACK has been rebuilt from the ground up, with a new vertical “Curve” weight, six new “Parallel” weights, stylistic alternate letters AMNUWY, and language support for Western & Central Europe and Vietnamese. And if that weren't enough, we've traveled into the future and brought back Solid & Open Variable Fonts which provide precise control of Time and Warp! We cannot be held responsible for any ruptures in the space-time continuum due to use of these fonts. SPECIAL INTRO SALE: from October 21 through November 12, get DoubleBack at half price and we will donate $20.15 of each sale to the Michael J. Fox Foundation for Parkinson's Research. We love ya, Mike.

Mexican Relics is a collection of over 100 dingbats in font format based on images found on a variety of clay stamps primarily from pre-Columbian Mexico. This font brings ancient artwork featuring fantastic animals and geometric shapes into the computer age.

This font was inspired by an old photographic film package I found. Over time, the vertical slits in the letters have become more complex and acquired slanted sections. The font is suitable for accidences: headlines, posters... maybe you can suggest something interesting ;)

Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.

Crayon Crumble is exactly what it reads on the package: it was made using cheap crayons, since the cheapies crumble a lot. It is a fun, kiddie font, with a grown-up look to it. Of course it comes with all the accents.

An Art Deco geometric alphabet found within the pages of the 1939 French lettering book "Modèles de lettres modernes par Georges Léculier" ("Models of Modern Letters by Georges Léculier") is the basis for French Geometric JNL; available in both regular and oblique versions.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England. This font is now available as Chamfer Engraved JNL in regular and oblique versions.

Iron Heart is a unique hand brush font that suits very well for your modern grunge vintage design. its texture was very interesting. use it for your special design and brilliant project such as Apparel, Web project, youtube content, logo, and many more.

Uptown JNL was found amidst the pages of a 1944 edition of the vintage lettering design book entitled "Sixty Alphabets". This lovely Art Deco typeface has slight curvature to the straight lines of the letter forms and a wonderful hand-lettered look.

Saltbush Rough from Estudio Calderón Is the burning version of Saltbush, a dry marker handwritten font with textured lines and multiple personalities! Equipped with a practice and funny smart ligatures group to get a "handcrafted" look for your designs. SEE WHAT’S INCLUDED!

The hand lettered screen credits for the 1940 film “The Proud Valley” feature a bold, hand lettered sans serif type design with strong Art Deco influences. This is now available as Paducah JNL, which is available in both regular and oblique versions.

The 1920s Art Nouveau movement spawned a number of beautiful hand lettered pieces of sheet music from that era. Attractive and narrow, the characters found on the title page of one such piece of music was the inspiration for Easy Money JNL.

The design of Candle Wax JNL comes from an original movie poster for the movie "Bell, Book and Candle" starring James Stewart. The oddly erratic letter forms conjure up ideas of spells, witchcraft and other things found lurking on dark moonlit nights.

The thirty images contained in Printers Parts JNL are another assortment of wonderful dingbats from various vintage sources. Brackets, ornaments, end caps, arrows, pointing hands and advertising phrases are part of the wide and various choices and styles found within this font.

Fleurons are embellishments and here is my fifth set. I again found some nice old ones and made them completely new. These very elaborate ones go extremely well together with my scripts Nadine and Ellida!!! Yours in an elaborate mood, Gert Wiescher

Introducing Wandering Phantom, a font that beckons you into terror and fascination collide. Whether you're evoking horror aesthetics or weaving a web of scary sophistication, Nightmare Glyph's versatility knows no bounds. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

Estonia Regular is based on the calligraphic style found in the east European country of Estonia. The swash versions are designed to be used in conjunction with the regular version. For the full character set all in one font, try Estonia Nouveau Pro.

Urban Philosopher is a experimental font, its kind of mix of vintage typography with 80 s grunge. The font have a little messy and dirty texture, which gives it a little "horror" effect. The font includes almost all letters of the Latin alphabet.

