M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

The typeface “YOGA Dingbats Symbols Set” is designed at 2022 for the font foundry Beewest Studio by B Wisudyantoro. The Basic Icons Set is a display typeface that inspired by the Yoga poses such as : Adho Mukha Shvanasana, Ardha Chandrasana, Astavakrasana.Baddha Konasana. Ankusasana from Sritattvanidhi. Bharadvajasana. Bhekasana. Bhujangasana. Bhujapidasana. Bidalasana. Marjariasana. Chaturanga Dandasana. Dhanurasana.Backbend. Durvasasana. Garbhasana . Vrikshasana,Tree pose,Garudasana, Eagle pose, Parsvakonasana, Side angle pose,Trikonasana, Triangle pose, Utkatasana, Chair pose,Ardha Chandrasana, Half moon pose, Viparita Virabhadrasana, Warrior Pose. For use in logos, magazines, posters, advertisement plus as webfont . This YOGA Dingbat Font is best in display size. Thank You for Use this Font.

Highand – Gothic Font A Font of Horror Highand – Gothic Font encapsulates the essence of terror, designed meticulously to send spine-tingling shivers down your spine and evoke chilling emotions. Dreadful Display Furthermore, Highand’s unnerving aesthetics deliver an atmosphere of dread, creating an unforgettable and unsettling experience for your audience. It’s the perfect choice for spine-tingling displays that demand immediate attention. Terrifying Typography With every character, Highand conjures a feeling of impending doom. Its jagged edges and macabre curves create a nightmarish impression that lingers in the mind. Ideal for Horror-themed Projects Highand is tailor-made for horror-themed projects. Whether it’s for spine-chilling horror movie posters, eerie Halloween invitations, or haunting haunted house flyers, this font sets the eerie tone with sinister grace. In Conclusion Highand – Gothic Font is your sinister accomplice in design, evoking fear and suspense with every meticulously crafted letter. Embrace the darkness and plunge your audience into an abyss of fear. Make your displays truly terrifying with Highand’s chilling presence, ensuring an unforgettable and spine-tingling experience that leaves a lasting impression of horror.

TA Fabricans graphic presentation at Behance TA Fabricans font is based on Film Fiction Semi Expanded font. The font also supports the Hebrew alphabet. The Display version comes only in the Latin alphabet. I tried to prepare the font carefully. I specifically searched for the Hebrew alphabet. I benefited from my Israeli colleagues. I believe that my font will be successful. Please check and if you have any additional requests or complaints, please write to me. t@taft.work TA Fabricans works great for branding, magazines, headers, logos, TV, UI, web, badge, packaging, headlines, posters, t-shirt/apparel etc. TA Fabricans offers you options to explore a whole host of applications and gives a real modern feel to any project. Family overview: 36 fonts, 9 weights (from Thin to ExtraBlack) + Condensed, Expanded, Display Latin, Hebrew Display font without Hebrew Multilingual 4 free font Localized Forms with NLD, PLK OpenType Features: Localized Forms Contextual Alternates Tabular Figures Subscript Scientific inferiors Superscript (Superiors) Numerators Case Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Kern Ordinals

The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.

Gulmer Cottage Font Duo embodies the essence of charm and whimsy, designed to infuse your creations with a delightful touch. This font duo features both a regular and slanted version, offering versatility for a myriad of designs. The script version boasts engaging ligatures while the display version is adorned with playful swashes, allowing for endless creative possibilities. Perfectly suited for quote designs, celebrations like Christmas and birthdays, heartfelt valentines, as well as branding endeavors and product packaging, Gulmer Cottage Font Duo radiates love, cute, and joy. Its multi-language support ensures its usability across diverse cultural landscapes, while its inherent cuteness and fun-loving nature elevate any project it graces. Infuse your designs with a dash of affectionate personality and spirited vibes using this endearing font duo." Features A set of uppercase and lowercase glyphs, Allcaps (display version) Number, symbol, and punctuation Multilingual Support Ligatures (script version) Swashes (display version) Slanted Version Type j_1 until j_12 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

The thing is that many sans-serif typefaces are usually intended for universal usage. But sometimes faces that work fine in body text look not so good in large point sizes for display purposes when all the contrast in non-contrast sans-serif, or ink traps, become visible to the naked eye. Every designer solves this problem in his own way. We offer a drastic solution in our Stem: a sans-serif with optical sizing. The first part of the type family, Stem Display, is for use in largest point sizes, from 36 pt indefinitely. Stem Display consists of 12 faces of widths from Hairline to Bold, and it has true italics. The development of Stem type family will include Stem Text for body text and “traditional”, universal use, and Stem Caption for small point sizes. Stem is a geometric sans-serif with semi-closed aperture, large x-height and modern proportions of uppercase letters, like in famous Avenir and Gotham. Its important feature is a professionally designed and carefully tested Cyrillic glyph set.

