The purpose of Happy-Go-Lucky is to bring joy to the world. These cheerful little dingbats will brighten your day right up!

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

The mono-spaced Vivala Code is designed specifically for programming. Each day developers spend hours looking at a screen. Vivala Code is aligned to their needs. It has a clear distinction between similar characters and owns an optimized punctuation, especially for source code. It's suitable for light text on a dark background at small sizes.

Quaderno is a light and monolinear upright script, accompanied by the heavier weights. This connected script combining elements of the traditional Italian script Bella Scrittura and French script. Quaderno is suited for middle length texts and headlines and evokes both vernacular and commercial lettering of the 20th century and a typeface for school book purposes.

Take a look at my new font Willful with its light and airy outlines, which will add something cute and soft to your designs. The font is amazing in itself and will be perfectly combined with thin handwritten typefaces. Willful comes with uppercase, lowercase, standard punctuation, numerals, special letters for most of the European languages.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Tekov is designed by extreme bold line, extreme thin line, circle, and triangle. It is so decorative, but with light and cute touch.

Kwadrat is a modern unusual typeface. Some of the letters have surprising shapes, so it can be used mainly for display purposes, but also as body text. It's available in 4 weights: Light, Regular, Medium, Bold and as a variable font. It's multilingual - contains Latin alphabet with Western, Central and South Eastern European diacritics. Enjoy!

This Arabic extension to Adrian Frutiger’s Avenir typeface family was created by Nadine Chahine for Monotype. Avenir Arabic proudly incorporates a timeless geometric style with humanistic nuances that made Avenir so famous. Featuring six weights from Light to Black, Avenir Arabic supports OpenType features for Arabic, and includes Windows codepage 1256 Arabic character set support.

A poster for the publication “The Quartier Latin – A Magazine Devoted to the Arts” featured the magazine’s name in a light Art Nouveau serif style. The Quartier Latin was published between 1896 and 1899 by the American Art Association of Paris. This is now available as Nouveau Meadow JNL in both regular and oblique versions.

Sunyshine, an elegant and stylish font that will light up your project. A graceful typeface, with a perfect shape and ligatures will make your design look graceful. This typeface is a perfect for a luxury logo, classy editorial designs, fashion brand and promotion, and much more. Get sunyshine to make your design fine as wine.

Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.

Romantic Couple is the perfect collection of fonts for any design project that requires a light and charming feel. Use it to turn any design project into a true standout! Romantic Couple includes Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Encoded PUA Characters Fonts are fully accessible without additional design software. Happy designing...! Thanks.

KNOPA This is a fun and playful font family, which will perfectly fit into children's projects or funny modern designs and logos, with it you can make playful designs by changing styles and combining them with each other. This font has three weights ( light, regular, and bold ) and an outline style for each weight.

Rapido is a kind of Italic hand lettering typeface. We designed it with the phenomenon of writing fast and perfect cutting edges. Rapido is available in Light, Regular and Ultra Bold weights to make your work look perfect at various movements. Rapido will work best on magazines/ menus/ books quotes and everything you're gonna initiate.

Pageantry is very suitable for Packaging, greeting cards, magazines, posters, and Advertising Ads. Designed in four weights from light to heavy including italics, covering a large range of editorial and advertising applications. Inspired by 'Souvenir' a popular font in the 1900s. I designed 'Pageantry' with a more rounded appearance, giving it a more softer appearance.

Linotype Colibri is a delightfully playful display face, from the award-winning German typeface designer Hans-Jürgen Ellenberger. Linotype Colibri's letters dance up and down across the baseline, and appear as if they had been drawn quickly and whimsically with a felt tip pen. The design is available in two weights: Light and Regular.

An original flat font, light and clean. Works best for accents and any small blocks of text. There are over 1000 kerning pairs to ensure that the flow of the font is natural and easy to work with. Language support: Contains full set of Latin alphabet, including diacritical marks for European languages and Cyrillic alphabets.

Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.

Quartz MS captures the display of text on an LCD (Liquid Crystal Display) and LED (Light Emitting Diode) screen. Quartz MS was designed by Terrance Weinzierl of Ascender Corporation for Microsoft. The Quartz MS has a technical, industrial quality. It can be used to good effect when a futuristic, scientific or technical impression is desired.

Satreva is a stylish and elegant sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! What's Included : Light, Regular, Bold (TTF) Alternates & Ligatures Works on PC & Mac Simple installations Multilingual support PUA Encoded

Pringle - Display Variable Font is a versatile, bold and unique font. Combination between high contrast and Brutalism style, Pringle has a unique style with stylistic, alternates,and supports multilingual languages. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. OTF and Variable Font (TTF)

There are many wide types that look sci-fi or super chic, but where is the personality? Doublewide brings its loud and fun loving character to the wide types party. Featuring light to black weights and a true italic, Doublewide can bring a boring page to life with lively headlines and compelling call-outs.

Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s. Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design. Excellent for parties, retro packaging or any number of uses.

The Ko family was developed for the text posters at the Holland Festival in 1997, based on the filling of a lettering stencil with different pen thicknesses. Ko Heavy and the Ko KAP were the first weights; the family was completed in 2002 with a Ko Light, a second Ko KAP and two italics.

This light manual font, with two styles, is the sans serif version of our slab serif "2011 Slimtype". It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.

A fun and fresh font that encapsulates both summer and winter with its tall, hand rendered style. A versatile style,the family works well for all kinds or projects from window displays to music albums The Sun and Rain family consists of three weights, light, regular and bold. The weights cover diacritic, Greek and Cyrillic.

Unytour is a modern sans serif font family of 54 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour is easy to read and perfect for logotypes, advertising, packaging, book covers and magazines, headings, corporate identities, and more.

Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).