5,535 search results (0.717 seconds)
  1. Multiverse by Tamas Greguricz, $24.99
    Multiverse is a display typeface designed to combine retro and futuristic styles into one package. Its geometric characters intertwine in unique ways that can support a high-tech context, but its curves and boldness echo the sci-fi of the 70's and 80's.
  2. Krea Sans by Krea SK, $32.99
    The inspiration for designing this font was our company logo, that we created first. The design is influenced by a typeface called Din. The main characteristic and features are clean, minimalistic, geometric. Young playful companies and clients could definitely use this font for their branding.
  3. Newlook by QUADRAAT, $25.00
    Newlook is a display font drawn with geometric shapes and high contrast. The stylistic set 01 shows capital letters using heights from descenders to ascenders and x height which gives a crazy dancing look. Perfect for display, poster, magazine etc… Support all latin languages.
  4. NFL Falcons - Unknown license
  5. Astigma - Unknown license
  6. Mutlu - Unknown license
  7. My Puma Outlined - Unknown license
  8. Japanese Brush - Unknown license
  9. Tt-Kp Medium - Unknown license
  10. Tattooz - Unknown license
  11. Orlando - 100% free
  12. Die Nasty - Unknown license
  13. KR Alien - Unknown license
  14. GraphicAttitude - Unknown license
  15. KR Cupids - Unknown license
  16. Sabadoo - Personal use only
  17. Zodiastic - Personal use only
  18. KR Crayons - Unknown license
  19. KR Katlings - Unknown license
  20. KR Moonlit - Unknown license
  21. My Puma Oblique - Unknown license
  22. Ol'54 - Unknown license
  23. KR Witchyrella - Unknown license
  24. KR Calendar - Unknown license
  25. GoreFont - Unknown license
  26. Older Regular - Unknown license
  27. Burning - Unknown license
  28. Outright Televism - Unknown license
  29. Kabanoss - Unknown license
  30. Menuetto - Unknown license
  31. Pogo - Personal use only
  32. Mocha Java - Unknown license
  33. FontSale - Personal use only
  34. Evils Signature - Unknown license
  35. “So-called Baskerville Old Face of the type foundry Stephenson Blake & Co. of Sheffield. The Script is probably not immediately linked to Baskerville, but it is very much influenced by it. It is one of the most beautiful types of which the mats still exist; it has an incomparably different spirit than the ‘streamlined’ re-cuts of today’s Baskerville. Even keeping the general restraint extremely expressive. According to Berthold Wolpe (‘Signatures’ No. 18), the punches were cut and shown in samples in 1776 by Isaac Moore, who came from Birmingham to Bristol.” – Jan Tschichold, “Meisterbuch der Schrift”, Notes On The Plates, Page 231 Publisher note: I wanted to improve the contrast between thick and thin, reduce some ink-traps and give stems, serifs and links a smoother overall feel. I have also added some alternative letters and old style numerals.
  36. Malnor Sans by Sikifonts, $24.00
    Malnor Sans is a normal sans serif family of 18 fonts. With modern style or neo-grotesque, Malnor sans has balanced proportions in every letter, and it's clean, minimal and cool. There are several alternative letters that can be used in both upright and oblique styles. Single story 'a' can give a more geometric impression, even though it is not purely geometric. There is also an alternative double story 'a' with a tail, a double story 'g' and an alternative 'l' that can be applied together via the 'salt' or 'stylistic sets' features for a slightly warmer feel. Malnor Sans currently has around 900 glyphs, including diacritical marks, that support a broad Latin-based language.
  37. Aquus by phospho, $39.00
    Aquus is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures. Most alternate glyphs can be switched automatically by use of the Stylistic Set function in OpenType-supporting applications, others you can access manually via the glyphs palette. You may try Aquus Linearis as a fashionable outline variant, which reveals its beauty especially when combined with imagery. Use them best for concise strings of characters, such as logotypes, packaging or magazine titles. Aquus Simplex is their sober companion, based on the same letterforms, minus the geometric ornaments and conjunctions.
  38. Cephalonia by Design by Pascal, $40.00
    Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.
  39. Lab Slab Pro by Vanarchiv, $50.00
    Lab Slab Pro is a geometric slab typeface with a technological and minimalist look and is suitable for use in large sizes. It has eight versatile weights, (from Thin to Black) including true italics for each one, and a wide range of stylish alternate characters to improve its use in different graphic contexts. The name of this typeface was inspired by an experiment, mixing a structure with calligraphic influences and completely geometrical and structured drawings. Lab Slab Pro has a wide range of OpenType® features such as: small caps, old style/titling and small caps figures, fractions, superior and inferior scripts, scientific components and ligatures. Lab Slab Pro is Lab's best and most powerful mutation designed by Tiponautas.
  40. Aurore Grotesque by Device, $39.00
    Aurore Grotesque is an elegant, robust geometric sans for both text and headline. It has a classic European heritage that references the posters of Cassandre and the modern sans of Paul Renner or Karl Gustav Möhring, but is entirely new and does not slavishly follow any historical reference. The low lower-case x-height gives it character and definition in running text, while the capitals-only Titling variant lends weight and punch to headlines. The full range of weights, each with matching italics, make it perfect for brochures, magazines, advertising, web, app and corporate uses. Includes lining, old-style and tabular numerals, arrows, stylised geometric alternates, and a full international character set.
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