Eloquia is a neo-grotesque sans serif type family with geometric roots. Though it's a neutral typeface the unmistakable influence of geometric shapes gives it warmth and a unique flavor. With 34 fonts in total, Eloquia comes in two distinct optical sizes Text and Display. The Display styles are spaced tightly keeping headlines in mind while the Text styles feature a larger x-height and wider apertures with loose spacing making them highly legibility at small sizes. The elegant balance of neutrality and modernism makes Eloquia extremely versatile in its functionality. Whether it's being in the spotlight or in the background blending in, Eloquia can do it all. Eloquia is equipped with powerful OpenType features like Small Caps, Capitals to Small Caps, Stylistic Alternates, Ligatures, Case Sensitive Forms, Superscripts, Subscripts, Numerators, Denominators, Fractions, Ordinals, Proportional Lining, Tabular Lining, Oldstyle Figures, Scientific Inferiors, Localised Forms, Historical Forms, Capital Spacing and more. Eloquia supports more than 88+ languages including all major Latin languages. The Eloquia Display ExtraBold & Eloquia Text ExtraLight are completely free of charge.

Introducing Carew Castle, a new display sans font inspired by luxury displays from classic book covers and combined with an elegant typeface style. With a total of 291 glyphs, this font offers endless display combinations for your lettering needs. Carew Castle comes packed with open type features, including numerous alternates and end swashes, to help you create amazing lettering. The font also supports multiple languages, making it a versatile choice for a wide range of design projects. Carew Castle is best used for logotypes, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media, greeting cards, and more. To access the alternate glyphs, you will need a program that supports OpenType features, such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, or CorelDRAW. The zip package includes Carew Castle in otf, ttf, and woff formats, and comes with a range of features, including uppercase and lowercase letters, opentype alternates and ligatures, numbers, punctuation and symbols, and multilanguage support. Thanks for choosing Carew Castle - we can't wait to see what amazing designs you create

Introducing Jode, a new elegant display serif font that is perfect for creating luxurious and sophisticated designs. Inspired by luxury serif fonts used in display covers, we combined it with an elegant typeface style to create Jode. With a lot of options and alternates, you can make great display combinations for lettering. Jode is ideal for logos, headings, covers, posters, quotes, product packaging, headers, merchandise, social media, greeting cards, and more. This font is versatile and works well with various design themes, especially those that require a touch of luxury and elegance. Jode comes with OpenType features that include many alternates and end swashes, which can be accessed using programs that support OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. Additionally, Jode supports multiple languages. The Jode font package includes files, making it accessible to anyone with a font-compatible device. It features uppercase and lowercase letters, OpenType alternates and ligatures, numbers, punctuation, and symbols. Get Jode and elevate your designs to new heights of elegance and sophistication.

Langston is an original design by Alex Kaczun. It’s part of a series of lettering experiments, manipulating body proportions, characteristic elements and spacing to achieve some dramatic visual effects. It is hard to characterize if Langston is an outline or inline font. The outline has the same thickness and proportions as the stems. And the inter-letter spacing is also visually similar. This creates a dynamic and interesting visual harmony throughout. Furthermore, certain design elements like the accents and punctuation symbols, break with the outline treatment, and morph into an interesting play between inline and outline. The overall effect is stunning and mesmerizing. Langston is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications.This attractive display comes in roman with lower case and lining figures.The font is also available with true small capitals and old style figures. A special version was created with decorative initial capitals to further enhance the possibilities. The large Pro font character set supports most Central European and many Eastern European languages.

Are you looking for a vintage layering display font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Heavy Force a Sharp Display Font Heavy Force a Sharp Display Font, Inspiring from old signage typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more. Heavy Force font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.

Fonts are sometimes so limited and boring that it is hard to stand out your designs. What is worse is that you want unique, visually interesting designs, but you still have to use common fonts people have already used. Therefore, Happy Twigs can be your interesting alternatives. Happy Twigs is a twig branch-inspiring display font of which letters are made in a lot of lines forming complex, attractive displays. Its unique character is due to the complex, detailed displays with which you can apply for any artistic, creative designs. Such a display font is applicable for any nature related products. Its complex, attractive letters will help you emphasize the messages you deliver and express different nuances depending on the design and color choices. In addition, it shows crowded and detailed, yet artistic and attractive nuances. Happy Twigs provides a clipart in accordance with the font theme as a bonus and features you can enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Happy Twigs fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Honey Pools is a handwritten Quirky font created with application brush strokes. This font is designed for casual designs but will bring out your designs as stunning as possible. It includes all lowercase and uppercase characters, numbers and symbols, multilingual support, and Ligature. Honey Pools is perfect for celebratory designs like st Patrick's Day poster design, Spring season Design, Ester Design, valentine design fonts, social media design fonts, content design, and other designs. Compatible with design studios such as Photoshop, Affinity Design, Adobe Illustrator, or Silhouette. That makes it great for creative projects. Thank you, Toni Dzulham - Dumadistyle

A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as "Sju petit fraktur nr 2". This digital font is designed for rather large sizes, at least 30 points. The font includes accented letters for all Western languages, as well as a long s and the usual Fraktur ligatures, e.g. ch, ck, st, tz. The font can be used for logos, packaging, posters, restaurant menus, beer and wine labels etc. associated with traditional German and Scandinavian culture.

