We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

A wrecked, monospaced font containing 272 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

The Azola font family is elegant, hand lettered & charming. Azola features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

A wrecked, monospaced font containing 273 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

This font is all monkey business. Add character and whit to scrapbook journaling, invitations, signs, flyers, and announcements. This lettering has a juvenile, handwritten style.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.

An antiqued looking Caslon type letter, very retro but works well for many of today's applications. This font also works very well for text settings.

A wrecked, monospaced font containing 261 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Step into the future with my Reminders font! The letters swirl and turn around and into each other with its almost 700 ligatures - that's crazy!!!

This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.

Generic Gothic JNL is a straightforward interpretation of the classic typeface Franklin Gothic Condensed, modeled from a sheet of self-adhesive vinyl letters and numbers.

Bollatica from Philip Bouwsma is a nice interpretation of the scrittura bollatica. It has a floreal historical lettering and can be used for historical documents.

Distinction Is a brand new font from Great Lakes Lettering. A high contrast brush script with a ton of usefulness. Make you mark with Distinction.

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

The Simple Serif fonts are designed as hand-lettered serif fonts. They are casual and informal and are ideal for use in conveying these qualities.

Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.

Reinert is a casual script font inspired by a few words in a magazine ad layout from the mid-1930s hand-lettered by Allen Reinert.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

Adapted from Ronsten to make an acceptable chunky, more normal serif font retaining the serif alignment with the letter curves. An Italic is also available.

Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.

Pleasant Hand is designed as a condensed hand-lettered font. The family is casual and informal and is ideal for use in conveying these qualities.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

Sakurata is a unique and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out!

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash.

A stylistic and square outline font suitable for headlines and logos. The original font contained no diacritics at all, so I have designed these to match. I also made the descenders on "g/j/p/q/y" a bit longer - so they would balance better with the letters with diacritics below the letter... I redesigned the "t", but have included the original "t" as an alternate, available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss01". Genotype S BRK Pro is the perfect companion for Genotype H BRK Pro (The H stands for Hollow and the S stands for Solid). Can be used as a fill for its companion (using layers), but is also quite a usable font on its own. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Fazeta Sans is a perfect companion to serif typeface Fazeta. Two light weights were added, so the complete typeface consist of 14 fonts (7 weights + matching italics). The fine gradation lets you choose perfect weight for any type of project. Every font have 1140 glyphs – just like the serif version and contains the same features, so use and combining of whole typeface is very comfortable. Also fixed kerning allows better comfort for eyes by reading and shortens the length of the text. I tried to preserve sharp and cold impression from serif version, but some straight lines had to be curved due to the natural limitation of sans typefaces (for example the upper arch of “f” is shaped more smooth). However it keeps extremely open form. A little playfulness was left at the end of letters “k, K, and R”, but if you want, this can be eliminated by using a rigorous SS01 feature. Serifs were here transformed into a small yaw from main stroke and so enlive the monotony of sans kind of types. Also slight cutting the top of the letters helping to surprisingly vivid final impression. Fazeta Sans is therefore suitable for wide range of type sizes – from small marginalies to huge poster sizes. To see more please check the PDF specimen.

Bound to rules, unbound in the usage. Hyper geometric, and minimal contrast. Circulo V1 is based on a font project I originally started because of a client I had. I wanted to create a display and text font for their product design brand, which is all about reducing the amount of necessary materials and production steps. Before I started the course at tipo-g it was called -“REDUCE“ and was more or less finished. The concept was based on the name. How far can letter shapes be reduced to their core geometric concepts and still be identified as letters? But in a way, it lacked a unique approach and was just a generic geometric Sans Serif with a lack of finesse. There was already a glimpse of characteristics visible which would later define Circulo V1. ‍ The high focus on geometric shapes was not of the same severity, and the angle on the stems was less intense. Those, as I call them, fake serifs turned out to be a significant factor in legibility and the characteristic of the font. Besides those changes and improvements, I decided to implicate a new feature to the concept, a condensed style. I quickly realised that it is impossible to keep my perfect circles and half-circles in this style without breaking my rules for the font. This „problem“ turned out to be the most crucial feature of the condensed set. Circular-based Letters will ignore the rules and boundaries of the condensed style and stay as they are. This feature allows the user to create a unique rhythm in their texts, and if you use the variable font, you can decide how intense this rhythm will be. In this situation, the user can choose which letters are allowed to keep their shapes and which will be put in their condensed corset. All, some or none of them, you decide.

Greenhorn is a hand-traced comic type for headlines. Funky, irregular and smiling. The first inspiration comes from the unique lettering of a classic czech cartoonist.

Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.

Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.

Hand lettering on the Art Deco-era sheet music for a song entitled "Rosemary" was the model for this delicate monoline design called Deco Hotel JNL.