2,922 search results (0.029 seconds)
  1. Shàngó by CastleType, $59.00
    Shàngó, inspired by the initials from Professor F.H. Ernst Schneidler's classic design released in 1936 as Schneidler-Mediaeval mit Initialen, is an elegant design that looks best when used at large sizes, as the original name suggests. Shàngó is available in two styles: Classic, available in 3 weights, and Gothic, available in 4 weights. Shàngó is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).
  2. Capital by Fenotype, $19.00
    Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.
  3. Clear Prairie Dawn by Quadrat, $25.00
    Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.
  4. Zarathustra by Etewut, $30.00
    'Zarathustra' family is black lettered gothic font with multi-language support. It was inspired by middle age cathedrals and its sculptures.
  5. Janda Swirlygirl by Kimberly Geswein, $5.00
    The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.
  6. Benjamin by Wilton Foundry, $29.00
    Wilton's "Benjamin-Regular" is a delightful twist on a classic - reminiscent of Franklin Gothic, Helvetica and Frutiger with it's own contemporary twist.
  7. Hellfire BB by Blambot, $20.00
    An unconventional Gothic typeface with decorative caps and a whiff of fire and brimstone! Comes with a devilish compliment of European characters.
  8. Justine by Outside the Line, $29.00
    Justine, while a playful, swirly, girly font is a complete font with the full character set. It was inspired by the handwriting of Justine Childs.
  9. Stenographer JNL by Jeff Levine, $29.00
    Sheet music for the song “The Little Thing You Used to Do” (from the 1935 motion picture “Go into your Dance” starring Al Jolson and Ruby Keeler) had its title set in what closely resembled Bank Gothic Condensed. [Bank Gothic was originally designed by Morris Fuller Benton for American Type Founders circa 1930.] This reinterpreted version is now known as Stenographer JNL, and is available in both regular and oblique versions.
  10. Arrowman by ZetDesign, $15.00
    Arrowman is a strong and bold decorative font with a Gothic feel. It will surely turn any design project into an eye catcher.
  11. Initiales Ombrees by ARTypes, $25.00
    ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.
  12. Janda Swirly Twirly by Kimberly Geswein, $5.00
    A more legible version of Janda Love & Rain, these decorative capitals are paired with neat lowercase letters that give you a girly flair with maximum legibility.
  13. Perpetua by Monotype, $41.99
    Eric Gill’s personal version of the Lapidary letterform. Perpetua® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Tattoos
  14. EnglishTowne-Normal - Unknown license
  15. Blasphemy - Unknown license
  16. Singothic - Unknown license
  17. Haunting Attraction - Unknown license
  18. Hullunkruunu - Unknown license
  19. Iron Maiden - Unknown license
  20. Overbold by Catharsis Fonts, $32.00
    Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates �how not to make letters�. In particular, he shows that increasing the weight of the downstroke in a serif �A� without structural adjustments yields an absurd, �overbold� result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.
  21. Steletto by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  22. HALLOWEEN Horror by WAP Type, $15.00
    handloween was inspired from gothic, scary, protest, and horror nuance. Features: Uppercase, Lowercase Punctuation & Number, Support in Mac and Windows OS Multilingual Support ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝ
  23. Hotel by Parkinson, $25.00
    An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.
  24. Steletto Neue by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  25. Cornerstone Flair by Jonahfonts, $35.00
    Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  26. Steletto Oldstyle by Jonahfonts, $42.00
    Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  27. Cornerstone by Jonahfonts, $35.00
    Condensed Gothic, great for tight-fitting headlines and other condensed titling situations. Applications include Headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
  28. Underwood1913 - Personal use only
  29. MPI Tuscan Extra Condensed by mpressInteractive, $5.00
    Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.
  30. Wushin by Twinletter, $15.00
    Every design project needs fonts, and the WUSHIN Blackletter font is ideal for any that calls for a gothic touch. A great place to look for fonts for your most recent logo, label, badge, music video, or film is the WUSHIN Blackletter font! This font is ideal for any project that requires a bit of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project.
  31. Moderna Sans by Latinotype, $29.00
    Moderna Sans, a modern sans-serif inspired by the American culture, is a clean and contemporary interpretation of American Gothic typefaces like "Alternate Gothic". Moderna Sans comes in 5 weights, with matching italics, and 3 widths—condensed, standard and extended. The font's character set supports over 200 Latin-based languages. Moderna Sans is an excellent choice for branding and corporate design and a versatile 3-width workhorse suitable for newspaper or magazine headlines and subheadings.
  32. New Old English by K-Type, $20.00
    New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.
  33. Splinter2 - Personal use only
  34. Plain O Matic - Unknown license
  35. Subyep by Subtitude, $25.00
    Subyep is a unique bitmap font with subtle serif and has almost a neoromantic/gothic look. The best size to use it is 17 pt.
  36. Franklin Stencil JNL by Jeff Levine, $29.00
    Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.
  37. ALT Deville by ALT, $-
    DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –
  38. Tire Swing BB by Blambot, $6.00
    Tire Swing BB is lighthearted without being silly. It's whimsical without being cliche. It's a body copy font, or great for headers, and includes lots of European characters.
  39. Nebbiolo by Jonahfonts, $39.00
    A single-stoked gothic font with UltraLight, Light, DemiBold, Bold and Extra Bold weights. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, menus, fashions.
  40. Spiegel Sans by LucasFonts, $49.00
    Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.
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