Bank of England is loosely based on the blackletter lettering from Series F English twenty pound banknotes introduced in 2007. The font takes inspiration from German Kanzlei (Chancery) typefaces and the English calligraphers John Ayres and George Bickham. For designers using OpenType-aware applications, Bank of England includes Swash versions of all uppercase letters and ampersand, Alternates for nine lowercase letters and capital Z, and sixteen ornamental flourishes. Western European accented characters are included, and also a simplified St. Edward’s Crown (Elizabeth II’s coronation crown) at the Section (§) and PlusMinus (±) keystrokes (Windows Alt-0167 and Alt-0177).

The font DXAngelusMediaval was developed on the basis of the Angelus Mediaval font, which was issued by Russian type foundry from the beginning of the 20th century (type foundry of G. Bertgold, St. Petersburg and Moscow, before 1904). Probably, the font is a reworking of the DeVinne font (1892 (?), Designer Nicholas J. Werner) of the American Central Type Foundry. For the reconstruction, we used examples of font prints: Cyrillic from the catalog "Art Fonts", 1929, Latin part - Chicago font, from the catalog "La Fonderie Typographique Francaise" (FTF) 1924. In addition, in the font are available Digits of the old style and ligature.

Mocombo JNL is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. Tod Swormstedt of ST Media—who is also the curator of the American Sign Museum in Cincinnati, Ohio—supplied Jeff Levine a wealth of source material from which this font is derived. The angular style of this typeface was originally referred to as “German Poster Lettering” by Becker, but it can represent many styles from 1940s night clubs to African safaris and just about anything in-between.

Publicity Headline is an allcaps advertising font. Its heavy weight and robust strength allows it to be used against complex backgrounds or reversed out on dark backgrounds without getting lost. It also has a warm, friendly feeling for the conventional headlines indicated by the name. Publicity Headline is a distinctive and appealing font for creating bold and unusual headlines. This font includes the alternate R & S and the CO, LY & ST ligatures that were part of Gaunt’s original design. In addition, the ligatures AV, AW, WA, WO & YO are provided; along with AT, OF, AND & THE in the form of underlined small caps.

Lettres d’amour! Flirting, fashionable, provocative, emotional, casual, moderate, extremely sensible & beautiful - Liza Pro covers it all. Liza Pro, Underware’s dear creation, is a live-script typeface. Thanks to its extremely intelligent OpenType architecture, she approaches human hand lettering as closely as technically possible. Liza Pro deeply analyzes the text. Out of a stock of 4000 hand crafted characters, Liza creates the most optimal combination. All of this works automatically. All you need to do is start typing your lettres d’amour, and Liza makes the text always look different. She gives your creative piece the impression par excellence. Erotique mais intelligent. She is as clever as we could imagine. She kept all folks at Underware busy for a couple of years. It all started one rainy night back in May 2004 but quickly changed into a fatal affair exceptionnelle. But now, 5 years later we are quite sure: this is something serious. Yes, we are talking about real love. L’amour pour la vie. Liza Pro has Underware’s world-dominating Latin Plus character set, supporting a total of 219 languages (Latin 1 + 2 and beyond). Liza Pro is a package of 4 fonts which work together. Liza Display Pro rocks the script lettering to the max. The build-in Out-of-ink feature, LetterSwapper and Protoshaper makes this font a realtime-digital-calligrapher. She’ll swash up your text drastically, giving long strokes, loops and swashes to letters if their context allows. Liza Text Pro has a more silent, moderate character - she’s well behaving sister of Liza Display Pro, designed to walk long pieces of text in a lively script style. Liza Caps Pro adds more possibilities and functionality to these two script fonts. It bridges the gap in case running script lettering doesn’t do the job, but it also works perfectly on its own. Every capital letter appears in various shapes to obtain the manual lettering feeling. Liza Ornaments Pro is for extra delicatesse et est plus charme. Four heart winning fonts, pour la langue l’amour!

