For decades, visitors to Times Square could look up and read the up-to-the-minute news flashes that moved across a giant electric sign on the face of the old New York Times Building (now known simply as One Times Square). According to Wikipedia's article on OneTimes Square: "On November 6, 1928, an electronic news ticker known as the Motograph News Bulletin (colloquially known as the "zipper") was introduced near the base of the building. The zipper originally consisted of 14,800 light bulbs and a chain conveyor system; individual letter elements (a form of movable type) were loaded into frames to spell out news headlines. As the frames moved along the conveyor, the letters themselves triggered electrical contacts which lit the external bulbs (the zipper has since been upgraded to use modern LED technology)." An example of this was seen in the 1933 Warner Bothers film "Picture Snatcher" starring James Cagney. This example inspired Moving Headlines JNL.

YR Basma is a slab serif font that is renowned for its bold and distinctive appearance, which is designed to create a powerful impact. It is characterized by its strong and striking letterforms, with bold and thick strokes that give it an intense and impactful look. The font is also highly legible, with a focus on clear and easy-to-read letterforms that are meticulously crafted to balance visual weight and vertical alignment. YR Basma is ideal for a broad range of design projects that require a robust and striking visual presence, such as headlines, posters, packaging, and branding. It boasts a comprehensive set of glyphs, including both upper and lowercase letters, numerals, and symbols, making it highly versatile and adaptable to diverse design needs. YR Basma font offers a bold and commanding aesthetic, while maintaining excellent legibility and clarity of letterforms. Its powerful design makes it an excellent choice for various design projects where a strong and dominant visual presence is desired.

Now here's a font with an unusual backstory. You may recall that a while ago we discovered that Tim Burton was using an outdated version of one of our fonts for the interior titles in his The Corpse Bride. Well, our quest to get hold of him didn't bear any immediate fruit, but in a totally unrelated event we were contacted by the graphic arts company working with the overseas distributors for The Corpse Bride and it turned out that they needed a font based on the main title of the movie so they could keep the same style when they retitled it into other languages. The original title was either hand lettered or a heavily modified font, bearing some resemblance to our Ligeia and Tuscarora fonts, so we had to create a whole font more or less from scratch and extrapolate most of the letters from the very limited sample in the original title by identifying certain consistent characteristics and building new characters around them. It was a lot of work, but the good news is that they didn't want exclusivity, so we've got the font to add to our collection. We ended up calling it Beynkales which means 'Bone Bride' in Yiddish, which makes sense given the context of the movie. So here it is, in all its tattered glory, and bound to end up in our Halloween font selection later this year as well. Beynkales Alternate is a companion font that includes a full set of alternative upper and lower case characters which can be used on their own or in combination with the characters from Beynkales to create a more varied and handwritten look.

Clone Rounded is a retrofuturist typeface by Lasko Džurovski from Macedonia, fusing the vintage look of CRT monospaced forms with the organic mutability of a multi-weight, proportional family fit for reading. This lovechild of cyber-culture and genetic font modification takes inspiration from coding, technology, and architecture. Its quasi-monospaced design gives a nod to the quirkiness of engineered fonts but bends enough to never sacrifice a natural reading experience. Biomechanical morphology augmenting a laboratory-built frame.

Linotype Read My Hand is part of the Take Type Library, selected from contestants in Linotype’s International Digital Type Design Contests of 1994 and 1997. It is the digitalized handwriting of its Dutch designer, Leon Hulst. As is common of handwriting fonts, the forms of the letters seem spontaneous and individual. Read My Hand is a dynamic font suitable for texts with point sizes larger than 12 and particularly good for documents which should have a personal touch.

Beanstalk is a cute, cuddly, handwritten typeface. Its casual appearance is charming and easy to read. Beanstalk has an expanded character set including European letters and symbols!

Grosfer is a cool, bold and thick lettered display font. This font reads as strong, confident, and dynamic and can add a fierce character to your designs.

Akoyster is a fusion of cyberpunk visual culture & contemporary calligraphy with broad nib pen. It's ideal for eyecatching bald statements. Enjoy wiered shapes and create new future.

Epsiolet is wacky, crunchy and unpredictable! Comes in Open Type with loads of different ligatures! Note: you will need to use OpenType supporting applications to use the autoligatures.

Inspired by painted letters of Otto Heim, "Tombola" reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.

Cruisader II is a cool, fresh and bold display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Classic & clean tag style lettering that's easy to read & flexible. Mad Props includes 2 full alphabets, full numbers, punctuation & other symbols. This style works well with outlines & effects.

Hamidah Modern Calligraphy Font is a gorgeous and bold handwritten font. It reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Wilma has 19 weights ready to be combined. Please read the instructions for this font carefully, in the PDF. You will find tips on how use it properly.

The Social Networking Icons font family has been designed to simplify the process of routinely loading and pasting social icons around, for both print and on the web – reducing server load and saving time. They are great for embedding in webpages or for use on product packaging, posters, flyers and other marketing materials. Comes with a PDF guide and an interactive symbol sheet with labelled icons for reference. v4.0 Is out now with multiple improvements and updates on most icons.

School Days is a handwritten font collection created for teachers by a teacher (me!) These fonts were made to be easy to read for young readers and writers. There are various styles available - Thin, Regular, Bold, Outline, Dash, Lines The School Days Collection is perfect for creating worksheets, practice pages, school designs, cricut projects, handwriting practice, reading practice, letter formation, personalized items for students and more! School Days includes a ton of variations that will make your designs and worksheets seamless and cohesive!

Kimora is a sanserif typeface with a relaxed yet elegant tone. It’s a versatile font that can be used in both formal and informal settings. Because this typeface is comfortable to read, every message you send will be readily read and comprehended. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

A rough, yet legible version of my handwriting. Comes with contextual alternates that makes your text look even more cool! Also with loads of international letters! Viva multilingual support!

Koch Antiqua is based on forms of old Roman writings, chiseled in marble thousands of years ago. This contemporary version is more playful and reminiscent of the Roaring 20s.

Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.

Crow Bait is an incredibly elegant, bold and vintage display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

VideoTech is an 8 font family consisting of 4 weights open and 4 weights closed. A heavyweight typeface that draws inspiration from loading computer games onto the Commodore 64.

Inspired by ancient Semitic Scripts and designed in broad nib calligraphy, this is one more great font by Dr. Ada Yardeni. A classic serif font, both formal and romantic.

Sigmund PRO is a visual journey around Poland. The main style is inspired by the Polish road signage typeface – designed by Marek Sigmund. With the increase of weight, Sigmund turns into a geometric display – in the spirit of vernacular typography from the signs of Polish streets. Thanks to this span of styles Sigmund will work both in visual identifications and posters. The family consists of 18 varieties and has many alternative characters.

Harimau means Tiger in Bahasa Indonesia. It is a very easy to read, playful font, which makes it ideal for children's books and posters. Harimau comes with extensive language support.

A clean and easy to read Aurebesh font, in the style used at the Droid Depot at Disney's Hollywood Studios. This style is also called Droidebesh. Have fun with it.

Inspired by the unique lettering style of a poster seen in a well-known chocolate shop in San Diego. Unusual display font that's easy to read even at small sizes.

Blowfish is an easy to set, easy to read, font. It is one of my most popular fonts. Good for anything, Print & Digital Media Bold Headlines, Product & Pagkaging, Websites etc.

Carot Text fonts are especially tuned for reading sizes: their serifs have adequate strength and do not cause fatigue when reading long. Originality lies in the tradition revived by modern language. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. I believe in the raw effect of “Carot” typefaces. The family of 64 members offers a modern alternative for all types of design work.