Art Department JNL is a fun, casual serif typeface which fits perfectly with any number of visual projects. This is one of the many hand-lettered alphabets found in various Speedball® lettering textbooks that has been re-drawn digitally by Jeff Levine.

Button Grinder is display font with handwritten dry brush style, ispired by halloween event and grunge rock style, with opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work. Caps Only Fonts.

Common Stencil JNL takes a vintage lettering stencil from the 1980s with imperfectly bent cutting dies [which unintentionally gave the characters a distressed or "grunge" look] and recreates it in a digital form. The design is available in both regular and oblique versions.

A handful of these spiky, sprightly letters made up the twittering title page of 'Message Of The Birds', a song by one Flora Warner, found in stacks of crumbling scores on an old upright piano in the basement of a favorite London bookstore.

I'm proud to present my Blober. He is a cute young font which will be helpful if you are going to design something cute and lovely. Fill him with pattern or texture and Blober will reflect the emotion in any way you want.

“Corbitt” is one of the many designs found within the pages of the 1907 Inland Type Foundry specimen book. A bold spurred serif with Art Nouveau influences, it is now available digitally as River Terrace JNL in both regular and oblique versions.

Truncheon is a grunge font with hair on its chest. Like its namesake it beats you over the head with enough attitude to leaves you confused and spinning. Upper and Lower case characters have variations like filled counters to keep things random.

This family of fonts was created to resemble a hand written style. It is loosely based on several sources, including that of the designer. There are unique ligatures, readily found in Keystrokes on the Macintosh platform: fr, ff, ffl, ss, tr, Th.

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Hello guys... We proud presenting our new font. It's name THREEFONTE. THREEFONTE is cute and unique stacked font. THREEFONTE would perfect for kids poster, t shirt, flyer, cover children book, cartoon, comic , cristmast invitation, greting card, valentine card, new year party and etc.

On October 15, 2006 we became proud parents of three babies. To commemorate (and help pay for diapers) I decided to release this baby-themed dingbat set. All proceeds for the next few years goes to pay for lots and lots of diapers.

Finally, a font that’s ready for your pixel adventures. Johto is a hand-crafted, pixelated font that captures the excitement of 1990s Tokyo for today’s developers, designers, and video-game makers. We all love the pixelated games we played as kids. Now, as programmers, video makers, and creators of side projects that make our hearts pound with passion, there is nothing more satisfying than imagining ourselves in the shoes of the people that inspired us. We want to feel like we're right back there in the excitement of 1990s Tokyo, as an artist or engineer. Johto was created because of our disappointment with the pixel fonts we found online. And for people like us, who care deeply about the quality of our work - especially the work we do for ourselves - we realized we needed a high-quality pixel font to give our work the look it deserves. With over six hundred characters plus support for dozens of languages, including Japanese, tons of fun hand-crafted ligatures to get the look right, Johto is an authentic nostalgia trip. It has all those missing details you didn't notice, but your brain did.

The Vondelpark is the famous Amsterdam city park, 47 hectares stretching out from Leidseplein to the Amstelveenseweg. It was founded in 1864 when a group of well-to-do Amsterdam citizens got together and bought land at the (then) edge of the city centre in order to create a park ‘for riding and strolling’. Designed by architect J.D. Zocher, it opened officially in 1865. The park received its name two years later when a statue of Dutch writer Joost van den Vondel was placed in the park. In the 1960s and 1970s the Vondelpark became a symbol and epicenter of the hippie flower power era. The park was declared a state monument in 1996. Donald DBXL was intrigued by the handmade iron nameplate lettering on the park’s entrance gates, and decided to design VLNL Vondelpark in its glory. The somewhat clumsy iron letters were not revived as is but optimized to turn it into a useful typeface. The all-caps serif with a deliberate constructed feel, contains a Positional Open Type feature that places half circles on the vertical stems, at the beginning and end of a word, to enliven the rhythm.