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

Trajan The original template for this one-weight, all-caps font was the inscription on Trajan’s Column, carved in AD 113 to celebrate the emperor Trajan’s victory in the Dacian Wars. College student Jason Smith copied the stone lettering from the cast on display in London’s Victoria & Albert Museum. In Roman times, the signmaker would paint letters onto stone with a wide brush for the stone mason to chisel out later. The signwriter would end each stroke with a flick of his brush, which the mason would also carve into the stone. Ecce (as they would have said in Rome): the serif was born. Hand-crafted “I first drew this typeface when I was 17,” says Jason. “I drew it with a very sharp 9H pencil on polydraw film. “Then, using a Rotring pen, I inked the letters in and scraped back the serifs so they were perfectly sharp. These letters were then reduced on a PMT camera. I’d designed my first typeface, although it wasn’t digitised till much later.” Digitised Years after Jason had drawn the original typeface, its transfer into digital form made further refinements necessary. The serifs and weights needed thickening slightly, creating a crisp, new version whose delicate elegance is best appreciated in larger sizes. A classically-inspired font, timeless and perfectly-proportioned, to reflect the refinement of premium brands.

The San Jose type family provides an array of variants representing a simplified, bay area slant on traditional Chicano American street scripts. The styles in this set can be used in all caps for the most authentic appearance or in a more typographically traditional small caps format. This set also includes latin supplement support and a robust character set in six styles. 3 Stroke variants: Regular, Rough & Bold each have a leaned back, traditional slant variant.

This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part by the letters of the Irish handwriting in the Book of Kells, written in the late 8th century, while the pronounced contrast in strokes goes back to the styles of the 18th century. the font’s uniqueness is particularly emphasized when used in larger point sizes.

An extremely versatile, intelligently restrained design by Robin Nicholas for Monotype in 1980. It works very well at small sizes thanks to its large x-height, sturdy serifs, and lack of ornament; yet it is not characterless. Nimrod has been used successfully in national newspapers and books. (The Guardian, London, from its late-1980s redesign until it was replaced by a Carter interpretation of Miller in 1998; the Concise Oxford English Dictionary in the typographically unsurpassed 1990 edition.)

Nockwell font - Psychedelic liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shirt or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Ligature - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

The source of inspiration for MFC Arkena Monogram is a specimen from the 1917 “Strong’s Book of Designs”. This popular lettering style has been incorporated into numerous film type foundries of the past, but lacked digital permanence. We’ve expanded the original All Capitals glyphset to include smallcaps to make monograms, have added numerals and included unique ornamentation for basic titling typesetting. Download and view the MFC Arkena Monogram Guidebook if you would like to learn a little more.

BRIGNELL BIG is a two font family designed by Ian Brignell. Bold and honest, it approaches like a dare: Go Big no regrets. A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.

ND Gambit is a quirky sans serif with an unusual variation between back slant and upright glyph by glyph. It comes in 9 weights. Watch out, the regular weight is free of charge, so you can use it to your heart’s content. Each weight includes extended language support (Latin + Cyrillic + Greek), arrows, fractions, old-style figures, ligatures, and more. It is perfectly suited for graphic design and will work for web, corporate as well as for editorial design.

Back when shop window decoration was done with a brush, every window designer had his own style. In this vein the sans serif Altrincham was created. But even as a text font, it has stood the test of time, since it is very easy to read even in smaller point sizes, thanks to its relatively large x-height. With the Altrincham Condensed and Altrincham Wide Bold two other fonts have been created to perfectly complement the font family.

Introducing a retro condensed font called "Marxis". Best font to use as a headline to bring back the propaganda era inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps with the ligatures. This font will suited well for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. Thank you, I hope you like it as I do!

True North is back but now in a distressed version and new styles! True North Textures is a vintage typeface with 18 fonts and a monoline script. True North Textures comes with distressed labels, extras and free banners. Extras include wild animals, catchwords, numbers, mountains, symbols, tools, leaves and trees. True North Textures is a headline font with alternate capitals. Combine all 18 styles with the script, banners, labels and extras and you get a wonderful distressed vintage design.

A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on 'Outside In' font, which is part of the 'Outside' font duo. Give it a try, easygoing-ness guaranteed!

The cold, conservative strokes of a typical sans-serif/grotesque descend into a distinctive "bat-wing drip" in this subtly spooky font named after the band for which it was originally designed. Perfect for any wordings which project darkness or menace, yet still require an air of respectability. Business in the front, evil in the back. Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and European diacritics.

The designer's father, Philip Grecian drew a logo for his business, Grecian Creative Services and asked Alex Grecian to expand on the logo. Alex extrapolated from the existing letters, creating a font to compliment his father's logo. Naming it was the easy part. Grecian Empire has since become one of the most popular fonts offered by Elemeno. The Strikes Back and Engraved styles have limited character sets and are far less versatile than the regular version.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design! Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.