BeneCryptine is not based on any particular calligraphic type style. It has exaggerated upper-case letters and hyperactive lower-case letters that give it a wild and undisciplined look. It comes in four styles: the base style, a decayed variant, a shadowed style, and a final style that looks much like the base style but which has the spacing of the shadowed style. This last style can be layered with the shadowed style to easily create lettering with two colors.

Imagine a font that is easier to read the smaller it is – or the further away the text is. There are already many rasterised fonts, I wanted to take it to the extreme and use as few dots as possible. The result is a typeface that lives up to its name. Each individual circle makes no sense on its own; individual letters are only recognisable in the context of all associated circles, individual letters are most likely to be recognised in the context of whole words. Attached to a building wall, text would be readable from a great distance and become increasingly difficult to decipher the closer you get to the building. Placed on the ground or on a large flat roof, text would only be readable from a higher building, an aeroplane or - depending on the size - in Google Earth. Kontext has old style figures, superscript numerals, case-sensitive questiondown and exclamdown and an alternative ampersand, 390 glyphs at all. Use the same value for font size and line spacing to keep the lines in the grid, or change the line spacing in 10% steps. Change the spacing in 100-unit increments to keep the grid. The numbers in the family- and style-names refer to the (ca.) grey value of the respective background and the font itself. Kontext Dot 00-33 has e.g. a white background (0%) and 33% grey value. Kontext Dot 66-33 has a 66% background and 33% grey value. »Positive« styles (first number smaller than the second number) have kerning, »negative« styles (first number bigger than the second number) can have none.

This font was patterned after a few characters on a genuine old 1913 small portable typewriter. It looks like those early typescripts, rough, irregular and eroded, suggestive of mythical famous authors, such as Hemingway, as well as “serie noire” movies or anonymous state employee working in a gloomy Kafkaesque office. It is a complete alphabetic full font. It can be used as web-site titles, poster design, or book editing. It may be preferable, if possible, when printing, to choose a pale color a little rather than condensed - dark grey instead of heavy black, for example - to give the best appearance and to benefit from the full details. The old typewriter character size is 11 to 12 points, but this font easily supports enlargement.

An isolated typeface design with a calligraphic flavor. The Nastarkib font family employs visual features from the Urdu Persian Nastaliq Calligraphy. Visual connectivity is accomplished by overlapping glyphs with downward slopes. This font family has four members including normal and bold weights with two styles each, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Nastarkib employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nastarkib includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Gessetto is an extensive chalk font family, containing script, sans, roman, figures and ornaments. One of the things most charming about chalkboard lettering is the variation; in both texture and style. Our goal was to achieve a real chalk effect using the varied typographic genres in a digital format. With flexibility and control for the designer in mind, we built a digital chalk toolkit. The script is a fusion of Italic Roman and cursive, it contains swashy alternates for each capital letters with some long and extended flair on some ascendent and descendent letters. An all caps high contrast sans is in 5 complimentary styles. The Roman is precisely proportioned and maintains elegance while being bold. There is a set of Figures and ornaments. Gessetto is perfect to grab attention on signage, print advertising and editorial applications like book covers, but suits branding applications too. The diverse styles and subtle handcrafted textures in this display type family will well serve any designer looking for the authentic chalkboard aesthetic. We recommend to combine Timberline with: Turquoise

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

Wien Pro, the sans serif by Ekke Wolf. Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm, individual lettering will get excited about a new addition to the font market. The more than complete Wien Pro front comes in three styles and four different weights. In addition to the upright Wien Pro there is the Wien Pro Oblique with a moderate 6° slant and the Wien Pro Superoblique with an 18° slant. Available weights are light, regular, medium, bold and black. These fonts are equipped with extended Latin alphabet for Central and Eastern Europe and also Cyrillic and Greek alphabet. The set of characters includes nine different sets of numbers, plus its own set for the small caps, as well as alternative characters and groovy ligatures. In addition, all Wien Pro styles are also available as unicase with upper case and lower case x-height alignment. The style, metrics and proportions of Wien Pro combine perfectly with the Liebelei Pro and the script fonts of the Calafati Pro.

Hinnual เป็นฟอนต์ที่ผสมผสานระหว่างรูปทรงสี่เหลี่ยมและทรงกลมเพื่อสร้างสไตล์ที่ไม่เหมือนใคร ชื่อมาจากคำไทย 2 คำ คือ Hin แปลว่า หิน และ Nual แปลว่า อ่อน ผสมผสานองค์ประกอบที่แข็งและอ่อนนี้สะท้อนให้เห็นในแบบอักษร ซึ่งมีเส้นที่สะอาดตาและเส้นคมซึ่งถูกทำให้อ่อนลงด้วยมุมโค้งมน ฟอนต์มีให้เลือกถึง 18 แบบ มีตัวเลือกหลากหลายให้คุณได้เลือกใช้ Hinnual เหมาะอย่างยิ่งสำหรับใช้ในพาดหัวและพาดหัวย่อย ซึ่งลักษณะที่โดดเด่นสามารถช่วยดึงดูดความสนใจของผู้อ่านได้ เส้นสายที่สะอาดตาและสไตล์ที่เป็นเอกลักษณ์ยังทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับแบรนด์ โลโก้ และงานออกแบบอื่นๆ ที่ต้องการภาพลักษณ์ที่น่าจดจำ โดยรวมแล้ว Hinnual เป็นฟอนต์อเนกประสงค์และสะดุดตาที่ผสมผสานองค์ประกอบทั้งความแข็งแกร่งและความนุ่มนวล การออกแบบที่เป็นเอกลักษณ์ทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับนักออกแบบที่ต้องการสร้างผลงานที่น่าจดจำ Hinnual is a font that combines the square and rounded shapes to create a unique visual style. Its name comes from two Thai words - Hin, which means stone, and Nual, which means soft. This juxtaposition of hard and soft elements is reflected in the font's design, which features clean, sharp lines softened by rounded corners. The font comes in 18 styles, providing a range of options for designers to choose from. Hinnual is particularly well-suited for use in headlines and sub-headlines, where its bold and distinctive appearance can help to grab the reader's attention. Its clean lines and unique style also make it a great choice for branding projects, logos, and other design elements that require a memorable. Overall, Hinnual is a versatile and eye-catching font that combines elements of both strength and softness. Its unique design make it an excellent choice for designers looking to create impactful visual content.

Jamie Handwriting is a charming hand-script font. Its contextual and stylistic alternates makes for a typography indistinguishable from a true handwritten text. Jamie Handwriting's cute and quirky lettering fits any project or contexts that requite that extra bit of genuineness and life. It is wild and funny to look at, and its quick movements emits a happy optimism. The family consists of ten high-quality styles: The weights Thin, Light, Medium, Bold, Black as well as each style as Regular and Alternate. The different thicknesses ensures it will work in any size, and the Alt style prevents any repeating characters. Jamie Handwriting is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

ฟอนต์ นมัสการ แบบอักษรได้แรงบันดาลใจจากเขียนตัวอักษรวิจิตรด้วยปากกาหัวตัด ที่มีองศาในการเดินเส้นที่ 45 องศา เลยเอาตัวเลข 45 องศามาใข้ในการออกแบบ สังเกตได้จากการจบเส้น เช่น "r" ปลายตัดที่ 45 องศา แบบอักษรมีความเปรียบต่างสูง เหมาะกับการใช้เป็นผาดหัว ข้อความสั่นๆ หรือ Quote มี 9 น้ำหนัก ทั้งตัวตรงและตัวเอียงรวมเป็น 18 สไตล์ -- Namaskarn Font inspired by flat calligraphy pen, with at 45 degrees when holding the pen, so the number 45 degrees was used in the design for example "r" at the terminal cut at 45 degrees. The font has a high contrast. Suitable for use as a headline, sub-headline or quote, comes in 9 weights, upright and italic for a total of 18 styles.

Introducing a new vintage font called “Hostel Vintage“. Inspired from vintage typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Hostel Vintage best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language.

Castor is a woodtype and letterpress hybrid based on grotesque letterforms. It’s a vintage decorative bold distressed display with 3 options for each letter; Uppercase, lowercase, and alternates. Castor comes complete with 4 styles plus catchwords, unique ‘catchword dividers’ (horizontal rules), ornaments, as well as a free set of extras! (grunge, dividers and bullets) The catchwords, ornaments, and dividers are designed to compliment the font family giving it a ton of diversity, and the designer unlimited creative options. Opentype features include alternate letters and numbers, double letter ligatures for realism, subscript numbers,and superscript numbers.

Get ready to chill and thrill with Chillink Font! With its bold and playful style, this font is sure to make your text pop and stand out from the crowd. Plus, its unparalleled readability and versatility make it the perfect choice for any project, whether it's a social media post, website design, or even a logo. The best thing about Chillink Font is that it's so easy to use! Just copy and paste it into any project, and you'll be ready to go in no time at all.

Say hello to State, this family is inspired by sport and a further development on Comply Slab. This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation. State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics. It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes. Use State to get the delivery you need, whether its for print, online or Television.

King Trufle is display fun font with a bold and rough style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: OTF Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!